scenophile
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A missing spark that crashes and burns
This is the first drama that I've watched after reading the original source material (in this case, a webtoon), so this will be a review where I inevitably compare some elements, but I'm still trying to be as objective as possible.I really loved the webtoon — the plot, the lack of cliches, the straightforward female lead — and was really excited for the drama. But from the start the spark was missing for me. It felt pretty well written but the development of the leads felt jumpy and I'm not sure the chemistry between the actors is all there.
Plot-wise, this was really a drama that needed a full 16 episodes because of how much plot there was. There's the 18th life backstory and Jieum's 1st life backstory, and I really feel like they glossed over the car accident (18th) just to make time for the other plot. The plot that seemed to kickstart everything felt very unimportant by the end.
Now, the biggest issue I have with this drama is the backstory behind the first life and all the changes they made to it. Just in general, the backstory of the first life felt lackluster, but if I hadn't read the webtoon prior to watching this might've been something I could forgive, but knowing what I know, I find myself realizing just how MUCH the overall message was changed. Whereas the webtoon seemed to give Jieum a lot of agency in choosing who could be part of her life and going against "destiny," the drama created a lot of rules to take that away. There were consequences from the universe telling her those decisions were wrong, and even more so, the fact that EVERYONE was incorporated into her first life (vs. the coincidental one in the webtoon) seemed to underline that fate does exist, and that people with so-called intertwined destinies would meet each other anyways. Being anti-destiny was one of the things I loved about the webtoon and I felt like the drama completely undid that.
Next, my other big issue is the ending. Anyone who knows me knows that I hate the amnesia trope, especially when used at the end, and this was the perfect example of why. It just leaves SO many plot holes because she lost memories of specific people instead of just her past lives — why wouldn't she question her life changes and memory gaps? How did she get her job back? What about where she was living? Wouldn't other people talk to her about the people she'd forgotten? The only direction I can see the story going is Jieum starting to second guess herself and the people who randomly started to insert themselves in her lives. But obviously, there were no more episodes. The story just...ended.
Overall, I actually think this had a promising start. The cinematography was gorgeous, and there is so much good material. Even if I wasn't immediately convinced, I was glad I gave this a chance and I did see a few scenes that I liked, some familial bonds that touched me. By the ending however, the backstory had become so messy, the philosophy had become unclear, and the romance had fizzled out. I'd lost all emotional investment in the story.
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Has everything except for the plot
I really loved the first few episodes — there wasn’t much of a plot but the “city girl escapes to the countryside” premise promises comfort and I definitely felt that. There was the overarching plot of Samdal’s career, the yearning of an exes-to-lovers romance, and the three sisters providing the family aspect — all of which I loved.And then as the show went on it started to drag, and I found that there weren’t that much of the countryside vibes, and they introduced plots that were detrimental instead.
First there’s the love triangle, which is the most unnecessary part of the show, and I’m saying this as a love triangle trope defender. The love triangle where the second lead has zero shot, who the FL never once considers a potential love interest, and who has no plot other than the romance and standing in the shadows looking at the main couple steadily progress…we have to leave that behind because all it does is waste screentime.
And then there was the reason behind the main couple’s initial breakup: parental disapproval. It’s a common trope in kdramaland too, and one that I also think is really outdated and frustrating, especially for a drama like this where there’s really nothing else going on.
A third thing that got too much screentime was the gossipy old ladies, who were frustrating even if they weren’t completely horrible by the end.
In terms of the subplots, I think they started out strong but also fizzled out a little. The eldest sister’s romance with her ex-husband was really funny but I wish it was more serious at times rather than making it all so slapstick. The youngest sister’s romance and relationship with her daughter was the best part of the show, especially in connecting the theme of motherhood throughout the show. It’s a fantastic theme that I wish had a better throughline rather than coming in and out, because the mother-daughter scenes always hit really hard.
I also actually really like the focus on Samdal’s career and her adversary, and I wish it didn’t come so late in the show. I also wish they didn’t lean so much into one character being downright evil, and it doesn’t quite give you the satisfaction of karma getting her in the end due to lack of screentime. The plot line of Samdal rediscovering her love for her hometown and photography was really heartwarming still.
