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sad & beautiful with amazing chemistry and top-notch cinematography
For an idol Kamimura Kenshin had an amazing debut in his main role. Both leads had an amazing chemistry, subtle facial expressions or not so subtle facial expressions which cought me in episode 1. The sensiblity all their inime scenes were filmed was stunning. The story was captivating and it was excruciating to wait for the next episode. Oh my god did I wish this series had been released with all episodes at once.The characters were detailed and their personalities completly different. Motojima Junsei as Jin also showed great skill, the introvert with only two friends, overthinking anything and struggeling to come out of his shell.Harukia has "friends" but is not close to anyone, hides his struggles and is abused at home. He fears to become like his father and so he always decides not to fight back, takes blame for things he never did and is generally an outcast by most people. Jin does not understand Haruki, he knows of the abuse, but subconsciously he knows Haruki is not a bad guy. And then Haruki is bold kissing Jin a lot, never by force, but denies Jin the word for his feelings which does confuse Jin a lot. You feel the tension and their struggles with each other. And when you think all is well, it is not. Of course this a BL so we get a happy end.
There are some things I did not like. Jin was not open with his friends It was never shown that he told them about his love but it was implied, otherwise why did he invite his friends for the movie made by Haruki? His film is about two boys who seperate to meet again when adults btw. The second one is that the finale felt underwhelming. While the beginning was good the middle and end was lukewarm including the kissing scenes. I had tears in my eyes through all episodes from 1-9 but only in the beginning of episode 10. That's the only reasons why it was not perfect for me. Update: The "special" epsiode (sometimes labeled episode 11) does not solve the issue that Jin keeps in the closet with his friends even when Haruki said he had a crush on Jin but circumvent the reason.So either his friends are stupid and don't get the drift or it's a huge plothole.
The cinematography and direction was on point. This is a series you should binch-watch, the 10 episodes at around 22 minutes playtime will be gone faster than you can imagine and are a delight to watch. While it seems to be going slow everything was made with a tought behind it. Again a great japanese BL which makes thai shows looking very lame and underwhelming (with few exceptions). Overall this is a must see and was one of the best in 2024.
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Spell and rainbow
Spell and rainbowI remember that in Journalism Techniques, one of the Journalism subjects, the teacher told us to write imaginary interviews with personalities from the field of science, culture, art, sports, politics... who, due to various circumstances, could not be interviewed, since whether due to death, distance, etc.
I will try to return to my old classes for this subject.
In the Japanese BL series 'Miseinen Mijukuna Oretachi wa Bukiyo ni Shinkochu', Jin has emerged as a memorable leading character admired by the audience. His identity as a model high school student who has the purpose of living life as a spectator, his melancholic and lonely character, his desire to break molds and get ahead on a journey of self-discovery and acceptance, have captured the attention of viewers, who value their authenticity, talent and bravery.
Motojima Junsei, the actor who plays Minase Jin, has demonstrated a remarkable ability to portray this complex character. At only 19 years old, he has forged a solid career in the television and film fields.
In film he has stood out for playing Ichinose Hotaro / Kamen Rider Gotchard in the 'Kamen Rider Gotchard' universe, while on television he appeared in productions such as 'Hayabusa Shobodan', 'Kamen Rider Geats' and 'Shigatsu no Tokyo wa...'. In the latter, a 2023 BL series, he played the young Yagami Ryunosuke. The actor confesses that all his works have forged his ability to tackle challenging roles with depth and authenticity.
We talked about Jin and the Japanese BL series with Motojima Junsei in an exclusive interview for CinemaBL.
AA— How would you define Jin?
MJ— Jin is originality, love, honesty, magic, light... As an actor, I consider him to be the most beautiful character I have had to play on television so far. He is a model student. Studious. Work hard. His priority is to have his own house and his own car in the future. He knows that the only way to achieve his dreams is to go to a top university. He is fine with his repetitive daily routine of school and studying. He is an honor student who is indifferent to others, and has been living his school life avoiding any interaction with class troublemakers, especially Hirukawa Haruki. Jin is a fascinating young man who takes the viewer from hatred to love and becomes one of the pillars of the plot. Although he projects an image of absolute control over his life and his environment, he hides deep emotions and vulnerabilities.
