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- magyar / magyar nyelv
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- Oorspronkelijke titel: 東京センチメンタル
- Ook gekend als:
- Regisseur: Miki Koichiro
- Scenarioschrijver & regisseur: Imaizumi Rikiya, Watanabe Ryohei
- Scenarioschrijver: Arai Yuka, Brasilie Ann Yamada, Matsumoto Tetsuya
- Genres: Leven, Drama
Cast & Credits
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![Yoshida Kotaro in Tokyo Sentimental Japanese Drama (2016)]( "Yoshida Kotaro in Tokyo Sentimental Japanese Drama (2016)")
Yoshida KotaroKururi TakuzoHoofdrol -
![Takahata Mitsuki in Tokyo Sentimental Japanese Drama (2016)]( "Takahata Mitsuki in Tokyo Sentimental Japanese Drama (2016)")
Takahata MitsukiSudo AkaneBijrol -
![Katagiri Jin in Tokyo Sentimental Japanese Drama (2016)]( "Katagiri Jin in Tokyo Sentimental Japanese Drama (2016)")
Katagiri JinShibata KokichiBijrol -
![Oguri Shun in Tokyo Sentimental Japanese Drama (2016)]( "Oguri Shun in Tokyo Sentimental Japanese Drama (2016)")
Oguri ShunArakiBijrol -
![Ohtsuka Nene in Tokyo Sentimental Japanese Drama (2016)]( "Ohtsuka Nene in Tokyo Sentimental Japanese Drama (2016)")
Ohtsuka NeneReikoBijrol -
![Kusakari Tamiyo in Tokyo Sentimental Japanese Drama (2016)]( "Kusakari Tamiyo in Tokyo Sentimental Japanese Drama (2016)")
Kusakari TamiyoYamazaki Satomi (Ep. 1)Gastrol
Foto's
beoordelingen
Deze recentie kan spoilers bevatten
* MINOR SPOILERS*In Seinfed, Jerry Seinfeld is famous for having a new girlfriend every week (a fact that is self-referenced later on in the series), and in this show we see an older middle-aged man (age given as 55 but looks older to me) looking for love with a new woman or girl each week, while one of his ex-wives skirts the border of his life. The difference between the two shows is that Seinfeld does not take itself seriously while this show takes itself a little too seriously, with the main character, confectioner Takuzo-san, given to extended inner dialogues that feel like they should be punctuated by comedy (as used so brilliantly in 2003's Manhattan Love Story) but instead his eyes scrunch up earnestly as he convinces himself that this new girl he's known for ten minutes (usually) might be the one he is falling in love with.
A drawback to this is that each time this happens it diminishes the previous episode's woman or girl (at least one of the dates is thirty-five years younger than his character), and this lack of an overall arc or development is the major frustration when watching. It seemed as if the ex-wife was going to be used in this way but then she is shoved out of the way and sent to Kyoto.
I watched this because I am a fan of Takahata Mitsuki, who here plays Takuzo's assistant Akane, and the one episode that centres on her is probably my favourite - as a whole she is quite underutilised, given to either scolding or mocking Takuzo. The show would have benefited greatly if she had been given a side arc herself which could have been woven into Takuzo's for a satisfying ending - at least the writers did not end up making Takuzo and Akene and fall in love, which is something I began to worry about halfway through.
What I did really enjoy though were the little guided tours of Tokyo, the history of districts and notable landmarks. I would happily watch an entire series of Takuzo just going for walks through Tokyo and giving us these little history lessons, forget the romance, just a lovely series of amiable walkabouts.
Overall if you get past the first couple of episodes the series has some charm, but the potential was there to achieve so much more.
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Just as good as the original SP!
If you liked the original SP, there's a high chance you'll like the drama as well!Yoshida Kotaro gives another solid performance as the main character whose real age doesn't really match his heart's (meaning, he's so young at heart that he'll always fall in love at first sight - just to be brought back to reality before each episode ends, LOL) and whose best quality is that, despite being initially moved by maybe-not-so-pure-intentions and by a pretty self-centered attitude (always thinking that the woman is interested in him, LOL), in the end he always puts the other person's feelings and needs first, showing the moral strength of an Edo-period samurai. Such a beautifully written character, indeed! (oh, and while we're at it: it's so refreshing to have a middle aged man as the main character! I wish there were more dramas like this!)
The supporting cast also does a nice job, particularly Takahata Mitsuki and Ogura Shun, who make up with (acting) quality to what they might lack in (screentime) quantity, giving a lot of depth to their characters - so much friendship transpires through those meaningful - and often silent - glances they give Kururi-san everytime he goes off on a tangent, convinced as he is that he's found his next bride-to-be.
The script is mostly very well-written, although some episodes are definitely better than others - as it's to be expected; the music is really nice and adds to the whole viewing experience, just like the direction and photography.
I think the only "problem" this series has (and that's the reason why I don't give it a "perfect 10") is that it's tremendously repetitive after a while; in order to avoid being bothered by this aspect, I'd suggest you do like me and dilute the watch over a longer period, so that each episode can feel "fresh" (I totally think this is NOT the series you'd want to binge-watch!)
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