50FiftillidideeBrain
Two Maddies Catch Some Baddies And Pi$$ Off The Condo ☑ Association Too! °7.7° °VG°
He's a cop with anger management issues. She's a fearful, paranoid mess.They run into each other on the street. She feels threatened and pepper sprays him, so you could say they didn't hit it off. Next they see each other at the therapist's office. Apparently they've been complaining to the same therapist about each other. And next they see that they live next to eachother. WHOOPS!
From that point on, it's the mayhem one could anticipate from two unhinged (but good, underneath it all) persons who each try to bend the other to their will, and in doing so, give no space for peace. They drive each other truly crazy.
Before the end, they'll get the gangsters and drug dealers involved, another neighbor will help Nah Hwi-oh dress up as a woman so he can go undercover while on suspension, thus, the cops jump in for a round along with the convenience store clerk, a deliveryman, parents, the condo association, and the neighborhood watch. High drama it ain't. It's meant to be fun and to make us smile. It is. It does.
They include a K-drama trope in the last couple scenes that usually is awful, and it is the same here: MSS, or mandatory separation syndrome. MSS involves couples, who once they get together, must separate. 'I love you! Finally, we're together! Now I'll catch you later...' Huh? Sometimes, it's a good thing - a generous 15% of the time. On top of that, most of these people are pushing 40. They ain't getting any younger. All flights appear to be grounded as well, because, even if the separation is 4 years, they never seem to visit each other in that time period. In MFE it is brief, we can let it go with a warning.
MFE is 13 half-hour episodes, so it is less than half the usual length of other Kdramas. So get the popcorn, sit back, watch, and grin.
Directing 8
Acting 8
Romance 7
Flutters 5
Warmth 6
Action 6
Thought provocation 5
Age 13+
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Kang-soo To The Rescue °6.6° °Good° +Family Positive+
Here's a fable for the underdogs.SDM follows the overlooked, everyday workers. They deliver when c☃ld in winter, and h♨t in summer, s⛈aked in spring, and through the lugubrious fall. They are sneered more than cheered. SDM finds them forming a supportive group that gives all of them a lift.
Kang-soo is the catalyst who turns friends and acquaintances into family. This is contrasted against several real families in the show that tear each other apart. The family we choose is often the best we get.
Kang-soo shows up in town and lands a job at Lively Handmade Noodles. From there, he deconstructs the whole delivery system and then rebuilds it, all while outsmarting the powerful corporate eateries.
The storyline is entertaining, though formulaic. I don't see formulaic as necessarily the worst criticism. Life, and our shared human experience can be formulaic. It's the journey that is most important. The journey you will take with this crowd is fun, like a Disney Channel show.
This would be a good show to watch with kids as soon as they can keep up with the subtitles. It reinforces hard work, honor, helping others and living right. Kang-soo is a perfect role model. He exemplifies all the above. He inspired Ji-yoon to follow suit. He makes loyal friends out of strangers by helping others.
The actual romance falls slightly flat. I'm not sure if the cause is the dialogue, the directing, or just a lack of chemistry. Perhaps it's a little of all the above. The secondary characters' relationship was a better story.
SDM is actually best suited for tweens and teens, and parents won't mind watching along. It is a simple story in the After School Special tradition, and solidly PG/PG-13.
IMHO...
Directing 7
Acting 8
Romance 5
Thought provocation 5
Suggested Age 10& up
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SASSY MEETS CLASSY Joo Won-nah See This! °8.5° °Excellent°
This show is adorable, with nearly every moment enjoyable. Like Bridgerton, they sometimes wink at historical seriousness and just go for a fun story.Visually, MSG is a treat. The sets, filming, and costumes are gorgeous. Its budget is clearly more than many historical dramas with its sophisticated fight scenes and costume after gorgeous silk costume.
The story features Princess Hyemyung (Hye) and scholar, Gyeon Woo (Gye). Back in time, we see Hye's mother, the queen, dethroned to open the show. Though assassins were sent to kill her, she was aided in escape and gave birth to Hye's brother, who was returned to the palace. The new queen is backed by the conspirators, and while Hye doesn't know /that/, she knows she hates the new queen. This explains why she grows up surly. Gye just returned from Qing (China) where he excelled. His moniker is: The Treasure of Joseon. Whatever. Hye couldn't care less.
Within days (hours?) of his return home, Gye runs into Hye. She's sauced. She burps in his face, leaving him gasping in her wake. He rounds a corner and there she is again! She's picked a fight with a horseback rider who almost hurt pedestrians. Gye helps diffuse that situation. Hye turns and pukes on him. He's horrified.
Gye has no idea who she is. Hye isn't allowed out of the palace, afterall. He is assigned to be the prince's (soon to be crowned prince) tutor. The prince and Hye are very close, so as soon as he shows up to work, he sees what he'll be dealing with. Of course, they can't stand each other.
It's good ol' plain fun to watch how Gye is thrown off by Hye. He declares her his enemy, but he can't shake her, & his pain is our gain. The device used to bring them together is her lost ring. She demands he help her find it, or he'll be in big trouble. That premise could be improved upon, but just roll with it. That enables her to introduce Gye to fermented skate, which everybody agrees, is some of the worst smelling stuff on the planet. She also feeds him chicken feet. While a somewhat weak premise got the two there, strong stomachs brought us these fun scenes.
Then it all starts. Look for the ring. Who is this wacky broad following Gye around? Gye complains to his friends that he can't shake a crazed stalker. One of them, a popular romance novelist, says they'll go from bring enemies to friends, and then to lovers. She meets his friends as Lady Hyemyung. They love her. They gamble and play a dare game at the lantern festival. She rocks all their worlds. Girls that are interested in Gye hate Hye, but Gye falls for Hye & she falls for him. Gye's parents want him away from that sassy princess! The king engages Hye to a prince from Qing. Gye has to stop that! And they finally tackle the mystery from the past.
It's tagged as a romance/comedy, but though it starts funny, this is no mere romcom. There's teary moments, intrigues and decent action as well. There's many Kdramas that start out like a romcom that go on to be very romdram. In order of importance, MSG is:
1. Romance
2. Drama (even though most of the drama comes later)
3. Comedy
~and to a lesser degree~>
4. Thriller
5. Action.
Do they have a name for a feature filled with all of that?
RomDramComThrAction?
Does simply everything have to fit in a mold? No, thank you.
The characters are well written and the acting is fantastic. Joo Won, as ML, Gye/Gyeon Woo, is astounding. He communicates with his eyes like few others. I loved him in this role. Go Na-eun, as Councillor King's daughter, Da-yeon, is fabulous at showing a calm (phony) demeanor while seething underneath. Yun Se-ah, as Queen Park, also gives a riveting performance. None of the performances detract from the whole. The directing is also top-notch. MSG has that lighthearted side, but it runs much deeper at times. The plot and dialogue are intelligent along with being amusing.
The court intrigues are done especially well. The king is weak, and he has deferred to his counselors for too long, his power mostly drained. The tension builds in the background and develops into full fledged drama in the second half of the show, when the past and present meet up. There have been forces at work against the present regime for decades.
Notes on historical context:
I watched MSG before I learned to not read any reviews prior to writing my own. Whenever I read before writing, my review would either reinforce one that I read, or I would rebut it in my review. I know now that I have to keep my head clear. In this case, I had read a review stating that the actors were too old for the parts. Per their bios, they were both born in '87, so that's fair, but they both did a great job, and I wouldn't trade out Joo Won periodt. Another complaint is that the court intrigues are nonsense in MSG. I decided to do a quick fact check on that claim (Wiki). Turns out, MSG is not inaccurate at all.
Per Wiki, "government officials were ranked in 18 levels. For much of the dynasty, a complex system of checks and balances prevented any one section of the government from gaining overwhelming power until the 19th century when political power became concentrated in a certain family or individual.
