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Tanky Toon
World of Pan
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This series managed to pack a decent plot in such a short length. I was dubious at first how the face-swapping could be achieved in this scenario, fearing that it would lead to much confusion, but surprisingly it did not. Although I would have liked the reverse happened, with Kay Song portraying Shi Qi and Ke Ying to be Shen Qin, the current casting also worked well in this case. I became more intrigued the more that I watched, especially wanting the ML's to discover the switch. But I was mildly disappointed towards the end when Shi Qi did not get her face back. The plot twist was not nearly as unexpected but it was definitely a good effort. Vond je deze recentie nuttig?
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This drama starts off with a cliché, over-bearing CEO who is wooden and unemotional, finding how to interact with a quirky, happy-go-lucky child psychologist. It’s the second time I’ve seen Wei Zhe Ming in this type of role and frankly, there was no difference from his stint as Zhang Si Nian in Perfect and Casual. He has the same robotic expression but fortunately for him (or rather his character), that he’s rich, handsome and powerful and that this can be easily overlooked.
Hu Yi Xuan is not too shabby as Qin Yi Yue, especially in the first half of the drama, where she had more spunk and personality when she goes against Qiao Yan’s dictatorial demands framed as requests. She flies by the seat of her pants when dealing with her personal life and makes decisions based on feelings.
The two are a match made in heaven as they counterbalance each other, but the catalyst between them is certainly the adorable munchkin Xiao Bao who seems to be unanimously voted by the viewers as the star of the show. For his debut drama, Lennon Sun is a natural as he delivers a performance rarely seen in kid actors, especially in those beginning episodes where he had no dialogue to speak of.
The rest of the cast try their best to work with the script as they guide their one-dimensional characters through development. Ruo Wei and Wen Gu act as sounding boards to the lead characters while navigating their own romance. Whereas a contract binds the leads together, a bet stands between the SML and SFL to see who falls for the other first. Another cliché where the strong-willed female manages to tame the spoiled-rich, playboy into submission.
Add in a calculating aunt (in the absence of an evil mother), a self-entitled childhood friend (in place of a clingy ex-girlfriend), or a brooding third male lead bearing unrequited love. Throw in an accident or two, and some tropey plot device like amnesia or disability, then you have your basic ingredients for a C-drama recipe. For added flourish, mix in a glimpse of a tragic past or some form of trauma. Also don’t forget the coincidence of all coincidences.
Surprisingly, I didn’t touch the fast forward button on this one, despite the few times where I almost gave in to that temptation. The first half was certainly stronger than the back half where the resolution seems rushed towards the end. Also, I found quite a few loopholes where the drama introduced some of the character’s backstory without it ever having fully explored or concluded. The show also tried to force a third pairing in the last two episodes where I see no rhyme or reason to do so. Some of the conflicts to me seemed unnecessary and weak.
Despite this lackluster review, “Unforgettable Love” is a decent watch and entertaining if you don’t take its faults too seriously. To its credit, the show also teaches you the importance of found family, as well as gathering the strength to move on from the past and how to live in the present.
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Golden Spirit: Joseon Marriage Prohibition
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Park Jo Hyun’s performance as the crazy swindler was on point, as her character goes about the world jumping in sticky situations and getting out the next with her out-of-the box thinking. Ye So Rang’s highly observant skills and wealth of knowledge aided in her portrayal of the dead princess’ lost spirit that the King believed her powers of shamanism to be real.
For his part, Kim Young Dae tried to be his best as the brooding widower Lee Heon, who pines for his dead wife even after years after her death. So when he hears of the possibility that he can see his wife’s spirit, the King eats up So Rang’s lies as a kid eating candy. Hilarity ensues as Ye So Rang weaves her tale larger than the last, and the oblivious Lee Heon could not determine whether he’s speaking to So Rang or to the dead princess, and lines get blurred.
