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Hit show (Read with an "S" in the beginning)
Love Next Door attempted to blend several genres—romantic comedy, slice-of-life, and even elements of drama—but ended up feeling disjointed. The shifts in tone from light-hearted moments to more serious themes often felt jarring.
Additionally, with each episode running for 1 hour and 30 minutes, the extended runtime felt excessive for the plot being told. The pacing dragged, leading to drawn-out scenes that could have been condensed. As a result, what could have been a fun, engaging story turned into a tedious watch.
First of all, the good point about this drama is its lead actors. Jung Somin and Jung Haein are the only reasons people even fw this drama.
Love Next Door unabashedly positions itself as a romcom, yet the supposed "comedy" is conspicuously absent. For a drama that claims to reside within the romantic-comedy genre, it displays an alarming deficiency in humor, delivering not even a modicum of wit or levity. The comedic elements—if they can even be called that—are stale and unimaginative, often falling flat or feeling forced.
As for the romantic dimension, it was equally unconvincing. The connection between the protagonists lacked the effervescence and warmth typically seen in successful romcoms. The romance felt stilted, as though the writers were merely ticking off the requisite boxes without any genuine emotional depth or progression. What was meant to be a charming exploration of love unfolded as a mechanical, uninspired portrayal, devoid of the chemistry and playful banter that is the hallmark of the genre.
In Love Next Door, the writers tried to mix a slice-of-life and healing theme into the romcom, but they didn’t create smart or deep characters to make it work. Slice-of-life stories usually focus on real-life moments and personal growth, but the characters in this show felt simple and shallow. They didn’t have the kind of thoughts or emotions that would make these themes feel real.
The brother in Love Next Door was probably the only realistic character in the whole show. He reminds me of my own baby brother—super irritating.
The writers of Love Next Door completely squandered the undeniable chemistry between Jung Somin and Jung Haein. Their natural connection was one of the show’s greatest strengths, but the way the romance was handled left no room for it to fully bloom. By the time the female lead confesses her feelings, there was no anticipation or emotional tension left for the viewers to savor.
Love Next Door - somehow managed to ruin the best friends-to-lovers trope, despite the fact that it’s a genre that’s practically impossible to mess up. This storyline typically succeeds because of the natural, long-standing bond between the characters, filled with history and emotional weight. But the show turned what should have been a compelling transition into romance into a bland and overly sweet narrative that stripped the couple of any real depth.
The second couple had a lot of potential, but the writers seemed to focus too much on making them overly cute. This forced attempt at charm, unfortunately, drained their storyline of depth and left their relationship feeling bland. Their chemistry could have been explored in a more natural and compelling way instead of relying on repetitive cuteness, which, while endearing at first, lost its spark over time.
The mother of FL really does become insufferable as the show goes on. Initially, it felt like her strictness came from a place of tough love when she whooped the FL in the first episode. But as the series progresses, her behavior crosses into petty, jealous territory. She reacts negatively to almost everything, especially when it comes to her daughter’s happiness or independence.
The arrival of both exes, creating a love pentagon, significantly diminished the overall experience, even though the exes themselves were well-written characters. Instead of enhancing the storyline, their presence muddied the romantic focus and detracted from the chemistry between the main couple.
The sole indelible moment in Love Next Door was the poignant flashback of childhood, portrayed with remarkable authenticity by the child actors. Their nuanced performances elicited a sense of nostalgia and depth.
I thought this would be a drama where I would love the main couple but hate the story. However, it was so bad that I don’t even like the on-screen romance now.
Despite securing a prime time slot on tvN, Love Next Door underperformed compared to other dramas in that slot. While it maintained respectable ratings and often ranked first in its time slot, it didn’t reach the high ratings that many prime slot dramas typically achieve.This can largely be attributed to its underwhelming storyline and frustrating character arcs, which failed to engage viewers on a deeper level. The script lacked the dynamism and complexity needed to sustain a prime slot drama, leading to a disconnect with its potential audience.
It wasn’t the worst drama I’ve watched, but it’s definitely the most disappointing. The hype was high, especially with Jung Somin and Jung Haein.
It was profoundly disheartening to witness actors of Haein and Somin's caliber acquiescing to a script as lackluster as Love Next Door when they undoubtedly had more discerning options at their disposal. Their remarkable aptitude was regrettably squandered on a project that failed to exploit their full artistic potential.Ultimately, the writers must bear the brunt of the responsibility for failing to realize the potential of this ostensibly promising premise.
