The plot is a hot mess. Very hot on the eyes and the heart and very much a mess for the intellect. But, frankly, I was more than willing to overlook every plot-hole, every unrealistic twist, every narrative ingenuity while watching, because the emotions portrayed were so strong, so moving and beautiful, it was like swimming in self-inflicted, desired pain. This is a story of friendship, and this aspect is wonderful. I rejoiced in every scene which would bring the friends/rivals together on screen and not surprisingly those scenes are the best shot ones too, with some stunning choreography and mesmerizing music. I could have watched 29 hours of sword fights or friends silently sitting next to each other without complain. This is what the story is about and as I said it's incredibly beautiful.
On the other hand, the plot, or, if you prefer, the writing, goes everywhere and nowhere. Aliens could have landed in Joseon and killed them all with laser beams and it would have gone almost unnoticed in the circus. I'm not saying the politics didn't count, but I simply didn't care. What I cared about were the characters and their bond.
First, the kids: they enchanted me. Because this drama is totally devoid of mother figures – the only living one having refused to be such for 20 years – I suppose my very latent mother instinct came to the surface with a vengeance. The acting by both Yeo Jin Goo and Park Gun Tae was amazing and I'm kind of indignant they are listed as "guest roles" here. In less than 4 episodes they managed to make me love the characters and die to see how they'd connect to one another. The young Wun in particular must be the most harrowing character I've come across in a long while. My desire to kill that father of his with my own hands reached unexpected and disquieting heights.
Then, there's the older generation of friends/foes, mainly Chun the Sky Lord and Gwan Taek, who share a weird bond based on rivalry and grumpy respect shown with swords. I won't spend too many words on the two actors, they are simply brilliant and the director seemed to share my opinion since the best camera works are dedicated to them. I mostly appreciated Choi Min Soo's rendition of his character, which could have easily come out of a Sergio Leone's film.
This drama is based on a manwha and this is particularly obvious in all the main characters who are clear cut and distinctive like drawings.
Not so the adult Dong Soo And Yeo Wun, who mature and change, making this into a coming-of-age drama. As single individuals they are very different, one light the other dark, one goofy the other somber, one stubborn the other easy to manipulate, but together they shine. I loved the acting of both Ji Chang Wook and Yo Seung Ho; the first because he enters the character in a way that makes you instantly forget whatever role you may have seen him in before: here, he's Dong Soo. There's a lot of physicality in his acting, which makes his performance totally believable. Seung Ho has such expressive eyes he steals the screen by a single, all-telling glance. His character is all played on subtlety, which makes it extremely powerful. As I said, separately they do great, but together they are unforgettable. It helps that they are both so smouldering handsome; in a drama based so much upon visuals, this isn't a secondary aspect at all.
Also, I must be the only living creature who liked Shin Hyun Bin here. What everybody described as a wooden performance I found to be delicate and very fitting to her role. What that role was, is another story entirely: the romance is so secondary it's almost non-existent here. This in the most common sense of the word, since the drama is profoundly romantic in the classical definition of sentimental and tumultuous.
I invested a lot of feeling in this drama, this is why the very last minutes infuriated me. I can condone many faults of this script, but I will never, ever forgive the writer for not honouring a particular character the way he deserved, for cutting short on a farewell I had been kind of expecting (and dreading) since the beginning. Many tears welled in my eyes but never had the time to come out, leaving me frustrated and empty. I suppose I should thank the production for hastening my healing process this way, for reminding me life goes on, or I'd be still suffering now. I'm not sure it's fair to lower the overall score of a drama due to the last 10 minutes, but for a show that expects you to leave the brain aside and only watch with the heart it feels like cheating.
The music is a different story. To put it short, this is the best drama Ost I've heard so far. It contributes so much to the feeling I believe it is mainly responsible for my loving the drama and overlooking its faults. Honorable mention to BMK's powerful "Yanoy", to its harrowing acoustic version by Eun Tae Park and to the haunting "Stagnant" by Shin Sung Woo. If you have the chance, give a look at the lyrics too, as they are beautifully poetic.
I don't think I'll watch the entire drama again. I will definitely re-watch single scenes though, just for the wonderful aesthetic of them. On the other hand though, I've watched a disgustingly high number of MVs and fan videos only for the sake of Dong Soo and Yeo Wun. Given how many are to be found, it seems I'm not the only one.
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Love in the Air: Special Episode
70 mensen vonden deze beoordeling nuttig
The perfect special for Love in the Air
This is a 70 minute special which looks at both Love Sky and Love Storm stories and brings them together. I was skeptical after the previous Don't Say No and Tharntype specials but this one was well done. It was the right balance of sexy, funny, a commentary on LGBTQ+ laws etc. I would boldly say it was a perfect special. And we didn't have any of the sometimes problematic MAME tropes so, winning!Rain and Sky, classmates compare notes on their relationships and find themselves questioning certain things. They decide to go away to the beach (which Thai BL would be complete without a beach trip? Come On!) and not think or talk about their significant others. It doesn't go quite as they planned however...
This was a decent episode as we had new NC scenes and the usual misunderstandings that happen with new relationships from jealousy and friends / exes stirring trouble. It also opened the door for new stories such as Payu's boss and Pai's brother Plerng so there is more from this universe still to come.
Definitely worth a watch as it gives us the perfect closure on this story. Some may find Rain and Sky a little immature at times but I gave them the benefit of the doubt as they're still students. Lovely to see Payu and Pai giving stellar performances here.
And there will be scenes you revisit. Trust me.
Enjoy!
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But I'm hair-splitting. Soratobu Kouhoushitsu is a terrific drama, one that starts without any pomp or expectations and slowly sneaks into the heart and under your skin. It does so in such a gradual, delicate and suave way the effect is powerful and lasting. By the end, I was so sad to see these characters go I couldn't bring myself to watch the last 15 minutes.
When I begin to feel nostalgic about something that isn't even over yet, it means I'm seriously in love. This is why I am not at all sure I'll be able to convey the feeling with my review, or convince any of you to watch this little jewel of a drama. This is not a rom-com, it's not melo, it's not a thriller, nor a simple life drama; it doesn't rely on plot twists, nor on sexy heroes... and yet my heart has stopped many times while watching.
Perhaps the main reason is in the acting, which is wonderful. I never needed confirmation of Aragaki Yui's acting skill, since I've loved her in everything she's acted in. This role however has sealed the issue. I loved everything about Ina-pyon, from her stubborn and passionate honesty at the beginning, to her compassion and better understanding she grows into. And I adored the chemistry she shared on screen with an outstanding Ayano Go, whom I have every intention of becoming a stalker to.
