Sageuk of the year 2021.
A quote from Oscar Wilde goes like, "Women have a much better time than men in this world; there are far more things forbidden to them." Indeed the women of the world have been chained with rules created by bigoted individuals, for which they're made to sacrifice their wills, rights and aspirations. This drama, too, is based on the story of a woman who, till the very end, did her best not to fall into the patriarchal system's confinement.In Joseon era, the court ladies chosen for the palace to serve the King, his family as well as to carry out different matters, were more like slaves. Bound to stay single until death, once chosen, they had to wear clothes with crimson red coloured sleeves. This red sleeve was more like a handcuff to hold back them from leaving the palace as well to remind them of their limitations. So the drama is based the love story of a King and his court lady turned royal concubine and it truly lives upto it's title throughout.
"The Sleeve's Red Cuff" (옷소매 붉은 끝동) is a live-action adaption of the famous Korean novel with the same title, by Kang Mi Kang (강미강). With a fictional script, the drama is the true love story of King Jeongjo, the 22nd monarch of Joseon dynasty and his royal concubine Sung Ui Bin. Some historical facts about major events found later is also included in the drama to maintain the most possible accuracy.
To simply put the plotline, the drama is set in the Joseon premise of history from mid to late 1700s (18th century), with only 1st episode taking place in 1764 and the rest after a couple of decades, with flash backs from both 1762 and 1764. The basic story is about Yisan (Lee Jun Ho), the Crown Prince of the kingdom trying to persue his handmaiden, court lady Sung Deok Im (Lee Se Young) to become his royal concubine. Although they're in love with each other, circumstances stand in their way to unison and this what the story is about.
Yisan is the Crown Prince of Joseon, very intelligent and aware of his duties and responsibilities, he strives to be a better ruler than his grandfather, the King. Deok Im is a quick-witted, strong-willed and free-spirited girl who has progressive mindset and believes in living an independent life; she's a medieval feminist. Both the characters are stupendous in their own places and their arcs are beautifully drawn by the writer; couldn't help but fall for them. Romance? Well, I won't call it romance. To me, it felt like an amazing chemistry buildup, growth of mutual understanding and blooming of untold emotions. Even though they were not together as couples for most part of the story, but whatever amount of togetherness we witnessed, it sufficed my heart bcs I had been savoring myself with the bonding throughout.
Lee Se Young is already a proved actress who has won us over through her skills for years in different roles, and she, as Deok Im in here has done very well in bringing out the truest essence of it. This is not her first Sageuk so I'm sure the experience has helped. Junho came back after his enlistment with this and I can say with confidence this'll be a turning point in his acting career. Even with less than 10 dramas, he was a decent actor but his acting graph went really really high in here and I am very happy about it. Lee Duk Hwa who played King Yeongjo (Yisan's grandfather) was a show stealer for me; being the one with most experience, his performance was so powerful that it has left a tremendous impression, what an actor! Kang Hoon as Hong Duk Ro (Yisan's closest aide) struggled in accommodating at first but improved in the later part. Honestly, I thought he was not enough skilled yet to play a major role like this but at least he learnt a lot. Park Ji Young as Head Court Lady Cho served as a prominent antagonist though I was expecting more of her character; she's an amazing actress nevertheless.
Jang Hye Jin as Court Lady Seo (Deok Im's mentor) was the simplest and easygoing character and very likable. Jang Hee Jin as Queen Consort Jung Soon (King's Concubine) and Kang Mal Geum as Consort Hong (Yisan's mother) were of moderate importances in the drama and they're already praised for their acting skills. There are many other familiar faces in supporting characters, who did well too.
Plot development is very fabulous, I must admit, it's been a while I witnessed such prominent and solid development in plot along with each of it's individual elements and possible side stories. The introductory episode is the background story involving the early childhood days of Yisan and Deokim. And then a leap of about 2 decades where the characters grow up. There starts the gradual progession that includes the individual lives of the leads and the supporting characters around them. 3/5th of the show is mainly about dealing with the conspiracies against the Crown Prince, within the royal family as well as in the palace. This is also accompanied with the simultaneous and unhurried buildup between the leads. The rest 2/5th is concentrated on the unison of Yisan and Deok-im with almost similar importance to crime revelations.
The connecting plots of past and present, the twists, the revelations and the storytelling method are awfully good. There are several peaks and very few slopes; it was somewhere around 8th and 9th, in which nothing major happens but it was still interesting. The last 4 episodes were ofty intensed and highly vehement. There are comedy elements incorporated here and there but 4/5th of the show is of serious tone. The single word narration of the drama's mood is melancholia; oweing to the already known sad story of history, it was bound to be sad and miserable.
Talking about episodic progression, in short it's fantastic. I've already mentioned about the perfect pacing for a major portion of the show; there is no part it feels boring. The last 4 episodes visibly get rushed but it's not that fast-paced to be bothered about. It could have obviously been avoided but anyways, it was fine for me.
Jung Ji In PDnim is one of the powerful female directors in Korea though she's produced less than 10 dramas over a decade with no significant piece but her graph of direction went really high with this one and I'm sure it's a big turning point in her career. The quality of the drama really speaks about her skills which we also saw in the BTS videos. The screenplay, the screenediting, pacing and execution is definitely praiseworthy though the pacing became a little fast in the last 4 episodes, but anyways, it was manageable. The cinematography was spectacular giving out the red&blue aura of a perfect sageuk premise. Most of the drama takes place inside the palace and whatever scene involved the nature, both in and out of the palace, were worth the enjoyment.