Additionally, with each episode running for 1 hour and 30 minutes, the extended runtime felt excessive for the plot being told. The pacing dragged, leading to drawn-out scenes that could have been condensed. As a result, what could have been a fun, engaging story turned into a tedious watch.
First of all, the good point about this drama is its lead actors. Jung Somin and Jung Haein are the only reasons people even fw this drama.
Love Next Door unabashedly positions itself as a romcom, yet the supposed "comedy" is conspicuously absent. For a drama that claims to reside within the romantic-comedy genre, it displays an alarming deficiency in humor, delivering not even a modicum of wit or levity. The comedic elements—if they can even be called that—are stale and unimaginative, often falling flat or feeling forced.
As for the romantic dimension, it was equally unconvincing. The connection between the protagonists lacked the effervescence and warmth typically seen in successful romcoms. The romance felt stilted, as though the writers were merely ticking off the requisite boxes without any genuine emotional depth or progression. What was meant to be a charming exploration of love unfolded as a mechanical, uninspired portrayal, devoid of the chemistry and playful banter that is the hallmark of the genre.
In Love Next Door, the writers tried to mix a slice-of-life and healing theme into the romcom, but they didn’t create smart or deep characters to make it work. Slice-of-life stories usually focus on real-life moments and personal growth, but the characters in this show felt simple and shallow. They didn’t have the kind of thoughts or emotions that would make these themes feel real.
The brother in Love Next Door was probably the only realistic character in the whole show. He reminds me of my own baby brother—super irritating.
The writers of Love Next Door completely squandered the undeniable chemistry between Jung Somin and Jung Haein. Their natural connection was one of the show’s greatest strengths, but the way the romance was handled left no room for it to fully bloom. By the time the female lead confesses her feelings, there was no anticipation or emotional tension left for the viewers to savor.
Love Next Door - somehow managed to ruin the best friends-to-lovers trope, despite the fact that it’s a genre that’s practically impossible to mess up. This storyline typically succeeds because of the natural, long-standing bond between the characters, filled with history and emotional weight. But the show turned what should have been a compelling transition into romance into a bland and overly sweet narrative that stripped the couple of any real depth.
The second couple had a lot of potential, but the writers seemed to focus too much on making them overly cute. This forced attempt at charm, unfortunately, drained their storyline of depth and left their relationship feeling bland. Their chemistry could have been explored in a more natural and compelling way instead of relying on repetitive cuteness, which, while endearing at first, lost its spark over time.
The mother of FL really does become insufferable as the show goes on. Initially, it felt like her strictness came from a place of tough love when she whooped the FL in the first episode. But as the series progresses, her behavior crosses into petty, jealous territory. She reacts negatively to almost everything, especially when it comes to her daughter’s happiness or independence.
The arrival of both exes, creating a love pentagon, significantly diminished the overall experience, even though the exes themselves were well-written characters. Instead of enhancing the storyline, their presence muddied the romantic focus and detracted from the chemistry between the main couple.
The sole indelible moment in Love Next Door was the poignant flashback of childhood, portrayed with remarkable authenticity by the child actors. Their nuanced performances elicited a sense of nostalgia and depth.
I thought this would be a drama where I would love the main couple but hate the story. However, it was so bad that I don’t even like the on-screen romance now.
Despite securing a prime time slot on tvN, Love Next Door underperformed compared to other dramas in that slot. While it maintained respectable ratings and often ranked first in its time slot, it didn’t reach the high ratings that many prime slot dramas typically achieve.This can largely be attributed to its underwhelming storyline and frustrating character arcs, which failed to engage viewers on a deeper level. The script lacked the dynamism and complexity needed to sustain a prime slot drama, leading to a disconnect with its potential audience.
It wasn’t the worst drama I’ve watched, but it’s definitely the most disappointing. The hype was high, especially with Jung Somin and Jung Haein.
It was profoundly disheartening to witness actors of Haein and Somin's caliber acquiescing to a script as lackluster as Love Next Door when they undoubtedly had more discerning options at their disposal. Their remarkable aptitude was regrettably squandered on a project that failed to exploit their full artistic potential.Ultimately, the writers must bear the brunt of the responsibility for failing to realize the potential of this ostensibly promising premise.
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