Honourable mention to Shibata Kohei, the most lovable, unforgettable and adorable chief ever appeared on screen. I'm almost offended that the actor isn't even mentioned in the cast. He was awesome here, the kind of character everyone would like to have as a father, or a superior at work.
Hats off to everyone else, from a gorgeous Renn Kiriyama to a hilarious Mizuno Miki, from a surprising Katsuhisa Namase to a sweetly idiotic Jun Kaname.
I can't possibly not mention the cinematography. Stunning. While watching I had to stop the screen every other minute to get a screenshot. Beautiful colours, terrific attention to little details, masterful use of camera angles. Truly lovely.
The same could be said about the music. Not too many pieces are used, but the few have the ability to enhance the scene and play with the viewer's feelings, just what an Ost should do.
I am well aware that I haven't said much about the main subjects of this drama. You may be wondering at this point: what it is about?
Please, bear with me. If my experience is anything to go by, this is a drama better approached without expectations or prejudice. Let its charm work on you as it did on me, by surprise.
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1
1This is NOT 9.5/10 show… but it is. Let me explain.
Technically speaking, the show was quite a mess. The editing, directing and pacing were all over the place, but Fightor storyline was close to perfection, and even if you don’t want to watch the whole show, watch Fightor. As far as I know, they are one of the best BL couples up to date with the most fresh and not stereotypical personalities. Or rather, nice twists to the boring stereotypes we know.LET’S TALK ABOUT ACTING
While most of the cast did a good job, I want to focus on the talent Zee showed. I rarely ever get amazed and impressed by acting in BLs. Often I see the imperfections that make me feel less emotionally attached to the characters, because I don’t see them as real people. Meaning, I don’t immerse myself in the story completely.
Not here, though. Zee’s eyes… oh his eyes spoke volumes! I like to call them "Fighter's searching eyes". While his whole presence showed more of a cheeky and confident side, his eyes showed all the insecurities he had. He was also really good at controlling his microexpressions. Sometimes less means more and makes the performance seem realistic. Viewers are not blind. An actor does not need to make full theatrical gasp with a hand up to their face and huge eyes, for us to understand that they got scared, surprised or taken aback. Simple, short intake of breath is enough. The split second of a reaction, but that’s all we need. I appreciated these small things a lot in his acting.
Overall, he makes these small decisions while acting - when to close his eyes, when to open them, when to fix his gaze and when to make it unsure, when to swallow or take short intake of breath, perfectly timed and telling viewers so much about Fighter’s character.
Both Zee and Saint are also masters of using pauses for their advantage to make the storytelling even more believable and engaging. It’s a perfect example how sometimes not doing anything can enrich the portrayal of the character. With Tutor, the pauses are more intentional for the character, it's his time to "decide", think about the consequences of "what if you push forward a bit more" and with Fighter it’s not intentional, it's him not being able to get back to reality, not being aware whatever happened or was about to happen, ended.
Tommy aced his role. His overreactions were still natural and did not feel theatrical. As the story of Zon and Saifah progressed from comedy to romance, I was able to appreciate more of his subtle acting, with shy smiles and joyful laughter. The potential he has and the flexibility in this craft to fit different genres and moods of the story impressed me a lot.
Jimmy did well for his first role. He did feel more inexperience and his performance fell flat compared to other cast members, but I could see how much of a progress he makes in every episode.
TUTOR AND FIGHTER: DYNAMICS OF LOVE
Ever changing dynamics of their interactions were simply beautiful and amazing to watch, to the point I could write a book about it. Tutor is nothing like your usual stereotypical shy, confused, passive bottom and Fighter is anything but the dominant, overconfident, possessive top. Tutor does not let Fighter get away with the teasing and always questions his behavior, demanding answers and explanations. They pull and push, but never cross the line if the other person is not okay with it. THE CONSENT ladies and gentlemen was a recurring theme. Always giving each other space and time to back off and stop whatever was happening. I wish I could say no forcing yourself on the other person after you've been pushed away, but I guess (?) that was an important part of the plot and the development of the relationship.
THAT SAID, while the behavior of a character was definitely wrong, the way the writing and editing portrayed it was close to perfection. It was a situation that should never take place and the editing and acting surely did NOT make it look like a romantic behaviour. It was not one of the “force it till the other person gives in and starts to enjoy it”. Was it painful to watch? Yes. Was this scene well done? Yes Was it necessary? Yes and no. It showed the mental state of both characters in a raw way that could not be achieved in any other take. Sadly, because the writing of the show, up to that point, didn’t explain enough in how bad of a mental place one of the characters was, this behavior might have felt out of place. In my opinion, they could have mellow it down and not go that far, and still convey needed emotions, desperation and broken state the characters were in.
To sum FighTor up - it’s hard to describe the depth of what was happening between them without quoting specific scenes, but you can see so much through the acting. How both characters struggled with internal conflicts and the feeling of unsureness. And yet, they gravitated towards each other.
PROBLEMS WITH PACING AND EDITING
Shall I say the pacing was a clusterf*** even before the COVID-19 happened and I literally laughed at how confusing everything was? Coz that’s how I felt. But then I just said: wherever, let’s just enjoy this acid trip.
While I was in love with how they handled Tutor and Fighter’s story and the pacing was everything I might have wished for, the fact the drama focused on them so much made the other characters suffer. With the overload of characters and couples, it was doomed from the start - not gonna make it. How can you have well established and developed 5+ couples with their own side-stories? Goal impossible to achieve.
Zon and Saifah... where to even begin. Zon the first half of the episodes had 10 different personalities, I was confused. Because the director did not spend enough time showing us the gradual change in Zon’s perception of his situation and relationship with Saifah, everything just came out of nowhere. There were not enough scenes showing us how Zon went from panic to soft. Which was a bummer, because their sweet story could perfectly balance the drama happening between Tutor and Fighter. We were robbed of such an amazing story it truly pains me.
Don’t even want to talk about Hwahwa. Poor girl makes no sense, her feelings change every second. Just sad. Justice for Hwahwa and her beautiful hair flip.
It’s hard to comment on other characters and their plot lines since they were just dropped here and there without much linear progression nor explanation.
The audio editing was distracting. While the use of some comedic sounds was fine and brought a smile on my face, they definitely overused them. The scenes would be funny even without some random sounds dropped every few minutes. Video editing suffered quite a lot because of COVID-19. In later episodes there were some black screens showing up, the subs were missing, we got the same action done by characters shown in x number of angles, just to stretch the scene a bit more. It was not tragic to the point I could not focus on the plot, but the difference in the quality in the first and second half was quite obvious.