While the king commanded absolute loyalty from his officials and subjects, the officials were also expected to try to guide the king to the right path. Political struggles were common between different factions of the scholar-officials. Purges frequently resulted in leading political figures being sent into exile or condemned to death. The power of the bureaucrats often eclipsed that of the central authorities, including the monarch." Therefore, rather than a valid complaint, historical accuracy can be removed from MSG's liability column.
MSG was enormously popular in SK when it first aired. This led directly to making the much loved Rookie Historian (which also depicts fights within the bureaucracy) and 100 Days My Prince. Both of those dramas borrowed quite a bit from MSG. That's why the current rating confuses me, though less than 600 people have weighed in so far. Jun Suck Oh is a competent director whose works are all rated over "7" on IMDB except for this one. Two-for-two with me, he directed My First First Love(8), which is also lighthearted fun done right. I am confident the rating for MSG will climb when more people watch - as long as they give it a fair shake, meaning 2 episodes minimum. Ep1's in Kdramas are often set-up for the rest of the show, including introducing the characters as extremes of themselves. MSG is no exception. Princess Hyemyung is slop drunk when we meet her, and Gyeon Woo, though better than the sassy princess, seems 1 tick above a complete egghead. They get adorable with each other pretty quickly.
Gyeon Woo is, perhaps, the primary driver of the show's appeal. Not only is Joo Won enormously talented (MSG is worth watching for him alone) but once he decides what he wants, he works towards it, step by step, one challenge at a time, while being enormously brave and clever. So much for egghead, he can fight, too! With Hye around, that's a necessary skill. So, Don't be scared off by Ep1, and don't be afraid: Gyeon Wu is the only one suffering. Just avoid thinking about fermented skate and the rest should be a stroll through the garden.
Watch again? Did✅+would✅
IMHO
Directing 84
Writing 80
Acting 85
Romance 88
Flutters 76
Warmth 80
Art 80
Thought provocation 60
Ending 70 (due to MSS)
Age 12& up
MSS: Mandatory Separation Syndrome, an overused Kdrama trope in which couples, once get get together, must separate. 'I love you! Finally, we're together! Now I'll catch you later...' Huh? Sometimes, it's a good thing - a generous 15% of the time. On top of that, most of these people are pushing 40. They ain't getting any younger. All flights appear to be grounded as well, because, even if the separation is 4 years, they never seem to visit each other in that time period.
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Spice Up Love ♨️ For What It's Worth °7.4° °VG°
“Is this a wedding invitation or an invoice?” Her friend muses as she holds the paper up to the light. Hae has always felt like she was getting cheated. She still does. Son “Hae” Yeong is a girl who had to share her mother's love with all the stray kids her mother always had a habit of taking in. She's at her ex's wedding, now. She would look weak if she didn't show. Cro-chi? The slide show celebrates the pair's 1 year anniversary of being a couple… Um, Hae broke up with him a mere 6 MONTHS ago. There he is: Happy, carefree, adored, getting the company marriage benefits of cash, free vacation, & honeymoon suite. All she does is transfer her hard earned money to coworkers because they are having weddings & babies, and generally living more successfully than she. Hae HATES being cheated; her ex is a devil. She blows up the group photo - in her imagination. Pssshhh. She didn't like him anyway. She was just killing time.NGNL is a 2024 release that is rated 89 on AWiki. It is 1 season consisting of 12 65-minute episodes. It's got it all. Spice Up Our Love is a follow up 2-episode short that dives into one of her friend Bora's novels and examines the 2ndary couple's romance further. That's pretty cute. NGNL is a trope salad: Fake marriage, lost son of the chairman, enemies to lovers (× 2), and total validation. It's a fairytale. It's not serious. It's simply fun escapism. And fun, it is.
It seems to Hae that everyone is wedding obsessed, right now. She can't get near the company president because she's single. The owners won't let any temptation around their son. All the secretaries and high level execs are MEN. If she was married (AKA, NOT a threat to the family bloodline) she would already have been promoted. She begins to wish she was married. On a night when she's feeling desperate, she asks the 7-11 clerk to be her groom. Hae's goals are purely financial. She has no interest in messy emotions. It's about what's in it for her - Cash envelopes, company stipend and honeymoon time… she's gonna get what she has due.
The wonderful Shin Min Ah (Our Blues-8.5, Oh My Venus-7.4, Hometown Cha-Cha-Cha-8.4,Tomorrow with You-7, born in 1984) is our FL. She is competitive. She hated the attention that her mother gave to the constant masses of foster children that flowed through their home when she was growing up. She despises unfairness (especially when she's subjected to it) and she's not above cutting corners. She doesn't value love or intimacy. Her relationships have been mostly shallow. Her BFF (Nam Ja Yeon / Yeon Bo Ra, played by Han Ji Hyun of the Penthouse Series) writes spicy romance novels. Joo Min Kyung (One Spring Night-7.8, Something in the Rain-8.6, Green Mothers' Club) is Cha Hui Seong, Hae Yeong's other friend. Both of Hae's BFFs “did time” in her home when she was growing up. If her mom hadn't taken in foster kids, Hae would be completely and utterly alone. She fails to recognize that.
Kim Young Dae (Penthouse Series, born in 1995) is Kim Ji Uk. He's an orphan, he works at a convenience store (he needs a better job) and he's a perpetual do-gooder - a saint. His halo stays polished. He's gentle and conscientious. He's looking for a nice, modest, respectful, quiet girl to marry. That ain't Hae. He's been watching her for 6 years. She's had alot of interactions with MEN in that mini mart. She's bought alot of condoms. But ‘the head is the domain of knowledge and our heart is where love resides’, after all. He's actually more mature than she, despite the age diff.
Lee Sang Yi (Han RiverPolice-7.4, Youth of May, Bloodhounds, born in 1991) is the trust fund baby, Bok Gyu Hyun. Things are stiff at home, and he's doing his best to keep his parents happy and the company afloat. His mom loves Bora's novels. One day, the men in the family find out what's in /those novels/. Gyu Hyun decides he's going to destroy this author, this purveyor of smut. He's declared war on Yeon Bo Ra. I have become a fan of this actor. He has tremendous skill.
Lee Yoo Jin is Yeo HaJun, Gyu Hyun's secretary. I've seen him in Be Melodramatic-8.7 and Familiar Wife-8.5 - exceptional shows, both. His face is completely different now. It is much fuller. He looks good. Kim Hae Sook (Mr. Plankton, Under the Queen's Umbrella, Inspector Koo-8.4, Start-up-8, Hospital Playlist-9, Saimdang, Light’s Diary-8.5) makes an appearance as a grandmother. She's always fantastic. The screenwriter is Kim Hye Young who also gifted us with Her Private Life-8. Kim Jung Shik directed NGNL, Work Later, Drink Now, & So Not Worth it, among others.
Temporary physical satisfaction vs committed love is the theme. “My body and heart come together as a set,” our ML says to a h0rny and disappointed Hae. One of Hae's friends has been dating her boyfriend in a lackluster fashion for over 10 years. He mentions marriage and she realizes that she doesn't feel like marrying him. They decide to have an open relationship. Hae, not in the “know,” almost takes his head off one day when she sees him with another woman, which leads to an argument with her friend. (“You're a s!u+!” “/You're/ a prude!”) Life is complicated and it can be difficult to know the best course. We all chafe under too many rules. People have a habit of looking at short term gratification while ignoring long-term satisfaction. I don't know how many open relationships work out in the long-term, but I've heard lots of stories about them not working out. Jealousy plus feelings of betrayal and abandonment often take hold. The evidence is there that most of us crave an intimate relationship - one where we are the most important person in someone's life. Throwing that idea out for sex with multiple partners seems like a cheap exchange to me. If a person dates someone for years but doesn't want to marry, there simply isn't enough love there. There isn't a deep enough connection. I'm for cutting the cord and moving on. Why do people continue to date a person they will never commit to? Loneliness has to be the main reason. Casual sex, more often than not, ends up making a person feel lonelier and emptied out, though it's a slow process that may go unnoticed for a long time. As problematic as marriage can be, married people are less lonely and have more sex - more money, too. The high divorce rates are driven by 2nd and 3rd marriages. The majority of first marriages still don't end in divorce. I guess it comes down to whether sex actually means something or not. According to human history and most world religions it does. It seems to be a conjunction the emotional and physical at the very least, and in its highest form it is the union of the physical, emotional, intellectual, and spiritual. Cheapening it down to a mere physical act could be robbing ourselves. The show’s plot reinforces that concept, in the end.
