Sword and Flower (2013)

Shades of history mingle with Shakespeare in this exquisite drama depicting the final days of Gorguryeo. Knife and Flower may not be for everyone, judging by low ratings and apparent lack of online buzz. But for those who love divine cinematography, tremendous acting, or stories made beautiful by the telling, don't miss out. This is a sageuk wholly unique from others in its genre. Be forewarned the first episode is shockingly bad; everything in this drama seems experimental in one way or another, but the initial offering equates to the lab exploding just before the scientist achieves unexpected success.

What makes Knife and Flower most alluring will be cinematography. Only full length films can compare with the high quality and artistic direction which can be seen in this drama. Occasionally I tilted my head at an edit, but these moments can be counted on one hand. The world looks deep and authentic, though colors dictate mood and atmosphere. And how about the action scenes, you ask? More than impressive, since most of the actors appear trained and capable.

Like the introduction implies, Knife and Flower marries literary archetypes to elements of reality. Many characters actually existed and several events portrayed actually took place (albeit embellished for dramatic effect). The historical backdrop imparts solid atmosphere, bolstering weaknesses with varying potency. I loved how brutality and unrest, definitive of the times, was neither gratuitous nor shied from; the elegance of the story shines because of the deep tragedy marking it. Some problems exist, admittedly. As in Romeo and Juliet, the love line begins dubiously due to chemistry. The entirety of the "Golden Flower Agency" felt underdeveloped, despite its necessity to plot motion. Execution of the time skip initially had me frowning. In the end, everything comes to maturation with surprising clarity and beauty. The viewer will doubtlessly be bitten and drawn in before they even realize.

Performances in Knife and Flower are incredible, many perhaps even award worthy. Choi Min Soo, in his turn as infamous Yun Gae So Mun, hits the master class. He is mysterious, compelling, and intimidating; if a glance could kill, the entire region would drop dead. But the nuance Choi brings to the role could make even the real thing proud. Uhm Tae Woong and Kim Ok Bin are masters of speaking with the eyes. Reserved silence is required of them, but what isn't said is almost as powerful as the implicit. Others of note include No Min Woo (Nam Sang, of beautiful appearance and withered heart) and Ohn Joo Wan (Bo Jang, a more sympathetic echo of Hamlet).

Music must enhance, not get in the way. After the quirked eyebrow misses of the first episode, the soundtrack honestly excels at this. Orchestrations hit the right notes, especially those tied to suspenseful or moving scenes. Wax provides the tearful anthem "Dear Love," and with lyrics so lovely, whether or not it played meant the difference between dry and wet eyes.

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