BACK TO POSITIVES
What this drama does have though, is an amazing message. While, in default, most BL dramas are supposed to promote - love is love no matter what gender, Why R U does not shy away from talking about it in a straightforward manner. Calling out and questioning homophobic characters, explaining to them how they are wrong, showing how being heterosexual does not mean your love it perfectly good and will never fail. There were quite a few scenes that deserve to be called “iconic” in BLs realm for how well written the dialogues for them were.
Overall, Fightor is life and perfection. I was legit obsessed with them and rewatched their scene every week. I was never as invested in any couple in drama ever (and I have seen quite a number of them). Watch their story, fall in love and let’s all fangirl together.
PS. While my rating is extremely biased and subjective, I tried my best to be more objective in the review itself. Hope it worked out well-ish :)
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Imawa no Kuni no Arisu Season 1
164 mensen vonden deze beoordeling nuttig
Deze recentie kan spoilers bevatten
Should you watch this drama?
This drama is not for everyone. It contains blood, gore, death, sex, and a psychotic survival game with the intention of psychologically traumatising every player and causing death. DO NOT WATCH THIS IF YOU CANNOT STOMACH ANY OF THAT.The initial plot had me hooked within the first episode. I didn't feel the need to skip any scenes and instead was so focused on what was going on in the world around the characters and whether or not they would survive. Arisu left me deeply impressed. Here you have a homebody gamer, who in the beginning did not seem like he would do anything that great with his life at that moment in time, to being thrown into an insane death trap of a world. He showcased his intelligence and his knack for surviving and proved why he is the main character, and why he needs to survive. I found myself rooting for him every step of the way.
Then you have Usagi, a mountain climber. A woman, who at first, gave off the vibe that she did not care for other players and instead valued her own survival. We only saw a glimpse of her, when she had her first game with Arisu, but a few episodes later, they become a duo. Her development with Arisu was impressive. She genuinely cared for him, and he genuinely cared for her. They both fought for survival together and mainly put each other first. This was only a glimpse at what type of character development is to come for the two of them and I am interested in seeing how their bond will grow and develop.
I have never actually read the manga before this so I had no idea of what I was getting into when I first started this drama, but I don't regret it one bit. The acting from everyone (the main and even the side characters) was superb. They all gave their A-game and did not disappoint me at all. They provided the right amount of anger, fear, fun, and psychotic traits through the way they spoke and behaved, and genuinely made the entire 'post-apocalyptic world' seem realistic to an extent. Another thing I would like to point out is that although the entire world of 'Alice in Borderland' is fiction, I can't help but notice some realistic characteristics from the scenarios of suspense, the fights of survival, the divisions amongst people, the fight for leadership and even the betrayals. Yes, there are many 'fictional' aspects of the entire plot, however, the psychological aspects of the game aren't completely fictional and it's honestly horrifying to think that there are people in the world, that are willing to make such games a reality. Thus, for me, it is interesting to see the blurring of lines between reality and fiction to create such an intense, yet interesting manga and drama.
The soundtrack of the drama, I never actually paid attention to the first time I watched it. I was so involved with what was going on in the drama, the music was always in the background. However, the second time I watched it, I noticed that the soundtrack perfectly fit the drama. Aside from like one scene in episode one and three, there wasn't really any feel-good 'instrumental' that lasted for more than two minutes, it was mostly suspenseful music, that was put there to invoke anxiety in the audience and to highlight suspense, fear, and survival in the accompanying scenes. The music didn't overpower or take away anything from the scene, instead, it perfectly blended in and slightly amplified the scenes.
Would I rewatch this again? Absolutely.
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Sweet, Sexy, Submissive, Consensual ... slightly complicated too
This movie has a little bit of everything, fun informative beautifully shot and will have you thinking a lot of thoughts at once while still managing to make your heart flutter thinking oooh they are so sweet,.. and awch that must hurt but ohhh so sweet.Knowing very little about the subject I found myself intrigued by both the plot and the informative scenes here and there making this not only fun and pretty for the eye but also a source of learning.
I love how this shows deals with the extremely important issue consent as well as shows the difference between consensual acts of dominance as well as non-consensual ones with the main focus being on consent, acceptance and growing together.
The characters in this movie are complex, lovable (most), there are PLENTY of pets (human and non human), lots of humor and not a single annoying character in sight. So what do I say a rom-com done right, that I may just re-watch with my husband for some inspiration, or just for fun ;)
I would say this is probably the funnest rom-com movie I have seen so far, so I strongly recommend people to watch it.
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Writing for this series remained consistent and strong throughout, even maintaining good pace. Characters rarely failed to behave in an intelligent manner. The much-lauded, flooring twists are just as crazy as you've heard (and better yet, even supported by prior evidence in the story). What is most impressive to me though, is that the script remains faithful to itself and the spirit of the genre. We are shown a seedy, pessimistic world which is…well, cruel. Potential viewer expectation aside, this kind of darkness is what we were promised from the first and delivered at the last.
Nearly every lead was dynamic, from Shi Hyun and Hyung Min to Jin Sook and Safari. Even the hardcore villains had strokes of complexity which made most more than mustache-twirling monsters. These grounding factors may not cease our hatred of them, but at least add some level of understanding. Yoon Soo Min likely is the weakest link of the main cast, her arc included; she needed a bit more weight to contend on equal footing with the other plot lines. The completion of her journey manages to be satisfying nonetheless.
Jung Kyung Ho shines brilliantly as both star and main draw of Cruel City. Decadent charisma pours from him in droves, lending his Doctor’s Son an impossibly fierce magnetism. The most compelling action sequences belonged to Kyung Ho also; I quickly fell in love with his sharp knife skills and cat-like elegance. It's important to note he filmed the final episodes with a nasty back injury; his epic performance is not only a product of talent, but dedication and hard work. This drama was also very kind to Lee Jae Yoon, whose slowly developing Hyung Min I gradually gained affection for. He portrays the team leader as smart, sympathetic, and steady -- with a shot of menace to prevent him being a boring goody-two-shoes. Honorable mentions go to Kim Yoo Mi and Yoon Hyun Min; their respective characters Jin Sook and Hyun Soo are over the top cool and attractive. To say I became deeply invested in the fate of both of them is an understatement.
“Love is dead,” according to one of Cruel City’s most recognizable themes: Kim Young Jin’s “Wound.” My love for the music will never die, though. It is stirring and atmospheric, always well-utilized in show. Even instrumental tracks are memorable, though the rare vocal was always delicious. Many fans here at MDL went crazy trying to find out their artists and song titles before the soundtrack was released.