"As an individual who is indifferent to everything and everyone and sees what surrounds him only as a spectator, Jin, without intending to, does not directly affect the harassment or bullying of those who are violated, of those who suffer from disrespect for other people's space, those who They endure the questioning of the expression of their identity and the exclusion due to their own or family characteristics. The effects of bullying are devastating for the emotional development of the person who carries out or receives the abuse, and even for the bystanders, voluntary or involuntary. because the framework of social and emotional relationships is formed at an early age."
AA—And Haruki is…?
MJ—Haruki, a character played with high marks by Kamimura Kenshin, a talented actor with solid experience in film and television, is my companion on a journey in which we will both discover and accept our true identity. Jin has been raised to hate people like Haruki. But Haruki, unintentionally, enters her life, which in a way, is perfect. This is the trigger for the series. One day, while Jin is taking a shortcut through a troubled neighborhood to return home, he sees Haruki, his classmate. Since he is not the type of person Jin would mix with, considering him, due to the upbringing received by his absent mother, the type of individual who grows up to become a criminal, Jin tries to continue on his way, until he discovers that Haruki is receiving a beating from his father.
"Something in Jin tells him that this is not his problem, that he should have nothing to do with Haruki. But at the same time a voice inside him screams that it is inevitable that their paths will cross... I would say that feeling of boredom that Jin has, it is Haruki who needs to get rid of him. Finally, they begin to relate.
AA— Why do you think the public begins to empathize with Haruki and stop seeing him as the villain of the story?
MJ— Haruki's character grows from the connection with Jin. In truth, they both grow as people. Both Haruki and Jin, who has the best values in the series, let go of the anti-values they carry and incorporate new, very positive values. When Haruki is around Jin he becomes a different person. He is talkative, attentive, talks about his taste in movies, shares secrets never revealed to others about what he likes or doesn't like about movies, about his life... Jin's father is a film director. This connects you even more by having another topic of conversation.
"Haruki is always prepared to give Jin his world. He cannot contain what boils in him, what overflows him, but everything will be step by step until he gets rid of the mists of doubt about the unknown, from fear of family, to school, to society in general that tells you that loving a person of the same gender is not correct, it is prohibited, it is illegal. Step by step, it will be like that, until the paths converge. Deep down, they are very similar. After discovering the secret of Haruki, the two quickly become intimate. This relationship, sad but beautiful, is what the series narrates."
AA— What strikes Jin about Haruki?
MJ— His vulnerability, his true “self,” so different from how he had represented it in his head. After witnessing the domestic violence carried out by his father, Jin manages to understand that the bruises on his face are not from the fights that he considered would cause them. As he tries to walk away, from his mind he cannot get the image of the Haruki he saw, so different from the one at school... Haruki is truly, like him, a tender, lonely and lost boy. They both come from different origins. Both had different types of education or upbringing. On the other hand, Haruki suffers from the marginalization to which he is subjected by his fellow students due to his reputation as a violent boy, his attitude of rebellion and disobedience towards teachers...
AA— In your opinion, what is the message that is transmitted to the viewer through this character?
MJ— Before answering that question, let me tell you that the events narrated in the webtoon "Our Youth", by Hi Nun, the original manhwa and which the series adapts for television, take place in South Korea between 2009 and 2014. In 'Miseinen Mijukuna Oretachi wa Bukiyo ni Shinkochu' is set, of course, in Japan and in 2018. Multiple details were changed slightly to match with Japanese reality, but ultimately the series captures the spirit of the original work, which is the romance of two teenagers set in a country where youth is marked by violence and loneliness, while, figuratively speaking, everyone They float in a rough sea where no one expects them to engage with each other.
"Now, my message with Jin is that a better world is possible, where people are respected and each person's sexual preference is not an important factor. Sexual preference is a personal issue that only concerns the person and not He should belittle or devalue anyone, much less humiliate. His sexual identity does not define his personality; what really define Jin is his values and feelings.