But there’s someone who probably knows So Rang’s secret: the King’s best friend, right hand man, Lee Shin Won, who is relegated to his role as the second fiddle, third wheel in the love triangle. Kim Woo Seok is decent as the second male lead, as his stoic stance, quiet demeanor completes his loyal-to-a-fault, kicked-puppy-dog look, that he can only be So Rang’s really good friend at best.
This show has a good, solid ensemble cast, from the courtyard couple Royal Nanny and Chief Eunuch to the band of Mosuldan’s (probably incels in today’s world). Everyone has their own little part of the story and are quite interesting characters in their own right, like the cunning fortune teller, the erotic author, and other people who give color to this drama.
The Forbidden Marriage is equal parts romance, drama, comedy, and politics, not one aspect too overpowering to take over another. Even the villains are not so villainy like in other dramas where I want to throw their heads against the wall, although sometimes I feel it’s justified only to wipe the smug grins off their faces.
Though it became a tad serious at the end, and lost a little bit of steam, this drama is an enjoyable watch.
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Why Did You Come to My House
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I almost did not recognize Park Hyung Sik from SWDBS as he broods quietly on the sideline, while Song Hye Kyo's doppelganger Han So Hee is decent as the object of his affections. I also liked the fact that the production team used music and imagery to reflect the different stages of the MCs' relationship. Alternatively, this isn't a drama that needed a whole thesis deconstructing the plot devices or in person narratives due to its short length. It is meant to be enjoyed as it is, a bittersweet journey of two people finally finding love after two decades.
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Kikazaru Koi niha Riyuu ga Atte
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There is Shun who lived minimally after a set-back, despite aspiring to have his own restaurant. Then there's Ryuhei who gives advice to everyone but does not do well managing his own love life. There's Ayaka, the dream chaser, who does not know that it's okay if things don't turn out as they planned. Then there's Sachi the boss, who realizes too late, that somebody who is always at his side, does not mean she will be there forever. There's also the landlady, Kuoko, who does not cater to traditional views and become complacent in her situation when the absentee husband is nowhere to be found until after their marriage dissolved.
This drama turned out to be much more meaningful than just a light-hearted rom-com. It imparted life lessons on how we should live our life to the fullest, but also learn how to stop and smell the roses.
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Story: A slut meets a stalker. It looks like somebody really wanted to tell this story enough to make a short film out of it, but since there’s nothing much to go by, just throw in some weird sex. Whelp, apparently that was good enough of a plot (but we know it ain’t). Acting/Cast: Looks like they picked randos on the street, or maybe these actors volunteered for their 14 minutes of fame, or rather obscurity.
Music: Didn’t even notice, but maybe they should the background noise to “creepy”
Rewatch Value: Sure, if you wanted to see pasty white skin or the improper use of cuffs.
Overall: Probably the moral lesson it wants to impart is not to dismiss stalkers, as they may actually save you from rapists. It’s like yay! But really, no.
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Acting/Cast: Nothing remarkable to note.
Music: Nothing remarkable to note.
Rewatch Value: Maybe if only to clarify some of the scenes that suffered from poor editing or script writing.
Overall: The short film attempts to deconstruct gender stereotypes, by imagining a world where we can choose our gender as a part of a standard program, where identifying with another gender that you are born with, will be the norm, but the execution falls short of its aim.
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Please Feel At Ease Mr. Ling
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I fast forwarded the last half of the show, and even the plot twist seemed forced and came out of left field, inserted only for the sake of a last hurrah. The attempt failed as I didn't care much about the characters. The drama had a lot of unnecessary fillers and could have been finished in half the length.
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Immortal Samsara: Part 2
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I did not expect to like this drama more than I did, mainly because I was ho-hum about Yang Zi as an actress despite watching a few of her dramas, but she was much better in this one, IMHO. The show definitely benefitted from the acting prowess of the cast, with Cheng Yi in particular. He was more subdued here and not a long-suffering idiot like he was in "Love and Redemption," which I liked.
