I Don't Want To Do Anything
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Going On Strike Against This Thing Called Life
Summer Strike started with messages of self-discovery and how one should take a step back to move forward, but it ended with more than that. To me, recovery from grief and trauma was also one of the main themes of this healing drama.Through the journey of Lee Yeo Reum, who decided to go on strike from her life by breaking away from the confines of her job and Seoul, this drama is relatable to viewers who are tired of their busy lives. We all, at one point or another, just want to do nothing.
Yeo Reum was an overworked girl in her 20s who had to deal with a series of hardships in her personal and professional lives before making a life-changing decision. Realizing the hopelessness of her mundane life, Yeo Reum decided to stop enduring so fiercely and simply just be.
However, leaving the stressful city life and starting anew in an unfamiliar seaside village, Angok was not as smooth as Yeo Reum hoped. Encountering prejudice and unfriendliness at first, our young female lead had to go through some pretty harrowing experiences before finally finding herself at a comfortable point in her life at the end of the show.
Meeting a shy librarian, An Dae Beom was a pivotal turn in Yeo Reum's journey of self-discovery. Dae Beom's kindness and calm were like an anchor for Yeo Reum, but he was also tortured by his past. With a tragic family history, Dae Beom had his own reasons for saying in Angok. As the relationship between the leads blossomed, the show covered themes of support and comfort.
The romance between these two with scars was a slow-burn one, enjoyable for me because it was so natural. The emotions and the steady, growing attraction built around an interesting storyline were satisfying for me. There was no culminating intimate skinship, but the pace made sense. There was no doubt that there was something solid between the couple at the end.
I enjoyed watching the sisterly love develop between Yeo Reum and Kim Bom, a high school student, and other heartwarming relationships, especially between Kim Bom's grandmother and Yeo Reum. In addition, other characters with their own demons to face and romance between different couples added flavor to the story.
Interestingly, even though the show was touted as an escapist healing drama, there were sinister undertones throughout some episodes. Therefore, I was not surprised as the later episodes featured darker scenes including a murder scene. However, there was no true case to crack because the show gave no opportunity for the viewers to figure anything out. There is no mystery tag for a reason.
Instead, the ensuing tragic events were meant to serve as a further catalyst for Yeo Reum's and Dae Bom's personal healing and growth.
Some viewers criticized Yeo Reum's character as a doormat, being taken advantage of at work and at the end by the villagers in Angok. Similar criticism was made about Dae Beom and how he was easily manipulated by certain people.
I disagree.
To me, both lead characters have a quiet dignity about them. They chose their battles and fought for what mattered. Even during moments when the viewers preferred for them to stand up and fight back, their perceived passivity was relatable and understandable. They were consistent throughout the show, and the little changes the characters made in their lives had a more substantial impact on the story. Good character development does not always mean 180 degree change.
Without a doubt, the entire cast was great. How the characters interacted with each other and dealt with life, in general, reminded me of how the people I know and I would behave in real life. The show did a great job showcasing the layers of human nature, including its selfishness and selflessness.
Acting-wise, I have nothing but praise for the leads. Kim Seol Hyun and Im Is Wan impressed me with their quiet intensity and ability to emote so much with the smallest expressions.
Finally, to top it off, the soundtrack was memorable for me. The way the show wove the songs and background music into the story was fitting and perfectly set the scenes and moods. I especially like "A Strange Day" by JiHyo from TWICE and "Color" by Sunnie. Enclosed below is the link to the OST list.
Overall, I hope more people will give this drama a chance. For me, the beauty of a "slice of life" series like Summer Strike is how well the show depicts the everyday experience, the struggles of daily life and trying to find oneself during the process, and the stark portrayal of human nature's good and bad sides.
OST list on Youtube:
https://www.youtube.com/watch?v=RIZ81nIsbgM
OST list on Spotify:
https://open.spotify.com/playlist/4QoX21xv9cN6oVHumGfdZM?si=5b7d0c33e7cc400d
* JiHyo (TWICE) - A Strange Day
* The Boyz - Summer Night
* Fromm - A Slow Summer Song
* ENHYPEN (Sung by Heesung, Jay, Jake) – ZERO MOMENT
* Jiyoon (ICHILLIN') – I'll Wait
* Tearliner – We Swim in Dreams (Feat. Bang Jaemin)
* Tearliner – Me, the Protagonist (Feat. Love X Stereo)
* SEOLA (WJSN) - Lover
* Kum Junhyeon - Hello, Stranger
* Sunnie - Color
* Hwang Inhyeock - I Will Remember You
* Low-end Project - I See You Like I See the Sun
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1A timeless love story with no beginning and no end.
An Ancient Love Song is a beautiful, haunting and timeless love story with no beginning and no end. The fresh storytelling approach fits Graham Greene's description of a story as something one arbitrarily chooses that moment of experience from which to look back or from which to look ahead.Shen Buyan is a professor and popular chronicler of the life of the wicked demon queen of Nancheng that lived thousands of years ago. She is reviled by history for killing a virtuous prime minister and living an extravagant life. Shen Buyan comes into possession of a mysterious jade artefact under an ancient wishing tree that sends him back in time. He discovers that all is not what he expected it to be. He meets the badass Lu Yuan and she moves him so much he wants to change her life and tries desperately to put a stop to a treasonous plot. The story told from Shen Buyan's perspective is in reverse chronological order. Each time he travels to the past, he goes back further in time. Thus the first time he meets Lu Yuan is when she loves him most. And the first time Lu Yuan meets Shen Buyan is when he loves her most.
The plot design is innovative and invites multiple rewatches. The first time I watched it in the order the production intended but you can really start anywhere as the story is a continuum that can be started at any point and can be watched forwards and backwards. Shen Buyan and Lu Yuan are star crossed lovers 有缘无分 destined to meet across time and space but not fated to be together. But because it is a love story that has no beginning in many ways it also does not end. Their enchanted love affair spans thousands of years. Surely that has to be enough.
I cannot praise enough this impressive low budget production that punches above its weight and originates from a fan made video. It is clearly a passion project that the entire cast and production team put a lot of heart into and it shows. It is anchored by the spectacular Zhang Yaqin from Love in Between. She is gorgeous and baddass here too and effortlessly and convincingly transforms from the 36 to the 18 year old Lu Yuan. Shen Buyan is played by Guo Jianan, a bit of a cute newbie actor that takes awhile to get into character but he gets pretty good by the end. The young cast overall delivers charismatic and empathetic performances. The villain role is especialy well done by a young actor with great screen presence and gravitas.
This is a must watch drama that I enthusiastically rate 8.5/10 overall with a story by itself that is worthy of at least 9.0.
PS - Be sure to catch the special, told from the FL's point of view.
https://www.youtube.com/watch?v=rYPDTcUwJqQ&t=71s
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A (LATER IN LIFE) COMING OF AGE STORY ABOUT SURVIVAL AND LEARNING TO TRULY LIVE !
***DISCLAIMER: This is just my opinion. We don’t have to agree and I’m not here to argue with anyone.***
General Overview:
This is the story about a girl named Seo Mok Ha who lives with an abusive father. She yearns to be a singer in order to get away from her mundane life in the country. Like her idol Yoo Ran Joo, she aspires to relocate to Seoul and pursue her dreams as a singer. She enters Ran Joo’s singing contest with the help of a fellow classmate, Ki Ho. At first he doesn’t want to help her but then finds enjoyment in seeing her light up as she performs Little do they both realize they have more in common than they though. Ki Ho is also being abused by his father. Ki Ho has to submit Mok Ha’s entry on her behalf since she is unable to do so after getting badly beaten up by her drunkard father. When she finally wins the competition, she gets to meet Ran Joo in Seoul, but she has to figure out a way to get there because she knows her father won't let her go. Upon learning of Mok Ha's ordeal at the hands of her father, he offers her a safe haven and instructs her to knock on his window should she require his help. They make a plan to leave together however things don’t work out. Her father finds out that she attempted to flee to Seoul by boat and goes ballistic trying to find her and bring her back home. Ki Ho spots him and goes to distract him / ward him off however he is too young so he falls powerless to him and loses the fight. When Mok Ha’s father finds her he end up chasing her aorund the boat until they get into an argument. Seo Mok Ha falls overboard and her father jumps in after her.
