Story: It started out with aplomb and almost immediately, I fell in love with the Scheduler's character. However, I can't say the same for the other characters. The IDEA of the story (of a woman in coma and having 49 days to gather tears whilst being "helped" along the way by a charasmatic scheduler) was great but disappointingly enough, it was not exploited to its potential. Somewhere in the middle, the drama lost its plot and that was when the dallying tactics were used. Thankfully, it picked up pace between episodes 13 and 14, went flat again until episode 17 and finished wonderfully at 20. While some may be disappointed with the ending, there are equally many who were more than satisfied with it. To me, it was a strong ending and exactly how I myself would have wrote it. It was unexpected but it delivered some form of "being at the end". Every character were given a closing chapter. Everyone was accounted for. The sereneness of the ending taught the viewers many lessons:- one of which is about reality, fate, life, death and love. In its own way, it is a happy ending for all.
Acting/Cast: Needless to say, Jung Il Woo did a brilliant job as the charasmatic Scheduler. We can all say for sure now that Lee Yo Won had the most beautifully sad face as the often depressed Song Yi Kyung. Jo Hyun Jae as Han Kang captured many hearts as he tried to make up for lost time and opportunities to express his hidden love for Ji Hyun. Nam Gyu Ri was able to express the naivety, mild characteredness and innocence of Shin Ji Hyun. All the actors and actresses did their best to portray the characters given to them. My biggest brownie points, however, went to Jung Il Woo for his protrayal of the Scheduler. It will be difficult for anyone to watch this drama without falling in love with his character.
Music: There were 3-4 music in the OSTs that were excellent and a few in there that were not exactly to my taste. I took into account the favourable opinions of others and my own "not-so-favourable" opinion before giving the music 8/10. All I can say is, it's personal taste. ;)
Rewatch value: If you are a person with lots of time on hand, you might rewatch this drama for the sake of passing time. I am a busy person and do not often rewatch dramas and taking this into account, I ranked the rewatch value at 6/10. I doubt I will ever rewatch this drama because of its length and the dallying in the middle, though I might choose certain episodes or parts that were interesting to view whenever I feel nostalgic of this drama. You can be sure that those scenes are the ones that involved the Scheduler! ;)
Overall: It is a worthy drama but unlike others who gushed on and on about how great it was and rated it at the same level as Secret Garden, I would actually rate this below Secret Garden and a few others that I felt were more worthy. The only memories of this drama I will take away were the character of the Scheduler and the poignant but wonderful ending. All in all, kudos to all the acting casts of 49 Days and all the best for the future. Fate willing, we will meet each other again...soon. :)
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This is seriously my favorite drama. No matter how many I watch, I can't think of any of them as better then Tatta Hitotsu no Koi. I absolutely love it.The whole story is beautiful. It's innocent, refreshing, a little bit exaggerated at times, but still wonderful. There's a rather unexplainable Titanic sort of feel to the entire drama, except, it doesn't end sad (in my opinion that feel comes from the music, which is amazing, by the way. I even put it on my iPod I love it so much.)
This may be a little spoiler-ish, not a lot, but just a little (talking about the personality of one of the main characters):
To some Nao may seem like a very selfish girl, who only thinks about herself, and I can understand that, but really when you think about it and really consider her life and imagine yourself in her position, can you blame her? Can you really say she should know better? And besides, doesn't she seem to grow up at the end?
-END-
Point is, I LOVE Tatta Hitotsu no Koi, and I highly recommended it. I've watched it too many times to count, and I plan to watch it again.
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As I watched, I became so annoyed with the story that I didn't even watch the last episode. So, maybe I shouldn't be talking, but from what I read, it doesn't really get much better in the last episode.
Unlike many people are saying, in my opinion, Koizora wasn't even really all that sad, it was just ridiculous (very similar to the second season of the anime Clannad). I didn't like it at all.
My advice to anyone who wants to watch Koizora is: if you start watching it and even begin to think that it's going to be a drama that you don't want to watch, just turn it off. 'Cause it doesn't get better.