Though a bit convoluted, the drama was fast-paced and rarely boring. There's a few downsides though: I do not know how much more repeated reincarnations that I can take. This seems to be the go-to tropes of historical dramas, but this one is a bit much, especially with the same evil resurrecting a few times, it became annoying AF. Also, the CGI is not the greatest, I would say even to the point of particularly bad and laughable in some instances. But all in all a good story about love and sacrifice.
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I did not expect to like this drama more than I did, mainly because I was ho-hum about Yang Zi as an actress despite watching a few of her dramas, but she was much better in this one, IMHO. The show definitely benefitted from the acting prowess of the cast, with Cheng Yi in particular. He was more subdued here and not a long-suffering idiot like he was in "Love and Redemption," which I liked.
Though a bit convoluted, the drama was fast-paced and rarely boring. There's a few downsides though: I do not know how much more repeated reincarnations that I can take. This seems to be the go-to tropes of historical dramas, but this one is a bit much, especially with the same evil resurrecting a few times, it became annoying AF. Also, the CGI is not the greatest, I would say even to the point of particularly bad and laughable in some instances. But all in all a good story about love and sacrifice.
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The rest of the cast were amazing as well, in particular Oh Eui Shik and Roh Yoon Seo as Nam Jae Woo and Nam Hae Yi. The drama carried a hodge-podge of themes: the noona-romance, the bestfriends-turned-lovers trope, a murder mystery, the political machinations behind the private education system, the prejudice towards "lower" social classes, the adverse effects of rumor-mongering, the treatment of those who are mentally-ill.
Some may claim that the FL does not deserve the "princely" ML (because of the disparity in looks and age), but I have to disagree. Choi Chi Yeol was set up since the beginning to be a person who values emotional ties, than superficial ones. He gets teary eyed just from eating the familiar flavors of Haeng Seon's cooking, despite not knowing who the chef is. He rejected the blind date set up for him, even though the woman's qualifications look good on paper and she was easy on the eyes. People bashing on his taste in women is the typical reaction of some fans who took issue with the FL's "unattractiveness."
News Flash: Not every body can look like a model and have a "perfect" personality. I like this drama that is rooted in realism and it is about time that we get more of these type of shows.
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Love Like the Galaxy: Part 2
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THIS REVIEW IS FOR BOTH PARTS 1 & 2. Such an entertaining drama, no less expected from one of the rising actors in China, Zhao Lu Si who chooses good scripts. Her portrayal of a smart but unruly young woman is a hoot, as she captured the interests of many highly eligible young men, including the icy, cold General Ling Bu Yi. Because of her antics, Shao Shang managed to irate many of the ladies that have been vying for Bu Yi's attention for years, as well many of her elders who thought they can undermine Shao Shang's "lowly" position in the society, despite being the youngest daughter of a general.
Though her father dotes on Shao Shang, perhaps feeling guilty for the years of abandonment, her mother, on the other hand, is very strict on her daughter, leaving the latter to think that she was unloved. For her part, Shao Shang does absolutely nothing to make up for loss time as she still held a grudge for the neglect and had become wary of anybody who shows her affection. Bu Yi is the same, as he plots and plans his revenge upon the death of his clan, even at the expense of others.
I loved the intricacy of the narrative and the political/familial/societal drama is riveting, aided by a talented ensemble and diverse characters. I also liked the show's attempt at humor, for example, Shao Shang's dad, the King and Bu Yi's sidekick serving as comedic relief. For all the people in the court that are conniving and greedy for power, I appreciated the fact the the Queen and the King's consort (mistress) get along well and respectful of each other.
The only drawback in this drama is that there are some instances where, to me, the happy ending seems forced and neatly tied in a bow. I would have been fine with Bu Yi's death, as it was for me, so farfetched that he managed to survive despite the dangers befalling him. Also for me was Shao Shang's self-righteousness and how she treated Bu Yi. Her character development seemed weak for me, and sometimes wished she was her bright, spritely self like she was in the beginning. Otherwise, a very good drama.