Eventually, she regains consciousness after washing up on the shore of a deserted island. She soon learns that she is alone after finding her father's remains. We see a glimpse of her survival during the fifteen years that she is abandoned on that island. Fifteen years later, she is discovered by a crew cleaning up the beach on a deserted island while using a drone. After chasing the drone, Mok Ha is found by the crew and is later rescued and brought to safety. From then on, we follow her as she embarks on a quest to fulfill her childhood ambitions and locate Ki Ho, the love of her life and a long-lost friend. When she returns to Seoul, we watch her attempting to make her way through a world that is so foreign to her while she learns how to be an adult and grow up, fight for her dreams, and stand up for the people she loves. Amidst all of this, tensions build, people get hurt, secrets are revealed, and Mok Ha has to decide for herself what is really important and where her loyalty lies. She must ascertain if she possesses the necessary qualities to become a DIVA!
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In More Detail (Spoilers Ahead):
This drama surpassed my expectations… I went into this not expecting or hoping for much. To say the least, I was not captivated by the first two episodes as much as everyone else. I found it extremely boring and struggled to find the will to finish episode 1 and 2. I would occasionally watch it, I got up to episode 4 then I stopped. Resuming, I binged the remaining 6 episodes when they were at episode 10. Then I was able to watch this drama along with everyone else when the last 2 episodes aired. For me the story started picking up in between episodes 6-9. But unfortunately this experience was nearly ruined / cut short because I saw a spoiler and was so irritated. Nevertheless I continued and I am glad I did.
Likes:
First of all, I think Ki Ho and Mok Ha's story was really brought to life by the young actors Lee Re and Woo Jin. They embodied their characters' anguish, despair, and desperation on film because they were so emotionally invested in them. I doubt the story would have had the same impact if any other young performers had played the roles. Moreover, their resemblance to the leads were uncanny! That casting and directing here was quite excellent.
I felt that Mok Ha's voice over and monologue gave this production and plot a lot more depth. There were many touching and heartfelt moments, and I believe Mok Ha took (as well as us viewers) could take away a meaningful lesson or message from each episode.
Park Eun Bin’s performance was really good. I particularly felt like she nailed the emotional aspects. I also commend her on her light hearted comedic country bumpkin-esque presence. She really had me convinced she spent 15 years on an Island. Her naivety was at times shocking but you come to realize she just has a good heart and always tries to see the best in people. But do not be fooled she is way stronger than she looks because of how much she had to endure for all those years on the island. As the story progressed you see how those events shaped Mok Ha into the strong individual she is today. I am a fan of strong female leads and it was interesting to see such a complex character grace the screen.
I really liked Bo Geol / Ki Ho… I was so impressed by Chae Jong Hyeop that i’ll be sure to check out his other projects His character was such a green flag and total softie at heart. When Bo Geol eventually tore down those walls and was prepared to let Mok Ha in, it was incredibly charming. Previously, I had always assumed that his icy demeanor toward her was him trying to protect her. I realize that later on he was either unable to hide his feelings or chose not to, which is why at times I felt he was acting a little too strongly or unexpectedly. I think that also explains Mok Ha's expression, as it caught me off guard numerous times.
The chemistry between Eun Bin and Jong Hyeop has to be discussed more. Even though it was just one moment, the intensity, tension, and passion were palpable on screen. I’m sure we could all feel it. That kiss was the result of all those years of longing for one another, wishing, and praying that the other was okay, wherever they were. I couldn't help but smile and kick my feet, especially when it appeared like they could not get enough of each other and had no intention of stopping LOL.
The relationship between Mok Ha and Ran Joo was fantastic. They seemed like sisters to me. Sometimes Ran Joo was the elder sister, offering Mok Ha insightful counsel; other times, the roles were reversed, and Ran Joo was gaining a lot of knowledge from Mok Ha. It seemed as though Ran Joo's singing career was over, but with Mok Ha, she had a future in songwriting and producing/directing. They seemed to be mirror images of one another, with Mok Ha reminding Ran Joo of her past self and what it was like to be young, fresh, and ready for the world and all its opportunities. In contrast, Mok Ha Ran Joo was teaching her the importance of strength and determination in order to succeed in the industry. She made Mok Ha realize how important it is to put herself first rather than giving of herself all the time and then allowing other people to take advantage of her. In any case, you could sense their love for one another and that they only had one other's best interests in mind at the end of the day.
I also thought the competition between Mok Ha and Mo Rae made for an interesting dynamic. I definitely I rooted for Mok Ha through and through but I'd be lying if I didn't admit I eventually warmed to Mo Rae and I’m glad in the end they ended on amicable terms.
The assistant Yong-Gwan was sour at first but I liked his backstory as it gave us insight into his character. In the past he aspired to be an idol or celebrity but fell short due to lack of courage and being a pushover.
I have to say I enjoyed most of the songs although I felt the song Dream Us was played way too much. It got annoying so quickly in my opinion. The poignant ballads "Here I Am," "Until The End," "Someday," "Open Your Eyes," and "Fly Away" by Mok Ha are my favorite songs. I was particularly moved to tears by the last song "Fly Away" It was breathtakingly beautiful and just magical. I was really moved by Park Eun Bin's vocal performance. Mok Ha really slayed with that last performance and I was sold on her actually stepping into her destiny and becoming an idol / international sensation. When the song is finally released, I'll be listening to it on repeat because I loved it so much!
Dislikes:
To be fair, there’s not much I disliked. At times I felt like Mok Ha was too naive, trusting and easygoing and it made her seem like a pushover but at the same time – I’m glad she remained true to herself / who she's always been and did not let people’s influence or the industry pull a wool over her eye and change her / her morals.
I think the whole plot of Ran Joo and Mok Ha being outed on that live television broadcast was insane. I’m not sure how I thought she would have gotten recognized for her singing or for the truth to come out but I was not expecting them to go that route at all. It seemed like too many events revolved around that one singing TV show / set area. I wished there was a little bit more to it than just that.
The love triangle involving Mok Ha and the brothers was perhaps the aspect of the story that I found most irritating. It was superfluous, in my opinion, especially considering that Woo Hak had no chance at all because Ki Ho had been on her mind all these years. I felt horrible for Woo Hak, especially once he realized that he wasn't Ki Ho at all, after being misled into thinking he was. It was difficult to see him avoid Mok Ha, especially after he discovered that Bo Geol still harbored affections for her. Instead of arguing with his brother like we see in other shows, Woo Hak just wanted him to be happy, which is why he is such an amazing person! It's admirable, in my opinion, that he honored their decision and only wanted Mok Ha to be content, even if it wasn't with him. I literally teared up when his father consoled him after he admitted to having developed feelings for her. Like Woo Hak, I think that Mok Ha is quite endearing and gives others a sense of being seen and valued. Seeing Woo Hak go through that was difficult since, as previously mentioned, he is such a kind soul. Both brothers are such good guys who deserve the very best.
Additionally I feel like the father got off too quickly with such an easy death by suicide. He deserved to rot in jail and worse for all his crimes toward his so called “family” I really hated how he literally just walked up to Sang Doo in the middle of the street and stabbed him. That just made my blood boil… the fact that their family went through so much because of that psychopathic stalker and there was no real sense of justice was so heartbreaking. Woo Hak, Bo Geol and Ha Jung deserved so much better.
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Quotes I Liked:
“In my eyes, you seemed to lack a lot. You lacked maturity, manners, and thought. You also lacked worries, gloominess, concerns, or reasons to cry. So whenever I looked at you, I was annoyed.”
“Become so famous that no one could dare mistreat you.”
“15 years ago, I liked her because of how much she lacked. She lacked worries, gloominess, and concerns. But she seems to be full of them now.”
“No one is cowardly or deceitful because they want to be. We all become desperate and make choices for our own reasons.”
“In life, it feels like the world mistreats you. And you take your anger out on the wrong person.”
“How long can a secret remain a secret? If we cover the secret under layers of lies, can we keep the secret from surfacing?”
“If you keep worrying about the future, then you’ll end up with just as many regrets down the road. From now on, I’m going to do whatever I want in that moment.”
“Relationships often change depending on the circumstances. We couldn’t share the same path in the past. But now, things have changed.”
“I’ll probably regret it a little. But I’d regret it even more if I never even try. At least for ten years, I’d be doing what I love the most.”
“They say failure is the mother of success. I’ll just take it as learning a lesson from another mother and move on.”
“It was all or nothing. Do or die. I made up my mind and jumped into the water. And then, before you know it, you’ll learn how to swim and you might be able to catch a ton of fish.”
“Let’s become the best at all costs.”
“I guess it’s true that givers create takers.”
“Why are you a taker? You’re a gift.”
“One person is lying to protect his children, while the other is lying to punish them. Then, which one do you think is the real father?”