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How To Get 4 Men to Fall in Love with You at the Same Time
To enjoy watching this drama, viewers are advised to watch it with a sense of humor, and not with your normal logic, for this drama that seems dead serious (no “comedy” tag), may seem to have loaded with bizarre and unfathomable logic. Many actions and scenes are over exaggerated with overacting which are also embellished with playful music. The pace is rather fast with many events taking place in each scene, only temporarily slowing down for the romance. If viewers can endure the first couple of the episodes which may seem farfetched, the later part is rather addictive. Therefore, sit back and let the story take you away, and enjoy.This drama is said to have adapted from a web novel of the same name. However, according to some readers, the main female character has been drastically changed “to make her seem more relatable for audience consumption”. In the novel, her personality is said to be, to quote a reader, “the most endearing element of the storyline. She's casual in demeanor but absolutely savage in her plotting. They did such a disservice to the female lead.” Even with the altered toned down version, I still love the female lead character as I find her strong, determined, intelligent and devoted.
Princess Jiuling (Peng Xiaoran) is an inspiring character. Despite the horrendous change of her life including the loss of her family, her identity and her look, she is determined to stay low, strengthen her power, and make a comeback for revenge. Her patience and her endurance to injustices, at the same time, honing her skills and waiting for the right moment, are qualities that are commendable. She exudes confidence and composure even in the most trying conditions, and her dignified demeanor captures all hearts.
Peng Xiaoran who plays the Princess Jiuling role, is an amazing actor. I got to know her in Goodbye My Princess when she was relatively unknown and was chosen to play that role because of a clash in schedule for the original actor who was a lot more popular. I was so glad they made the switch then as it brought us another talented actor who would have been buried if not for the opportunity. Here, as in Goodbye My Princess, Peng Xiaoran is so natural, graceful and authentic, successfully bringing her character to live.
Despite Jiuling is surrounded by numerous men who are deeply in love with her, she has only one true love, Zhu Zan (Jin Han) whom she had spent a great deal of time with when they were growing up. Zhu Zan is now a general guarding the frontier with his father since their separation. Free spirited and unrestrained, Zhu Zan is humorous and chivalrous. He continues to care for orphans, finding shelter and providing food for the displaced people due to wars and disasters. It is these qualities that Jiuling falls in love with him again as they align with her own values. Zhu Zan is infatuated with Jiuling, and regardless of how the world sees him and what trouble he may get into, he goes all the way out for Jiuling and helps her overcome her obstacles.
Jin Han’s portrayal of Zhu Zan is adorable, making the character very lovable like a big cuddly teddy bear. Unfortunately, many viewers criticize the choice and complain that Jin Han is not good looking enough. Perhaps these viewers hope to see a more effeminate actor as this seem to be the trend in today’s historical dramas, and Jin Han’s physical appearance is the total opposite to that. Some viewers also complain that they cannot place Jin Han’s face as a protagonist as the actor has previously played some antagonistic roles in other dramas. Whatever the criticisms are, I feel we all need to give these young actors opportunities to prove themselves, and Jin Han has proved that he is a versatile actor.
My Verdict
Sure there are flaws everywhere like in most Chinese dramas. But if we look pass these flaws and be less critical, this is a rather decent drama. A lot of the story only happens in conversations instead of in scenes, hence non-native speakers may want to get proper English subs to ensure accurate conveyance of the messages. The development of the main characters is quite well done with very well acting by the whole cast including the supporting cast. The storyline may be serious but this is a very humorous drama.
Overall, this is a drama deserved to be watched. I have enjoyed it very much.
Recommended! Bravo!
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Fantasy Healing Fable
I will preface this by saying that this is in all likelihood the best drama I’ve seen all year. By a strong margin. It’s certainly one of the best I’ve seen in the last 12 months. Until Shards of Her, I hadn’t watch any Taiwanese dramas in several years. Yet in the last couple of months, I’ve discovered a treasure trove of good shows. This is perhaps the best one with the widest appeal. While it has whodunit elements, there’s no gore or violence to deter the faint-hearted. It’s a gloriously perfect blend of coming-of-age, fantasy, a touch of horror, detective and family drama. The weakest part I’d say is the police procedural side of things occasionally played for laughs (which doesn’t help especially from the perspective of a seasoned watcher) but all is quickly forgiven because this show is driven by great storytelling and is imbued with plenty of heart. It’s the kind of show that the Koreans call a “healing drama”. Which usually results in an outpouring of eye water once the waterworks are turned on. Good grief. I don’t remembered the last time I cried this much in a drama.The star of the show is Pu Yiyong played by Tseng Jinghua, an underachieving high school graduand whose only talent is calligraphy. It’s hereditary. His grandfather is a renowned calligrapher and a teacher in the art. But that distinct family trait has a habit of skipping a generation. Calligraphy however is a dying art form, quickly being superceded by technology. On the other hand Yiyong’s only ambition is to be a comic book artist after completing high school. One day on his way to a calligraphy competition, Yiyong, his father and grandfather board a bus which unfortunately falls prey to an incoming airplane. The lad survives but wakes up after being comatosed for over 2 years. His grandfather barely makes it and is still unconscious in hospital even after all that time. It is left to Mother, Ye Baosheng (Cheryl Yang) to pick up the pieces.
While time has moved on and everyone else with it, Yiyong is lost at sea with no paddle. Or map. Metaphorically. He has no idea what’s next for him until he becomes entangled with supernatural beings who insist that they need him to settle unfinished business on their behalf. So an almost 20 year old unemployed Yiyong reluctantly takes on “cases” that contain at their heart a riddle that needs to be unravelled. Enter Chen Chuying, a junior police officer (Vivian Sung) to lend him a helping hand and takes the lion’s share of the credit for clearing up these mysteries in front of her colleagues. Still cracking these cases is a team effort. Along for the ride is former schoolmate and med student Cao Guangyan (Peng Cianyou) who coincidentally moves next door with his dad (Mario Pu) when Dad’s days in publishing comes to an abrupt end.
Yiyong becomes a reluctant sleuth as he wrestles with his own future and the loss of his father which has left a gaping wound with guilt at the centre of it. He has nightmares that he can’t make head or tail of. There’s also a shadowy figure in the background determined to test his mettle at every turn. Unlike others who have come before, Yiyong is a reluctant superhero. He would rather get on with life and not be haunted by beings that only he can see. Until he starts drawing them that is.
