The Villains Love Me too Much (2022)

Both are short length dramas with a real world FL entering the fictional world of a story and falling in love with the villain.

Both are short length dramas with a real world FL entering the fictional world of a story and falling in love with the villain.

Both are short length dramas with a real world person entering a story and becoming involved with the story's villain, all while trying to return home.

Both are short length dramas with a FL from the real world entering a drama and falling in love with the story's villain..

Both are short length dramas set within a fictional world with a villain ML.
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Both are short length dramas in which a FL from the modern world enters a historical fictional story. As she attempts to keep the plot on track and survive to return home, she ends up becoming involved with the story's villain.

Both are short length dramas in which a FL from the modern world enters a historical fictional story. As she attempts to keep the plot on track and survive to return home, she ends up becoming involved with the story's villain.

Both dramas are about the FL entering a fictional historical world. The FL then tries to return to the real world and becomes involved with the story's villain.

Both have FLs from the real world who enter a fictional historical world and become involved with the story's villain, all while trying to return home.

Both are short dramas in which a modern day FL enters a historical world and opens a restaurant.
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Both are short length dramas with a real world FL entering the fictional world of a story and falling in love with the villain.

Both are short length dramas with a real world FL entering the fictional world of a story and falling in love with the villain.

Both are about a real world FL who enters a novel where she's a character.
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Both are mini dramas in which a real world person enters a story and falls in love. Both have almost identical endings.

Both are mini dramas in which the FL from the real world enters a tv drama.
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