“In life, you’ll learn that some people become happy over other people’s misfortunes. You’ll learn that many become jealous of other people’s success. That’s because when their lives become pathetic, they refuse to blame themselves. That’s why they blame it on others and want to bring them down. Because that’s easier.”
“When we almost lost dad, I realized not expressing your feelings can be the biggest regret in life.”
“There’s a sword in my hand so I might as well wield it.”
“Having gone through it now, I learned wishes don’t always come true right away. They don’t come true when you want them to. They take a long time. You forget about them, then suddenly, they come true.”
“Don’t cut ties just because you don’t like them. And don’t give up even if it gets tough.”
“Stay strong, endure it, and hang in there. Then one day, your wishes will come true in unexpected ways.”
“Let the failure of others become a lesson to you. Learn what you can and ignore the rest.”
“By replacing those answerless questions with other things to fill up the time, I survived one day after another.”
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Final Thoughts:
In conclusion, I believe that the drama needed more romance and additional episodes. Although the kiss between our protagonists was beautiful, I thought there might have been more at the ending. The promise, tension, and chemistry were all there. Then again, maybe I'm just being greedy. Since Ki Ho and Mok Ha have reconnected as adults, I also wish their relationship had progressed further. It seems like we missed out on seeing them be an actual couple who hang out / go on dates and get to know each other all over again. Additionally, I also needed to see what happened with Ran Joo’s career, Mok Ha’s climb to success, the tabloids interfering with her private life and how she was coping with her instant fame etc.
Would I rewatch this drama? Yes, I think I’d rewatch it when the events are not so fresh in my head and if I had nothing else to watch. Again, it was hard for me to get into but I’m glad I stuck with it and waited for it to get better. If you told me a month ago I’d end up liking this drama as much as I do now I would not have believed you.
Overall, I think the difficulties were handled quite nicely. In the span of 12 episodes, Mok Ha underwent significant growth. Her monologues conveyed her emotion and heart, and I found her to be a rather trustworthy narrator. We had the pleasure of accompanying her on this coming of age journey and I just feel so blessed we got to see her transformation.
If you love mystery and intrigue with a dash of lightheartedness and sad/heartbreaking backstories, then I think you should definitely check out this drama. I adore how this drama strikes a perfect mix of comedy, drama, mystery, music, heartfelt moments, and excellent voiceover/storytelling to give us a glimpse into Mok Ha's mind. There are so many things to enjoy and you wouldn't want to overlook this drama at all.
With all that being said, I give this drama a solid 8.5/10.
Thanks for reading and happy watching! ❤️
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If I have to describe this drama in one word, I'd say it's "nostalgic". It does seem like an obvious choice since it's a story about past life, but making a mere viewer like me constantly feel warm and comforted by the characters and the bond between them is not something other past life stories can easily do. This is the product of seamless writing, talented cast and their acting, mesmerizing music and phenomenal cinematography. This drama is at the very top of productions of its kind, it will stay there for a long time, and it has possibly exceeded the standard value of other genres as well.
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The story, for me, sums up into a beautiful story about destiny and camaraderie that surpasses the boundary of time. Instead of being something completely new, it surely makes a lot of new choices in characteristics, settings and storyline.
You will experience this simple concept of love and friendship on two timelines: one is back in 1930s Kyungsung (Old Seoul) when Korea was under Japanese rule, and one is in present time Seoul. Although the present time is their main timeline and their past is shown as their recollection, both timelines have their own weight and are laid out equally well.
The main characters are this story's forte. In the present time, we have a bestselling writer who appears snobbish at first but opens up into a very thoughtful person, a ghostwriter who can look both like a caring gentleman and a lonely lost puppy at the same time, and lastly, a fan who is strong, caring and rather very respectful for someone entitled "number one fan". They really are a bunch of good qualities which you can't help but fall for.
These three characters are then tasked with a mission to find out what truly happened in their past lives that makes things the way they are in present time. As they recall past events together, they develop a strong bond just as how they did in the past – if not even stronger because now they also have a chance to learn things about each other they previously didn't know.
At the same time, their past timeline is where the political genre comes in. It's not heavy on politics at all, I can assure you. It rather weaves this setting into the main message very nicely because here our main characters share their passion in fighting against the Japanese for liberation. It's rather super romantic, I must say. "To protect the love I couldn't protect in my past life. To meet again in a liberated homeland and love freely." – This quote says it all.
Other than that, this story gives you a good laugh. Side characters are as three-dimensional as the main ones, and many of them will surely grow on you. Also, this could be because I'm Korean, but even their dialogues and choice of action are three-dimensional. Every word they speak, everything they do, has a good reference and reason behind it. The constant mention of supernatural beings is witty, and how they involve famous quotes, poems and authors really fits with the plot. I can't praise this drama's writer enough for her super well-done research. There's really no plot hole or boring/dragging moments.
And, oh, did I mention? The said writer is Jin Soo Wan, the amazing writer behind Moon Embracing the Sun and MDL users' all-time favorite Kill Me, Heal Me.
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For the cast, I have seen almost every single one of them in their past works, and they still didn't remind me of their other characters at all, which is always important. They were so alive in their roles. I specifically want to praise our leading cast Yoo Ah In, Im Soo Jung and Go Gyung Pyo who had to take on two roles each for their separated present and past characters. They all nailed it. Additionally, Kwak Shi Yang who portrayed the antagonist deserves extreme compliments. The fact that he made me utterly hate his entire being proves that his acting was marvelous. That is an A+ for someone who's been in the industry for merely 3 years.
Another thing I fell in love with was the music. This drama's OSTs are gems – not only because we have golden voices like Baek Yerin and SG Wannabe but because the lyrics were written according to the storyline. The music cues are planned out so well that it's almost cunning. They appear at every right moment to add meaning to what we're seeing on screen, and often times they call for tears. In other words, they are not just background music but part of the storytelling itself. Don’t ever forget to read the meaning of those songs, and you’ll be in awe.
Likewise, the cinematography, the costumes, sets and their props are also impeccable. "Visually stunning" describes this entire production. This is one of those few dramas that you can pause at any moment and get a beautifully-composed still image. Present day Seoul and 1930s also have a clear line between them – both done beautifully from a lot of research. The color is graded in a cozy lukewarm tone and will make you feel like watching a beautiful independent movie on a big screen.
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Romantic, evocative, delicate, sentimental, homely.
“Nostalgic” it is. Nostalgic really sums up everything.
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Witnessing how this drama played out every week felt just like witnessing a piece of art. I never thought I'd have a chance to give straight 10s on a review, but this drama felt like an exception from the very beginning, and it never disappointed me until the end. If this isn't enough to make you decide to watch, I don't know what else will.
I don't think I'll be able to get over this drama in a very long time. This drama is my home.
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1Deze recentie kan spoilers bevatten
BL that manages to be more than BL in some ways
In a nutshell:The story is interesting though some may bemoan the way the series doesn’t seem to have a major conflict or point of tension for quite a few episodes. However, the series never feels slow or boring to me. There is a lot to love about this series because it doesn’t always tell the story in an in-your-face manner. But this could well be its weakness too. For example, if it had emphasized how one of the main characters’ (Pharm) incomplete recollection of his previous life early could pose a problem to their relationship, the tension and suspense built could have maintained the interest of more viewers.
In a coconut shell:
The series starts with the tragic double suicide of Korn/In, certainly not the lighthearted schoolboys-fall-in-love stuff that is so common in BL (though the characters are students). The double suicide is the result of parental objections to their relationship because of their sexual orientation, a rather serious consequence compared to popular BL series that treat the topic of objecting parents less seriously (e.g. Together with Me: The Next Chapter in which the parents change their minds, and Dark Blue Kiss in which the parents are surprisingly open-minded). The seriousness in tone, though not all that persistent, makes it different from a lot of BL that focus on the couples’ relationship without such a strong regard for the society in which the story is set). Where the Dean/Pharm story is concerned, the use of common BL tropes (like a “straight” guy falling in love with another guy) is rather sparing. This may be a good thing, but the side couple (WinTeam) may appeal to BL fans more and may be more conventionally BL.