Honestly, I didn't know the screenwriter Jung Hae Ri jakkanim before this but I must say that she has done a commendable job. Even though the drama is an adaptation from a novel, turning a literature based book into a movie or show script is not really that easy. And given her least experience, she has done the work with a up to par quality. The immense research to create sets with historical accuracy and the efforts to retain the preserved facts, is clearly visible.
On that note, I must also applaud for the author of the Original novel, Kang Mi Kang jakkanim for this story of majestic essence, putting forth the importance of court ladies, their roles in royal as well as political affairs, the life of red sleev cuffed concubines, the heart of a King and several other lesser-told stories from the history, etc in a very beautiful manner. I haven't read the novel but from the drama, I am sure it's something very great, bcs books are better than their adaptations you know.
Execution of sageuk elements is another plus point and notable aspect of the drama, which is worth the mention. I don't really mind the dilution of cultural aspects in periodic dramas or inaccurate representations but you know what, accurate and realistic approaches serve as a huge advantage. The royal palace complex premise consisting of several residencesfor different members as well as different departments including the court maid residence, are well photographed. The costumes, the rituals, the architectural elements, the laws and regulations, the royal court proceeding methods, the literature, the natural scenrios, the city and rural setups, etc. etc. were perfectly delineated in accordance with real fettle of the period in which the story takes place. The execution, thus, is beyond perfect; I don't remember watching such in a while, probably not since Scarlet Hearts.
Noh Hyung Woo is an old yet lesser experienced in comparison to the other contemporary composers but I've quite liked his work in other dramas and so did I like here. He was able to compose pieces that perfectly suit the story, giving perfect sageuk OST vibes, and the substance it wanted to convey. The background scoes are up to par, as well. It has 8 OSTs. "Starlight Heart" by BEN is my most favourite among them, her vocals are so majestically heart touching. "I'll Leave You" by my all time fav Lee Sun Hee ahjumma is unfortunately a melancholic track released for the last 2 episodes. "I'll be with you everyday" by NU'EST Minhyun is a confessional romantic track and so beautiful. Jung Sang Keun's notes are that of an old classical Kdrama OST in "Every step you take" so are of XIA in "I'm still" whose passage stretches wrench your heart.
Things I loved the most
# The progression of the show was lovely, likable, enjoyable and entertaining with good dramatic values; I had a very good time. Especially the elements are what make it eventful and engaging.
# The chemistry between the leads and the coupled development in characters and relationship is alluring, even the romance is subtle for most part and real romance lasts for a small while.
# The portrayal of importance of Court Ladies in Palace is not new for sageuk Kdramas, but this drama does a better job in projecting extra focus since the FL is a Court Lady and not from any Noble Family. It reminded me of my first Kdrama Dwe Jang Geum (Jewel in the Palace,2003).
# The true nature, character, duties and responsibilities of a real Korean King has been very well illustrated which is actually very intriguing and impressive.
# In history, King Yeongjo was a ruthless King and a remorseless father but I somehow felt in love with the character in the drama, may be because of Lee Duk Hwa and acting, but yeah! He truly felt like an emperor and his majestic acting, oof!
# There was no exaggeration, neither of plot, nor it's elments; everything is in a perfect dosage. Unlike most of the sageuks this year, it didn't drag an empty plot to make it a proper cable drama. The drama didn't run out of substances at any moment.
# There was no deviation from history, the basic story and the historical facts were not changed which is in fact a big plus point.
The ending, well, yes! It's a sad one and it was, in fact, announced earlier. The real story on which the novel is written ended like that, so does the novel and hence does the drama. This was to retain the historical accuracy of facts. Some of the audience might hesitate to go till the finale or some other might not want to even start it because of that, but trust me, it's WORTH IT. Each and every second of the show is that good to give you beautiful experience and in my opinion, no one should miss it. In the end, I wanna say that I have cried a lot, A LOT. And I will never forget how much i did. I think I will comd back to my own review to cry.
My only complaint about this drama is, it not being a 20 episode show. I mean I am also a lil disappointed about the pacing in last 4 episodes, but they could have easily extend it upto 20. The makers themselves were aware of this and hence they extended the originally planned 16 episodes to 17 episodes, which can also be cited as a production flaw. So they should have planned this ahead of the casting and finalized in order to avoid the occurrence of such a situation. But anyways, its over now.
Final remarks... "The Red Sleeve Cuff" is the sageuk of the year without any doubt. Direction, production, screenwriting, execution, casting, acting, cinematography, music, etc.... all these aspects havs been taken care of very well and I can't praise much about how much I loved this drama as a whole. The only problem of lil rushed pacing in the last 4 episodes is totally avoidable, given the quality of the show. I was more than willing to give it a 9.5 but that only issue made me deduct 0.5 and i believe that's only fair.
If you're wary about watching bcs of the sad ending, let me state that "sad endings are not bad endings"; even if it's a sad one, the journey and the content are worth everything. Let's assume it ended with 16th and we got a happy ending though the reality is something else. It's definitely a must watch and also worth coming back for. Please do watch this bcs this needs more attention than this. This is the best historical as well as one of the best set of dramas this year.
P. S. Let me know in case of any mistake.
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No words can describe the feelings “The Red Sleeve” gave me
But I will try.
“The Red Sleeve” felt like hymn of love,
but also, like condemnation of love.