On a deeper level, like many crime shows, this is about the forgotten people in our communities. Those who have suffered loss. The lonely. The homeless. The victims of crimes. This where the show tugs at the heartstrings effectively. The rollercoaster of emotions that I feel in this comes only very rarely. Beautifully intertwined with all of this is also the message that everyone has something that they’re good at. Even a designated “loser” by current social standards can contribute in unexpected ways. Academic smarts aren’t the be all and end all. Everyone has a part to play in the social engine regardless of social status, education, smarts or rank.
This journey of course isn’t Yiyong’s alone. Chen Chuying and Cao Guangyan, his so-called “superiors” who accompany him have a lot to learn from him as well as these out-of-this-world experiences. Chuying understandably is desperate the climb the ladder and break glass ceilings in the police but is forced to confront her own motives for wanting to a respected detective. And Guangyan, for once in his life doesn’t have all the answers regarding his future.
I am new to most of the cast and Tseng Jinghua who leads the cast is definitely brimming with potential. He brings the right balance of confusion, grumpy frustration and a reluctant compassion to the role. Despite Yiyong’s brusque demeanour Tseng Jinghua manages to keep him relatable and likeable.
To give credit where it’s due, I leave my highest praise for the script and by extension the writer. It’s the kind of story that could easily lose its way or get derailed by all the moralizing but unlike many others it’s unusually disciplined by keeping the main thing the main thing. The result is a coherent piece of storytelling which is undergirded by a surefooted direction. Once it takes off it never falters. Furthermore they also manage not to butcher the finale in order to leave the door open for another series. Which is entirely doable if the will (and a decent script) is on the table.
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Hen Jun Bu Si Jiang Lou Yue
57 mensen vonden deze beoordeling nuttig
Bromance
The first time ever I write a review about a series.So the plot is kinda common, about a cop who hate drugs and try to clean the city from drugs dealer. Then he met a doctor in an incident and both become friends to deal with the master of the drugs dealer. The thing that attract me the most is the bromance between the two main leads. You can say its almost like BL, just got censored. Even so, I still like their bromance as they trust each other so much even when they just met.
So far the story is good enough, lot of things that makes you want to watch more and more. The only problem for now is the subs. From what I read, I think the subs just copy paste from google translate. Even the name sometimes translated. I think this series will have lot of international fans if they could advertise it well and also put proper english subs ASAP.
Two thumbs up. This is one of the drama that i really love and will rewatch it later.
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First of all, this drama should not be called ‘Legend of Fuyao’ because didn’t focus enough on Fuyao. It should not be called ‘Legend of Wuji’ either because Wuji was willing the risk the safety of all the people in the 5 kingdoms for his love interest. Though his love and devotion to Fuyao was admirable and touching, this is not what a good ruler should be doing. So, no, Wuji does not deserve to be called a legend either.
I think a more appropriate title for this drama would be ‘The story of Fuyao, the woman who changed Wuji’s life’, because Fuyao turned Wuji’s life upside-down and brought his arrogance down a few notches the moment she entered his life. It is also a coming-of-age story of both Fuyao and Wuji as it shows how they change as a result of knowing each other and going through the trials in their lives.
The story takes us through 5 kingdoms (Taiyuan, Tianquan, Tiansha, Xuanji and Qiongcang) and has a lot going for it – court intrigue, action, adventures in strange lands, long lost identities and an epic love story. However, the focus, development and pacing of the script was inconsistent. . The drama’s title and first 8 episodes in Xuanyuan Mt. had us anticipating Fuyao embarking on a quest to find her true identity and remove her 5 seals. However, after she left Xuanyuan Mt, the focus changed all to Wuji and Fuyao became an accidental follower in his schemes instead of leading the story as the main character. Too many episodes were devoted to the court intrigue in Taiyuan which did not move Fuyao’s quest along one bit. The result of this was that everything else had to be squeezed into the remaining half of the drama and so there was no time for proper development of the stories in the remaining kingdoms. The story in Xuanji kingdom - where Fuyao’s childhood story and true identity were revealed - was especially short and rushed (only 6 episodes). Wasn’t this drama supposed to be about Fuyao? I would have loved to see more time devoted to Fuyao’s backstory (because it was just so tragic) and how it shaped her strong character.
ACTING
(1) Yang Mi as Fuyao
I liked Yang Mi since TMOPB, but after Fuyao, I have become a fan. Her performance was simply PHENOMENAL! I love actors who can emote with their eyes and Yang Mi did this superbly here. Her eyes are so gorgeous and expressive, I found myself drawn to them every time she appears on screen. She had a lot of epic scenes that had no dialog – the attempted rape scene, Yao City battle, rain scene, when she regained her memory, when she turned evil). She relied only on her eyes to convey Fuyao’s emotions and slayed every scene. Just a simple change in the expression in her eyes could convey so much, especially when she teared or cried – my heart just went out to Fuyao and I could really feel her pain. I particularly love her scenes with Uncle Zhou as the surrogate father-daughter bond was just so heart-warming and touching. And despite all the heart-break and hardships Fuyao endured, there was always strength and fire in her eyes.
I feel a lot of viewers do not give Yang Mi enough credit. I guess this is because majority of viewers are female and prefer to focus and swoon over the male lead. When a male lead cries, it is hailed as good acting whereas the female lead can cry buckets and no one takes notice. Is it because females are expected to cry, so that no one thinks much of it anymore? I vividly remember 3 scenes - just before Fuyao passed out after her fight with Zhangsun Ping Rong, right after she regained her memory and just before she stabbed herself. In each of these scenes, Yang Mi dropped a tear that totally broke my heart. It’s sad no viewers bother to mention her great acting in these, as well as many other scenes, whereas when the male lead drops a tear, viewers shout about it.
So, I do wish to give special mention to Yang Mi here because her exquisite and excellent performance was one of the main reasons I enjoyed this drama. At the end of the drama, I realise the character I remember most is Fuyao. Yang Mi made Fuyao come alive. She made me care for Fuyao and want to continue watching the drama to find out her fate. I only wish she had more screen time. She lights up the screen every time she appears and stole the show.
(2) Ethan Ruan as Wuji
This is the first time I have ever seen Ethan Ruan acting and so I did not know what to expect from him. His performance as Wuji was both a hit and miss for me. It was a hit because he looks handsome as Wuji, had great chemistry with Yang Mi and was good as the cheeky and flirty prince. But it was also a miss because some of his facial expressions, especially his smiles/smirks, come across as sleazy and goofy instead of suave or endearing. There were several OTP scenes where he suddenly gave a goofy smile that just totally spoiled the tender moment. And he tends to overact, such as crunching his face into an unrecognisable mess to express pain or angst. It made the last few episodes, when Wuji was crying over his parents’ betrayal and when he was chained to the ice on the mountain, very difficult to watch. I cringed more than I felt touched. I just wish he had used more of his eyes to emote (like the senior actors and Yang Mi) instead of such exaggerated acting, because some of his emotional scenes were good.