"I would like the public to reflect that sexual preference should not be a reason for humiliation, mistreatment or exclusion. People should be valued for their human quality, which is the most important thing. I think these stories should be represented more on television, although it will not be an easy battle, since Japanese youth have lived for decades in a society guided by homophobia, patriarchy and heteronormativity. However, as these stories are incorporated into the media and our culture, the japanese will leave becoming familiar with them, as long as they are given the right treatment. A change is needed because the world needs to be better and people need to love and respect each other.
The series seeks to demonstrate that while some people can overcome their suffering and move forward in life, others allow themselves to be consumed by it."
AA— How much did the character of Haruki contribute to the realization of your role?
MJ— Working with Kenshin was wonderful. He is an actor who offers all his knowledge. He is attentive and takes care of all the details of his performance and that of others. He is very protective of everyone around him. Sharing a scene with him was very comfortable. There were never any problems or disagreements between us.
"Whenever we could contribute something to the characters we did it, we sat down and tried to explain the reasons for Jin's rejection of Haruki when he tried to kiss him, his love for Jin, his father's abuse... which undoubtedly made our performances much more convincing. We did the casting together, but we already knew each other through mutual friends who introduced us at one of their performances with the vocal dance group "One N' Only", to which Kenshin belongs. And then we met in the premiere of the BL series 'Ossan's Love Returns', in January of this year, in which he plays Hao, one of the secondary characters. We have been friends since then, since before filming began. This has also served to enhance the chemistry, the close bond established between the two."
We left the conversation for a few moments. You cannot not answer the incoming call. I turn off my phone, while I hear, nearby, the voice of Motojima Junsei who, from his phone, agrees with a producer to finalize details to star in another BL series.
This is the moment when I let my thoughts escape: Where, if not from love, do those kisses come from that one tries to steal from the other? At what moments do their words and laughter grant us their elf? Where, if not from love, do doubts emerge, the confusion of one feeling rejected, but not despised, by the other? Where, if not from love, is the hurried heartbeat, as if it wanted to escape from the chest of the one who rejected the kisses? Where do they come from, if not from love, those ideas that vividly express that one cannot live away from the other, no matter how much one tries to keep the walls around him high?
Laughing, he returns to his solid armchair in front of me. We continue:
AA— How has the public reception been? Have you received any feedback that surprised you?
MJ— I remember that, while I was recording the series, I was talking with my friends, and one of them told me: "You know that there will be many people who will love you and many people who will hate you, who will make war on you." I answered yes, that I was prepared for that and that I wanted to play the character. I was aware that this could happen.
"Really, the response from the public has been, for me, surprising, with a capital letter. I never imagined that Jin would receive so many acceptances, and I am very happy about it. The message I wanted to convey has arrived. People have stopped seeing a boy in love with another boy to begin to see a man with an immense inner world and enviable human qualities. This has surprised me and made me very happy and I hope that, throughout the series, this perception will change keep.
"On the other hand, making harassment visible is important. It is necessary to promote a culture of peaceful coexistence and respect for diversity in all its expressions: sexual identity, origin, skin color, social status, physical and intellectual abilities, ideology... "
AA—In terms of the evolution of the character, what can we expect from Jin in the next episodes?
MJ— As for the next chapters and Jin's evolution, I can't tell you much, because otherwise Shibata Keisuke and Makino Masaru, the directors, will gut me. Ha ha ha. I can tell you about both of them that they fight against harassment and bullying, a complex phenomenon that affects emotional and academic well-being at all levels of education and throughout society. About the character, I can only say that he is not going to disappoint the audience. Jin will remain true to himself. That's all I can say.
AA—Finally, how would you describe the current and future state of Japanese BL series?
MJ— “Boys’ Love” is in good health. The genre has captured the hearts of millions of fans around the world. It quickly jumped from the initial Japanese manga and anime to dozens of annual series and films. Not only in Japan. Other Asian countries, such as Thailand, China, Taiwan, Vietnam, South Korea, the Philippines, among others, film productions of this content. The proliferation of the genre has given rise to a rich and diverse range of productions that celebrate love. It is a phenomenon that combines romance, drama and culture in a unique and charming way.