"The red sleeve" is the perfect rendering of the dual nature of love, of its bittersweet reality.
At moments it made me laugh my heart out, at moments it made me cry. Sometimes I was over the moon, filled with joy or my blood was boiling to the point I wanted to punch the screen. I was amazed, I was entertained, I was disappointed. “The Red Sleeve” was a pleasant and thrilling ride that offered me all kinds of feelings, positive or negative ones.
The Story
“The Red Sleeve” is a historical romance drama of 17 episodes. The story is based on the novel “The Red Sleeve Cuff” by Kim Mi Kang and revolves around the relationship of court maid Sung Deok Im and Crown Prince Yi San.
The story is also based on historical events and figures. As I’m not an expert in Korean history and I haven’t read the novel, I can’t analyze this any further. For anyone who wants to know more I will comment on my review- comment the link of the MDL discussion thread “Drama vs Novel (vs History)”. This contains spoilers so I’d advise you to read after you’ve watched the drama.
Even though the story is romance-centered, it deals also with other things that make the drama quite interesting, like the life of the court maids, the fairies of the palace. From their point of view, the story manages to show how the institutions of the palace work but also, the sad and brutal reality of it : the intrigue, the political corruption, the inequality, the devaluation of human life.
In addition to the above, another benefit “The Red Sleeve” has, is that although it starts with a very common romance trope, generally it doesn’t contain a lot of cliché romance scenes. Thus, I believe that even if you’re not into romance dramas, you can give “The Red Sleeve” a chance and you may be satisfied with the outcome. I’m not really a fan of historical or romance-centered dramas and yet, “The Red Sleeve” kept my attention till the very end.
The Pace
The pace of the drama is neither fast or slow, it’s something in between and varies from episode to episode. Thus, I think the pace is just right and manages to keep you unbored. I also noticed that after an intense, thrilling and serious episode, the next episode is mild and relaxing, like it is a comic relief. That creates balance in the drama’s tension and makes it pleasant to watch.
It has to be mentioned that some comic reliefs and serious scenes also exist inside the intense and the mild episodes respectively. These changes between funny and serious are well structured and not abrupt so they don’t destroy the drama’s serious and melodramatic tone. Not everyone though likes this kind of alteration, even if it is well made, so if you belong to this category, you may be a little disturb from time to time.
The Storytelling
I don’t know if it is because the drama is based on a novel, or the screenwriter did a very good job or because of something else, but the storytelling is beautiful.
There is harmony between every situation and relationship, everything is perfectly tied together creating perfect coherence. The story slowly and unsuspectingly escalates, comes and hits you unexpectedly. Watching the last episodes and realizing how much has happened and how every character and situation has changed was a shocking experience.
The greatest thing about the storytelling is how poetic it is. This drama has one of the best scripts I have ever come across. The dialogues and monologues are so impactful and powerful,full of beautiful words. The feelings and thoughts of the characters are very well imprinted that can touch the audience and make them feel the same as the characters. Reading the subtitles of this drama was so appealing that even someone who hates reading subtitles would enjoy it.
The Characters
The characters are very well written. There isn’t any dull character, almost everyone has a multidimensional personality and depth. Everyone has their own purpose, acts accordingly and ultimately, it is their actions that determine their fate. Even if some characters had bad intentions, you can’t define them as villains because they weren’t completely bad people, they were just humans.
I like many of the characters but I especially like Sung Deok Im, the definition of the “strong female lead”. Sung Deok Im is smart and she has her way with words. She used her charms to survive in a very tough environment. She is confident, fearless, independent and she always puts her logic over her feelings. Her acts are very mature and thoughtful so she is a person to rely on.
The Acting
I was impressed by the acting and I was completely satisfied with the result the whole cast provided. All the actors did a great job.
The two main leads, Lee Se Young and Lee Jun Ho had perfect chemistry and their performances were breathtaking. I have seen many dramas of Lee Se Young and she has never disappointed me, she is always on point, as she was in this drama too. It was the first time I saw Lee Jun Ho and his acting surprised me. In the future, I will see more of his dramas.
My favorite actor was Lee Deok Hwa (King Yeongjo), he was remarkable. I was captivated by his solid performance. His reactions was so natural that made me predict something that happened later.
The Production
What I liked about “The Red Sleeve” the most, was its production. “The Red Sleeve” is technically perfect from all the aspects. Everything is so well made; the production is indeed very meticulous. The directing contains beautiful cinematography with the artistic shots of nature, vivid colors that made the drama visually stunning. This directing combined with the soundtrack, created thrilling and romantic scenes that made my body shivering and sad scenes that made me want to cry a river.
Conclusion
I believe that “The Red Sleeve” is one of the dramas that you know from the first episodes if you like it or not. The technical aspects of the drama are very decent; everything else depends on personal taste. For me, “The Red Sleeve” was pure art from all perspectives. This drama has a lot of beautiful moments that stole my heart and I will always remember. It was indeed a delightful journey.
I hope if you watch it, you will experience the same feelings as I did.