OTP’S LOVE STORY
Fuyao and Wuji’s love story has got to be one of the most well-written and best developed I have ever seen in a Chinese historical drama. Their epic love story is one of the things that really draws you in to this drama. It was wonderful seeing their relationship grow from the initial fighting and flirting to trust, support and finally self-sacrifice for each other. And Yang Mi and Ethan’s chemistry was simply sizzling! They looked so natural and comfortable around each other and their scenes together were a joy to watch.
MUSIC & CINEMATOGRAPHY
I absolutely love the OST and BGM. Every piece of music suited the mood of every scene so well. I daresay I prefer Fuyao’s OST/BGM to TMOPB’s. Cinematography, sets and costumes were also very good and gave the drama a grandeur more common to movies than a TV drama.
FIGHT SCENES
One of my favourite are the fight scenes. There are more fight scenes here than the average Chinese historical drama and you could tell a lot of effort was put into these as they were all very well-choreographed and visually stunning. Fuyao had the best fight scenes and Yang Mi just looked soooo freaking COOL fighting and flirting!
FINAL THOUGHTS
As someone who read the novel before watching the drama, I was very frustrated over how the drama scriptwriter had changed and butchered Fuyao’s character. Drama Fuyao was a victim of circumstances. In contrast, novel Fuyao was a dictator of events. All the schemes that Wuji planned in the drama were actually plotted by Fuyao. She single-handled plotted and helped put all 5 male leads on the thrones in their own kingdoms. So, I didn’t like the fact that the drama made Wuji more like the lead character and accredited all of novel Fuyao’s achievements to him.
When writing this review, I had to treat the drama as being NOT RELATED to the novel at all. Otherwise, it would not have been fair to all the cast and crew who put up such a fine production. Other than the inconsistent script, everything else about the drama was very good – from acting to music to cinematography and fight sequences. Putting my drama vs novel bias aside, this is still an entertaining drama with lots of action, adventure and intrigue to keep you engaged. If nothing else, Yang Mi’s and Ethan’s superb chemistry and love story will keep you invested and wanting more.
If you are debating whether to read the novel or watch the drama first, do yourself a favour and watch the drama first. You will enjoy the drama a lot more this way. Then go read the novel to understand what a truly awesome character Fuyao is and why she is a legend. The drama totally does not do any justice to Fuyao and the novel.
REWATCH VALUE
I will definitely rewatch this drama for my favourites scenes, action sequences and Yang Mi’s superb acting.
* ENDING SPOILER ALERT *
In case anyone is still confused about the ending, Fuyao and Wuji did not die. In the last scene, they are alive and well on a bridge (probably in Tianquan), not in heaven. The words spoken by Wuji in that scene (ie. follow her to the mortal realm etc. etc.) are actually lines from the novel that novel fans love. The scriptwriter probably put it in thinking that it would please novel fans but instead, it ended up confusing everyone about whether they lived or died.
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Story: The story is quite common and seen a lot but contract marriages have always been my soft spot and this is one done correctly. As said in the synopsis, they met on a dating site. Haruta Ami wanted to get over her ex-boyfriend of five years and Miura Manatsu was looking for a wife. Can love prevail in these circumstances?
The way they met was just plain destiny, let me tell you. It starts off fluffy and cute and it ends fluffy and cute. This whole drama was super, super cute.
Acting/Cast: The chemistry between the MLs were off the charts. Goodness gracious, I almost died from their chemistry. It was absolutely splendid. The acting was amazing too! They each had their own charm. Haruta Ami's smile was so contagious that the whole drama I was smiling like a ninny. Same goes for Miura Manatsu.
I didn't watch episodes 5, 6, 7 with subs because I simply couldn't wait to see more. Even without subs though, I could tell how great and romantic their interactions were with each other.
A short drama that won't take too much of your time and you can watch it in one sitting.
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It stars Lee Je Hoon as Lee Soo Yeon who's straight laced and by the book character is matched with Chae Soo Bin as the stubbornly impetuous Han Yeo Reum. All of the complaints I read about the drama were about Han Yeo Reum, and how much people hated her, but I didn't have a problem with her character at all. I think her character is frustratingly ambitious on purpose in order to disturb Soo Yeon's futile attempt at having a quiet and routine worklife. Of course their conflicts lead to some great chemistry and I loved the way the story between them developed. I was a fan Lee Je Hoon in "Signal", but this is my first time seeing him as a romantic lead. I also loved Chae Soo Bin in "I Am Not a Robot", so it was great to see her in another romance, and she did not disappoint me. Together they had cute and comedic moments as well as heartbreaking dramatic moments, and even when parts of the story were weak, their character development was strong.
As for the supporting cast there were characters that were favorites, some who were underutilized, and some who were boring as hell. My favorites in the supporting cast were definitely Kim Kyung Nam as Oh Dae Ki and Lee Soo Kyung as Na Yeong Joo of the security team, who's chemistry was entertaining enough to deserve their own spinoff show. I thought Lee Dong Gun was great, although almost typecast in his role, but because his storyline was compartitively weak I felt like his talent was a little bit wasted. I also wanted to know much more about Mr. Jang who I feel like never got enough screentime for being such a huge part of the story. Then there was Kim Jee Soo as Yang Seo Koon, who seemed like a character I would like in the beginning, but she turned out to be so boring that I'm still not quite sure about anything involving her character. Also, because so much of this drama revolves around work, there's a pretty good ensemble cast feel among the airport staff, which helps make the random airport stories seem less disjointed.
For me, the weakest parts of the drama was the internal airport drama between management, which was too vague to care about, and took up too much time. There are also parts of Soo Yeon's backstory that I wish were better explained, but I still think the parts they did focus on were well done as far as drivng the story and his motivation. With the short episode format there was always enough in each episode to keep me curious and make me want to keep watching. By the end, the story felt like it was definitely rushed, but all the parts of the story that I cared about were resolved (although I'm still not sure if the very end was an artistic choice or an emergency decision).
Would I rewatch this? Yes. I think the chemistry between the main couple is what carries this show, more than the general story, so I would probably still enjoy it with a second viewing.
Overall, "Where Stars Land " isn't going to make it to my favorites list, but it's much better than some of the mediocre dramas I forced myself to finish this year. I recommend giving it a chance, especially if you are a romance fan. You may find out that under it's unassuming appearance is a drama with a spark of something extroadinary.
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Sageuk of the year 2021.