I know a lot of people really like this drama, and I don't mean to offend you, but I really don't understand why anyone would like it. It's a poor story, and quite honestly I don't find many redeeming qualities in it.
The only even remotely good thing about Koizora is that the actors can act and the music doesn't suck. Quite obviously I don't give any "re-watch value" to this drama since I couldn't even finish it, and the story was seriously a major fail.
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What I found most compelling was the friendship between Shin Ji Hyun and Song Yi Kyung, which placed the romances on the back burner for me. Granted, I\'\'m new to the K-Drama scene, so there might be plenty of dramas that depict such a beautiful relationship between women. However, 49 Days was my first encounter of such a thing, and I became emotionally involved in how Ji Hyun comes to care for her unsuspecting host, and how Yi Kyung in turn grows to care for her unexpected friend. The way these two help to bring closure to each other was a joy for me to watch.
The soundtrack also both perfectly captures and amplifies the mood of the series, especially Jung Il Woo\'\'s contribution entitled \"Scarecrow\". The story, based on a somewhat esoteric bit of Buddhist after-life theory, is original, extremely well written, and perfectly paced so that the story is constantly progressing and never stagnating over some little plot point. There has been much griping about the ending, and although there are clues clumsily given in the later episodes, I understand how some find the ending unexpected. However, this drama never billed itself as a light drama or as a romantic comedy, so I think it\'\'s a bit disingenuous to claim that the ending hoodwinks the audience. I was unsatisfied with one unnecessary storyline that was introduced, and instantly wrapped up, in the last episode, hence the 9 for story. Overall, despite centering around death, this is one of the most life-affirming dramas I have seen. It might be a bit premature, but this drama has my vote for one of the best in 2011.
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I liked it, but it doesn\'\'t come even close to what the mange is for me, I think Koreans would make the drama better (my personal, subjective opinion). Though I likes the guy playing Ray, I didn\'\'t like Barbie\'\'s performance, she wasn\'\'t quite Kira...
Maybe if you like the mange very-very much, you expect the drama to be everything you expected, and if smthg is not...you get disappointed easily.
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However, the ending kind of felt hurried and some characters who I\'\'d like to know more about (like Chosun and Ha In Soo) have been left in the dark. There should have been another episode so the last episode could be expanded to cover more characters :(
Anyway, good job Sungkyunkwan Scandal!! :D
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I'm just the girl who likes lovestories - and if you like that too it really is worth to watch.
If you like good-looking taiwanese actors, too.
The serious scenes often are too long, but there are also very funny scenes.
Sometimes the characters aren't that authentic but they are lively. The Opening Music is from 'Fahrenheit'
It's(not only)a lovestory, that is foreseeable from the beginning, but you know: The journey is the reward.
That shy love between Wu Chun and Angela Zhang is heart- thrilling to watch! It's this 'One-and-only-forever-love'.
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To be honest, I wasn't expecting much of this drama, at all. The casting however was SUPERB. I love Kim Tae-hee and hope to see her in many more movies like this. Song Seung-heon was brilliant, played his part magnificently.
The whole plot was done well, and the characters were all played to perfection. I did find it very comedic and light hearted, the scripting did a very good job in keeping the majority of it light and fun.
The two major flaws in this drama were the pacing and the music, I feel. The pacing was great at the beginning and brilliant at the end, but the middle got a little jumbled, and if I'm honest, boring. Others have commented on it so I know I'm not alone when thinking this. The scripting just seemed to run away with itself and so it really got so boring to the point I was tempted to skip episodes.
The music was all off, for some strange reason sometimes the music would overpower the dialogue, or the music seemed to be playing in the wrong part, sad parts accompanied by happy music. Being a music lover, this just sounded very wrong.
On the whole, definitely a drama I'd recommend watching if you can stick through the boring parts to get a brilliant ending. You won't be disappointed!