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An Anti-Romance in the Best Possible Way
The Red Sleeve does something I never thought I’d see in a K-drama - it dares to suggest that love may not conquer all. Most “romantic” sageuks start with the premise that every commoner or court lady dreams of being swept off her feet by a handsome prince, but few look closely at the power dynamics of such relationships, especially in the Joseon era where the patriarchy was so rigid that even the most powerful woman in the kingdom, the Queen Dowager, was essentially under house arrest. To its credit, The Red Sleeve centers this fundamental inequality, suggesting that consenting relationships are impossible if one person is the master and the other, functionally, a slave. It’s also smart enough to feature one of Joseon’s “best” kings as its male lead, emphasizing that the issue is systemic, not individual, and that no ruler, no matter how just, upright and swoony can be an ideal partner as long as they view their love interest as a possession. And when a woman must obey, the line between rape and mutual affection quickly blurs, even if the man is doing it “for her own good.” The discomfort the show induces is magnified by the fact that it includes no easy villains. Everyone has an agenda, but everyone is also trying to do their best in a world where protocol and order take precedence over human feeling. But when human feelings must be excised in the name of duty, the drama reminds us that it’s often women who take the fall. It asks us to reconsider whose lives matter, and argues that agency, even the agency to choose heartbreak, may be preferable to even the dreamiest of suitors.Vond je deze recentie nuttig?
What do you think is more important, the story or the story teller?
What do you think is more important, the story or the story teller? I think it's the story teller and this drama is the proof, this story of this drama for me is nothing new, from plots to overthrow the crowned prince to the crowned prince falling in love with a lowly palace maid, if you've been watching k-dramas for a while now then this drama doesn't offer much difference in terms of the story BUT it REALLY excels at the story telling. The entire cast of the drama have created this which is nothing short of a mesmerizing gem. Everyone, the actors, the directors, the producers, the camera crew, the editors, etc. have all contributed greatly and it shows. Their work demands attention of the viewers and as one of the viewers I couldn't help but appreciate their efforts. I have really enjoyed my time with this drama, hope you will too!Vond je deze recentie nuttig?
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The Honest Review You've Been Looking For
I'm confused. There are so many rave reviews... but it fell really flat for me? Did we watch the same drama?! & is it just me or does it seem like drama fans are really overpraising these days? I'm someone who relies on this site to help me know what to watch next... but the ratings seem to be getting increasingly less accurate imo. So, if you're a lurker of this site (as I was until today), I encourage you to join & leave your honest ratings/reviews! Please! :)But yeah, this one wasn't it for me. I'll explain why:
******************* SPOILERS AHEAD! ********************
1.) The "romance" was PAINFULLY one-note! We witness the immense pain & loneliness in the prince's life. The writer makes us long for someone to swoop in & show him real love. Enter scene: a royal servant girl with the demeanor of a princess. She witnesses his pain & decides to help ensure his seat on the throne. She becomes extremely dedicated to the prince, more-so than her job requires. We (the prince & us- the viewers!) are led to believe that she has developed deep feelings for him. This is the first time the broken prince has felt this level of care/loyalty... so naturally, he grows fond of her. He confesses his feelings... we are holding our breath in excitement, but... she rejects him? Hmm... interesting. Ok, make me beg for it! I'm okay with that!!! :P
But here's what really set me off. This rejection element is repeated over & over & OVER!:
"I want to be with you..." "Not until you have safely secured the throne."
"Let's be together- now is the time..." "It will never happen."
"We met as children, we are destined to be together!..." "It means nothing to me."
"I'm willing to sacrifice everything for you, just love me!..." "But, I want to be free to go to the market with my friends!"
That is literally the "romance" in a nutshell. Just her rejecting him 20 times, despite the fact that she constantly looks at him with lovesick puppy eyes. It's painfully repetitive... & illogical.
2.) Her refusal to be with him made no sense. I cannot understand why a girl who had no real future would be so quick to turn down the opportunity that literally every other girl was dreaming about. An attractive, intelligent, kind, powerful, rich man who has displayed his love, loyalty & willingness to sacrifice? HARD PASS!!!! LOL! Imo, more backstory was needed to support her strong objection. I mean, there was the brief mention of the king not being a suitable husband because he will have many lovers & forget about her when she's old. Or there was the fact that she had a general distaste for the lifestyle. But... ok? What's her better alternative? As a palace maid, she has to remain chaste/can't have a lover. So... she'd rather never experience love or motherhood & do chores all day with her besties for the next 40 years? Then retire with them & read/eat chestnuts all day? That's the dreamy lifestyle she's clinging to? Spending 80 years everyday with the same 3 women? Make it make sense.
3.) Her love for him was unclear- down to the last episode! Even after being together for many years... he still has to ask her if she ever truly loved him. & I don't blame him! Because as the viewer, I also felt confused & frustrated!! I can't understand why she was so damn hot & cold with him! One minute she's caressing his face & looking deeply in love, then suddenly she's like, "yeah when you see me in the next life, please just keep walking?!" I know she mentions to her friends that she had to play hard to get (for some reason that I still don't fully understand, tbh)... but I don't think she was playing hard to get on her deathbed, lmao. Did she ever even love him?? I still don't know!
4.) The prince/king was put through way too much tragedy. I can appreciate a bittersweet/realistic tale... but this was too far imo. First his dad is "crazy" & killed as a result. Then he acts as his bi-polar grandfather's personal punching bag for about 20 years. Then he FINALLY sees a glimmer of hope in his life... which somehow turns into years of ego-bruising torment. Then he's finally winning for a minute... until his baby son dies in his arms. Then shortly after, the love of his life ALSO dies in his arms- after saying she hopes in their next life he never approaches her. REALLY?! If you're going to write that dark of a life for someone... they deserve some version of a happy ending (a happy after-life is a lazy cop-out!). When the credits rolled, I felt frustrated & wanted my 20 hours back.