In the parts of the story that use common BL tropes, the series does become more like BL and somewhat less realistic. The inclusion of a BL fangirl of sorts (Manaow) and the way Dean’s swimming team do not seem to bat an eyelid when their captain brings his boyfriend with him on a team outing are where BL fans find themselves in familiar terrain, though we can guess how often that happens in real life in Thailand. Interestingly, these elements seem to be used to contrast past and present, making a point about how increased openness towards homosexuality in society makes a huge difference for same-sex couples and even the two fathers who live in regret after their sons’ deaths. The society in the Dean/Pharm parts of the story feels much less oppressive that the atmosphere in the Korn/In story. We can see this from the minor characters’ behaviours: whereas Pharm’s friends accept and encourage his relationship with Dean, In’s good friend only quietly feels happy for him when he sees In together with Korn. Such subtle touches make the story rather interesting and worth re-watching.
There doesn’t seem to be a rush to bring the plot to new heights of tension. There is neither an excessive preoccupation with kissing and sex scenes nor an aversion to them. Although a number of viewers seem to find UWMA to be rather slow-moving or that it’s not clear where the story is going, I have a different opinion. In fact, the story is fairly well-paced, with the flashbacks seldom being unnatural as they show the parallels between the previous lives and the present lives. I suppose one thing that frustrates some viewers is the way the Dean/Pharm storyline doesn’t seem to have any obvious conflict for a large part of the series, which may give the impression that it is going nowhere. However, I like the way events are foreshadowed and how the characters slowly recall and come to terms with their past lives. As I watched each episode on a YouTube playlist, I get to the last part before I know it (it’s quite a different experience when it comes to series like I Am Your King Season 2).
Another aspect of the series that I like is how Dean and Pharm have different personalities from their past lives. The differences are more subtle in Dean, who seems calmer but also more determined to make his relationship work out than Korn. As for Pharm, while he’s clearly attracted to and in love with Dean, he does not rush into the relationship. As a really good cook, Pharm is set apart from In who cannot cook to save his life. This difference isn’t merely superficial for the patience and skill with which he cooks indicates a different personality. Both Dean and Pharm seem to have “learnt” something from their previous lives. The dynamics of their relationship are somewhat different too. While we see more passion between Korn and In, we see more tenderness between Dean and Pharm. The interplay between the parallels and differences indirectly creates suspense: will the couple finally have a happy ending, or will history repeat itself? Most of the time, the story seems geared towards a happy ending but there is foreshadowing of a problem to come, especially in a scene where a monk reminds the couple of the importance of forgiveness. In the end, we see that Dean/Pharm must reconcile with the people in their past lives and settle their unfinished business before moving on as themselves in their present lives. It seems paradoxical in the end, but it makes sense: Dean and Pharm have acquired new identities and cannot be living in the shadows of Korn and In forever, so while accepting that they are reincarnations of Korn and In, they must still be able detach themselves from their past lives. (An interesting scene in the last episode with Dean and Pharm dreaming of Korn and In as third parties and not as themselves for once shows that they have finally managed to move on as Dean and Pharm, not reincarnations of Korn and In.)
I also love WinTeam in this series although it often looks like the WinTeam scenes are a teaser/test for a possible Season 2 which will focus on them. I would love to watch a Season 2 with WinTeam as the focus though even with the same production team, I believe a Season 2 with WinTeam will be enjoyable in a rather different way. If this series doesn’t appeal to you, you could still give Season 2 a chance if it is made.
Edit: After considering why I've been feeling that something is a little lacking in this series despite my love for it, I realize that there isn't that much on how the characters fall in love. For Dean and Pharm, each immediately feels like the other is the one on first sight because of their past lives, so we can only look to Korn and In. But while we can see the depth of Korn and In's love, we don't see enough of what makes their love so strong. Our involvement in their story would be stronger if there had been a bit more showing Korn and In's love for each other.
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No need to worry if you don't like heavy drama, it won't be that of a heavy drama at all, the overall cozy ambiance compensates for its heavy subject matter. This is a slice of life/food drama after all, so you can just chill, watch and enjoy. This is very similar to the Japanese movie "Little Forrest", they will show you how they cook the food then proceed to story, but unlike "Little Forrest" where it is 70% cooking 30% story, this drama is 80% story, so it has more plot and you won't lost into the story.
If you think it's already a big deal when Ossan's love uses mainstream actors to a gay drama, then this is more big deal than that. They not only have mainstream actors but established A-list actors. To give you an idea Hidetoshi Nishijima has a reputation of a tough guy in Japan, similar to Jason Statham in Hollywood. I also think it's a genius idea to cast him as the closet gay, his demeanor matches the character very well. Uchino Masaki (Tonbi, Jin), another A-list actor, portrays the more feminine character. Among the two I considered him the better and the more versatile actor, and this character he portrayed just added up to the vast range of characters in his resume. The chemistry of them both is phenomenal, they argue and makeup like a real couple. They also made decisions that even straight couples will be able to relate.
One of the highlights of this drama is when Kakei's mom told him "tell your co-workers you're gay, there is nothing wrong with being gay", and the actress who said this savage line is none other than Meiko Kaji, famous for Lady Snowblood series, the granddaddy of revenge movies which inspired Tarantino when he made Kill Bill. If you just realize what Lady Snowblood represents that time, and how it connects to what this drama represents this time you would also say the casting for this drama is really something, it's freaking genius.
Watch it not because it's a gay drama, watch it because it a very good story portraying a couple having struggles in our society and how they overcome those hurdles to become happy. This is a little gem here my friends.
FULL REVIEW
https://thatjapanesedramaguy.blogspot.com/2019/07/drama-what-did-you-eat-yesterday.html
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Revolutionary
I can't even put into words the importance of this drama not only to me as an aroace person but as a whole. I have never in main stream media seen an aroace character let alone two aroace characters explored and developed in such a beautiful and caring way. I could go into extensive detail on why this drama and representation is so important but the review would incredibly long so I'll try and keep it as short and sweet as possible.The issues and also the joy in finding your aroace identity and living as an aroace in such an amatonormative world was explored so well in this drama. The exploration of Takahashi touch aversion has left me speechless, the way they handled it with such care. I've never seen touch aversion explored in the way that Koisenu Futari did and I think it will stay with me forever. One particular scene, which I won't go into detail due to spoilers, left such a massive impression on me and I think that's thanks to Takahashi Issei's portrayal and acting within the scene.
Everyone behind this drama went into it with such care and they handled everything so beautifully. You can tell that with how they explore even the hardest parts of finding and accepting your indentity and the reactions of those closest to you. It was hard to watch at times but it was necessary to see because so many aroaces experience the things that we see both Sakuko and Takahashi go through or even fear that they will go through that. So to see the hardest parts shown the way that Koisenu Futari showed us makes you realise that you're not so alone in your experiences and fears as you think you are.
What I loved about this drama the most was how I could see my own story reflected in both Sakuko and Takahashi depending on where in my aroace journey I was. I'm so grateful that this drama exists. Thank you to the writers, to the actors, to the producers, to everyone behind this drama for giving us this drama, for wanting to explore such an unrepresented identity and to do it with such love and care. This drama will stay with me forever.
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A deeply flawed drama with absolutely phenomenal acting, gorgeous sets, elaborate costumes, layered characters bogged down by inconsistent pacing, questionable editing and unsatisfying scripting, especially towards the end. I love this drama a hell lot, followed it from its initial broadcast which I've never done for cdramas. After watching the making of documentaries, I deeply appreciated what this team tried to do, but its flaws are also so apparent and hard to overcome that I don't know how to recommend this to anyone, but I still want to so I'm going to try.The plot is actually about princes' power struggle with sprinkles of romance, the focus is on Ning Yi, Feng Zhiwei plays second fiddle to him, do not come in looking for romance, you will probably be disappointed. Their interactions were actually pretty jarring compared to the rest of drama due to its different tone. It was super restrained, there were no real kiss here, I'm serious! There were just scenes hotter and cuter than kisses. I do like what's shown of their romance, it's nice to have an OTP who understand each other on a fundamental level and have similar ambitions, even if they disagree when it comes to methods. It meant they don't really go through misunderstandings, until the drama crashed and burned in the last 10 episodes, but I digress. It's lovely to have a drama that cared so much about details and trusted the audience enough to interpret things that's half said, the schemes were fun since everyone, including multiple antagonists who were smart, so it was always multiple parties trying to further their own agenda and screw up lead to unexpected circumstances. The protagonists weren't infallible either, they disagreed and sometimes they end up doing things that would seem unwise to the audience. This drama doesn't really play by the books.
