The overacting was acutely cringeworthy, far surpassing that seen in the likes of Tamiou or Keibuho Yabe Kenzô. And it’s unfortunate, because episode 2 centered on one of those deeply human moments that made seasons 1 and 2 of Code Blue so compelling. Regrettably, the brick-to-the-face acting of everyone but Erika made this unwatchable.
I have friends (heck, family members) who won’t watch Asian dramas because of the Japanese reputation for overacting. I have never had much of a problem with what on reflection I suppose some Americans would see as overacting—Nodame Cantabile, Gokusen, good ol’ Moriyama-sensei from DOCTORS—but this show crossed the line for me and my spouse; in fact it stepped so far beyond it that had we watched any longer it would have retroactively sullied Ryo’s spellbinding performance in Code Blue.
Vond je deze recentie nuttig?