Another theme is living free and not being enslaved by others’ expectations. “{My father} wanted me to live the same life that he had and I thought it was my duty as his son to honor him. Now that he's gone, and I followed his will to the letter, you know what I've come to find out? It's pointless. It was a huge waste of time… I don't feel accomplished in the least. If I had disappointed him a long time ago and lived how I wanted to live then I would have been much happier… don't hand over your reins to someone else,” we hear from another character. People are by nature controlling. While parents and elders have lived longer and have seen more, so their advice can be valuable, no one has the right to rule your life. Always evaluate your presuppositions and what is spurring you on. Make sure you are doing /some/ things that make YOU happy and fulfilled. Never stop improving. Never stop working on yourself.
Craft and art-wise, the show is competent. The theme song is kitschy but cute. Miracle, by HEMIAN, is very nice. There is plenty of levity and some genuine laughs. ‘You really have to love someone to do all of this,’ Hae muses as she reviews a wedding checklist online. In ep6 people with a multitude of convoluted cross sections and undercurrents sit down to a meal - it's big fun. The primary romance is nice, but the 2ndary couple's story might even be better. That's why they get their own follow-up special. There's no pain in this gain, and there's a fair amount of spice, which is nice!
QUOTE📢
The nation's strength relies on integrity at home.
〰🖍 IMHO
📣7.5 📝7.3 🎭7.8 💓7 🦋6.8 🎨7 🎵/🔊7 🔚7 ▪ 🌞6 ⚡2.5 😅4 😭2.5 😱3 😯2 🤢2 🤔4 💤0
Age 15+ Language : R-rated w/ F💣s;
The international peace sign is waived (middle finger salute)
Sexual content 4/10
Rated TV-14: Parents Strongly Cautioned.
Re-📺? Unlikely, but not impossible
In order of ~lite&trite~ to ~heavy&serious~ you may also like:
😵💫Uncomfortable pact/gig:
🇰🇷K: 99 days with the Superstar-7,
Mr. Queen-9,
Mystic Pop-up Bar-8.2,
Crash Landing On You 9.1,
Business proposal-7,
Hotel del Luna-8.4,
Because This Is My First Life-7.7,
The Bride of Habaek-7,
The King's Affection-8.3,
🌐Modern Day -
🇰🇷K: A Witch's Love 7.8,
Love to Hate You 8.9,
Her Private Life 8,
Touch your heart 8.2,
Oh My Ghost 10,
It's Okay Not To Be Okay 9,
Love Struck in the City 7.3,
Be Melodramatic-8.7
Hospital Playlist 9,
My Liberation Diary-8.9,
My Mister-9.5,
I'll See You When the Weather is Fine 9
💘Romance junkies only -
🇰🇷K: My Secret Romance-7 (if you ff thru overdone flashbacks),
Boys Over Flowers-8 ~ melodrama to the max,
The Bride of Habaek-7,
Heirs-7.3,
That Winter, The Wind Blows-7,
Something in them Rain-9,
C🇨🇳: Well-Intended Love-7.5 Rom-porn - extra points for the dopamine, but the ML pulls an offensive stunt
When I Fly Towards You-7.8,
You are my destiny-6.8 - cute and sweet and 1/2 padding,
Find Yourself-8.9,
Hidden Love-7.8,
Wait, My Youth-8.4,
A Little Thing Called First Love-8.5,
Tw🇹🇼: The Fierce Wife-8 - worth sticking with
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True Power °8.3° °Excellent°
“You're retired.”When powered people are “retired,” it's meant to be permanent. Someone is making sure they are gone for good. He has a list. He's checked it more than twice.
M is a 2023 release that is rated 91 on AWiki. It is 1 season consisting of 20 38-58 minute episodes. I've never seen a KDrama open like this… with astral vision, a hard landing, and a harder awakening. The ample budget is showing. It starts in HS. We follow kids with mysterious powers. Before long, we are in the backstory of their parents.
The backstories are /rough/ - Like pull-your-fist-back-and-take-a-moment-to extract-your-opponent’s-teeth-that-got-embedded-under-your-skin-after-a-powered-punch rough. Next, there's a HALL FIGHT!!! Fists of Flame!!! Dooooooood, it's awesome!!! And that episode is titled “The Romanticist”. Then it gets even more violent. It is alittle much- among the most intense I've seen. Clearly, they broke the budget on ep11.
Lee Jung Ha (Nevertheless-7.6, The Auditors, Rookie Historian-7.6) opens the show as the lightweight, Kim Bong “Seok”. Lightweight? More like weightless, at times. He has to wear a weighted backpack to keep himself from floating away like a lost party balloon. This town, that town, new school: To avoid predators, his mother has kept them moving constantly. He's sweet, likable, winsome, and pretty much adorable. Han Hyo Joo (Happiness, W, Blood Free-8.5) is his mother, Lee Mi Hyeon and Zo In Sung (Escape from Mogadishu, That Winter, the Wind Blows-7, It's Okay, That's Love) is his father, Kim Du Sik - He's just killer in the role.
Go Youn Jung (Alchemy of Souls-8.3, Sweet Home-8.4, The School Nurse Files-7.6) is his brand new schoolmate, Jang “Hui” Su. She's a transfer student, and she's pretty, yet she strangely befriends Bong Seok. I just finished watching AoS-2, in which this actress takes over as the FL. M follows a year later, yet she looks 5 years younger. I wouldn't have recognized her if I hadn't checked the credits. The funniest scene, early on, is when he brings her home. His mother's reaction is precious. At first, she's nonplussed. “You're a girl…” is what haltingly comes out. “A girl who's a /friend/…” Hui adds, trying to aid with the processing. “But you're pretty…” Mom is still working on it. When it finally clicks with Mom that her son has brought a pretty girl home, she gets too happy. Too friendly, too. The whole thing is really cute. Ryu Seung Ryong (Portrait of a Family, The Painter of the Wind, Kingdom-8.3) is Hui's father, strongman Jang Ju Won. He is marvelous as well.
Cha Tae Hyun (Team Bulldog: Off-duty Investigation, Brain Works) is the electric Jeon Gye Do. Ryu Seung Beom (No Mercy, Solitude) portrays a very creepy hitman named Frank. Kim Hee Won (Pawn, Han River Police-7.4) is one of the teachers, Choi Il Hwan. Moon Sung Geun (Falsify, Vagabond-8) is the vile governmental department head, Min Yong Jun. The director is Park In Je of Kingdom S2, and the screenwriter is Kang Full from Pain, Love Never Ends.
This production has it all: Love, laughter, warmth, sadness, pain, action, and excitement.
The fight scenes are exceptional and put quite a few Hollywood features to shame. The hitman/hunter is Steven Segal; H2K; Hard to Kill. They do a great job in speeding up the action in places in a way that multiplies the excitement. They are really showing off. The soundtrack is mostly average but not bad. Alone again Naturally, by Gilbert O'Sullivan circa 1972, unexpectedly showed up.
To be different is to be alone. To be normal is to accept the compromise of conformity which can be difficult to distinguish phoniness. That is the theme as well as the nature of power and what is most important.
“Hero? …What do you think power is? Empathy is what real power looks like. Having the ability to care and understand the emotions of others. What kind of hero breaks other people's hearts? …You acted like you were better than him. What you did wasn't admirable at all… a hero has compassion towards others.” Seok had showed off at school and his classmate was hurt when trying to imitate him. His mother is not impressed. Seok has never fit in. He watched a kid jump off the jungle-gym, claiming he could fly. All the kids cheered. Seok couldn't help but go and show them what he could do. But later, the first kid was badly hurt in a fall. His mother is right, but he's just a kid and he wants to fit in. It's a bitter lesson, and it underscores how isolated Seok is. The NK fighters are so sad. They were tortured into what they are. The human brain is terrifying. They are powered, yet still powerless.