Another thing I wish got more screentime was the friend group. We had some at the start of the show when Samdal returned and some at the end when they were helping her, but overall the show leaned into the love triangle and other scenes instead and I felt like we never really got to feel how close they were the way we grow to love the friend groups in dramas like the Reply series.
Overall, it ends on a satisfying note and wraps things up in a neat little bow, but I feel like I didn’t quite get as many comforting vibes I wanted.
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The Making of An Ordinary Woman
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Relatable and heartfelt
It took me a little while to get into this and I liked the younger timeline a lot better than the older adult one, where there was a lot more annoying slapstick humor. It just felt more comforting and the family theme was really strong.But the adult timeline really grew on me as the drama went on, and in the end, it was that one that hit the hardest. It was just a really beautiful depiction of family life in Tainan, and the bits of political and historical context that it included were also really raw and realistic.
I also have to especially give props to the lead actresses — both the adult and the younger versions did an amazing job of bringing the character to life and making it feel cohesive and natural. And the relationship between the siblings was actually one of my favorite parts in this show. Would highly recommend this.
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The Speed Going to You 493km
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Amazing Chemistry
The best part of this drama is, without question, the chemistry between the two leads. From the very start they had the best kind of relationship — playful bickering, but with the added fact that they were two people who each had their own trauma, who had somehow found each other and the emotional support they hadn't been able to get anywhere else. There was something so beautiful and heart-breaking about every scene with the two of them just being together, something so intimate about the conversations they had whether or not there was any skinship (which we did get, satisfyingly).Other than that, the second and side ships were also fun to watch and had their unique dynamics that added to the story. Even as independent characters, I really liked all the side characters.
The main plot of this drama surrounds Taeyang's past catching up with her, and this really takes center stage in the second half of the show. It was a decent plotline, but I definitely wish that it was resolved sooner because as much as I loved the angst we got between the leads because of it (those super emotionally packed scenes were where I cried BUCKETS), but I felt like the badminton part of the drama started to taper off — there was less about the risks that athletes take and their motivations and goals, but it was more about forgiveness and guilt. I have nothing against this drama veering into melodrama territory but I definitely think it lasted a little too long and we barely got to see any badminton matches, whereas the first half was a lot about the characters training and trying to improve.
With that being said, the ending did feel a little rushed too. I disagree with some of the main themes that the plot ended up seeming to say and wish our two leads had been given more agency; it felt like some plot development either happened out of convenience or they were waiting for other characters to change so that they could make decisions. While I understand that our main leads are simply two very selfless and patient (perhaps to a fault) characters and that Asian culture is very family-centered, if you're more confrontational and about self-interest/self-love (as I am) you might find it frustrating and plot-convenient.
Overall, still a really fun watch for me. Taejun is hands down the best male lead I've watched this year and will go down as one of my permanent favorites. This entire drama is just full of green flag male leads.
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Story 1 > Story 2
I actually really enjoyed the first story in this movie — it was quirky but endearing and despite some questionable moments, there was a very subtle layer of comedy that actually made the characters seem like very real and relatable people.The second story, however, just didn't click with me very much, whether it was the characters' personalities themselves or the kind of haphazard and illogical direction that the plot went in.
Overall there's still a nice nostalgic feeling to this movie, but I didn't found myself that invested in the plot developments.
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Nice aesthetics, lacking story
I really liked how this movie vibed in general, from the cinematography to the overall quiet of certain scenes. For what it's worth, the actresses filled their roles well and had some nice scenes together.With that being said, however, I just didn't like the characters themselves — this movie was by no means character driven; there's little to no character development and I felt like the toxicity in the relationship wasn't explored much either.
Ultimately, however, I also just felt like the story in this was lacking; it didn't feel like a story about running or dying — I didn't feel any sense of urgency or even any sort of direction. The time jumps back to the past felt like they didn't have much of a purpose either.