"But what is fundamental is their cultural and social impact. BL series not only offer entertainment; they also play a crucial role in the visibility and acceptance of LGBT+ relationships in Japan and throughout Asia. By portraying stories of love and struggle that resonate with For many people, these series foster greater understanding and empathy towards sexual and gender diversity. In addition, BL has created a global community of fans who manage to connect and share their love for these stories, breaking cultural and geographical barriers.
"Or at least that's how I understand it. One more step towards diversity and hopefully, these stories will be standardized in the rest of the markets."
While, already at home, days later, I watch the next episode of the series, I think about the last words of Motojima Junsei: "BL series provoke a kind of enchantment in millions of human beings in the world. It is as if the director, screenwriters, actors and others involved, like magicians, will pronounce a magical spell that encourages the majority to entertain, to fight for the rights of LGBT+ people.
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Our Youth was always bleak
I was really surprised with this drama in every aspect. It's hard to figure out what you want to expect from a j-drama, as they are pretty much giving for everything. They are good at being camp, melancholic, just haven't seen it being done at one time. The way this drama is going is to be more mellow, and I find that completely correct based on the story that is being told.So what is the story? Honestly I had no idea. I came into this hearing it was pretty good and expected to at least not get bored, I came out of it getting a lot more. The story is a lot more depressing and realistic than I expected, it was a punch to the gut when I first understood what this drama is really about.
You go into the drama the same way as the lead Jin, thinking Hirukawa is a delinquent and no good. Multiple people in his life warn him about 'ruining' himself by surrounding himself by the wrong people. It is sort of rich coming from the people that don't care to know him well enough, and as a result you can see just how lonely Jin is. From the outside you see a rich privileged kid that wants to succeed and is obsessed with getting good grades and appealing to the right people, on the other hand you have Hirukawa. Hirukawa is the textbook definition (from the outside) of the type of person that Jin should not be around. The drama gets this across several ways, so seeing the two of them get close admits all the internal dialogue just has the payoff of their scenes together leaving me on the edge of my seat. I understand that is why it feel so intimate, because you can see just how much is at stake for the both of them.
Jin has his whole life ahead of him, but he isn't selfish because he knows that. He recognizes the disingeuine acts of others.. especially when it comes to his parents. Each episode develops his character starting from that, as well as his relationship with Hirukawa. This drama is MUCH more than a romance, it's about a whole lot more than that. It isn't too on the nose with its themes, and the acting coming from the leads pulls the story along really well. Without the chemistry between the leads this drama would suck so bad, but luckily they are offering a lot more than just their visuals.
Hirukawa is abused by his father. He is clearly able to fight back for himself, but clears up why he hasn't and won't do that. Hirukawa isn't a delinquent or a scary person, he is misunderstood by everyone. The real story of this drama starts when Jin witnesses the abuse. Even when Jin knows this, he doesn't treat Hirukawa in any different way. Hirukawa is finding himself drawn to Jin because he doesn't have to put a wall up, he knows Jin has accepted him completely. Jin accepts the abuse is happening and doesn't push any boundaries, in fact the one who is holding himself back is Jin. It is sort of brilliant that Jin is the one still closeting himself so badly, where as he has nothing 'pathetic' happening to him in that way. Jin is just extremely tentative because of his privilege circumstances, where Hirukawa finds solace in his company because of his honesty.
The romance between them adds a whole other dynamic to this drama. It isn't cliche with how it does things, instead it is much more realistic. The attraction between the two is clearly there, and you can tell Hirukawa's lax attitude of it all is because he is trying to feign ignorance of his true feelings. He has been a 'nuisance' his whole life, so he doesn't want to get in Jin's way, but he also doesn't want to leave him alone? Why? Because he knows that Jin is a person in his life that makes him genuinely happy. It is when a story is able to be as simple as that, that the attraction doesn't have to spell it out for you, that it is just two people that make each other happy. The drama comes with the circumstances that are telling them to contradict their feelings. That they won't work for just as simple reasons. That they are both boys, that they have different lives, etc.