M is powerful. It isn't the typical sweet and tame Kdrama. The language is rough (is that Hulu's influence, I wonder? Regardless, it isn't unrealistic) and the violence is jarring at times. This isn't for kids. They are keeping the story moving: S2 is in the works! No early retirement here.
〰QUOTE〰
Crying becomes a habit. A habit becomes a weakness.
〰IMHO〰
RATINGS
Directing 8.3
Writing 8.3
Acting 8.3
Romance 6
Flutters 5
Art 8
Sound & music 7.3
Ending ?
My personal EQ 6.5
LEVELS
Warmth 5
Action/ Excitement 7
Laughs 2
Tears 2
Fright 4
Tension/Anxiety 3
Gore 8
Thought provocation 5.5
Snores 0
Age 15+ Violence - an episode on bullying is very emotional and difficult, gore
Language: R-rated w/ many F💣s
Rated TV-MA: Mature Audience Only.
Re-watch? WOULD
In order of ~lite&trite~ to ~heavy&serious~ you may also like:
The Legend of the Blue Sea-7.2
Racket Boys-8.3,
Reply 1988-8.6,
The school nurse files-7.6,
Crash Landing On You 9.1,
Oh My Ghost 10,
It's Okay Not To Be Okay 9,
Descendants Of The Sun-8.3,
Law School -8,
Period
My Only Love Song 8.7 ~ excellent comedy,
Mr. Queen 8.5,
My Sassy Girl 8.5,
Sci-fi / Action
Glitch-8,
Missing: The Other Side-8.3,
Mystic Pop-up Bar-8.2,
K2 8,
Inspector Koo-8.4,
Private Lives 8.1, When the Camellia Blooms-8,
Sisyphus 8,
The Golden Spoon-8.1,
Uncanny counter season-1 only °S1-8.4 S2-4,
Vagabond-8,
Tunnel 8.5,
Signal 8.6, Iris-8,
The Cursed 8.3,
Flower of Evil 8.9,
The Man from Nowhere 8.9, The Wailing-8.8,
Black 9,
Squid Game 8.4,
Kingdom 8.3,
Sweet Home 8.4
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The Romance of Tiger and Rose
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Deze recentie kan spoilers bevatten
Try 2 Find a Better Answer to the Question ~ How Did You 2 Get Together? °Superior°
~All spoilers are at the bottom in a clearly marked section ~TROTAR: A New Take on the Battle of the Sexes with Romance, Grace, & Ultimate Masculinity on Display. It is Superior.
This precious RomComDram is about a novice screenwriter whose script has been sold, but she was advised to work with the ML on objections he has to it. She despises him from moment zero. He curtly states he doesn't u/s his character's motivations. He can't see how the lead man/villain, Han Shuo (HShuo), would be attracted to ChuChu (Chu), the heroine. ‘Some people will never fall in love,’ he explains, ‘just like you and me,’ he tactlessly adds. ‘Have you ever been in a relationship/in love?’ she's asked, while she fumes. Oh, one more thing: "Your script seems chauvinistic." Grrrr.
She then scrambles over a feverish, junk-food-fueled weekend to make 'corrections,' even though she thinks /he/ is completely wrong. Exhausted, she passes out (with a tissue still up one nostril) and wakes up in the world of her script. It isn't a dream: She's really there, and she's stuck there.
YIKES! She's a disposable character, the 3rd Princess, Xiaoqian (XQ), who has the restraint and thoughtfulness of Udai Hussein. More importantly, she's scripted to get whacked in ep3! She decides to not risk finding out if dying in her vision equals real death. As the black hearted HShuo, her perfect villain, is to poison her on their wedding night, she'll tackle that 1st.
She's shocked to see that HShuo looks like that rude actor! He's excellent at playing up his heart condition and taking on other false personas - He can really act. Hmmm. While XQ manages to avoid being murdered on schedule, she'll have to watch that villain, while also trying to set him up with the heroine Chu, all while being married to him, so she can conclude the story and go home. HShuo is essential to her plot, so he must not die.
She penned HShuo, the ruthless prince of Xuanhu, w/ a bad heart that will kill him by age 20. Her plot calls for Chu & him to fall in love. In order to heal him, Chu will steal the Dragon Bone, Huayuan's most precious treasure. Ultimately, he betrays Chu to conquer Huayuan, and Chu kills HShuo in battle, taking the city back.
The filming is next level elegant. The sets are arrayed in perfect detail. The costumes〰 I was unable to avert my gaze from the resplendent rainbow of silks. The fluid dance of the fighting scenes along with exalted acrobatics & flowing robes augment the actors' movements w/ stunning results. Luxi Zhao, as the script writer/Xiaoqian/ XQ, is radiant & sparkling. Her smile lights the screen. Ding Yuxi, as HShuo, displays phenomenal skill. He just has the goods when it comes to acting. He can be ruthless or adoring. It's not his words that project how he feels about XQ, it's his body language, his focus, and his eyes. He has intensity.
The script reflects XQ's frustration over the disparity between the sexes. She created two adjacent cities. Xuanhu is ruled by men, which is the case in most (all?) of our collective history on this planet. The women are to serve the men and manage the home. In Huayuan, however, the situation is the exact opposite. Women do every important job and those worthless men manage the home and serve their wives. The actors were tasked to embody male-female roll-reversal as citizens of Huayuan City. They did an amazing job. Women are boorish and contemptuous of men. The male actors are mind blowing. Every muscle in their bodies mirrors a woman that is gentle, doting, & subservient. It's worth a rewatch just to focus on the performances.
The entire role reversal is handled deftly. XQ snickers in glee at first analysis. It's funny, until it starts to feel uncomfortable, and then horrific - in both cities. Very few citizens are truly pleased with their lives. Watching men being beaten and treated as pleasure slaves brings no respite to those that decry violence against women. Each city is extreme, and each one needs to be balanced out.
As things unfold, we see that HShuo, has the most attractive form of masculinity: a strong protector who loves his woman so much that, if necessary, he would give his life for her, and would never let family or politics get in the way of their relationship. He would definitely help with the housework, too. As it's the opposite of toxic masculinity, let's call it Ultimate Masculinity. This manliness is tempered by love. Together this couple is the equilibrium that the two cities lack.
HShuo falls for XQ episodes before she reciprocates. She's too busy with her plotline to notice his - or even her own - feelings. While he's trying to make their marriage work, she's trying to fix him up with her sister Chu, the heroine. At the same time, every opportunity he has to be alone with XQ is blocked by his kind, but idiot servant, Bai-ji. XQ hurts him repeatedly, and confuses him with her attentions to other men, particularly her long time fiance, Pei (XQ's favorite character). Pei hates the 3rd Princess and has delayed their marriage. This isn't the same princess, though…
She created the script with its flaws that manifest themselves in front of her. She devised uh the characters with their disabilities, problems, and deficiencies, only to now work tirelessly trying to fix (undo) everything and everybody that she constructed. That's seriously entertaining. Her only advantage is that she knows the story, as well as each character's background and motivations. It shouldn't be too difficult, right? To her dismay, the changes she makes start to change the story and, thus, the characters' reactions. This alters their trajectories. She, herself, is tragically misunderstood at every turn. Xiaoqian is just trying to preserve her life, but the rewrites push the first Mahjong tile. Now they are all ting-ting-tinging to the floor, albeit in a beautiful pattern.
