Go Ahead (2020)

Most Endearing Drama of All Time

This is one of the very few dramas that explores our human nature, our interpersonal relationship and its intricacies, in great depth. It is happy and enjoyable, and yet every episode makes me cry. I cry not because of any tragic events but because of the moments, the actions, the relationships and dialogues of the characters that are so moving, and they touch every chord in my heart. Right after I cry, I’m given a candy that makes me laugh out loud. The brilliant story telling has made this one of the best dramas I’ve ever watched.

This is a story about family and what it takes to be a family – not wealth, not blood, not even just love alone. It takes, including love, patience, sharing, compassion, understanding, empathy, courage, among others, to build a truly tightly knitted family and home, going through life and living together. It is beautifully written and acted. The characters are realistic, relatable and inspiring. In the journey, the story explores compassion and indifference, self-esteem and fear, abandonment and adoption, cheerfulness and depression. It shows us the things we may have neglected in our own lives ourselves and things that we have taken for granted. It helps us see deeper into ourselves and reflect. It captures almost all human elements that we may have encountered, one way or another, in our own lives. We can definitely identify ourselves with at least one of the characters here.

Go Ahead is a story about a widower who single-handedly raises his own daughter and two other boys who are entrusted to him. All of them have one thing in common: they do not have mothers. The children grow up together; the boys become the big brothers for his daughter, pampering and protecting her. She is their sun and the center of their universe. Everything they do, they do it together, and they do it for her (with a lesser extent, for their adoptive father). Their relationship is heartwarming and enviable. Their love for each other is pure and not tainted by anything.

Li Haichao (Tu Song Yan), an owner of a small noodle shop, has a very different view in parenting. He is very open minded and compassionate. He teaches the children to critical think for themselves, and how to stand up when fallen. His love is unconditional and his favorite thing to do is to cook meals for his 3 children. Tu Song Yan’s acting is one of the best – natural, believable and lovable. He has a calm and compassionate demeanor that would attract anyone, never assuming nor judgmental. He’s one of the most loved characters in the story.

Li Jianjian (Tan Song Yun aka Seven Tan) is a tomboy who enjoys the love and pampering from her 2 adopted brothers, growing up and doing everything together with them including sleeping on the same bed. Li Jianjian, like her father Li Haichao, is kind, tactful and compassionate with a sharp wit and mouth. The period of them living together as teenagers attending high school is perhaps my fondest moments watching this drama. Tan Song Yun’s acting renders me speechless. She is so versatile that she can take on any roles and ace them. At her actual age of 30, she is so convincing, transforming into an innocent 15 year-old teenager and then growing up into a 25 year-old sculptor. Tan Song Yun’s acting simply awes the viewers.

Ling Xiao (Song Weilong) is a deeply broken and tormented boy who goes through unthinkable tragedies and sadness. The only times he beams up and smiles are when he sees Li Jianjian, that's when the sun comes out, everything seems to become normal again. Ling Xiao is a neighbor living with a divorced father above Li Jianjian’s apartment. Song Weilong always has that look of sadness with a heavy burden locked between his brows. With few words, he gives the feeling that he has thousands words that are hidden and cannot be spoken. Song Weilong fits the Ling Xiao character to perfection. Every sad gaze from him conveys those unspoken words and sadness, and digs deep into the viewers’ hearts.

He Ziqiu (Zhang Xincheng aka Steven Zhang) starts calling Li Haichao “father” when he first meets him because he (He Ziqiu) thinks his single mother is going to marry him (Li Haichao). The marriage falls through and He Ziqiu is left in the rural area with no proper education and no prospect of a better life. He’s unofficially adopted by Li Haichao with the consent of Ziqiu’s relatives. Being abandoned, He Ziqiu always has a hole in his heart, and he has always wanted a complete family. At the same time, he’s been taught by his adoptive father to maintain a positive view as everything is a blessing in disguise. This attitude has made him resilient and optimistic. Zhang Xincheng has the look of a person who would take anything that’s thrown to him and he’s the person who gets ignored all the time. Zhang Xincheng has given one of his most impressive performance in this drama, making his character well-loved and jerk tears from all viewers.

Chen Ting (Ling Xiao’s mother) is perhaps the most abhorred mother. As much as I’m tormented by her, I sympathize with her because I have seen many such characters like her in my life, carrying a dark disease that is too stigmatized for anyone to talk about. Mingyue’s mother is a typical Asian Tiger mother and many viewers may carry some or all of her traits; she can be us without us even realizing it ourselves. I see myself in many of the characters at different stages of my life; all my flaws are portrayed vividly in them. It’s disheartening to see that many parents are abusive in certain ways, physically or mentally, just like how the drama is depicting. Such abuses are unfortunately widespread, in particular, in the developed world.

Most parents love their children. But love can be enlightening (as in Li Haichao with his children) or suffocating (as in Ling Xiao with his mother, Qi Mingyue with her mother, Tan Can with her mother) or even painful (as in He Ziqiu with his mother). This is a very precious human drama and the writers have not dragged on any misunderstanding for long; everything is resolved rather quickly without giving viewers the frustration. Funny moments are injected brilliantly throughout the story to subdue the pains that some of the characters are suffering from.

All the other cast members are equally fabulous in their respective performances, especially the child actors who play the juveniles Li Jianjian, Ling Xiao and He Ziqiu. Their acting is so natural, lovable and believable. The children capture the viewers’ hearts from the start of the first episode. All the main characters are well developed and three dimensional, including some of the supporting characters who seem to be just a part of our own lives.

Many viewers begin to dislike the drama when the platonic relationship turns romantic. For me, I love the romance and have been waiting for it because the writers have hinted this (the romance) right from the beginning, expressed in many subtle actions, dialogues and moments. Some viewers even totally drop the drama when they perceive a love triangle. And for me, I was pretty clear that there's none because, again through various hints dropped by the writers that the other relationship is plain platonic. I hope new viewers are more prepared and not being influenced by some negative remarks.

The official sound tracks are some of the best, with touching lyrics speaking out the words of our hearts - for parent and for child alike. The voice which sings the sound track “Fearless” sounds like the voice of Ling Xiao, singing his despairs and agony, and the soundtrack “I Will Be Here” expresses the hidden voice of a parent. All the songs make me cry.

Time passes us quickly. We grow up, become parents, and grow old, and the circle of life continues. This drama touches our soul, for all cultures and walks of life.

This is one of my all-time favorites and is a must-watch. Two thumbs up!

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