A quote from Oscar Wilde goes like, "Women have a much better time than men in this world; there are far more things forbidden to them." Indeed the women of the world have been chained with rules created by bigoted individuals, for which they're made to sacrifice their wills, rights and aspirations. This drama, too, is based on the story of a woman who, till the very end, did her best not to fall into the patriarchal system's confinement.In Joseon era, the court ladies chosen for the palace to serve the King, his family as well as to carry out different matters, were more like slaves. Bound to stay single until death, once chosen, they had to wear clothes with crimson red coloured sleeves. This red sleeve was more like a handcuff to hold back them from leaving the palace as well to remind them of their limitations. So the drama is based the love story of a King and his court lady turned royal concubine and it truly lives upto it's title throughout.
"The Sleeve's Red Cuff" (옷소매 붉은 끝동) is a live-action adaption of the famous Korean novel with the same title, by Kang Mi Kang (강미강). With a fictional script, the drama is the true love story of King Jeongjo, the 22nd monarch of Joseon dynasty and his royal concubine Sung Ui Bin. Some historical facts about major events found later is also included in the drama to maintain the most possible accuracy.
To simply put the plotline, the drama is set in the Joseon premise of history from mid to late 1700s (18th century), with only 1st episode taking place in 1764 and the rest after a couple of decades, with flash backs from both 1762 and 1764. The basic story is about Yisan (Lee Jun Ho), the Crown Prince of the kingdom trying to persue his handmaiden, court lady Sung Deok Im (Lee Se Young) to become his royal concubine. Although they're in love with each other, circumstances stand in their way to unison and this what the story is about.
Yisan is the Crown Prince of Joseon, very intelligent and aware of his duties and responsibilities, he strives to be a better ruler than his grandfather, the King. Deok Im is a quick-witted, strong-willed and free-spirited girl who has progressive mindset and believes in living an independent life; she's a medieval feminist. Both the characters are stupendous in their own places and their arcs are beautifully drawn by the writer; couldn't help but fall for them. Romance? Well, I won't call it romance. To me, it felt like an amazing chemistry buildup, growth of mutual understanding and blooming of untold emotions. Even though they were not together as couples for most part of the story, but whatever amount of togetherness we witnessed, it sufficed my heart bcs I had been savoring myself with the bonding throughout.
Lee Se Young is already a proved actress who has won us over through her skills for years in different roles, and she, as Deok Im in here has done very well in bringing out the truest essence of it. This is not her first Sageuk so I'm sure the experience has helped. Junho came back after his enlistment with this and I can say with confidence this'll be a turning point in his acting career. Even with less than 10 dramas, he was a decent actor but his acting graph went really really high in here and I am very happy about it. Lee Duk Hwa who played King Yeongjo (Yisan's grandfather) was a show stealer for me; being the one with most experience, his performance was so powerful that it has left a tremendous impression, what an actor! Kang Hoon as Hong Duk Ro (Yisan's closest aide) struggled in accommodating at first but improved in the later part. Honestly, I thought he was not enough skilled yet to play a major role like this but at least he learnt a lot. Park Ji Young as Head Court Lady Cho served as a prominent antagonist though I was expecting more of her character; she's an amazing actress nevertheless.
Jang Hye Jin as Court Lady Seo (Deok Im's mentor) was the simplest and easygoing character and very likable. Jang Hee Jin as Queen Consort Jung Soon (King's Concubine) and Kang Mal Geum as Consort Hong (Yisan's mother) were of moderate importances in the drama and they're already praised for their acting skills. There are many other familiar faces in supporting characters, who did well too.
Plot development is very fabulous, I must admit, it's been a while I witnessed such prominent and solid development in plot along with each of it's individual elements and possible side stories. The introductory episode is the background story involving the early childhood days of Yisan and Deokim. And then a leap of about 2 decades where the characters grow up. There starts the gradual progession that includes the individual lives of the leads and the supporting characters around them. 3/5th of the show is mainly about dealing with the conspiracies against the Crown Prince, within the royal family as well as in the palace. This is also accompanied with the simultaneous and unhurried buildup between the leads. The rest 2/5th is concentrated on the unison of Yisan and Deok-im with almost similar importance to crime revelations.
The connecting plots of past and present, the twists, the revelations and the storytelling method are awfully good. There are several peaks and very few slopes; it was somewhere around 8th and 9th, in which nothing major happens but it was still interesting. The last 4 episodes were ofty intensed and highly vehement. There are comedy elements incorporated here and there but 4/5th of the show is of serious tone. The single word narration of the drama's mood is melancholia; oweing to the already known sad story of history, it was bound to be sad and miserable.
Talking about episodic progression, in short it's fantastic. I've already mentioned about the perfect pacing for a major portion of the show; there is no part it feels boring. The last 4 episodes visibly get rushed but it's not that fast-paced to be bothered about. It could have obviously been avoided but anyways, it was fine for me.
Jung Ji In PDnim is one of the powerful female directors in Korea though she's produced less than 10 dramas over a decade with no significant piece but her graph of direction went really high with this one and I'm sure it's a big turning point in her career. The quality of the drama really speaks about her skills which we also saw in the BTS videos. The screenplay, the screenediting, pacing and execution is definitely praiseworthy though the pacing became a little fast in the last 4 episodes, but anyways, it was manageable. The cinematography was spectacular giving out the red&blue aura of a perfect sageuk premise. Most of the drama takes place inside the palace and whatever scene involved the nature, both in and out of the palace, were worth the enjoyment.
Honestly, I didn't know the screenwriter Jung Hae Ri jakkanim before this but I must say that she has done a commendable job. Even though the drama is an adaptation from a novel, turning a literature based book into a movie or show script is not really that easy. And given her least experience, she has done the work with a up to par quality. The immense research to create sets with historical accuracy and the efforts to retain the preserved facts, is clearly visible.
On that note, I must also applaud for the author of the Original novel, Kang Mi Kang jakkanim for this story of majestic essence, putting forth the importance of court ladies, their roles in royal as well as political affairs, the life of red sleev cuffed concubines, the heart of a King and several other lesser-told stories from the history, etc in a very beautiful manner. I haven't read the novel but from the drama, I am sure it's something very great, bcs books are better than their adaptations you know.
Execution of sageuk elements is another plus point and notable aspect of the drama, which is worth the mention. I don't really mind the dilution of cultural aspects in periodic dramas or inaccurate representations but you know what, accurate and realistic approaches serve as a huge advantage. The royal palace complex premise consisting of several residencesfor different members as well as different departments including the court maid residence, are well photographed. The costumes, the rituals, the architectural elements, the laws and regulations, the royal court proceeding methods, the literature, the natural scenrios, the city and rural setups, etc. etc. were perfectly delineated in accordance with real fettle of the period in which the story takes place. The execution, thus, is beyond perfect; I don't remember watching such in a while, probably not since Scarlet Hearts.