Due to Xiaoqian's efforts, Chu does fall for HShuo, who reciprocates with dismissiveness, as he's in love with XQ. In addition, the revised 3rd Princess is solving problems and winning the hearts of the people. Their mother, the city owner, dotes over XQ, but always criticizes Chu, who freefalls into hurt-jealousy-hate-&-obsessive-devouring-rage. As Chu plummets, the plot gets out of control. XQ must get help! She runs to 3 story writers (who else?!). Every time she has a crisis they all meet together. She only gives them the barest info, though. She grabs some fruit and presents the main characters: Miss Apple, Miss Orange, and Mr. Banana. Yep, they went there. The fruit sets up a collection of silly, but quite amusing metaphors. As her character is the Miss Orange, when offered one she exclaims: "PEEL the orange? That's bad luck." Given that at that moment she's angry with Han Shuo, her next statement is: "Peel the banana." Not so much later, after saying: "I don't want to see you anymore," she slips on the banana peel and goes airbourne, but of course, he catches her in his eager arms.
She's charged to eliminate the threat of bandits along the trade route. The whole trip is delightful. At one point she gets caught up in some excitement and seems to have completely forgotten her mission. I won't spoil it. Expect to laugh. There's another hilarious scene where characters meet at a restaurant/playhouse to have a discussion, meaning an argument. There's a stretch where the characters say nothing. They just stare at each other as the actors in the play voice exactly what each is thinking. The scene is high flown comedy.
TROTAR is a commentary on men and women's relationships and the tragedy of the out-of-control battle of the sexes. It has thrust the sword through romance and made so many relationships miserable. It's a zero-sum contest.
This show is romance-porn for women because of the way HShuo loves XQ and how he looks at her. From what I've been told, what HShuo might want back is to be respected (don't we all), even looked up to a little, to be a tiny bit nurtured, and to be treasured above all. As proof, he asked her flat out if it was him or her mother more than once. At a (fake) funeral he makes a joke to her that if she doesn't keep her promise, he'll let her know 'who wears the pants in the family,' which is a top-10-worst of historical chauvinistic statements. Should XQ flip out? Remember, this is HShuo. As much as he adores her, do you think he'll call even 20% of the shots in the family? What's wrong with her quipping 'yes, dear,' even if she winks while she does it? It's a bit of a dance. Marriage is optional. If one is to marry, giving it the best chance to succeed by providing embedded core needs for each other is as much smart as much as it is love.
We've probably all seen men marry a beautiful woman and then crush her by jamming her into a mold. Wives can do that to husbands by belittling them, completely losing a sense of humor, or nagging. Kudos to the show creators for shining light on those insidious patterns, as perfectly illustrated by the first couple of Xuanhu. In the role reversal, however, women becpme every bit as bad as men. The author is saying that we don't have a gender problem, or even a racial problem. We have a human nature problem. XQ gives the women of Xuanhu the answer: Work on yourself. It isn't that injustice shouldn't be called out, but too much focus on other people's ills can subtly allow us to feel superior, like we don't need to improve ourselves. That's self-deception. If we don't like being disrespected, sure, call it out, but the longterm answer is to show respect and work on ourselves. The more we improve, the more respect we garner. We will not complain ourselves to a better world. Perhaps exercising patience & choosing happiness, contentment, & forgiveness will usher in peace & love.
That's enough of the deep thoughts. The show is funny, then heart wrenching, and finally buoyant. Romantics will be swept away by this series. As almost every line seems to carry significance, there is foreshadowing, metaphors, excellent (superb!) editing, skillful juxtaposition and other devices utilized, TROTAR is a production of the highest quality. It could hardly be improved on. The show has so few deficiencies that the minor ones stand out a little more. While on the runaway horse in the show opening, close-ups of Xiaoqian are out of sync with the moving background. They overplayed the cute, but kitschy, theme song. Otherwise, the soundtrack is lovely. In the last couple scenes Xiaoqian's makeup looks ghastly pale and uneven. In addition, they have a bad habit of not putting makeup on the back half of the actors' necks, so they appear red and sickly on screen.
Finally, I think the last line in the show should be: "Are we married?"
Sweet dreams, all!
〰Quotes〰
Pain is unavoidable.
Great sorrow comes from great joy. Tragedy and comedy have always shared the same root.
〰IMHO〰
Directing 10
Acting 9
Thought provocation 7
Action/Excitement 8
Art 10
Music & Sound 7
Age 11+
⛔️Spoiler section⛔️
While XQ exiled HShuo to save him from being killed by Chu, HShuo & Chu end up joining together to invade Huayuan. When the city is taken back, HShuo is sentenced to death. He and XQ consummate their marriage in the jail cell. The next morning, the city owner refuses XQ's plea for mercy, so she drives a knife into her stomach. That stops everything.
Hey! Unclench! It's a prop knife! She's faking her death so they can escape to Xuanhu. They get a brief time to enjoy married life there.
They are forced to invade Huayuan in order to liberate it from Chu, who's starting to mirror Supreme Leader Kim Jong-un. The plot won't be denied. Chu pierces HShuo's sternum. Lungs punctured, he's dying. XQ starts vanishing. Gasping, she can't reach him.
She awakes IRL with the tissue still planted in her nostril & quickly learns that the leads actor is in the hospital with near deadly lung damage from an accident. She rushes to the hospital. When he sees her, he jumps in shock and tells her to get away from him! He had the weirdest dream, he explains, and woke up thinking about apples, oranges, and her all the time. (No wonder HShuo was not evil and he could act so well!) She runs into the arms of the rude jerk who had said the two of them would never be a couple.
She had penned the perfect romantic hero.
XQ revises her script to save ChuChu and give Xiaoqian & Han Shuo a happy-ever-after. The End.
〰Romantic Fantasy Recs〰
K: My Only Love Song 8.7 excellent comedy; The Legend of the Blue Sea-7.2; Hotel del Luna-8.4; Live Up To Your Name-7.6; Oh My Ghost 10. C: Love Between Fairy & Devil 8.9; The Sleepless Princess 9.1; Ancient Love Poetry-8.6; Love and Redemption 10.
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Pandora: Beneath the Paradise
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Smart Patches Diabolical Minds & Victims' Circles °3.9° °disastrous°
The one sentence review: Don't let the snazzy opening fool you. Keep the lid shut on this show or suffer the consequences.Pandora, in Greek legend, was created by the gods as payback for people obtaining the power of fire from Prometheus. As the first woman, she was designed for evil, and carried a jar (later described as a box) that contained all evil. When opened, evil and misery entered the world. Therefore, the title only serves as a metaphor for the show. Open this “jar,” and misery will follow.
Not convinced? We'll keep going.
Introducing Clover, a neural implant smart patch. It's a revolutionary medical device brought to us by Hatch. It allows direct input of data into the brain. No more studying! The chimp they've been testing on, “Red”, has an IQ of 120. After the demonstration that opens the show, Hatch is primed to make gazillions.
What could go wrong here?
The viewer is tipped off that things will go horribly wrong in many ways.The filming is dark and near psychedelic at times, while the soundtrack is heavy and portentous. ‘This isn't going to be a lite feel-good watch,’ I was thinking. That woulda been okay. The problem is that P is patched together worse than Hanul Psychiatric Hospital's worst attempt at reconstructing Frankenstein.
P is a 2023 release that is overrated at 89 on AWiki, which is just shocking to me. It is 1 season consisting of 16 increasingly difficult to watch 60ish-minute episodes. It gets off to a hot start. The opening eps are fantastic. “So far, I don't understand the low ratings,” I was thinking. Over half the time I'm within a point, and 85% of the time within 2 points of the crowd. Here the IMDB crowd is at 6.2. I thought they were being harsh. Turns out, the crowd is being overly generous. People must have weighed in before completing the show, because P is a disaster. It doesn't become obvious until the 2nd half, though.
In the first half, they sell it well. I love how Tae, the main protag, wears a very heavy gold chain that's wrapped around her neck twice. It's emblematic of being shackled. Such attention to detail elevates programming. The palette is usually dark and extremely heavy. The soundtrack reinforces the pressure constantly; it's appropriate for the tone they want to create, but it gets to be too much. At times the action is great, especially early on. They promised the audience more, but their promises were unfulfilled. The filmcraft and cinematography are consistently outstanding - truly stunning, at times. It's a shame that it was wasted on this effort.
