I'm Breaking Up Now (2021)

Jang Kiyong unconvincing as creative, Paris-based, free-spirited, rebellious, footloose photographer

"Now, We are Breaking Up" tries to tell a love story in reverse (e.g. it has been there already). This would be an interesting project in itself, yet...

The plot is emotionally quite complex, the characters are in principle jucily interesting and ambivalent. If a KDrama can't take care of a multi-layered, complex mixture of feelings, then who can? Unfortunately, I have to say that (in my opinion) this project doesn't really work out so well with the casting.

Regarding her emotional intensity, Song Hye-kyeo is (as so often) a major factor for watching. As the heroine, here and there her reservedness, sobered by life, is perhaps a bit much. But in places this cracks open. It is this well dosed mixture and subtleness, that makes her role convincing - the experienced fashion designer in her late 30s has turned away from flirtation and rather concentrates on her work, into which she throws herself completely. Being the talented and experienced professional she is, hardly does she ever get upset by anything. ... until her encounter with the young photographer Yoon Jae-gook, that throws her (emotional) life (supposedly) upside down. Her reservedness so far operated as shelter and imprisonment at the same time. Circumstances don't really offer a chance to free herself from the corset of reason, which is protecting her deeply injured heart - never mind let herself fall and trust emotionally. This inner dynamic is not so nice to look at - or rather endure - for the viewers. But I don't think you can blame Song Hye-kyeo, as she handles this inner tension and the ambivalent moments of her complex role very well.

On the other hand (unfortunately) I don´t buy Jang Ki-yong in his role as a creative, Paris-based, free-spirited, a bit rebellious, footloose, and at the same time successful photographer. For me he behaves way too reserved, well adjusted, well-behaved - a sympathetic, dear, rich, successful boy. So unfortunately, HIS ambivalence doesn't convince me. Perhaps actor Jang Ki-yong lacks the life experience (on the rebellious side)? And since he can´t really fill this side with life, I am not convinced by the chemistry between the two leads. It doesn't get to me how the young man in his supposedly fiery manner, would be able to reignite on an EMOTIONAL level the fire of lust for life and joie de vivre (beyond work) that is still blazing somewhere deep down in Ha Yeong-eun... So the key to all further makjang doesn't really fit into the lock. Too bad. Thus the experiment of telling love in reverse didn't really work out that well.

The KDrama is not bad because of that (...though admittedly disappointing ...). On the pro side: There are freshening subplots, each with actors in good humour, who have actually won awards for their spirited performances. The setting in the creative industries is kind of charming, too. Finally, the Korean family values are (once again, but successfully as always) playing with fire on the drama front...

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