The thing is, the first half of the show, up to ep 45 is fairly steady, packed with lots of information in each episodes. Then Minhai arc got shaved off probably 75% because of NRTA*, which ugh but can't be helped, we can make out important things that happened (it's all in the dialogues) but that's a pretty bad viewing experience. It returned to normal with some explosive acting, Jinshi arc was relatively simple because scriptwriters couldn't really touch it but I think it was mostly fine, Dayue arc got probably 30% cut, but it was mostly still there. Then came the last arc, which I'll just say features a lot of sudden appearance, sudden deaths, sudden misunderstandings (which will get cleared up, no worries! but it sure as hell shouldn't have happened) I suspect that the ending was a very rushed rewrite (which would explain all the plot holes) and the pacing was 3x of the earlier episodes, making everyone who stuck around for 60 episodes fairly confused. The events and character motivations do make sense if you analyse it and fill in the gaps, but they needed more lead up, foreshadowing and detailing that it was so good at before. Never have I, after watching 70 episodes, wanted to have more episodes so the story wouldn't feel so jarring. I honestly think when they edited it, they should have repaced the drama, if latter arcs were cut due to main plot not popping out, this is NOT how you pop it out.
Ning Yi, as a protagonist is one of most layered character I've seen. He is a gifted manipulator, but also someone who care deeply for people close to him because of his childhood. He can be ruthless to his brothers. childish and awkward with Zhiwei, utterly broken when it comes to his mum. He deeply wants a father-son relationship with the emperor but they sort of can't, as being an emperor means being on guard even against your son. He's pretty morally grey, but some of his lines were dubbed over due to NRTA (most notably, end of crown prince arc and the ending). Chen Kun did an astounding job playing Ning Yi, I was quite bemused by his overacting in the first episode. which I know can put off people, it's just Ning Yi likes to be on the edge and taunt people. I was also not a huge fan of his long hair look, but it did signify Ning Yi's carefree attitude. Chen Kun can definitely overact at times, rather like stage acting, but he's also very good at microexpressions and small gestures that just make some scenes so much more real.
Feng Zhiwei is the female lead that I love through and through, even if I'm somewhat disappointed with how they wrote her. To make her more realistic (compared to how OP she was in novel), she was made into a smart but bit naive and impulsive girl who gets dragged into power struggle for the throne and had to grow. That's fine, except Minhai arc was basically her time to show her abilities is equal to Ning Yi got cut (because the main plot doesn't pop? political reasons? idk). Jinshi and Dayue both had limited time and significant changes, so while she wasn't helpless, she was still partially damseled to prop up Ning Yi more, who honestly doesn't need more focus. I know the romance is linked to the plot but it's just badly plotted. I do appreciate that FZW is more straightforward, so she tends to lead the romance. I LOVED Ni Ni who portrayed her, she's gorgeous as a man AND a woman, and neither looked jarring. She had some of the best crying scenes I've seen and had wonderful chemistry with her co-actors. I shipped the otp so hard and was deep in otp hell for a long time after this drama.
My other favourite character is probably the emperor, who was the smartest I've seen in recent years. Emperors in these kind of dramas are usually overly suspicious or useless, and he's neither. He's not a good father or even a good husband, and I'm pretty sure he's sort of an antagonist but that doesn't stop him from being a complicated person. Thanks Ni Do Hong, I'd watch all your scenes all day long. Headmaster Xin had great chemistry with Ning Yi, they shared the same goal but had very different methods and priorities making their scenes a blast to watch. The various princes all had their shining moments too!
It's such a shame most of the people around FZW's characterisations weren't as layered. Her mum was rather conflicted between reviving the kingdom and having her live peacefully, but she was one of the big reason the OTP didn't proceed as well so it's somewhat hard to like her. Her brother is kind of an idiot but had a few nice scenes that I really liked. Gu Nanyi had awesome lines and decent character development, but we weren't show how that happened. I'm actively mad about how they cut out Hua Qiong, who was originally promoted as a main character, and reduced to essentially cameos. Her scenes were largely in Minhai arc, she appeared later and played pivotal role as a best friend and in a scheme then was promptly written out of the story, excuse me?! There wasn't even mourning for her? Helian Zheng actively seemed like he was in a different drama just because of his behaviour and he literally couldn't follow along what Zhiwei is thinking, good as comic relief I guess. I suppose he could also be used as a contrast against Ning Yi, but they also hastily wrote him out of the plot.
Honestly, I think they were too ambitious when they wanted to fuse power struggle + romance, where the OTP can go head to head, they lost their balance. The romance and anything involving the female lead had noticeably more plot holes and was weaker. They also tried to make it more realistic but still fuse in book characters, I love them a lot and would have liked to see a realistic version of them, but I'm in the minority. They should have cut their loses and fused more characters or plot lines. Jinshi is honestly not really needed as an arc, FZW could have gone elsewhere. If it was for uniting the kingdoms, the drama didn't really accomplish that either (whereas the novel managed to establish an alliance there). Dayue had very nice characterisation moments, but it wasn't plotted that well, they could have written other scenes to get the idea across.
I must emphasis this was recorded live while filming, which is super rare in recent years in historical cdramas due to noise pollution, accents and actors' acting. The drama usually have ambience sounds as bgm, and only play its insert songs during important moments. The sets and costumes are exquisite, I did spent fair amount of time just staring at them. I loved the use of go/weiqi, the tea pouring, the small differences in manners in different countries. I'm a little mixed about the dialogue, I have been taken out of the drama by some rather modern words, but it also quote a lot of classical Chinese, some rather cleverly (like when FZW became imperial adviser) , some I had to look up but got its meanings through context, some were just plain wrong. I appreciate the attempt but they could definitely have made it flow better, rather than feeling like they just dropped it into the drama to look well studied.
Despite all of its issues, I still loved this a lot and will probably rewatch it just for acting and characterisation, which is something I basically never do, as someone who largely care about plot. I deeply wish the female characters played bigger roles as they had likely intended before, but even as is, I still love them because they are different and varied, and they are allowed to be flawed, to make mistakes, just as male characters are. I would love to see more effort in fusing more serious elements with romance because that's much closer to life than just fluffy fun times or only serious business time.
P.S: *NRTA is the government agency that all cdramas have to go through, this drama went through it at least twice and they also had people come in half way through filming to check on their progress, and part of the script were rewritten on set. Historical dramas, especially ones that go on prime time slot (this one is, the only other one this year is Ashes of Love) are subjected to stricter scrutinisation, this year have gotten even tighter. Main characters can't be overly dark which is why some of Ning Yi (and maybe Zhiwei?)'s lines were dubbed over.
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HIStory3: Make Our Days Count
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I wanted to wait until I had processed the ending of this drama before reviewing it. The emotional investment I had in these boys and their story stopped me from writing down coherent sentences at first. But here we are, a week later! For the first few episodes, we see a fairly regular (and wonderfully done) set-up between an A+ student with a poor background and a rebel with a soft heart. I must say, I really fell head over heels for both boys and how soft they are with each other. How much happier Shigu became after gradually letting Haoting inside his heart and life. Haoting shouting from the rooftops how much he loves Shigu...
The promising flow of this story was what disappointed me and resulted in a lower score overall after the last episode aired. Having Shigu die, off camera, and fast forward 6 years felt like a cheap trick for making the audience cry. An ending can be sad without being disliked. This was just bad writing.
Why not let Shigu be sick from the get-go and let the audience experience them fighting-perhaps even losing the fight, but alongside them? Why not show us what happened on that god-awful day and watch Haoting pick up the pieces of his life and move on? Both would have been a lot more powerful in my opinion. And both Wei En and Juan Zhi could have carried that as actors.
I think the decision to take Hao Ting's incredible love for Shigu and make it so he seems stuck at 18, broken and unable to move on, too much. The LGBTQ community has had enough of those sad and useless endings, dramas don't have to be lifelessons. They don't have to have the shock-factor this writer aimed for. Sure, we were shocked. But also pissed off. And I was unable to even talk about it because I was so upset that a poor boy who finally found love and warmth got ran over by a car we didn't even see. One of Haoting's lines at the end even insinuates he'll go climb the highest mountain in the world and die there to be with Shigu again. Healthy image for queer romance? I think not. Sometimes it's okay if dramas wrap everything up in a little bow, making people happy can be just as powerful as making them cry.
I guess in the end, this was not what I signed up for when I started this and therefor I cannot stop my emotional reaction of giving it a lower rating. I do wish for the actors involved to get more work and recognition through this, as it is thanks to their performance that the ending hurt so much and the happiness made my heart soar.
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Luo Yao Knew What He Meant
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The most youthful youth drama!