Gradually, the viewer slowly realizes that there is no cohesive plot. They bring up tantalizing possibilities, but they don't follow through on any of them. P is not an assassin thriller, or a girl-kicks-butt thriller; it's not a political thriller nor a science thriller. It dips his toes into lots of puddles but never dives in. Characters haphazardly shift their allegiances. There's also gross over-acting. It's so thoroughly incompetent that it really is breathtaking. It actually stoops to the level of insulting.
These people, who seem so happy, sure do turn on eachother.
The women:
Lee Ji Ah (The Penthouse series, My Mister-9.5) is FL Hong “Tae” Ra. On paper her life is perfect. Tae, however, doesn't have any memory of her past. She is starting to get creepy flashbacks. The actress plays someone who inspires disgust in My Mister-9.5, a show that everybody should watch. Here she's relatable, which speaks to her skill. She's a victim. Her family life ended when her parents were killed in a car “accident “ that may not have been an accident. As an orphan, her victimization intensified.
Jang Hee Jin (Flower of Evil-8.9, The Red Sleeve) plays Ko Haesoo “HSoo,” a reporter with a painful past. Her husband and Tae's spouse head up Hatch. Her father is a former president who was assassinated and the crime has never been solved. Heartbreak drove her mother to suicide. Hsoo's a victim. She's also an irritating lunatic. It's hard to root for a person who is that toxic and self-absorbed, even if she's been through legitimate trauma. She acts like she's the only one who has suffered loss, but none of these protags still has both parents. Something true of mentally ill people is replete self-absorption. (Not all self-consumed individuals are mentally ill, but all mentally ill people are completely self-absorbed). HSoo is unhinged and blind to everyone else's pain. What's more tragically ironic is that too much self-focus only leads to despair, and HSoo crossed that threshold over a decade before the show even starts. Later on, they try to turn her into some kind of mastermind, but it isn't convincing, nor is it emotionally satisfying as she's still so tediously odious. She's also raising a monster, so we can't even give her credit for being a good mom.
Han Soo-Yeon (Flower of Evil-8.9, I Hate Going to Work, The King of Pigs) is Tae's sister, compadre, and business partner Hong Yura. She has a new bf, but she's rather cryptic about him. She seems perfect ~ at first glance only. Soon the viewer realizes that she is horrible. Yura ends up a victim as well. Kyeon Mi Ri (Love and Sympathy) is his mother, Min Yeong Hwee. She is often tagged to play the rich mom for shows like Revolutionary Love-5.7 & Backstreet Rookie-6.4. She's a cutie, but she's distasteful in most of P. Shim So-Young (Alchemy of Souls Season 2) plays the mental hospital director, Kim Sun-Deok. Her laugh is really too much and her character is loathsome. Even for a heavy show, her part is over the top.
Let's hear it for Red, she really wowed the crowd. Then Red becomes a victim.
The men:
Lee Sang Yoon (Liar Game, Twenty Again, Lovestruck in the City-7.3) plays Tae's husband, Pyo “Jae” Hyun. They appear to be deeply in love, and he seems unfazed by her shrouded, mysterious past. He's preparing to take a sabbatical as Hatch CEO so that he can run for president. He's a victim. His mother was killed in the same accident that took Tae's parents.
Park Ki Woong/KiW (The Bridal Mask, Rookie Historian-7.6, The King's Affection-8.3) is Jang “Do” Jin, the other half of the Hatch helm and HSoo's husband. Early on we see that KiW is not the devoted partner that Jae is. When we meet his toxic parents, we understand him alittle more: He's a victim caught in his family's web of intrigues. Bong Tae Kyu (The Penthouse series, Return) plays the nerdy creative force behind Hatch"s success, “Koo” Sung Chan. He's weak and has low self-esteem issues which turns him into more of a victimizer. Hong Woo Jin (Six Flying Dragons, Squid Game-8.4) is Jang Kyojin/”Kyo”. He's a victim. He's been comatose since a motorbike accident that was probably not accidental.
Jung Jae-Sung is politician Han Kyung-Rok. Actors from Korea do the arrogant “knowing laugh” better than anyone in the world, and he's among the best. (A funny guy I know always does a mock-up of the “knowing laugh,” so while it used to make me want to strangle the person inflicting it on my eardrums, now it just reminds me of him doing it for fun, so I giggle instead. Humor is the best medicine, indeed). He's typecast as an @$$h0le with power. I've seen him in Hospital Playlist-9, Flower Crew: Joseon Marriage Agency-7.4, My Mister-9.5, Clean With Passion For Now-7, The King's Affection-8.3, and Big Mouth-7.4. He's been in many other wildly successful shows that I intend to get to asap, such as Prison Playbook, Navillera, The Devil Judge, Miss Night and Day… On MDL, his only show rated under a 7 is The Interest of Love at 6.8. He must have eaten magic beans to be in that many stellar features - magic beans that make him entirely loathsome but wildly successful.
This is Screenwriter Hyun Ji Min's first credited work. The director is Choi Young Hoon ofOne the Woman, and the original creator is Kim HSoon Ok of The Penthouse series & The Last Empress.
The theme is Victims. Sadly, most of us have been victimized in small or big ways. Being victimized leaves a person w/ a choice: Heal & move on, or let the pain rule (and ruin) your life. Healing must, at some point, involve forgiveness. (That has nothing to do w/ justice; for the benefit of society, crimes must be punished). HSoo personifies the concept that becoming a victim does not a saint create. Being victimized will tempt a person to wallow in anger, hatred, unforgiveness & bitterness. It's understandable, but in the end, those dark indulgences will only rot us out from within. Almost every character in 🅿 has been victimized, & almost every character chooses the path of bitterness & revenge. A mess it does make.
In ep2 we go back 15 years. The president is being inaugurated… and assassinated. The crime has never been solved. Flashes of the past start to haunt Tae. A furtive missive, delivered by an untraceable tattooed motorcyclist, entices her to come to the Hanul Psychiatric Hospital, a visit that breaks the seal that's locked her past. Her life hasn't been simple. Soon we are looking at shades of the show Hanna-7, which is about teen girls being turned into assassins. This isn't the first time such a plot has come out of hiding: The 1990 film, La Femme Nikita, also involves young Iron Maidens. Bridget Fonda starred in 1993's Point Of No Return, which was Hollywood's version of the same film. (The French one is better). Let's not forget the absolute bang-jammy of the dudette insurgent bunch - Kickass. That is still the one to beat. Ooo, the Swedish version of The Girl With A Dragon Tattoo (+2 sequels) is also as good as it gets. Once again, skip Hollywood's variant of these flicks. I could go on.... Hunger Ga..... Enuff. Y'all know 'em too. When thugs come at Tae, muscle memory kicks… then punches, slashes and tosses. It's SO (swordless) KILL BILL - for a scant moment, but then that excitement goes away. It goes away and never reappears. Whaaaa?
There's plenty of logical head-scratchers. Here's a couple samples. Enemies seem to have unfettered access to a helpless person who has suffered a stroke. It makes no sense that they can get near the person. There's a USB that supposedly contains research files but it's inexplicably necessary to run the company's programs, too. Jae's presidential campaign should have been dead in the water after a voice file was released during the first debate. Yet that problem seems to evaporate. We've all seen that happen in politics, but not on the same scale. It's alittle too easy for enemies to sneak up on Tae, at one point. She's flawless until the show makes her suddenly impotent to further the plot agenda. Inconsistencies like that are sloppy: Is she a female terminator, or a pathetic woman in distress? They should have made a reference early on, when we are introduced to Tae, about how she stays in shape and is committed to a vigorous workout routine. It would bolster credibility when she starts kicking butt out of the blue. In ep13, CEO Kummo is sent a packet of shocking evidence. He's elated. The problem is that all of it had already been on the national news - as reported by his own daughter i/l.