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What was really the key element for me was the very unusual relationship of the mains to each other, more so than the mysteries themselves. The character of Utsumi Kaoru is extremely dedicated and very tough detective. Everything she does is highly idealistic with little to zero cynicism. What's also interesting is how she slowly ingrains herself into Yukawa Manabu's life.
Yukawa Manabu is definitely a man who has very little to no real relationship. I would be sincerely surprised if he ever had a love interest in the past. <---Which is an idea that would be great for a second season. While you can see that Utsumi Kaoru is an innocent in many ways (romantic relationship definitely an innocent), I'll associate slightly due to her life poverty and ambitions. They seem to mesh well with Yukawa being far more reluctant to get attached while Utsumi seemed to have no problems of developing an attachment to him.
The untapped sexual tension between the two is definitely something very noticeable. What makes it entertaining is that it's far more reminscint of young love or puppy love than adult mind games. Again this goes back to both their innocents in regards to deep romantic and emotional relationships. Although I see a lot of X-Files in this story with a realistic end, I find that the tension one was used to between Mulder and Scully is far different than the one between these two that was filled with shy glances and awkward touching or moments.
Overall the effect on that level is endearing and sweet to watch and I would love to get at least two more seasons before a culmination of their relationship. I had heard there is a chance of a Galileo movie and that is bound to be great and hopefully give us more in the future.
The actors really brought out the characters and scenes. The science aspect was truly a great twist. Now, I'll diverge a bit and note many of the comments about Trick which I find completely and utterly different. The character of Utsumi is practical although she is willing to believe in the impossible but after being around Yukawa she realizes later that much of these have logical and scientific answers. So she grows and transitions.
In Trick, we have two non-believers even though one of them is a college physicists. The characters and the stories, as well as the real essences of the shows are extremely different. There are just three similarities there is a male physicist Assistant Professor who are qualified in their field. There is a female partnered with the Professor solving mysteries. But that's where it ends. While Yamada Naoko is a magician, Ustumi Kaoru is a police officer. Secondly not as many people died in Galileo as they did in Trick.
This is really and truly a different show with a different vibe. While it was hard to take Abe Hiroshi (Ueda Jiro) seriously as a Physicist Professor it is not hard at all to see Fukuyama Masaharu (Yukawa Manabu) as an extremely dedicated and serious scientist. He was quintessential and was not an anime character...although there were moments where you had to pause like when Yukawa Manabu would figure out a problem and he'd do this weird hand gesture in front of his face. Besides that he was very detached but approachable and extremely intelligent professor that demands studiousness and seriousness from those around him. This was not the case in Trick for Ueda Jiro.
The two women are slightly similar but more so different. Nakama Yukie (Yamada Naoko) has her mum and she's slightly silly and doesn't pay her bills and gets roped into the adventures by Ueda Jiro. Shibasaki Kou (Utsumi Kaoru) is not like that, she's sweet and kind, innocent with an almost lap dog appeal in her zeal for adventure and solving a crime. Plus she is emotionally moved by her cases which is great to see. Mainly because Yakawa doesn't know how to react to her emotions a great deal of the time. Their both nice ladies but very different.
There's no way one can compare Trick to Galileo as similar shows. Their inherently separate and to tell you the truth I love Galileo more. It's just fun and exciting and something I can watch over and over again. Not only for the mains but also the guest stars. It was a slew of guest stars for each episode.
In episode 3, you have Hirosue Ryoko who was in Dekichatta Kekkon (on aznv it's Shotgun Marriage).
In episode 4, you have my fave actor, Katori Shingo who is amazing and if you love him as much as me, then you'll love the shower scene. JEEZUS!! He was something else in that episode, it's definitely my fave ep.
In episode 6, you have Horikita Maki (Hanazakari no Kimitachi). Not much by her, but she was in it.
So you're in for a few special guests.
The show is entertaining. It's sad in some parts, truly psycho in others, and totally funny and emotional at times. It's really just hearty fun and I can't really recommend it more than I have. You will enjoy it, I guarantee that.
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Mary Stayed Out All Night
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