Juvenile Justice (2022)

The Bad Kids

Juvenile Justice is a character-driven legal thriller revolving around Shim Eun Seok and her appointment as a judge of the Juvenile Criminal Settlement Division of the Yeonhwa District Court. Her profound hatred of juvenile delinquents provides the backdrop of her approach to dispensing justice upon the minors charged in the court of law as she presides over a variety of deeply complicated and convoluted cases.

The drama is rated R-18 in South Korea due to references to drugs, suicide, physical and sexual violence. Elements of social commentary are present that explore the judiciary statutes, investigative authority, politics and education system. The complexities of the human drama is provided by the respective backstories of the juvenile offenders in terms of their difficult family backgrounds and dynamics, as well as the suffering endured by the victims and their own families.

The screenplay is written by Kim Min Seok for what is his first drama project. Although credited as an original screenplay, it purportedly draws parallels to several high profile cases that have occurred recently in South Korea; the 2017 kidnapping-murder case of an elementary school student in Incheon, the 2018 Sookmyung Girls' High School test paper leak in Gangnam, the 2020 Daejeon middle school student rental car theft accident, and the 2018-2019 Incheon Metropolitan City sexual assaults.

Directed by Hong Jong Chan with Kim Tae Sung (Happiness, Snowdrop, Inspector Koo) serving as composer. Principal photography took place in May 2021 primarily at Jeonju District Court located in Jeollabuk-do, which serves as the Yeonhwa District Court. Other filming locations include Dongseong-ro Spark in Daegu, Dongseong-ro Spark and Misa High School in Gyeonggi-do, and Seoul Women’s University.

What I Liked

There are three main aspects that have impressed me immensely.

Firstly, high praise goes to the overall production values, specifically the mood-inducing cinematography that establishes the noir vibe to the entire visual tone of the production. This fits perfectly to a narrative that delves extensively into the dark subject matter of violent crimes, together with the slow burn and gritty storytelling approach. In fact, a huge portion of the drama takes place at night where one of the more memorable moments included snowfall in its scenes. I’ve also enjoyed the framing of Shim Eun Seok’s contemplative moments in her office through low-key lighting that accentuates the evocative atmospherics throughout the story. There’s no question that a lot of money went into this production and it is apparent for all to see.

Secondly, the exceptional acting in this drama. Particularly Kim Hye Soo’s portrayal of the lead character, Shim Eun Seok. This is quite possibly her strongest performance in recent memory which I believe surpasses her role of Jung Geum Ja in Hyena and perhaps aided tremendously by the characterization that feels very much designed with her in mind. This is the epitome of intensely hard-boiled and ultra bad-assery without so much as breaking a sweat. The emotive expressiveness of her unflinching piercing gaze that punches right through any suit of armour is as intimidating as it is effective.

Other members of the cast that impressed me would include Lee Sung Min as Kang Won Joong, the Chief Judge of the Juvenile Criminal Settlement Division of the Yeonhwa District Court. Initially giving the appearance of the typical annoyingly loud and abrasive boss, he gradually settles into this extremely layered and grey character who is torn between his personal ambitions and protecting his family.

I also have to mention Lee Yeon. My first time seeing this 27-year old lady in what is truly an incredibly remarkable yet unsettling depiction of an extremely unhinged teenage boy! It’s the kind of performance that leaves an indelible imprint in your psyche for years to come. The drama also features a number of familiar faces in the supporting roles including Lee Jung Eun as Chief Judge Na Geun Hee, and Kim Mu Yeol (currently in Grid) as Division Judge Cha Tae Joo. Yeom Hye Ran (The Uncanny Counter), Yoo Jae Myung (Hometown) and Kim Joo Heon provide noteworthy guest appearances.

Thirdly, I was captivated by the intrigue of certain cases. Going into this drama I was anticipating a more “common” or “garden-variety” type of crime committed. After all, how much trouble could kids really get into, I thought to myself. Well, I was proven very wrong because some of the crimes manifested belong to the psychologically disturbing and immensely macabre category. The one that caught my attention from the get-go has to be the first case while the second case provided a fascinating insight into juvenile rehabilitation facilities.

What I Didn’t Like

My biggest issue is with the screenplay. I think Kim Min Seok was trying to weave too many themes and sub-plots into a 10-episode production, most of which finally play out in the final 2 episodes. I can’t say for sure if this drama is merely providing social commentary or perhaps the screenwriter is attempting to convey a statement or message that raises public awareness. Or it could simply be heavily dramatized fiction that’s intended to wow (or shock) viewers.

Whatever the case may be, the end product becomes something of a contradiction for me. It’s not ok for other people to abuse their authority but when it comes to the protagonist, it’s perfectly fine. It’s not a big deal for other cases to reach a dissatisfying conclusion but when it involves the lead’s tragic backstory, then justice must be fully administered at all costs. Judiciary bosses with years of experience are a bunch of noobs in comparison with the junior judge for they do not comprehend the spirit of justice, which justifies acts of insubordination. Finally, that sense of self-righteousness and moral high horse that comes complete with the speech gets repeated several times, only to be refuted by hypocrisy when convenient.

My interest in the second half kind of waned because the focus was lost amidst the tonal shift of the narrative, firstly to the politics of education and by-election campaigning, then finally to Shim Eun Seok’s complex backstory. This aspect wasn’t properly fleshed out but instead given the brief flashback sequence, alongside elements that eventually become inconsequential in the form of the ex-husband and mother-in-law who contributed nothing of significance apart from melodramatic angst.

Final Thoughts

The biggest positive for me is Kim Hye Soo’s performance which I hope would garner her at least a nomination for this year’s Baeksang. Juvenile Justice ended up being a mixed bag for me but all things considered, I would recommend this drama predominantly for the well executed technical aspects rather than the plot trajectory and didactic social critique.

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