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THIS REVIEW IS FOR BOTH PARTS 1 & 2. Such an entertaining drama, no less expected from one of the rising actors in China, Zhao Lu Si who chooses good scripts. Her portrayal of a smart but unruly young woman is a hoot, as she captured the interests of many highly eligible young men, including the icy, cold General Ling Bu Yi. Because of her antics, Shao Shang managed to irate many of the ladies that have been vying for Bu Yi's attention for years, as well many of her elders who thought they can undermine Shao Shang's "lowly" position in the society, despite being the youngest daughter of a general.
Though her father dotes on Shao Shang, perhaps feeling guilty for the years of abandonment, her mother, on the other hand, is very strict on her daughter, leaving the latter to think that she was unloved. For her part, Shao Shang does absolutely nothing to make up for loss time as she still held a grudge for the neglect and had become wary of anybody who shows her affection. Bu Yi is the same, as he plots and plans his revenge upon the death of his clan, even at the expense of others.
I loved the intricacy of the narrative and the political/familial/societal drama is riveting, aided by a talented ensemble and diverse characters. I also liked the show's attempt at humor, for example, Shao Shang's dad, the King and Bu Yi's sidekick serving as comedic relief. For all the people in the court that are conniving and greedy for power, I appreciated the fact the the Queen and the King's consort (mistress) get along well and respectful of each other.
The only drawback in this drama is that there are some instances where, to me, the happy ending seems forced and neatly tied in a bow. I would have been fine with Bu Yi's death, as it was for me, so farfetched that he managed to survive despite the dangers befalling him. Also for me was Shao Shang's self-righteousness and how she treated Bu Yi. Her character development seemed weak for me, and sometimes wished she was her bright, spritely self like she was in the beginning. Otherwise, a very good drama.
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This could almost be a perfect romance for me only if the SML and FL ended up together, and since they didn't (as expected), I wasn't as blown away by this drama as I would be. I was more invested in watching the scenes between Fan Xing and Lu Ming; their banter are so funny and their bond more natural than between Fan Xing and the male lead. There were so many misunderstandings between Yuan Song and Fan Xing, mainly because of Fan Xing constantly putting her foot in her mouth. I get it that she has never been in a relationship before, but she's a grown woman; she should act more mature than the young man she's dating. It was sometimes frustrating to watch the main couple argue over silly things, and it mainly stems from them keeping secrets from each other, not a good basis for a relationship.Despite this, there are a few things I liked about this drama: there are no overbearing mothers, evil stepmoms, or annoying sisters. Even the rivalry between some of the characters were not as intense and hateful as in some other dramas. Healthy competition for the win. I also admired the close-knit relationship of some, for example, between the three best friends who support each other in times of need, or how close Yuan Song is to his stepmom or MinMin to her uncle, or how the work colleagues will go and visit people who are ill. Fan Xing is also close to her brother Canyang, who is sometimes jealous of how their parents treat the siblings differently, but helps his sister anyway. The show's internal monologuing also provided a lot of Fan Xing's self-discovered truths, where she hopefully matures towards the end of the story.
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Sunbae, doe die lippenstift niet op
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I went into this thinking this would be a noona romance as it was labelled as such, but for me, a one-year age gap does not constitute a noona romance. For me, the difference would have to be greater than 5 years to be even called that. Despite this, it was enjoyable show because not only it centered on the romance, but also focused on different familial relationships. Rowoon is adorable as the patient trainee who was overeager to please his mentor. We see him struggle with his feelings and also with the knowledge that his crush has a two-timing boyfriend. Won Jin Ah isn't so shabby as the no-nonsense manager who was very private about her relationships, that she had wool over her eyes, if it weren't for Hyung Seung. As for the other characters, the sisters of Hyun Seung stood out for me, and their relationship with their brother was endearing. While I find Lee Hyo Joo a cloying biatch who gaslights a spineless Jae Shin into a forced marriage, her odd-ball brother Jae Woon became more of a decent character as the show progresses. One setback for me was the numerous characters this drama introduced with the many side arcs, and some of which were predictable like I can spot the backstory of Yun Seung's husband from a mile away. Otherwise, a decent drama.
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