5.) The pacing was horrid. The first few episodes were great... but many of the middle episodes felt like repetitive, pointless filler. Then around the 90% mark, after 18 hours of never-ending build-up, we finally get our reward- we get to see them happy together- for approximately 15 minutes. Yeah. There's a massive time jump that skips over all of their happy times together. Because apparently the writer hates San & doesn't want him to have any joy in his poor little fictitious life. *sigh* I would've loved to have seen the full pregnancy, the birth of their son, them adjusting to parenthood, etc. The good stuff was skipped over & it broke my heart. This drama was 20 hours long & contained so many insignificant scenes that could've been/should've been dropped for the key moments that truly mattered.
6.) There are a few annoying plot holes. But I'm not even going to get into it, because this is already getting way too long. Ok just one- the 2nd concubine deciding to bring Deok-Im back to the palace because she heard she was close with the king... but she's a crazy jealous-type who can't stand anyone else being close to the king? lol
7.) This a high-production drama, but in the end, when the king & others are meant to be in their 50's, not a single wrinkle is on anyone's face? They really thought just adding a beard & putting some powder in everyone's eyebrows was enough? *scratches head*
8.) The 1st concubine was 11 years old at the time of filming. Even though there were no sex scenes... it made me uncomfortable to see such a young girl being brought in to portray a prostitute. I realize that in the olden days, girls were forced to have children young... but 11 years old? Not many girls are fertile at 11 years old. It just felt distasteful & like something they easily could've avoided.
I see so many people saying that this is a masterpiece... the "best sageuk ever!". No. Not even close. It has some great acting (lee junho, lee deokhwa, oh daehwan) & beautiful scenes... but the storyline is weak/repetitive & the ending is rushed/shitty. Just before this drama I actually watched a similar sageuk, The King's Affection, which I would say was far more enjoyable than The Red Sleeve. But for some reason it has average reviews in comparison. It really blows my mind. Again, are we watching the same dramas?! >_<"
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When a king falls in love...
This drama explores the life of Crown Prince Sado's son King Jeongjo from his time as a Crown Prince to his becoming the King of Joseon. With a focus on a romanticize version of his love story with Noble Royal Consort Ui.Through the drama, we witness his numerous relationships: firstly with his abusive grand-father whom he loves and respects (but also fears), his childish and vindictive aunt, his neutral and shrewd step grand-mother, his loyalist yet ambitious and cunning loyal servant, and also the mischievous, straightforward and cute maidservant who'll become the love of his life.
We also witness the hurdles he has to face to keep his position as the Crown Prince. Those hurdles aren't redundant and are dealt with quickly enough as to not become repetitive and boring.
It could seem to be yet another Sageuk but to me, The Red Sleeve is easily one of the dramas of the year because it explores the depth of some relationships (e.g. the abusive relationship the Crown Prince shares with his grandfather) ; but also the scorn of the women who are locked in the Palace -a Palace that is no better than a gilded cage.
The acting was top-notch. Lee Jun Ho is just perfect in his role. I already liked his acting but with this drama he became one of my favorite actors. He's really excellent and I already can't wait for his next project (greedy I know).
The actor who played the grand-father was great too. He had great scenes which really pulled me in.
All the cast was great and everyone got the opportunity to shine.
The storytelling was really well-done. I usually get bored with other sageuks towards their ending because it feels too convoluted or draggy, but here the author managed to wrap up the subplots quite early so the story could move forward with new intrigues.
It wasn't heavy either as the romance, the comedy, the thriller elements and the sad moments were well-woven.
Regarding the characters, I absolutely LOVED how they portrayed the main lead as the Crown Prince and the King. He could seem cruel because he aimed to be fair. Some might end up disliking him because of these moments where he chose to be a king who shouldered the weight of his nation instead of a man who could make his woman his top priority but he couldn't do this as the King.
This was the burden he had to bear as the King of a nation.
I loved that he was aware that his privileged life came with a price but also that as the son of Crown Prince Sado, he had to be perfect (neither lecherous nor domineering ; neither indulging nor frivolous).
The only thing he let himself indulge in was his love for the female lead -which translated in some intense scenes.
As for the female lead, she was smart and astute. Though she could be frustrating, one could understand where she was coming from.
It interesting to see her character's evolution from a carefree girl to a more composed and rule-abiding one.
The Red Sleeve is really worth the watch because the staff members (behind and in front of the camera) did a good job in delivering the story. It was a beautifully filmed drama too.
For me The Ref Sleeve is easily one of the best dramas of 2021.
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Dare to watch it.
Did this drama wreak my poor heart?Yes and it left me tearstained. What can I say about this drama that hasn't been said already? It's a masterpiece starting from the mesmerising story to the out of the world acting and the amazing OSTs.
The main leads chemistry was overflowing and during the last episodes it was so much that it made my not so sensitive self shred some tears. The last movie/drama that accomplished that was 2-3 years back so that says a lot.
Even though I put 10 on rewatch value I'm not sure if I can take it. The thing is I'm always down for a good storyline and great acting so my picky self will surely come back to this masterpiece.
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Excellent cast, fast-paced, and achingly sad...yet doesn't quite know what to sayDeok Im is a high spirited, clever girl who is firm in her values. She stands up for her friends, and she wants to live a simple life full of every day joy and helping those around her.