The tone of this drama handles the serious topics so well. I was also surprised to see that the abuse in Hirukawa's life is a strong part to the story, it wasn't there for shock value. It is shown how deeply that affects Hirukawa's attitude, but it hasn't made him a bitter person, in fact he wants to protect people.
What I am dreading is the time skip.. that will 100% happen. Hopefully there are no frustrating cliches brought in.. but so far this drama is wonderful.
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this show will definitely stay with me for a long time
For me this was such a refreshing watch, as the love story that played out was carefully portrayed and it was beautiful. I really felt every single emotion that was played out on the screen; this show will definitely stay with me for a long time.I can't remember the last time I watched a series, where I was able to understand and sympathise with both leads during times of conflict/disagreements. It was like a breath of fresh air, I particularly loved how natural the storyline and the love between the characters played out on my screen. I will genuinely miss tuning into this each week.
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Resenha
Our Youth (2024) é um drama BL que realmente me cativou com seus personagens bem construídos e a forma delicada como o romance foi desenvolvido. Minase Jin e Hirukawa Haruki têm uma dinâmica que começa de forma tensa, mas, aos poucos, evolui para algo muito mais profundo e significativo. O contraste entre as personalidades deles – Jin, o estudante exemplar, e Haruki, o delinquente rebelde – foi trabalhado de maneira envolvente, criando momentos emocionantes e genuínos ao longo da história.O que mais gostei foi o romance. Ele não foi apressado nem forçado; pelo contrário, se desenvolveu de maneira gradual e natural. Cada interação entre Jin e Haruki parecia autêntica, e era fácil se apegar aos dois e torcer por eles. A química entre os atores também foi um ponto alto, ajudando a transmitir as emoções de seus personagens de forma convincente.
Porém, para mim, o final deixou a desejar. Depois de tanto investimento emocional ao longo da trama, eu esperava algo mais marcante ou bem resolvido. Pareceu que algumas questões ficaram em aberto, o que foi um pouco frustrante. Apesar disso, não foi o suficiente para diminuir o quanto gostei do drama como um todo.
No geral, Our Youth é uma obra que recomendo, especialmente para quem gosta de histórias com foco em crescimento pessoal e relações que se constroem aos poucos. Mesmo com um final que não me agradou completamente, ainda considero uma experiência muito positiva e que vale a pena assistir.
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Opposites attract and complete each other
This is a story about foremost two youths both troubled, broken, lonely but in very different ways, living in two very separate realities but within the same space. Maybe I should say spaces as while one space is the type that is so close but yet so far. Floating around like two parallel rivers. The other one has this window or maybe this small stream that connects the two rivers but only has space for the two of them. A space that allows the two to forget the worlds/rivers they come from and focus on each other.While the story is a sweet, youth love story it is surrounded by the pain, lowliness and hardships of youth. A story that needs to be told. Letting us know that there are those who are predators, those who are victims and those that are bi standers. Thus explaining how the adult world could let these youths live the way they do.
It is really beautiful and fun to watch how these two find each other, watch these opposites interact, in more or less subtle ways.
A decent drama for most.
Edit:
Just watched the extra episode, that one is a 9, an interesting wrap up, while somethings change some things clearly stay the same.
one silent, closeted the other free spirited with a sense of fight inequality, Il get married wen I can vs. I dare not say anything about... anything. But one thing is clear the love and lust is there. But how long will they be able to hide?
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One of the Best Adaptations in 2024!
It’s easy to get lost in our own lives—to become so consumed by what’s happening to us that we feel like we’re drowning. And the people beyond the waves? They become distant, even frightening, especially when one of them shines like a beacon of light, someone we’re afraid to approach for fear of extinguishing their brilliance.This feeling of being lost, afraid, and yet yearning for something outside our own experience is precisely what the Japanese BL Our Youth captures so powerfully.
Adapted from the webtoon by Hi Nun, Our Youth follows model student Minase Jin (Motojima Junsei) and delinquent Hirukawa Haruki (Kamimura Kenshin) as they navigate a turbulent youth defined by violence and loneliness. Their lives are like a choppy sea where no one expects them to cross paths—let alone to become each other’s anchor in the storm.