In the last half, I no longer cared what happened as I rolled my eyes at every development. I just wanted the show to be over. In eps14-16 I reached the level of ‘officially offended’. Pain avoidance kicked in rendering me unable to fully pay attention. This is when they attempt to manufacture emotion by way of some deaths, but it all falls utterly flat. In the last ep, they attempt to wrap it up with some tinsel and pretty bows, but it is too little too late. One thing I can say about ep16 is that it's not as painful to watch as the previous 3 or 4 eps, but it is painful, still the same with a sacrifice shown in that is unnecessary and plain silly. Not that I cared who lived or died by then. Kill ‘em all. Ease my pain.
Another thing that will ease my pain is by helping anyone who stumbles onto this review avoid that pain altogether. This one is simply not worth anyone's time. In order of ~lite&trite~ to ~heavy&serious~ try these instead:
It's Okay Not To Be Okay 9,
Law School -8,
Call It Love-8.4,
Anna-8.1,
My Mister 9.5,
Uncle Samsik-8.4,
Mine-8,
The King's Affection 8.3,
Parasite-9
Action/Crime/Sci-fi -
Private Lives 8.1,
K2 8,
Vagabond-8,
Blood Free-8.5
The Cursed 8.3,
Flower of Evil 8.9,
The Man from Nowhere 8.9
〰 IMHO
RATINGS
Directing 4
Writing 3
Acting 5
Romance 3
Flutters 2
Art 8
Sound & music 5.5
Ending 2
LEVELS
Warmth 3
Action 5.5
Laughs 0
Tears 4
Fright 4
Tension / Anxiety 4
Gore 2.5
Thought provocation 1
Snores 4
📣4 📝3 🎭5 💓3 🦋2 🎨8 🎵/🔊5.5 🔚2 ▪ 🌞3 ⚡5.5 😅0 😭4 😱4 😯4 🤢2.5 🤔1 💤4
Poli-wagging: 3/10. They make politicians in, general, look bad. That's fair.
Age 15+ for graphic, heavy violence
Language: R-rated $h!+, b!÷ch F💣s
Rated TV-MA: Mature Audience Only. Not that any mature person would enjoy this.
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A Song of Fire & Flower ♧ Ode to the Toxic Mother & the Emptiness Within °6.4° °good & bad°
AOL opens to a goddess giving birth & this is one angry goddess. Wronged by the baby-daddy, she commands everyone to keep the birth of her dtr, Jimni/JM a secret. Auguring a disaster in JM's first 10,000 years, she forbids her successors to allow JM o leave the flower realm and also gives JM an elixir that blocks love: Love will only give her daughter pain. Zifen, the goddess, passes away on the birthing bed leaving a rift between the flower realm & the heavenly one. The flowers have disappeared from heaven & relations have faded. Raised as an orphan w/ lots of supervision but no family, the loquacious JM is lackluster in her cultivation & unmotivated in her studies. JM wants °escape°. She also wants to help her lost friend, who was murdered, revive. JM has preserved her spirit in a small potted plant, believing a supreme being in the heavenly realm can restore her fallen loved one. These are her wishes on a meteor JM sees shooting through the sky one night. Wait. That meteor is headed right at her! A partially roasted bird, that she takes for a crow, is all that JM finds at the sight of the crash. It's actually the emperor 's son, Xufeng/XF, who is a phoenix. JM renders him assistance (of sorts) & finagles a ride w/ him back to the heavenly realm where she's an instant hit.Don't judge JM too harshly. She's actually weak b/c her spirit has been blocked. No matter how much she practices, she can't get ahead. Over time this has corraded her resolve & she's given up a bit. The Heavenly Realm is a new setting that injects fresh hope into JM. People there are exceedingly wealthy when it comes to spiritual prowess, & some of that begins to trickle her way. She begins leveling up by doing favors in exchange for power. She's totally cheating. Bully for her!
AOL is a 2018 release that is rated 8.2 on IMDB. It is 1 season consisting of 63 45-minute eps. Based on the novel, Heavy Sweetness Ash-like Frost (2009) by Dian Xian, AOL & the book it's based on seem to provide inspiration for 2 novels that were also made into shows: Ancient Love Poetry(8.6), & Love & Redemption(10). For that, I'm eternally thankful. As the latter two seem to be standing on AOL's shoulders, comparison isn't entirely fair. In the realm of personal taste, L&R currently holds 1st place as the best thing I've ever seen - despite the often clunky special effects. ALP takes the viewer on a painful journey & flirts w/ being over the top, but they pull it off. It's magnificent. Director Chu Yui Bun also has Who Rules the World & Under The Power(8.6) to his credit, along w/ other popular shows that are all on my watchlist. I want to see everything he's done - his work is of the highest caliber. His shows are technically outstanding but even moreso, they touch the heart. He may or may not have been involved w/ AOL. On most sites Cheng Feng is credited as the director; consistently 1 or 2 steps behind, he hasn't caught up to Chu Yui Bun yet, but he is successful nonetheless.
AOL is a great story, but not perfect. It has pacing issues, it lacks crispness & actually drags. It takes a loooong time to pick up steam; eps1-9 are mostly set up that tickled the interest but failed to grab it. It floats on the surface & does not delve into the depths. That's fine - not every show has to, but one reason Shakespearean tragedies are so popular is that they are cathartically satisfying. Real-life is heartbreaking enough. I don't want to watch something that's going to grab my heart, stomp on it, and leave it to bleed out. I'll be straightforward & say that I didn't like AOL very much. Some parts I loved, but overall the show pales next to other fantasy pieces. I'm already spoiled. Seeing how popular AOL is, I feel quite out of place. I want to like it. I tried to like it. However, AOL is not congealed well. It languishes & drags, the plot isn't tight, the characters aren't engaging enough so it fails to pull in the viewer fully from an emotional standpoint and it doesn't sell the romance. Furthermore, what occurs is heartbreaking, yet my emotions remained 70%... detached? Suspended?. It began to feel like a pile of compost. It kept accumulating and nothing cleared it away. That's how AOL became a weight on top of me that provided no release. It ironically does to the viewer what Zifen did to JM!
When JM has to "do time" in the mortal realm, north of ep20, things get more interesting. Typically, earth is where all the fun is in a fantasy Cdrama. Quite often they mention the bland food in heaven & how Earth's food is much more savory. {For those of you who have faith only in yourselves & not a higher power, please skip this; no offense intended. This is reminiscent of how in the west we think of Heaven as sitting on a cloud w/ a harp. We just can't imagine it. I'll say to people of faith that if you believe God made this world w/ all the beauty, love & laughter in it (despite all the evil - that's another topic) you should be able to believe that if God says Heaven is better, it is better.} Anyway, in the human realm, XF is a king & JM is a healer. Since the king has never taken a wife nor a consort she believes him to be impotent. He takes special exception to that rumor and he lets her know what's what. As he's falling for her and tries to win her over, he and his general liken the process to war, which leads to countless amusing analogies. Around halfway they provide fascinating backstory.
Back in heaven, though, it starts to drag again. I believed it would come together & be wonderful based on what I had read. It didn't. I ended up forcing myself to watch the final 20 eps 1-at-a-sitting to complete the deed. This is not to criticize anyone who loves AOL. Emotional connections are based on a myriad of factors, none of which have to do w/ technical excellence. There's plenty of awful stuff that I love to watch. Everyone is entitled to h/h own form of mindless entertainment. Technically, though, AOL is not at the level of Ancient Love Poetry, Love & Redemption, Love Between Fairy & Devil, The Romance of Tiger & Rose, The Sleepless Princess, Eternal Love, its sequel - Eternal Love of Dream, the action thrillers Handsome Siblings, Duoluo Continent, or Heavenly Sword & Dragon Slaying Saber, & it's not on the level of the period dramas The Rebel Princess, Under the Power, The Sword & the Brocade, The Rise of the Phoenixes, or even Overlord. I'll go out on a limb & say that even Once Upon a Time in Linglian Mountain is better. With the benefit of hindsight, I would not choose to watch AOL for the first time, while I would watch any of the above shows again, & some I already have.