The best youth drama I have watched this year. Felt like I lived the high school life I always wanted through them. The scenes did not feel like cringe at all but showed how crushing on someone at that age looks so innocent and lovely. No unnecessary dramas and no dull moments. The love between them won my heart and got me kicking the air and dying of jealousy. However, I find the lines to be more powerful and even a simple line went really deep to my heart. A simple drama that I can't recommend enough!Vond je deze recentie nuttig?
The Yin-Yang Master: Dream of Eternity
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The Perfect Yin Yang
The Yin-Yang Master: Dream of Eternity is a much anticipated movie that went through hell and back, and literally pulled us fans into the same predicament. This production has been plagued by backlash against its director-screenwriter, Guo Jing Ming who lost a plagiarism lawsuit back in 2004 for a novel that he had published and since then, there have been those in the industry calling for a continued boycott of his works. On top of that incident, another accusation of plagiarism was made against him, this time for this movie where certain scenes resembled Marvel’s 2016 release of Doctor Strange. This fresh wave of backlash had resulted in the film being pulled from cinemas less than 2 weeks after its initial release in China on Christmas 2020. There were real fears that Netflix, which acquired the world-wide distribution rights, may pull the plug on this as well. Fortunately, it did not and the movie was released on the streaming platform as originally scheduled on 5 February 2021.Dream of Eternity is adapted from the novel series Onmyōji by Yumemakura Baku, with a fair amount of interpretation through the screenplay (as I understand from various news sources) written and directed by Guo Jing Ming. This is the 3rd incarnation of live-action based on the novel series, the first two were Japanese adaptations in 2001 and 2003, and comes into direct comparison (and probably competition as well, due to the timing) with another movie based on the Onmyōji mobile game (which is also inspired by the original novel series), The Yin Yang Master. To be perfectly honest, I haven’t read the novel series, played the mobile game, and even seen the two Japanese adaptations. So I went into this on a huge wave of anticipation and excitement based on rave reviews by nearly everyone who had seen the movie.
The plot focuses on the adventures of the lead character, cosmologist (Onmyōdō, the traditional Japanese art of esoteric cosmology) Qing Ming as he investigates strange cases linked to an overarching mystery involving the heavenly realm and a mystical artifact. This takes place in a fantasy world where supernatural beings (demons, and others that I’m unsure of how to classify) co-exist. Along the way, he develops a friendship (and bromance with hints of BL) with the Imperial Guard (similar to the Embroidered/ Brocade Jing Yi Wei guards) Bo Ya. Together they form a formidable partnership in tackling the unsavoury otherworldly (super)villains that get in the way of solving mysteries. They also encounter other intriguing supporting characters such as Princess Zhang Ping, Master Long Ye and He Shou Ye.
If the story depicted here is anything like the original source material, I’m severely tempted to start reading the novel series. Exquisitely intricate world building of the highest degree with equally fleshed out major and supporting characters. Little wonder a running time over 2 hours is needed to bring this entirely fantastical setting to life. It certainly did not feel that long at all, as the storytelling progresses at a reasonably engaging and quick pace with perfectly-timed intensity and thrills where it mattered. Perhaps an additional 15 to 20 minutes would have provided more richness and depth to certain scenes and the development of character build-ups and relationship dynamics.
The cast is one of the major reasons for getting excited over this movie. Mark Chao headlines the eclectic ensemble that also comprises the likes of Deng Lun and Olivia Wang. The award-winning Mark Chao is globally renowned for his role of Ye Hua in Eternal Love (TMOPB) as well as numerous other starring roles since he made his debut in the critically-acclaimed Monga a decade ago. Deng Lun is another big name in the xianxia series through his major role in Ashes of Love. Olivia Wang is probably not as universally renowned as the two gentlemen, but she has been no less prolific with a portfolio of works that spans 15 years in the industry.
The characters of Qing Ming and Bo Ya were delectably portrayed by Mark and Deng respectively. Mark invokes a particularly subtle kind of charm and sophistication as the titular Yin-Yang Master that makes him appear genuinely warm and sincere but with a dash of self-assured confidence. Deng’s Bo Ya is seemingly more minimalist with a stoic disposition permanently etched on his entire being. These two make for a great couple, whether as brothers-in-arms or even beyond the usual conventions. Wang was almost unrecognizable as the Princess Zhang Ping, even without the heavy Tang-esque makeup. I felt that although she was probably way out of her comfort zone in this role because it was such a controlled and subdued character to portray, her performance was on point. Her character is arguably one of the most enigmatically intriguing.
The most talked about aspect of this production that garners the highest praise from most viewers, with which I agree wholeheartedly, is its visual representation. This is a big budget production that seamlessly blends top-tier CGI technology, beautiful cinematography, and astounding choreographed sequences with breathtaking set designs and immaculate costumes that embody the world of Onmyōji, supposedly set in the Japanese Heian period. There is absolutely no way to describe how visually stunning this film is - you just have to see it for yourself. Principal photography fully took place at Hengdian World Studios and apparently this film and a sequel were filmed back-to-back in what is a planned series. The impressive visual effects were provided by the well-known Korean animation and motion picture VFX production company, 4th Creative Party which had produced feature films in Asia, Hollywood and Europe, most notably Okja, Snowpiercer, and The Host.
The music in the film is no less exquisite, composed by celebrated Japanese composer Kenji Kawai, famed for his works in Ghost in the Shell, Death Note and Ip Man series, among many others. The BGM for this production is one of the best in the fantasy genre, where traditional sounds blend harmoniously with contemporary tones. The OST lists 2 tracks used in the film, both of which are slow-tempo ballads:
Heart Fallen 心殇人 - Huang Ling 黄龄
Infatuation Tomb (Ending Song) 痴情冢 – Deng Lun 邓伦
Overall, The Yin-Yang Master: Dream of Eternity is an exceptionally well-crafted film that is stunning to watch, refreshingly straightforward and uncomplicated (despite the premise), and effortlessly enjoyable as well as fun. It’s a no-brainer, what are you waiting for? (before Netflix actually removes the content because of plagiarism issues...).
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The only main actor I had watched before was Yoo Yeon Suk, but I had not been a fan. I knew of Lee Byung Hun, but had never watched him in anything. I was blown away by the acting of all 5 main characters. Some may say otherwise, but I thought they were flawless in these roles. Kim Tae Ri was especially captivating. Her beauty and her voice were mesmerizing to me. Some thought LBH was too expressionless, but I found him quite the opposite. And when he unleashed one of his smiles, I was enchanted. For the first half or so, I felt like the chemistry between the Eugene and Ae Shin was very thick. There was a bit of shift afterwards, but nevertheless they had something there. I was very moved by the acting of the other three as well, and they all became very beloved characters that I rooted for. Dong Mae and Hina were the anti-heroes. And Hee Sung was a hero in disguise. They were all complex and compelling and I loved each of them for varying reasons. The extended cast was no less impressive, and no less part of this story - I couldn't even begin to name them all and what they added to the narrative.
The story is not all tears and sadness though. In the beginning, there is definitely some humor in the mix as well to keep it from becoming too solemn. The writer really did a great job carrying us forward with each new step that our characters faced. I loved all the relationships that were formed, and the bravery of the Righteous Army, and the people of Joseon who captured my heart. So when it got to the climax, we were more than ready ---and yet, somehow, not prepared at all.
The music chosen was excellent. Haunting and lovely. Sad March and The Day were the main songs. And a sad, melodious version of Greensleeves to top it off.
I know that I gave it a 10 for re-watch value. I would absolutely watch this again, but I don't think my heart could handle it anytime soon as it's already ripped to shreds right now! Even if you think that historical shows are not for you, I think everyone that loves Korean dramas and culture should not miss this show. I would not recommend this show to anyone that is looking for fast paced or satisfying happy bows. You would be looking at the wrong thing here. But if you want a story that will move you and mesmerize you, this is where it's at.
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Under the Queen’s Umbrella
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The Drama of 2022 That Has Everything You Could Ever Want
I think it's safe to say this is one of the best things I've ever seen.I loved this drama so much.
I've never written any reviews on here before, but I think this one deserves it.
The drama has ended, but it will always be with me.
I was sceptical about the drama having only "16" episodes (there were so many stones unturned), but everything was executed well.
They gave us an excellent, satisfying ending; it has to be one of my favourites. Everything tied together perfectly at the end.
I have a lot of respect for the writer; it was their first drama, yet all the elements were perfect, and they included so much in just 16 episodes!
The characters were all complex and interesting.
I love Kim Hye Soo, and she was brilliant in this. Her character is one of the best female leads I've seen. She's strong, understanding, kind, and just the best. All of the Grand Princes were perfect; they had their flaws, but that's what made them so lovable. I adored getting to know them and their stories.
