The Painter of the Wind (2008)

I usually approach shows about artists with trepidation. Even if the artist’s work is extraordinary, the act of creating art – of painting a picture or writing a novel – is rarely dramatically compelling. It can literally be as fun as watching paint dry. It is a testament to the skills of the director and writer of this show that they make the artistic process revelatory and exciting. Partly this is accomplished through gorgeous visual storytelling, as paintings literally come to life, revealing the secrets of their composition. More critically though, Painter of the Wind looks at why art matters – how it can reinforce or challenge power, how it can scandalize and seduce, how it can not only capture the world but remake it in a different image.

However, while this is obviously a show about art, it is equally a show about sex. It uses its cross-dressing premise as a starting point to pose provocative questions about gender and sexuality, and unlike many other shows, it consistently refuses to default to safe, easy choices. It suggests that there is more than one way to read a painting or a relationship, and that societally sanctioned views that champion heterosexual male privilege will miss a great deal of meaning. Like Shin Yun Bok’s paintings, this is a daring, sexy show that is quite happy to reveal more about its world than its inhabitants may want to see.

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