The characters are as likable as generic vanilla ice cream. The viewer cares about them, but those feelings are limited & the emotional investment tops out at mid-range. Many of these characters are irritating & I'm not very irritable. They're either too weak, too blind to the faults of those they love, too forgiving of evil when it suits them, too naive, or too quick to accept false choices. We see this in every drama, & the last two are common tropes in Cdramas, but there's a delicate balance between what one is able to brush aside & what starts obstructing enjoyment. Yang Zi is JM. She's got a dry quality that shows up in The Oath Of Love, one of the better modern-day Chinese shows. (China leads the world in imaginative fantasy, but their modern-day stuff is almost as bad as their fantasy & historical features are good). Simply likable, Yang Zi carries OOL. Going into AOL w/ such positive feelings about her carried me through many eps before I realized that I don't like her character very much. She isn't cute, she's not smart, she's not diligent, she's only marginally brave, & she's mostly bland. Just don't blame it on the actress.
Now for some Mosts: Wang Yi Fei plays Sui He, the empress's niece & the woman who feels that she's most entitled to marry the soon to be Crown Prince, XF. She has the most beautiful eyes. She's an iceberg & adept at playing a loathsome character. Speaking of loathsome, Kathy Chow is queen b!+ch, Tu Yao / the Heavenly Empress. She's perfect for these roles. In Heavenly Sword & Dragon Slaying Saber, she plays a most domineering martial arts sect leader & she kicks butt! Most of her work was in the 80s & 90s. Chen Yu Qi is the most likable character as Liu Ying, the Bian Princess. You should see her in Heavenly Sword & Dragon Slaying Saber - She's fantastic. The character that tugged at my heart the most is Runyu/ RY, the Night Deity (Luo Yun Xi). His story is tragic; he never gets a fair shake. He becomes more and more like his father. It's understandable that RY gives up, but he certainly pulls an Anakin Skywalker: Once steeped in bitterness, he goes real bad real quick (that's a mini spoiler, but one can see it coming eps ahead of time. They painstakingly build his resentment. The dam cracks here & there, then it breaks. Does he stay that way? Not telling…). He Zhong Hua is Tai Wei, the Heavenly Emperor. He plays a completely different character, though also a ruler, in Love &Redemption. He looks quite a bit different (older) as well. Talk about most in-demand, since 2011 he's appeared in 3-6 shows/yr, and he's usually in a movie or two as well. How is that even possible? Cloning program?
Deng Lun is XF/Phoenix/Fire Deity. He mostly looks like an Italian kid from South Philly. No complaints about his looks or his acting; he's solid. His character runs out of the baselines, however. The way XF hangs on seems deranged. He pursues JM as if he's entitled to her w/o regard for his brother. While he's not wrong (JM does not love RY) his sense of entitlement & lack of perspective or empathy for RY is icky. RY's Descent into a bitter quest for revenge is heartbreaking. If a story is going to break my heart, I need something back in exchange. AOL creates an unpaid debt to the viewer. The way XF defends his mother is off the righthand path. We should be true to family, friends, & most of all our parents, but we should be most true to what is right. Otherwise, it's selfish indulgence. The emperor lived for selfish indulgence and, later, his sons did the same in their own ways. XF acts like he owns JM and he expects his toxic, downright evil parents to be respected regardless of the heinous things they've done, while RY wants to kill everyone that crosses him, as is the case w/ most that obtain power. Being wronged doesn't make a person right. Wallowing in victimhood leads to the bad 7: discontent, ingratitude, anger, unforgiveness, hate, bitterness, & misery. They will turn the victim into the victimizer. Emotions are much stronger than logic, but if we don't check them w/ a humble perspective they will create chaos & misery. Pretending a person's dirty is clean is just existing in lies. It all leads to XF 's regret. He and his father drove his mother to act out. She is still fully responsible for her own stuff, but he contributed. Is there such a thing as loss w/o regret? Doubtful. It's very tricky: Taking on ALL the fault would be overstating his own importance which is another form of self-absorption.
Narcissistic mothers & toxic women drive the plot of AOL. The ambitions of the Heavenly empress for XF have everything to do w/ what she wants & nothing to do w/ her son. They taint her outlook like mud smeared glasses. All she can see are things related to her, for her, & against her. Her niece, Suihe, is her disciple & follows suit. RY's birth-mother is near sadistic as she plots her devastating revenge. Zifen, JM's mother, utilized extreme measures to exert control as she left the world. Even the floral realm has a harshness to it, though their motives are mostly pure. One way people pass down trauma to their children is by overreacting to it & exerting hyper-vigilance. Not only does that hand a knife to the children (if they want to hurt their parents, they know exactly what to do) but it keeps a family enslaved to the ongoing pain. Women & men are equal - they are equally guilty of toxic self-absorption. In AOL, the emperor is ultimately to blame. He married for power & pursued what he wanted every step of the way. He speaks of love, but he only loves himself. He never checked the empress b/c he couldn't be bothered. He created the incubator for the disease that spread later.
Narcissists tend to develop from imbalance - from spoiled or neglected children. Narcissistic behavior is handed down generationally & only results in bitter misery. It's a trap, & those who fall into it are enslaved and, in turn, enslave those in their sphere. Self-involvement is like a whirlpool: It's hard to escape once we get spinning inward. It creates appetites that can never be satisfied, leading to the bad 7. We don't need to love ourselves: We need to accept ourselves (imperfection is reality) & always strive to improve. Suihe is a good example. She wastes her life wanting something that clearly won't be hers. At the same time, instead of focusing on self-improvement which will lead to the right mate & true happiness, she works towards what she wants. One thing getting older has taught me is that people don't want the right things. I never wanted the right things. All I want now is to help others avoid some of the regrets that I have. A simple life of love & contentment w/ enough - but not too much - is the best we can hope for. Don't let wanting the wrong things rob you of love, peace & joy.
Aol is a visual banquet. Some of the sets are excessively busy; Flowerworld is almost too colorful, but there's no denying that they labored on the art of the show. What is fascinating is what looks like 1930's streamline design in the heavenly realm. Streamline is simplified Art Deco. The Russian designer, Vladimir Yourkevitch, birthed this look when he crafted the design for the SS Normandie. I don't know if the AOL set designers relied on traditional Chinese motifs or if they incorporated western elements, but there are objects of stunning and familiar detail in the show. Even traditional Greek block scrolling design lines many heavenly structures. (Evidence of a common human origin?). The mosaic lights at the bird realm are my favs. In one masterfully innovative shot, faces are reflected off of a drop of wine. They mention that something is made from ancient mithril - That's from JRR Tolkien's works! That connection gave me a thrill. The big battle scene is impressive. The soundtrack, particularly Sa Ding Ding’s song, is beautiful.
The viewer will smile here & there. He's a phoenix, son of the emperor & the most popular boy in the heavenly realm, but she calls him a magpie. That's once she generously stops calling him a crow. Unfortunately, there aren't many laughs. What goes on in AOL is very bitter. It gets dysfunctional, and we aren't provided with any elixir to help us manage it.
QUOTES
You judge me from a villain's perspective.
{She} involves her preconceived ideas in her words, which is a bit biased.
You know yourself least.
《《IMHO》》
Directing 68
Writing 68
Acting 75
Romance 67
Flutters 71
Warmth 49
Art 65
Action 60
Sound & music 68
Laughs 35
Tears 55
Fright 40
Tension 40
Gore 35
Thought provocation 44
Snores 48
Ending 73
Age 12+ Language: hell &darnn; violence; references to sex & abusive situations; we see the start of a sexual assault - the woman is dragged away from the camera as she grabs at the ground.
Re-watch? No
In order of ~lite & trite~ to ~heavy & serious~ you may also like:
Historical/Period:
The Romance of Tiger & Rose 9.8,
Overlord 8.4,
The Sleepless Princess 9.1,
Under the Power 8.6,
The Rebel Princess 9.1
Fantasy:
Love Between Fairy & Devil 8.9;
Douluo Continent 9.4;
Love & Redemption 10;
Heavenly Sword 9.
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