Drama Addict
New Zealand
To sum up, this drama series is very well produced: the cast performs very well with no weak link, the chemistry between the main leads is great, the costumes are beautiful, the computer generated backdrop are lovely, the leads are handsome and beautiful - overall a great production.
This drama has a very young cast - the key leads are mostly less than 30 years old. It seems the China drama industry is replacing an entire generation of older established well-known artistes who are now in their late 30s or older, with a younger generation of new heartthrobs.
The male lead Chen Xing Xu does a great job acting 4 different characters. I must say the make-up specialist/s did a great job too. If you observe carefully, the four characters look slightly different with YouQin looking a bit more chubby, Mei looks much thinner, La Mu very scruffy and Wen Ren very refined, in their features.
With a theme of a mixed up in the wedding carriage, you would expect a lot of humour, and it does provide a lot of comic relief. And the drama is packed with actions.
Of the Chinese dramas I have watch post pandemic (but did not check whether they are produced pre or post), numerous are very good productions. This drama, Till the End of the Moon (still my favourite post pandemic production), The Blood of Youth and so on are all very good.
Improvements I must say the Chinese drama production needs are
1. New themes and creativity. The Chinese drama industry is seriously in need of this. After watching the huge number of Chinese dramas as I had, the dramas started to look the same although the storyline might be different. Boredom is somewhat setting in. This is of course going to be a big challenge. Producers like to emulate the themes of successful earlier productions and what have been tested, succeed and allowed in the greatly politically controlled environment. This is precisely why The Untamed did so well - of course the leads did fabulously well but most importantly the storyline was quite unlike the rest.
2. For this drama, it is overall very good but lack memorable moments like Nirvana in Fire and Ten Mile of Peach Blossom, or intense emotional expressions like those of Luo YunXi in Till the End of the Moon and Ashes of Love.
This drama has a very young cast - the key leads are mostly less than 30 years old. It seems the China drama industry is replacing an entire generation of older established well-known artistes who are now in their late 30s or older, with a younger generation of new heartthrobs.
The male lead Chen Xing Xu does a great job acting 4 different characters. I must say the make-up specialist/s did a great job too. If you observe carefully, the four characters look slightly different with YouQin looking a bit more chubby, Mei looks much thinner, La Mu very scruffy and Wen Ren very refined, in their features.
With a theme of a mixed up in the wedding carriage, you would expect a lot of humour, and it does provide a lot of comic relief. And the drama is packed with actions.
Of the Chinese dramas I have watch post pandemic (but did not check whether they are produced pre or post), numerous are very good productions. This drama, Till the End of the Moon (still my favourite post pandemic production), The Blood of Youth and so on are all very good.
Improvements I must say the Chinese drama production needs are
1. New themes and creativity. The Chinese drama industry is seriously in need of this. After watching the huge number of Chinese dramas as I had, the dramas started to look the same although the storyline might be different. Boredom is somewhat setting in. This is of course going to be a big challenge. Producers like to emulate the themes of successful earlier productions and what have been tested, succeed and allowed in the greatly politically controlled environment. This is precisely why The Untamed did so well - of course the leads did fabulously well but most importantly the storyline was quite unlike the rest.
2. For this drama, it is overall very good but lack memorable moments like Nirvana in Fire and Ten Mile of Peach Blossom, or intense emotional expressions like those of Luo YunXi in Till the End of the Moon and Ashes of Love.
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