Vincenzo (2021)

Potential Imbalance

An anti hero with a mafia background goes back to his homeland to retrieve the secret stash of gold buried there after the owner dies. There he encounters a series of unforeseen problems, gets dragged into a war against a conglomerate and learns that there are more secrets than he had been made aware of. It's a fantastic foundation to base a story on. We can see that it has deadly potential to give us one of the best dramas of the year. But sadly, that is what it remains- a foundation- which is why it feels more disappointing than the average series that failed to deliver.

The plot is pretty straight forward for a touted thriller- but the back and forth screenplay keeps the viewers guessing. If you've watched enough movies/dramas, you wouldn't find the plot unpredictable. There are the usual betrayals, the chases, the comebacks, the one-upmanship, the cat and mouse game and the intermediate comic relief. But there are also a lot of unnecessary scenes and half baked elements that were mixed in as well. It could be because they all were originally a part of the script or because they had to fill the entire stretch of 20 episodes with something. In other words, this is not a racy or nail biting thriller. Truthfully, this is more an action drama.

The writer-director duo tries to overcome the hurdle of "too many episodes with too little story" with humour and fall flat face first onto the ground. That they respectively worked on Chief Kim and The Crowned Clown is another example of wasted potential- they could have turned the tables and made this better at any point of time during the show! The slapstick comedy feels forced, dispensable and boring. They could have totally done away with them and placed some actual courtroom scenes, seeing that the series' main characters are lawyers. The glaring lack of court scenes is rather conspicuous. The action sequences are nothing new either. I wouldn't call any of the plot twists shocking - I saw them coming from a mile away. Barring the first three episodes, the first half is long and uninteresting and the finale ends up being meaningless in its attempt to be a "desperate-last resort" action. Also, why all the last minute gore and torture?

The beauty of Vincenzo is that it is engaging in spite of everything. It ​is visually pleasing even if a majority of the incidents happen in an old building that actually requires the redevelopment that it vehemently opposes. For all the right reasons, yes, but it needs to be mentioned. The story picks up in the second half and the show delivers then what it had been storing all along. It feels like a fresh breath of air to see the plot take the reins and run the show, to drive its characters into their respective positions and make them do what they were brought in to do. The characters feel more grounded, as if they are a part of the story rather than in the beginning when they felt out of place with visibly forced acting. This overall improvement is backed by some solid performances from all the actors, with Ok Taec Yeon and Kwak Dong Yeon standing out. I think if Vincenzo did one thing good, it is that it brought out the versatility of these two.

It took me a while to accept the chocolate boy looks of Song Joong Ki as a feared and ruthless Consigliere and I was never fully convinced he could do it. But he does it, and although he didn't look threatening at any point, it's more on the plot. He provides a lot of gravitas to the character of Vincenzo that even the script fails to provide, ironically. He was a treat to watch. Did I say his Italian is sexy?

Jeon Yeo Been emotes well. She shines in how accurately and excellently she portrays the antics of her character, right from the scene where she is introduced to us, without being over the top. In my opinion, we needed more of her extras and less of the unpalatable comedy that was thrust in our face. I was never sold on the chemistry between the leads but the romance is light, breezy, blink-and-miss and yet, good and adequate.

Kim Yeo Jin is brilliant as Choi Myung Hee in what is one of the few best written characters of the show. Kim Yoon Hye as Seo Mi Ri is another. Music and cinematography are the other plus points.

The major pitfall of the show is its imbalance in the construction and execution of the plot and the inconsistency in the characterisation. I got tired of how easily and quickly the residents of the plaza changed their stances. Hong Cha Young's fire and extras in the first three episodes vanish abruptly and she becomes yet another woman who needs rescuing towards the end. The character of Jang Han Seok was only saved from being a weakness that could drag the story down by Ok Taec Yeon's incredible work because he loses his spark midway as well. It's as if after his reveal as the Chairman of Babel he had no more cards left to play. All Han Seok did in the second half is just a response to Vincenzo's advances. Han Seung Hyuk was the most unstable of the lot and it was difficult to predict what he'd do next- in a way that's more irritating than it is exciting. This uncertain characterisation and a plot that doesn't tie up its lose ends (starting scene? Vincenzo's dreams? How did he get into Han Seok's house? Why did one of Myung Hee's lackeys return to her?) adding in comedy for fillers create a sense of imbalance. Several scenes and episodes feel disjointed. At times, the scene transition is not smooth and the music cuts off suddenly. It feels like a poorly patched up broken vase when the vase was never broken in the first place; just a little messy.

So would I watch it again? Probably not. Would I recommend it? Yes, the actors are amazing, go fall in love with them. Should you watch it? Yes, if a slightly wonky mafia story is your bowl of corn salad.

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