It's Deok Im's misfortune to be born into palace intrigue, and the nail in the coffin is catching the eye of the Crown Prince. As hard as she tries to break free, she keeps on being pulled in for the sake of her country, for the sake of her friends, and ultimately for the sake of the Crown Prince himself. She tries to resent him, she tries to demonize him, but the truth is he will be a great king, and is a decent man, and who is she to deny him?
It's an excellent premise, but it's clear the show wasn't sure which way to end it or what themes it is trying to promote. In the end, the show essentially shows 'multiple endings' in a string of could be final scenes. But unfortunately, in each and every end-ish scene, Deok Im's voice is muted, her feelings ambivalent, and in the very last scene, it's almost like she doesn't exist.
Also minor points off for not really knowing what to do with Hong Deok Ro.
The cast is superb, I really cared deeply for the two main characters and thought both the two main characters and all the side characters showed distinct personalities and a range of emotion. The music was moving but rather standard, scenes from the show will definitely linger on.
Themes: 6.5
The strongest theme is basically a warning "you wouldn't actually want to be a court lady centuries ago." Also 'lonely is the head that wears the crown.' Otherwise, the show is quite lost on whether it wanted to truly go with the feminist message lurking in the background, or whether it approves of Deok Im sacrificing herself to the Crown Prince.
Complex characters/character growth: 7.0
It's hard to not confuse the excellent acting, with character growth. I wish they had grown! Deok Im essentially gets quieter and more subdued as she feels the walls are closing in. The Crown Prince doesn't really waver in temperament or character until the tacked on last episode. They show lots of range of emotion, but no real transformation.
Complex women/interactions between women: 9.0
So great! Deok Im and her three friends stick together through thick and thin, and Deok Im recognizes and values how female companionship and community has made her life worth living. She also has great female mentors in the Queen/Queen Dowager and the senior ladies. One point off for the bizarre conspiracy of court lady spies. Instead of being an intriguing take on women coming together to defend themselves from powerful men, the whole thing is treated like a bunch of bitter, ridiculous women who would of course fail.
Cinematography/Production Values: 8.5
Production values are high, costumes and scenery are extremely pretty with a marked effort to change seasons and try different color combinations. It still stuck to somewhat standard scenes in terms of what the palace looks like, how the servants follow the important people around, how fight scenes are conducted etc.
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One of the more impressive historical dramas that has come from Korea in recent years. Masterfully made, with great actors and a much more serious tone than many of these new historical dramas that are a bit fluffier and lighter, and often feel a bit timid to go all the way with its political plot which often makes the story loses some momentum and make the tension of the story feel artificial and contrived. This drama, however, manages all of that extremely well. One can tell why it is one of the most popular historical dramas from Korea for a long time.The Red Sleeve feels serious, bold but still not too dry, so it was no fun to watch. It had a good pace to the story, and I liked the darker undertone that was always present within the narrative. Despite a more serious approach at the palace politics but still achieve a certain lightness in other aspects of the show, without those two things working too much against each other. There was a good balance between the characters arcs, the palace politics, the more romantic moments, the serious and the light.
did a really good job painting this picture of loneliness within the palace and show it as this dazzling but ghostly prison for all the female characters in the show; highborn or not. Especially as we went further into the story. The loneliness of the palace does affect all the character in some way or another and becomes a big theme within the story. It has a good emphasis on how the female characters play a special role within the narrative. To me the main character, Deok Im, never wanted to be anything but free within the limits of the society she is born in, and the story always comes back to that very point. She is always true to herself while putting other before her.
All her life she seems to try her best to be loyal to those who are good to her but closed off to people around her, but especially to the prince who has such great affection for her, to avoid feeling trapped by this life that she has. Because when you become his concubine, there is a certain world that is just closed to you. It’s not really until she’s cornered, and she sees no other way that she finally gives in to his affections. , even if she loved him, and becomes that concubine that she is destined to be. And I think it was the purpose of the story that Deok Im really had no choice but to be his wife in the end, although it was a little frustrating that he liked her more than she liked him.
The romance, as much as I liked it in the beginning, lost it’s my grip towards the end because I felt Yi San insisted too much that he owned Deok Im, and seemed a little too domineering to me. But at the same time, I feel like it was very much part of the realism that this show seemed to convey. This is not a romantic comedy or a teenage love story. The story, all the way through, is describing the harsh reality of the palace, which was something I really appreciated (and it managed that without being too gory or grim for the sake of realism like Game of Thrones for example).
It is a bit bold to present the love story of the drama in such a way and having the prince carry far more feelings for Deok Im than she seems to do for him, or it can be interpreted in that way at least, rather than showing a more of balance between their feelings. But the writing was done with such sincerity and great sensitivity, and the same can be said about the character, that I felt I understood the position of all of them, although I did not always agree with them.
But even though the themes and characters of The Red Sleeve were brilliant, I found the story start to go in small circles towards the end and drag unnecessarily in certain sections as the story goes on a bit about the same thing. But I cannot blame the scriptwriters of the drama too much for that, as the drama got an extension due to their popularity and it can be hard to add new things to fill over an hour of content with something new. And it didn’t hurt the story that much overall. The end result was still the same.
Deok Im as well as pretty much all the female characters in the drama have my whole heart. They were all so deep, varied in characters and thought and had their own stories to tell. And too me they were the focal point of this story. And the bitter-sweet ending works wonderfully well for the story that this drama was trying to tell. Anything else would have taken from the realism of the story.