All of the characters were fantastic, including the Queen Dowager in all her evil glory (I despise her guts, but her character is admirable).
I think Under The Queen's Umbrella is severely underrated; people automatically deem it boring because it's a historical, but I have to say, I never felt bored, not even for a second.
This is one of those gems that surpasses all your expectations. (Even though I actually had a lot of expectations because I love Kim Hye Soo)
Historicals have a stereotype, one of being boring, but sometimes you need to look at the broader picture and give things a shot.
This drama is full of everything you could want: mystery, action, romance, politics, strong characters, and more!
This was a heartwarming and lovely show, and it is one I will rewatch time and time again.
Highly, highly recommended!
If it's not obvious already, I give it a 10/10.
No, scratch that; this drama deserves a 1000/10. (I still can't believe it is the writer's first drama. Everything, and I mean everything, was perfect.)
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Kim Sun Ah made Kim Sam Soon one of my favorite K-Drama leads ever! Sam Soon is loud, stubborn, charming, emotional, unfiltered, and absolutely hilarious. She was equal parts frustrating, & inspiring to watch. She's not the usual passive female lead, and I loved watching her take charge of a situation. She is matched up with Hyun Bin as Hyun Jin Hun, who walks the line between arrogance & charm so expertly well. At first I didn't recognize him, because he looks so different in this compared to Secret Garden, but his performance in this reminded me of all the things I loved about him in that drama. Together, their chemistry made them a rom-com dream team. The fact that they didn't fit seamlessly together, and that they were not always good to each other, made their relationship feel more honest. I think they were the perfect blend between discord, and harmony. I could literally watch them go at it all day... in fact, that's exactly what i did. lol.
The lead performances were a clear 10 for me, and every minor character in the supporting cast was also really great, but I feel like I have to deduct at least 1 point for the 2 supporting leads. It's clear that Daniel Henney's purpose in this drama was to be eye candy. Most of his scenes involve him smiling at people while they teach him Korean language & culture. His acting was decent enough, but far from good. Jung Ryeo Won's performance was also underwhelming. As much as I loved to hate her character, there were also quite a few moments when I cringed through some of her acting scenes (in both languages). It was initially jarring to hear so much english spoken in scenes, with actual fluent speakers, but it made their acting inexperience much more obvious to me. The only moments of boredom I felt during this drama was when these two were the focus.
I admit that the plot wasn't exactly original, but it wasn't typical either. The love stories in this drama are far less innocent than the k-drama norm, which was nice to see. There were many great rewatchable rom-com moments between Hyun Bin & Kim Sun Ah, and they share one of the best kiss scenes that I've seen in a drama.
Music also plays a key element in the story, which I liked, but I wasn't particularly impressed with the soundtrack.
Overall, It's lol hilarious, yet emotionally realistic. Even when the tone of the drama began to change, It never lost it's momentum. I continued to be excited about watching each episode, and I enjoyed every one till the very end. This drama could have easily ended with a pleasingly cheesy conclusion, but instead the ending was simple, and inspiring.
I think all rom-com fans should have this on their "to watch" list. Forgive the old school phones, and the ugly clothes, and I think this stands up against any current drama. I agree that "My Name is Kim Sam Soon" is one of the best dramas that I've seen, classic or not. I can see myself easily watching this drama again, & again... while eating a lot of pastries, of course : )
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A cliche love story about your pick me ex-idol next door & the ordinary boy she falls for.
***DISCLAIMER: This is just my opinion, we don’t have to agree and I’m not here to argue with anyone. This review is kind of long so please bare with me.***A/N: I went into this drama blind without reading the webtoon or having any preconceived ideas.
Tropes: grumpy/sunshine, friends to lovers, love/hate relationship
General Overview:
I kind of liked this drama because it is really nostalgic and takes you back. The cinematography is beautiful and it seems like it was meant to be a documentary or memoir of sorts recounting Doona and Won Jun’s experiences and how they crossed paths and essentially changed the trajectory of each others lives forever.
An ordinary guy and a superstar girl – that’s a cliche if I’ve ever seen one. I found it kind of tricky getting into this drama because the first 2 episodes are slow and you’re not really sure what exactly is going on because theres not much context but as you keep on watching and bridge the gap between episodes 2 & 3 and really delve into episode 4 & 5 things start heating up and becoming more interesting. I like the relationship between Doona and Won Jun because it shows us what a new adult / young love is and how at times it can be messy especially when there’s a lot of miscommunication thrown into the mix.
Their love story is by no means perfect but it’s also realistic in the way that other people watching can definitely relate to it and look back on their own past relationships / first loves and be reminiscent of a similar time / experience in their lives. Even if you have never experienced something like there are a lot of important life lessons to be learned.
I honestly feel like this drama lacked depth and they could’ve done so much more to better capture the struggle between wanting to live a normal life with your love and choosing to chase/ follow your dreams and be an idol. The ending sucked big time but again, I had already predicted it would be a sad/open ending by episode 5.
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A More Detailed Review (spoilers ahead):
Doona opens with Doona submerging herself in a pool of water and seemingly sinking to the bottom of it and drowning… I believe this is a reflection of how she truly feels on the inside.
The drama follows Dream Sweet Doona, a kpop idol who has fallen from grace and has taken a hiatus from being an idol due to an on-stage accident in which she stated she could no longer sing. We see her smoking profusely in a lot of the shots... we're not sure what's going through her head. Doona appears forlorn and despondent, as if she is fighting to find her place in the world while being neglected by the individuals she most badly wants to hear from. The number one person is P (her agent), who does not respond to any of her texts or phone calls.
As the story progresses we see Doona meet Won Jun and a love/hate dynamic develops between them. She can’t believe Won Jun doesn’t know who she is and that he’s not a fan as she sees him sporting a sweet dream hoodie. Anyways a uncanny dynamic develops between them and Doona finds herself annoying him and asking him out to eat for the fun of it. Won Jun thinks she’s only teasing him and is not actually serious. They get into a spat one night as Won Jun says something that hurts her feelings and sends her over the edge.
From there they make up and you see them hanging out and Doona giving Won Jun advice on love as Won Jun still seems to have feelings for this girl (Jin Ju) from his past. It seems they were almost high school sweethearts and did like each other but in the end things did not work out. Now a year later, Jin Ju has re-entered his life and Won Jun wants to obviously be more just friends but they keep missing the timing. I think this is essential to the plot because Jin Ju is a symbol of the past… and past memories while Doona is a symbol of Won Jun’s present and future. Back then, Won Jun was weak timid and was not able to confess to the girl he liked and win her over. This past Won Jun seemingly no longer exists as he is intrigued by Doona. He enters unfamiliar territory when he is with her and so she seems enthralling and fun to hang around. Even though Jin Ju and Won Jun have all the history and memories, it shows you can only hold onto a person for so much and no more. This was demonstrated when Jin Ju finally starts showing interest in Won Jun and was able to confess her feelings, he had already mentally moved on and was now interested in pursuing Doona.
Insights:
Doona lacks emotional intelligence because she has never led a typical/normal life. She also has trouble controlling her emotions, which I believe is related to her lack of emotional awareness. As someone once said, you have to be good with yourself before you can be good for other people. I think Doona needs to take care of herself and prioritize her mental health. It was very saddening watching her go through these psychotic breaks and moments of weakness completely alone. If “being in a room of crowded people and still feeling alone” was a person, that would be Doona.
Given that Donna appeared to have been groomed from the age of 13 or 14 until her early 20s, my heart ached for her. Doona became codependent on her agent as he effectively made her into an idol. It's obvious that the agent did not view her as a real person, but rather as a product or item. He was a manipulative man who only valued her when she was complying with his wishes. Her agent was simply emotionally absent and only doing his job but Doona misinterpreted it for love and concern. In essence, he exploited her as a tool as Doona only piqued his interest when she brought in big bucks and advanced his career. The moment the flip switched in her head and she told him she could no longer handle the idol life he became very cold and distant. It just showed that his affection for her was conditional on her performing and acting a certain way.
It's clear that Doona is a complex individual who has led a very one-dimensional existence. She had a one-track mind because her life was always regimented and linear. Her walls and fences gradually started to come down when her celebrity faded and she had some alone time without others chasing her, revealing the shell of a girl who genuinely needed to repair her inner child. Her mom dropped her off and was too busy coning others out of their money, so only her grandmother took care of her. She did not regard Doona as her daughter or child, but rather as a paycheck. She seemed more liberated and at ease when she spent time with Won Jun. I feel like hanging out with Won Jun made Doona feel free and ordinary. In a way he came into her life as a blessing.