Read the complete article here-
https://theblxpress.wordpress.com/2025/01/08/our-youth-series-review-ep-3-to-10/
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Lorsqu'un amour est entier...
Avec sa narration lente et profonde, les sentiments prennent vie, se dévoilant sous la forme de la réticence, de la curiosité, de l'affection et puis de l'amour. Our Youth, c'est l'histoire de deux jeunes lycéens qui, malgré leurs différences, vont évoluer ensemble avant de devenir le radeau de l'autre.Certains JBL sont plutôt sympathiques, d'autres sont adorables ou encore des plaisirs coupables. Et puis il y a des drames comme Our Youth, les inclassables. Ceux qui viennent raconter une histoire en apparence banale, mais qui renferme plus que tous les dix derniers JBL diffusés. Et c'est toujours un bonheur brut. Ce qui est magnifique avec des histoires comme celle-ci, c'est qu'elles mettent en scène deux individus opposés, mais où chacun va apprendre de l'autre. Ensemble, ils ont plus qu'une simple relation, ils peuvent braver plus qu'ils n'oseraient penser et parviennent à s'enfermer dans cette bulle qui n'appartient qu'à eux.
C'est la première fois que je vois Motojima Junsei et Kamimura Kenshin, et quel jeu ! Tous les deux dépeignent de beaux personnages avec des émotions visibles, mais subtiles au travers de regards et de sourires. Leur alchimie est ravissante, accentuée par des gestes qui se veulent innocents aux yeux du monde, mais pas pour eux. J'ai notamment apprécié le fait de ne pas avoir le stéréotype du gars sûr de lui et charmeur, contre celui effrayé à l'idée de simplement voir un bras nu ou, pire, imaginer devoir embrasser la personne qu'il aime.
J'ai aimé suivre l'évolution du couple, mais aussi de chacun d'eux, individuellement. D'une façon ou d'une autre, Our Youth semble rappeler qu'on ne connaît jamais vraiment les gens, à moins de leur porter un intérêt. Hirukawa (Kamimura Kenshin) avait tout de l'adolescent rebelle et flemmard, mais en réalité, c'est un garçon passionné de cinéma dont la plus grande peur est de ressembler à son père. Minase (Motojima Junsei) est un élève studieux avec des parents aisés, mais c'est aussi un adolescent délaissé au profit des carrières respectives de ces derniers. Entre eux, il en ressort un amour maladroit, mais sincère au travers des difficultés qu'un adolescent n'est pas supposé affronter. Un parent alcoolique, violent ou absent. Mais aussi les attentes de la société qui ajoutent plus de pression aux enfants. Ou encore le fait de ne pas se conformer au moule et d'être différent.
Le fait qu'ils décident de ne pas révéler leur relation et de continuer à vivre dans le secret ne me dérange pas non plus. Cela me semble plus réaliste que de voir les deux amis de Minase et leurs parents être heureux pour eux. Le Japon est une société qui s'ouvre de plus en plus, mais l'homosexualité n'est pas encore totalement acceptée. Au-delà du désir de mariage ou de la liberté d'être avec qui on le souhaite, leur amour reste le plus important. Ce n'est pas un sacrifice de s'aimer en secret, c'est peut-être même la réelle liberté : « pour vivre heureux, vivons cachés ! » disent-ils.
Ce qui m'a le plus séduite au fil des épisodes sont les mots de Minase pour parler de sa relation avec Hirukawa. Ses mots ont cette poésie si caractéristique des œuvres japonaises qu'on ne trouve nulle part ailleurs. La mise en scène est aussi jolie avec une palette de couleurs propre au Japon ainsi qu'une discrète, mais agréable bande son.
En bref, Our Youth dépeint l'histoire de deux personnes différentes unies par un amour authentique. Avec leurs imperfections et leurs différences, leur amour n'en devient que plus fort et vrai, à l'abri des regards indiscrets.