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Large Cast of Characters
There are so many characters in this show and that could either be positive or negative. The Reply series did it well but here, for me, there were so many characters that I didn't care about, like the side characters of the Senior Writer or even the two main leads. With that being said, this isn't that much of a character-driven drama, but those characters who did have personal growth turned out to be my favorites (Eunjung, Somin).There's sort of a drop-off with the plot as well and some lost opportunities for exploring but this show packs its punches in many of the right places, especially in the beginning where everyone is being introduced.
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It's not that I hated this but
I just really didn't feel ANY emotions — and for a movie with such a heavy topic I probably should have.I think part of it has to do with the ensemble cast as well; I've never been a huge fan of ensemble movies except for Train to Busan (ensemble dramas are fine, because you have more time to learn to love all the characters) and this one was no different. I cared about a few of the characters but had trouble differentiating between everyone else, and so the entire movie just felt so much like action with no substance.
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The Romance of Tiger and Rose
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Super fun
I haven't laughed this hard at a drama in a long time — and it came at such the right time because I was getting so sick of slapstick humor. All the characters (the main leaders, and especially Zi Rui) had the most amazing comedic timing.This has my favorite type of female lead — you don't have to be the best at everything and physical fighting to be smart and make good decisions, and of course, it has my favorite type of male lead that's lowkey a badass but goes soft for her.
The chemistry between the main leads was so good and I just love the relationship that the two of them had together. The sidekicks were hilarious as well and worked so well with our main characters and with each other. And it really felt like all the characters had their own personalities no matter how small their roles were.
I do think I enjoyed the first half a little better when it was our main character trying to navigate the new world and all the subplots that were going awry. I felt like some of the magic was lost a little near the end (especially after the goddamn noble idiocy!) because it was reduced to the main plot around government control. It also seemed to reduce a lot of characters to their cliches, and I had loved that they subverted the tropes in the beginning.
Nevertheless, I really like how this show's plot turned to a darker tone without ever really losing its style of humor. Sadly I can't really say if it surprised me — I'm still mad at myself for obsessively watching clips on YouTube before I decided to binge it in a day — because I knew the scenes already. But overall the plot is still really clever.
Overall, I still had a really fun time watching this — I cannot wait for season 2 even though I have to wait an entire year!
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Loved the second ship, hated the mains
The second ship really saved this for me. From the start I knew I would love them so much better — the playful, teasing relationship that they had is my favorite type of ship. And I really watched the drama for them, even though the plot went OFF THE RAILS for them. The second female lead had the personality that I loved — outgoing, bubbly, straightforward with her feelings.I also had really terrible SLS for this drama honestly, I felt like second lead had so much more character and backstory to him, whereas you barely knew anything about the main lead and the development with the FL was absent as well. My stars are also for second lead, who I feel like got the short end of the stick, as second leads in cdramas often do.
With that being said, I basically could not stand either main lead.
The guy was unlikable. I'm just not a fan of cheaters and he did it multiple times, and always seemed to blame it on the other person.
The female lead was the worst part. The acting for the female lead was not only bad, I think it was simply a terrible character who couldn't hold a conversation for more than two minutes, NEVER learned to stand up for herself or be herself for that matter, and also maintained the same facial expression throughout all 16 episodes. I couldn't, for the life of me, see what was so interesting about her, and as the drama went on it felt like she only got worse — more dependent on her partner, more selfish in what she asked of him, and more delusional in the idea that nobody should change and that she was for some reason owed a relationship.
In fact, the entire drama seemed to put such an emphasis on "how dare you change?" for each character. They fought over promises they made years ago that don't make sense to keep considering the obstacles that life threw in their way, and it was like only the second ship managed to learn how to navigate new situations.
Ultimately though, the pacing was done pretty well with their coming of age being evenly spread out; I'm obviously a larger fan of the high school days, before things haywire, but I'm super glad the second lead got their ending.
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Messy ending, but characters are intriguing
So yep, I really don't think this drama should be thought of a romance. But if we do see it that way, then yep — SECOND LEAD SYNDROME IS REAL. I've always been a bigger fan of the playful, comfortable, easy-to-talk relationship and how comfortable Baek Inho and Seol were with each other and how she made her laugh and how he actually had such good advice about how to live life...I LOVE him to death.Everyone who says that the ending of this drama is a mess...they're pretty much right, but if we DON'T think of the drama as a romance, I actually loved all the characters on their own:
Yoo Jung: I've always wanted to see a main lead like Yoo Jung — cunning, resourceful, with a thirst for justice and yet he goes about it in the coldest, cruelest way. Slytherin to the core. Loved it, and honestly the end of the drama felt more about his way of thinking than anything else.