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Pride and Prejudice
The Red Sleeve refers to the official hanbok worn by the court ladies of the Joseon Dynasty, in which its sleeve cuff has been dyed crimson red. I’ve watched many sageuk dramas over the years but this is the one production in which I’ve truly taken the time to appreciate the beauty of this simple traditional Korean clothing, the hanbok. It comes in many iterations and colours in this drama that does justice to the appropriately named title.This drama is a “faction” sageuk (mixing facts and fiction) that heavily romanticizes the life story of King Jeongjo and Royal Noble Consort Uibin Seong, as well as their ensuing romance, through a narrative that spans a number of decades. Countless other real life historical figures are present in this drama but the events that transpire, including the depicted themes, are very much fictionalised.
The only MBC sageuk released this year that is directed by Jung Ji-in and Song Yeon-hwa, it is based on a screenplay written by Jung Hae Ri (The Emperor: Owner of the Mask) that is adapted from the 2017 novel, The Sleeve’s Red Cuff by Kang Mi-kang. This is a live-shoot production which began in May 2021 right through to 21 December 2021, with principal photography taking place entirely at the famous Yongin Daejanggeum Park. Initially planned for 16 episodes, an additional 17th episode was added due to overwhelming popularity reflected in the ratings spike during its run. Prolific composer Noh Hyeong Woo serves as music director.
In the recent 2021 MBC Drama Awards, The Red Sleeve took home a plethora of trophies including Top Excellence Awards for stars Lee Jun Ho and Lee Se Young, the Lifetime Achievement Award for Lee Deok Hwa, the Best Couple Award, the Best Supporting Actor Award for Jang Hye Jin, the Best New Actor award for Kang Hoon, and the Best Screenwriter Award.
What I Liked
The story. I won’t comment on the accuracy of the history or the presumably anachronistic nature of the storytelling and characterization (which is present in various forms in most, if not all, faction sageuk anyway). For the most part, I’ve enjoyed the many elements and themes incorporated in the story that makes the drama eventful, engaging and interesting. In addition to the usual court politics involving power struggles between different factions, there is a strong focus on the cultural background and role of the Joseon court ladies aka Gungnyeo (literally "palace women"), a Korean term referring to women waiting on the king and other royalty in traditional Korean society. I think the last time I’ve seen such similar emphasis was in Jewel in the Palace several decades ago.
Even the romance feels quite extraordinary - the depiction is ahead of the times because there is a profound feminist tone to the trajectory of the FL and the push-pull relationship dynamics of the leads. Most historical dramas reflect the sense and sensibilities of the setting which lean heavily on repressive hierarchical structures and Confucian teachings, particularly on women. Here, the FL draws many parallels to Jane Austen's Elizabeth Bennet. Independent, resilient, cool-headed and sensible.
The production values. This drama is one of the most beautiful sageuk productions I’ve seen in a while. There isn’t much to complain about because every technical aspect is very well executed and plain to see. The cinematic visuals, gorgeous cinematography that involves a variety of framing techniques to breathe life into the atmospherics. Praise of course goes to the art direction of the set designs and the beautiful costumes. Unsurprisingly the women outshine the men in terms of fashion. The action is few and far between but no less decent, with one major battle sequence occurring during the first half of the drama.
Although the drama starts off with lightheartedness, it eventually settles on a consistently more serious tone. I didn’t particularly enjoy the moments of levity which I found jarring when interspersed among the intense moments but fortunately they did not last very long. I think the dramatic tension is much better portrayed and credit goes to the cast for the delivery. My first time seeing Lee Jun Ho and what a performance from him as King Jeongjo aka Yi San. He basically grows into the role where the momentum progressively builds as the story unfolds. He imbues the character with a remarkable duality with such finesse which gloriously reflects the range that he actually possesses. I honestly thought at times he steals the limelight from Lee Se Young who plays the FL and love interest Sung Deok Im. That’s not to say she underperforms because her role which reflects the uncharacteristic modernity in the characterisation is richly layered and complex in and of itself. However, IMHO, her interpretation isn't at the same level as Lee Jun Ho's nuanced articulation, especially in the second half of the drama.
The SML Hong Deok Ro is played by Kang Hoon. Among all the characters depicted, this is quite literally the most theatrical. I really have to applaud his performance because it well and truly matches the dynamic character trajectory as it is written into the sequence of events in the plot. One bit of astonishing cliche lies in his character developing facial hair, in part to manifest the passage of time but mainly to afford him a more nefarious facade. In contrast the ML remains clean shaven, young and handsome amidst the transformation around him. Quite the juxtaposition there.
Veteran actors make up the bulk of the supporting cast to deliver some of the more dramatically compelling moments. I have truly relished the performances of Lee Deok Hwa, Park Ji Young, Kang Mal Geum, Jang Hye Jin and Jang Hee Jin, despite their limited amount of screen time. Lee Deok Hwa certainly demonstrates the gravitas for the role of King Yeongjo while the others provide the perfect display of women with substance and mettle.
The music in The Red Sleeve is exceptional, a key aspect which most viewers should come to expect of a sageuk by now. The original score complements the entire production by subtly enhancing the ambience of many powerful scenes with its orchestral BGM. Likewise the soundtrack, featuring a total of nine original songs of which most are love ballads. My personal favourites are I Wish and Let Go of Your Hand.