Likes:
I enjoyed the cinematography and the setting. It was a very cozy and fitting drama to watch in the fall!
I liked Se Jong’s performance as Won Jun. It was refreshing to see a very emotionally intelligent man grace the screen. He literally was such a green flag and gave off the impression of a man who was ready to open his heart to someone who didn't appear to deserve him. Se Jong portrayed his innocence and naivety to perfection. It was endearing, but it also demonstrates how males are capable of feeling emotions and having strong feelings for the person they love. I can understand why he was only able to see the best in Doona because love is blind and gives people rose-colored lenses.
The chemistry between Won Jun and Doona was off the charts, if that's what you were mainly watching for. Warning if you are currently single this drama will definitely make you feel even more so. I felt like a third wheel or like I was intruding when watching some of their scenes because it was a bit intense and caught me off guard.
I thought Ha Young’s portrayal of Jin Ju was endearing. Her character brought so much light even in darkness and was one of the best to come out of this drama. Ha Young is seriously so charming on screen and has one of the best smiles I’ve ever seen. Her story was so tragic and she smiled and pretended to be happy on the outside to conceal the fact that she was actually breaking inside. She has strict parents which I’m sure people on here can relate to however the emotional and physical abuse she faced daily was so uncalled for. I liked how Jin Ju handled it with grace and eventually left her home situation. I was lowkey rooting for her and Won Jun in the beginning because she seemed like the of ray of sunshine he needed in his life. To me their personalities seemed more compatible than Won Jun and Doona but they took too long to confess how they felt. Even though her and Won Jun did not work out I am glad they are still friends… and you never know they might have missed their timing now but they could always reconnect years from now.
I also enjoyed the performances of the supporting cast. I-Ra and Jung Hoon were cute and I am happy they got together in the end. The friendship dynamic between everyone was refreshing and I’m glad they still met up to hang out and drink together rather than the friendship being lost after everyone moved out of the building.
Dislikes:
I must admit that Suzy's performance was not the best and it felt flat to me. I feel like she could have put more effort into truly selling the role. She mostly just posed in the scenes and kept on smoking and sighing which got really repetitive. She seemed to be in unfamiliar territory and did not have a similar experience to channel when playing Doona (a pop star fallen from grace) This led me to believe that she had never really had a had first-hand experience with despair, mental health concerns, and depression / loneliness as an idol. This role was clearly daunting for her and it showed.
In the 3rd act conflict when Doona saw her ex (the agent) and dropped Won Jun’s hand not once but TWICE I was pissed. Like that was an immediate red flag! And then she legit got in the car with the ex and didn’t like that he wasn’t reassuring her and saying all the things she wanted to hear then she opened the door, threw herself out of the car and hurt her foot?! That was absolutely psychotic and batshit crazy. Then she wants to come crawling back to Won Jun and playing the victim?! LOL this was so toxic and messy but at the same time realistic portrayal of young (blind) love. But more seriously, in those moments I questioned if Doona actually had any care or sympathy for Won Jun or his feelings. She was saying one thing but her actions always consistently proved otherwise. I guess this is what people would call a contradictory character but to me it was apparent she needed to work on herself because her behavior was deplorable.
The miscommunication between the leads was absolutely unnecessary and they could have fixed their issues with a simple and honest conversation. When Won Jun asked her if she’s back bc her agent didn’t want her I was like damn! Get her again for me. Being the other person, who appears to be someone's fallback or backup plan in case they can't get the main person they're seeking, is a tragic situation. The exchange between Doona and Won Jun eloquently encapsulated how awful it is.
I was irritated by the agent's attempt to minimize Won Jun's significance. He pretended to be concerned about Doona's welfare, but his true motivation was to use her as a means of generating income for himself. He presents himself as superior to everyone else and shows pretends like he has no concern for those so-called "kids." Mind you he's in their business 25/8 and suggested they break up immediately. In my opinion, the agent acts like a whiny boy who gets upset when he doesn't get his way in a situation.
9 episodes seemed too short but also too long because if you think about it this drama could’ve easily just been a 2 hour movie lmao… there’s so much unnecessary dragging out of the plot.
As I reviewed my episode ratings, I realized that I only ever gave one episode an 8 out of 10, while the others received ratings between 6 and 7. In my opinion this drama suffers from a severe lack of depth and overcompensates by focusing too much on ridiculous relationship drama. It does far more showing than actually telling. Then again, there is only so much they could fit into 9 episodes. Realistically speaking this drama only needed to be about 5 or 6 episodes long, after that it became tedious and started to drag on.
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Quotes I liked:
"Of course we won’t always know everyones story entirely because we all have a version of ourselves that we want to hide from the world."
“You once said to me that you and I come from two completely different worlds. That you never could’ve imagined we would ever cross paths. So to find ourselves sitting side by side was purely by chance. Or maybe even an act of destiny.”
“You may be right that we met by chance. But I’m still happy you were the one I met.”
“But do you know what’s really hard? It’s not the people who were never there to begin with. But it’s when you lose the people that were always there from the start. That’s enough to drive you really insane.”
“You’re selfish and unstable and you hurt me without even thinking twice about it.”
“You came and totally flipped my world upside down! But still I’m feeling crazy because I want to be the one that you want.”
“Blaming the winner when you lose is really only going to make you look a lot more pathetic. It’s a bad look.”
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Final Thoughts:
Overall this drama is the definition of a friends to lovers, toxic love story with miscommunication at the forefront. It was comforting and nostalgic in the way that sometimes you need a soft drama which you can relax and watch without focusing too much on a heavily plot driven story.
If you ask me honestly, I would say majority of people only like this drama because of the “steamy” or “hot” kissing scenes, which to me is viewing this drama through very low standards and a one dimensional lens. Chemistry alone is not enough to sell me on this drama or make me give it a high rating, if that was the case for all dramas what would be the point of watching and rating? Exactly. Additionally, ML also had chemistry with SFL but majority don’t care about that or don’t want to recognize it simply because toxicity sells.
Should people should watch it or not? I have no idea, it depends on your taste and if you enjoy cliche and predictable dramas or not. It seems like a drama for persons who enjoyed Nevertheless. As I said it's difficult getting into the drama because of the slow pace and I'm not sure how many people would actually stick around to see their relationship "progress." Their relationship is chaotic and toxic so if you do decide to watch brace yourself!
Would I rewatch this? Absolutely not. Once was enough for me, I don’t think I could put myself through all this drama again. These miscommunications could’ve been fixed with a simple conversation but no, the writers just wanted to drag out the plot and make it seem deeper than it actually is.
In my opinion, people encounter stories like these on a daily basis, but most of them romanticize the toxicity and fail to highlight the difficulties that come with relationships and the desire to be wanted or chosen in the same capacity / way that you pour love and care into your partner.
What was frustrating while watching was the fact that both characters had their short comings but Won Jun was willing to overlook all that and give Doona a chance but she was not emotionally available / mature and just carelessly played with his feelings because what she needed at the time was therapy not his attention and comfort. Even though Doona knew they wouldn't last in the long run, she effectively used Won Jun as a place holder in her life. Doona is a real emotional wreck, and I was annoyed to death the entire time I was watching.
Nevertheless, even though the plot is superficial and shallow, I also believe there are many valuable things that both younger and older individuals may learn. First and foremost this should serve as a warning or guideline for people who attracted to emotionally unavailable, toxic individuals and manipulative individuals. It's common to overlook signs and view your partner positively / want to see the “best” in them due to love or fear of loneliness or abandonment. However, it is crucial to recognize these patterns to avoid getting caught in harmful cycles. Doona and Won Jun both lack secure attachment, I believe she leans towards dismissive avoidant where he leans towards anxious attachment. That, coupled with Dona’s BPD, abandonment issues, her constant mind games and breadcrumming can be exhausting. In my opinion, what they both need is professional help.
On a brighter note, another messages that can be taken from this drama is to cease the moment, learn to be emotionally intelligent, go after what / who you want before it’s too late. Some people believe Won Jun and Doona ended up together but I believe they met each other at a time in their lives where they both needed each other. Simply put, not everything is meant to last forever and if you ever want to find happiness, you have to learn to be okay with that.
I gave most episodes somewhere from a 5 to a 6 but after assessing everything I decided on a 6/10.
Once again, this is just my opinion, you can watch it and see for yourself!
(Ty to those who read this far!)
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