Noh Hyung Woo is an old yet lesser experienced in comparison to the other contemporary composers but I've quite liked his work in other dramas and so did I like here. He was able to compose pieces that perfectly suit the story, giving perfect sageuk OST vibes, and the substance it wanted to convey. The background scoes are up to par, as well. It has 8 OSTs. "Starlight Heart" by BEN is my most favourite among them, her vocals are so majestically heart touching. "I'll Leave You" by my all time fav Lee Sun Hee ahjumma is unfortunately a melancholic track released for the last 2 episodes. "I'll be with you everyday" by NU'EST Minhyun is a confessional romantic track and so beautiful. Jung Sang Keun's notes are that of an old classical Kdrama OST in "Every step you take" so are of XIA in "I'm still" whose passage stretches wrench your heart.
Things I loved the most
# The progression of the show was lovely, likable, enjoyable and entertaining with good dramatic values; I had a very good time. Especially the elements are what make it eventful and engaging.
# The chemistry between the leads and the coupled development in characters and relationship is alluring, even the romance is subtle for most part and real romance lasts for a small while.
# The portrayal of importance of Court Ladies in Palace is not new for sageuk Kdramas, but this drama does a better job in projecting extra focus since the FL is a Court Lady and not from any Noble Family. It reminded me of my first Kdrama Dwe Jang Geum (Jewel in the Palace,2003).
# The true nature, character, duties and responsibilities of a real Korean King has been very well illustrated which is actually very intriguing and impressive.
# In history, King Yeongjo was a ruthless King and a remorseless father but I somehow felt in love with the character in the drama, may be because of Lee Duk Hwa and acting, but yeah! He truly felt like an emperor and his majestic acting, oof!
# There was no exaggeration, neither of plot, nor it's elments; everything is in a perfect dosage. Unlike most of the sageuks this year, it didn't drag an empty plot to make it a proper cable drama. The drama didn't run out of substances at any moment.
# There was no deviation from history, the basic story and the historical facts were not changed which is in fact a big plus point.
The ending, well, yes! It's a sad one and it was, in fact, announced earlier. The real story on which the novel is written ended like that, so does the novel and hence does the drama. This was to retain the historical accuracy of facts. Some of the audience might hesitate to go till the finale or some other might not want to even start it because of that, but trust me, it's WORTH IT. Each and every second of the show is that good to give you beautiful experience and in my opinion, no one should miss it. In the end, I wanna say that I have cried a lot, A LOT. And I will never forget how much i did. I think I will comd back to my own review to cry.
My only complaint about this drama is, it not being a 20 episode show. I mean I am also a lil disappointed about the pacing in last 4 episodes, but they could have easily extend it upto 20. The makers themselves were aware of this and hence they extended the originally planned 16 episodes to 17 episodes, which can also be cited as a production flaw. So they should have planned this ahead of the casting and finalized in order to avoid the occurrence of such a situation. But anyways, its over now.
Final remarks... "The Red Sleeve Cuff" is the sageuk of the year without any doubt. Direction, production, screenwriting, execution, casting, acting, cinematography, music, etc.... all these aspects havs been taken care of very well and I can't praise much about how much I loved this drama as a whole. The only problem of lil rushed pacing in the last 4 episodes is totally avoidable, given the quality of the show. I was more than willing to give it a 9.5 but that only issue made me deduct 0.5 and i believe that's only fair.
If you're wary about watching bcs of the sad ending, let me state that "sad endings are not bad endings"; even if it's a sad one, the journey and the content are worth everything. Let's assume it ended with 16th and we got a happy ending though the reality is something else. It's definitely a must watch and also worth coming back for. Please do watch this bcs this needs more attention than this. This is the best historical as well as one of the best set of dramas this year.
P. S. Let me know in case of any mistake.
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The writing/direction/production team all paid close attention to detail and crafted both scenes and sets with clues and forshadowing that make it the perfect sort of show to rewatch.
For anyone who is into story analysis, it struck me in the closing scenes that they wrote a Hero's Journey into a romance plot (not along side it, but literally, the romance IS a hero's journey), which is really something amazing. I can't say I've ever seen it before. So, I feel like it's not hyperbole when people say this is the best show they've ever watched. It's pretty amazing.
(Original review written around episode 8 below):
There's so much going on in this series that I love. The writing is tight, well paced, and presents at the same time a fascinating puzzle of a time travel story; a deep reflection on grieving; a thriller-type murder-mystery; and a double romantic comedy, played out in different timelines. It is genuinely a cross-genre show, so don't go in expecting pure comedy OR pure drama.
The acting is fantastic. I have always thought Alice Ke was an exceptional actress and she's not disappointing here. I liked Greg Hsu in Love Storm, and he's even better in this. The whole cast is great, but these two really shine. Directing. It's brilliant. Together, the writing and directing are letting the mystery of the time travel as well as the murder unfold in a way that raises new questions as it answers old ones. The directing includes so many little details that not only draw us into the mystery of the time travel, but hint at the more overarching explanation of what is happening. There are nice little symbolisms, like the red earbuds that the leads share at times, which creates a red thread linking them. There are also many conversations and dreams that we see early on that take on new meaning as the story unfolds, giving a sense that all the details matter... there's no filler here.
There are some more ambiguous symbols as well. There's some significant representations of enclosure and separation/isolation. These could represent grief and loss, which is a major theme in the drama, but they take on additional potential meaning in terms of what is really happening... that there is loss, grief, and perhaps the potential to heal or even change the past is a given. But what isn't given is that what we see is the actual story; many of the symbols reinforce the sense of fragmented reality that the female lead experiences in both her grief and her early experience of time travel.
For example, the "broken audio/video" shifts between scenes, especially with time travel, play into the fact that in the first few episodes the transition from an ordinary story about living with grief to a supernatural story about time travel/fate is started by the use of technology, once to find a "doppleganger" and the second time to use virtual reality to "reunite" with the lost love. While nothing much is made of this (and as of the 8th episode, it hasn't become a factor), these sorts of hints are beautifully done. They make it harder to guess the overarching explanation while at the same time they work on their own. That is, if it turns out that they were never anything more than a couple of scenes in the first few episodes and had nothing to do with the over-arching story, they still work. They aren't just red-herrings to obscure the truth, they are integral moments in the character development and plot that *could* mean more.
Long story short: it's fabulous, and given how well done it is so far, I'd really be surprised if it stopped being fabulous.
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