Whee In (휘인) - I Wish (바라고 바라)
Ben (벤) - Star That Never Sleeps (잠들지 않는 별)
Jeong Sewoon (정세운) - You Are My Miracle (네가 나의 기적인 것처럼)
Minhyun (민현) - I'll Spend All My Days With You (모든 날을 너와 함께 할게)
Shim Gyu Sun (Lucia)(심규선) - It's Beautiful At Last (비로소 아름다워)
Jeon Sang-geun (전상근) - I'll Take One Step Back (내가 한 걸음 뒤로 갈게)
XIA (준수) - I'm Still (네가 불어오는 이곳에서 난 여전히)
Lee Seon-hee (이선희) - Let Go of Your Hand (그대 손 놓아요)
Lia (ITZY 리아)- I'll Light It Up Like A Star (밝혀줄게 별처럼)
What I Liked Less
The plot is quite straightforward yet holds much potential, especially with the infusion of a huge dose of fictional elements such as the emergence of an underground sisterhood of court ladies. The political aspects involving the grandfather, King Yeongjo and other factions vying for power initially appear quite intriguing as well. However, as the story progresses, each of these fascinating arcs falls by the wayside rather too quickly.
I wanted to witness more of King Yeongjo’s infamous tyranny but he comes across as an endearing yet senile old man engaged in a repetitive and destructive cycle with his grandson, Yi San. Reproach, incarcerate, forgive, then release him, and this sequence repeats another three to four times. Not that I blame him entirely because Yi San continuously partakes in pointless subversive activities through the secret organisation, Deongdukhoe, that produces little to no meaningful accomplishments apart from sabotaging his own legitimacy as Crown Prince.
Both the ML and FL share a repetitive cycle laden with angst of their own as well, which involves Yi San frequently expressing his love for Deok Im only to have his affections rejected time and again. The FL’s mental fortitude appears to be in a constant state of flux judging from her reactions each time she rebuffs Yi San’s advances. In any case, I understand and empathise with her wish for independence from regal constrictions and the vagaries that would no doubt ensue if married to the King. This miserable state of affairs takes up quite a fair portion of the later half of the drama.
Final Thoughts
The Red Sleeve is an enthralling watch mainly for the quality of its production and technical execution. The visuals are an absolute feast for the eyes while the performances of the extensive cast is quite exceptional. Despite my issues with aspects of the narrative, there is no doubting the intensity of the chemistry between the two leads. The bittersweet ending is somewhat consistent with historical records, although personally I wished that the story would have ended at an earlier and more positive juncture. All things considered, the pros outweigh the cons and if you are in the mood for a well-produced and well-acted romance sageuk, then this might be worth checking out.
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Hands down the best historical I've ever seen
Yi San and Sung Deok Im's chemistry is out of this world incredible, my heart raced for their sweet but sour love story.If I were to sum this drama up in one word, I would say "emotional" because I have never been so in love with a main couple in my entire drama loving life, they are the literal definition of soulmates and managed to perfectly portray their feelings through their eye acting, it was so enchanting to watch. Ugh the affection, the adoration, the determination, the tension, the anger, the frustration, the angst, the pain, the passion, THE FEELS!!
Likes:
• Romance!! It's nuanced, realistic for the era, and mature but also childish in the sense that this is their first love. The dialogue is so poetic and because of it there were countless times when I covered my face with my eyes wide as I grinned from ear to ear (in a 'omg I'm screaming' way).
• The acting was simply magnificent from the main leads to supporting characters to guest roles, they all did an amazing job. Also the visuals? Huge plus! Eye candy for real.
• Majority of the time when watching historical's, the politics side of things usually makes no sense to me and that might've been the case for this one (from time to time), but one thing I loved about TRS is that there is no unnecessary politics, no white bearded ahjussi's wanting to seek revenge over the prince lol it's great.
• The plot was juicy and full of life, so much was happening but not to the extent that I was lost, it played out well and I thoroughly enjoyed every second of it!
• I liked how the "villains" had their moments that kept the story engaging but weren't focussed on for too long and were dealt with smoothly (unlike some stories that overuse them, eventually leaving me annoyed and bored).
• Pacing. I'm not one to like slow paced dramas but this was paced so well and I never once skipped a scene as they were all entertaining and had some significance to the plot.
• Sung Deok Im's way of words and knowing her true desires in life as a woman. I LOVED her character, she's so strong and independent, it was so refreshing to see. She knew herself and knew exactly what she wanted for herself in life, I truely admire her for continuously standing up for herself (and the crown prince) throughout the drama.
• The OST ahh it's soo pretty someone give me a box of tissues I need a moment... I listen to it religiously. Historical's never disappoint with their OST's, the music just soothes my soul!
There are really no negatives from my experience of watching this, the first few episodes weren't anything in particular but the following episodes made up for it with each one getting more and more exciting and interesting, so if you like the things I listed above I'm more than sure you'll enjoy this beautiful masterpiece that is The Red Sleeve!
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Overrated. Not a relaxing watch
It started with a bang. Pace was also good, story and plot was good, acting was good all in the beginning And then towards the end it started dragging and that's when everything went down. It became confusing at some point trying to understand if the FL really loves our ML or not. Stone face is not acting. It's a torture of 1st grade. Heavy story . Jun ho definitely good acting. Beautiful costumes, i binged watched this and regretted it. If you are like me who loves to relax this is not for you. But if you are in to something serious watch it. I felt i wasted my time. I think the rating is too overrated or may be people like the feeling to feel traumatized.Vond je deze recentie nuttig?