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Beautiful story about first love - one of the better Japanese series I've seen this year
Beautiful and sometimes terrible story about two young guys from very different backgrounds who meet in high school. About an abusive father, an absent mother, loneliness, prejudice, friendship, first love and an increasingly strong bond that grows between the guys, a hard breakup and eventually a beautiful reunion. 10 regular episodes + an extra episode about what happened next. Watch it!Vond je deze recentie nuttig?
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This is one to watch...
This is not going to be like my other reviews.This review may make it seem like I didn't like this, but I first want to say that is not true. I really liked this one... but...
I have to rant about this...
That one teacher should NOT be a teacher!!! Who the hell do you think you are saying that crap to Hirukawa like that? He is your student, you shouldn't say thing like that, teachers are supposed to help their students not belittle them. I just wanted to jump in the show and beat the every loving shit out of him. Not just him either, alot of people, even the kids...what the hell is wreong with people... the sad thing is, this is not make belive it happens in real life as well, well I'm not 100% sure about the teacher thing, but the rest yes.
Another thing I thought the kissing they did could have been better. All they did was put their lips together, they did't kiss. They both did a great job otherwise.
End of rant. 😀
Edit: Ok the last ep (11) they did I better job at the kissing.
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This drama needs to be studied to how to write a good story
i never write a review here before, but this drama makes me want to make one on here.The writer really did a good job on writing the storyline and adapting manga stories. i like how the dynamically build emotions on each episode delivered. with only 10 episodes and 20+ minutes duration each episode, this is the perfect example how to write a story. everything in a right place. i cried on the episode 10 because how beautiful the storyline is.
the acting is already good, but there's some part that i think they can do better. i literally recommend this drama.
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[Paused] A JBL Bingo: School Edition
[Update. Due to a grave family crisis, I have put this show on hold. I'll get back to it soon. Meanwhile, feel free to let me know below how well the game predicted the plot.]I have created, for your pleasure and displeasure, a bingo card for Japanese school BLs. I wrote these down before I started watching Miseinen (I promise!), and I’m going to see at which episode I yell “Bingo!”. Feel free to play along, shuffle the table, make it your own, and then tell me at which point you win. (For ratings, I’ll start with 5.5 throughout, and adjust them at the end depending on how good the show is.)
Column B:
(Psychology 101)
1. Overbearing mother
2. Absent or abusive father
3. Inability to communicate (except through inner monologues)
4. Panic attacks at the very thought of intimacy
5. Noble idiot
Column I:
(Tropefest)
1. Time jump, usually for trips abroad
2. Beach trips
3. Random and wildly inaccurate equations on blackboard
4. Corridor crossings in slow motion
5. Roof-tops, usually fenced-in, against a hilly background: ideal for unrequited confessions
[Bonus point: Bangs for girls. Bowlcut for boys.]
Column N:
(Love Languages)
1. A wide-eyed "kiss" that reminds you of the girl from The Ring
2. Kabedon, because... door banging is sexy?
3. Free Space
4. Wound tending... even sexier.
5. Standing in the rain, kissing in the rain, getting cold & fever from the rain... just a lot of rain.
Column G:
(Lines of dialogue)
1. “But we’re both men…”
2. “Kawaii!” or “Kakkoii!”
3. “Ikemen ne.”
4. “Hendayo!" (usually after the first non-kiss)
5. “Suki da.” “Eh?”
Column O:
(War of the Positions)
1. Seme: Nipple-revealing bleach-white shirt. Uke: Buttoned-up black coat.
2. Seme: No real friends. Uke: Really bad friends.
3. Seme: PTSD survivor. Uke: Florence Shitingayle
4. Seme: Rebel with(out) a cause. Uke: Mathlete.
5. Seme: Six feet, tops. Uke: Five feet under.
Notes:
1. Gang, it happened! At the end of Ep. 5, Bingo!!
2. "Infect me!" has to be the sexiest and most romantic thing anyone has ever said in a BL.
3. If my sampling of JBLs is correct, at least a third of all Japanese fathers must be in jail for child abuse.
4. Can someone explain to me why Minase cannot call the police?
This review is dedicated to jpny01, the final word and authority on all things BL.
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