Seol: So relatable in how endlessly hardworking she was and I loved how chill she could be with her friends. It was frustrating to see who she had to deal with, but I felt like the ending scene with her in the office and seeing colleagues who mirrored her college classmates...it tied everything up nicely.
Baek Inho: I've already said I loved him and he's one of my fave character archetypes — the estranged bad boy with a temper who goes WAY soft for the girl. His character was way complex and the backstory was heartbreaking, and there was so much tension between all his emotional turmoil vs. the emotions he wore on his sleeve.
Baek Inha: If I knew someone like this in real life, I'd be endlessly frustrated with them and hate them, but in this drama she was both annoying and hilarious. I can't help but feel like her character development was way out-of-the-blue and she got the short end of the stick with how crazy the drama's plot went, but ultimately she was still interesting.
Bora + Euntaek: Loved them. I wish they got a little more screentime but they gave me the friends-to-lovers that I always crave.
With that being said, the plot definitely went crazy, but since I watched this years after it aired, I was mentally prepared for it and it turned out to not be as bad as I expected. As a romance, it was problematic because I don't think the leads were good for one another, even from the very start, but if we're looking at the characters individually, I felt like this drama had a lot there.
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I couldn't help but compare it to Shut Up Flower Boy Band in my head, and one thing I noticed was that bromance in that drama was so much stronger, and I wish Yellow had more of it.
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To be honest, though, I might have enjoyed the first half better than the second, mainly because of one huge plot twist that broke my heart and never really got resolved the way I wanted it to. Still, it was hard to stop watching.
Soo Bong was probably my favorite character. Though he was so minor, the character development was there, and he was ALWAYS relatable.
Last thing: I swear this drama has like the longest and slowest car rides ever?? ESPECIALLY when the characters are in a rush...
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Strong Woman Do Bong Soon
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The kidnapping sub-plot was also super intriguing, and I was really invested in how the characters would deal with it. It scared me but also ended up creating a really good balance between light, fluffy scenes and darker moments.
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Convenience Store Saet Byul
4 mensen vonden deze beoordeling nuttig
Fun but unsubstantive
There was something quite charming and enjoyable about this drama, crazy visual effects and all — it's the kind of show you can watch without using any part of your brain. Once you did, however, you find that there's a lot lacking especially when it comes to plot and substance.As much as it pains me to say this, the humor is almost on par with that of Melting Me Softly — it's loud, obnoxious, and zany, and most of the time it misses the spot. A few characters seemed to exist just for the laughs, but they really just ended up annoying and one-dimensional and seemed to serve no purpose. The worst culprit was DH's sister.
There are a lot of things that definitely made me uncomfortable, especially how race was handled. I understand that the people behind the drama said the webtoon artist was supposed to represent how people can come together around love for a culture, but his personality had not much to it other than being dirty and liking to draw x-rated cartoons. It also just felt incoherent at times, especially if it was used for humor which, as I previously mentioned, often fell flat.
I'm a fan of any romance that shows people slowly falling in love with one another in everyday situations, but I really just didn't FEEL it in Backstreet Rookie — honestly, I much preferred the dongsaeng-style relationship that SB and DH had, for multiple reasons. They dragged on the ex-girlfriend plot for far too long, and they also added in a "childhood" connection that made any sort of romantic plot seem even weirder with the age gap.
I also didn't like SB's sister, Eun-byul, who I felt like made so many bad decisions and never owned up to them, instead having SB run after her apologizing. I felt like I just really wanted more substantive conversation between the characters.
With all that being said, one thing that I did love about this drama was the theme of family (which may be why I preferred DH and SB being that). SB and DH's mother had the most heart-warming scenes together and the most touching conversations, and it was definitely something I wanted to see more of.
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