No Regrets for Our Youth (1946)

Understated

I had no idea just how many films Akira Kurosawa directed until I stumbled upon this film. I have only seen two, Rashomon and Yojimbo, so far. These two films and his other well known films all seem to be historical dramas or samurai epics. So No Regrets for Our Youth really stuck out to me. It is set during the pre-war period up to the end of the war (1933-1945). Since it was released in 1946, this could almost be considered contemporary.

The film is mostly told through the point-of-view of Yukie Yagihara (played by Setsuko Hara). She is the daughter of college professor ousted from his position due to his views on fascism, sparking anti-militarist student protests. A lot of Hara's acting is subtle, such as her falling for one of the protestors, Noge. She never states her feelings; you can tell from her facial expressions and actions. Hara is one of those actresses that always amazes me. Sometimes I don't understand why she did this or that, but at the end of the film it always clicks.

All in all, No Regrets for Our Youth is a wonderfully slow-paced film. Its portrayal of the anti-war efforts of Japanese people was something I never thought of. Kurosawa's decision to make this film so soon after the war is also interesting to me as it shows his convictions. It's too bad that this film isn't more well known, but I understand. It isn't a samurai epic or anything genre changing. However, it's an honest, understated picture about what feels like real people amidst political turmoil and war. And Hara is an amazing heroine from beginning to end.

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"Freedom is something you have to fight for"

In No Regrets for Our Youth, Kurosawa Akira presented many questions, but gave few answers. More than a political referendum on Japan's militaristic actions, the film focused on Yagihara Yukie's responses to the events going on around her, the choices she made and how she grew into her own sense of responsibility and freedom.

The film begins using the actual Takigawa incident at the Kyoto University in 1932 as a springboard, only with fictional characters. In the film, Yukie's father, Professor Yagihara, comes under fire for his liberal opinions. Students protest and professors are fired or quit. During this time, Yukie is torn between two students. Itokawa doesn't rock the boat and conforms to what is going on in the country. Noge Ryukichi is a firebrand firmly against the country's militaristic actions and leans decidedly left. Noge chooses a path away from the school leading to a stint in jail while Itokawa stays, becomes a prosecutor, and woos Yukie. After a recently released Noge accompanies Itokawa to a family dinner, Yukie realizes she needs a fresh start for she still loves Noge and does not want the dull life Itokawa offers. She moves to Tokyo to work, later meeting and marrying Noge. The two are incarcerated around the time Pearl Harbor is bombed. When Yukie's parents are finally able to have her released, she travels to her in-laws instead of staying in the relative wealth of her parents' home. Her in-laws live as night owls due to their connection with Noge and are ostracized by the villagers. Yukie finds what she's been missing as she digs into the earth at her mother-in-law's side planting rice.

Yukie, played by Ozu regular Hara Setsuko, goes from flighty, rash, entitled daughter to a woman so sure of herself that Itokawa proclaims, "Your sheer life force makes me feel ashamed!" The two male leads are as gray and uninteresting as the screen in the movie. Without Hara, the film would be too bland to care about. No Regrets for Our Youth was the last of Kurosawa's movies featuring a woman. Yukie was certainly one of his most interesting and likeable female characters. The film took a long time for her to go from her father's beliefs, to her husband's to finally finding her own beliefs. Her father knew the path she was taking would be difficult. "Remember that there will be sacrifices in the struggle for freedom." For the individual or the country, it would be true for both. Noge and Yukie held to the motto, "No regrets in my life" and that sustained her through her many trials. Her turning point, epiphany if you will, seemed to come while standing calf deep in the mud of a rice paddy. The film didn't really become interesting to me until the last third to quarter when Yukie finally started coming into her own.

The film itself felt poorly edited for a Kurosawa film. At the beginning of the film, the students on a hilltop hear gunfire believing it to be practice but find a badly wounded soldier just below them, something that was never explained. Perhaps it simply required a greater familiarity with the history of this time. While Yukie commanded the screen, her actions and emotions could be erratic, almost manic. One moment she's laughing, the next she's crying, or staring blankly into space, constantly swinging between extreme emotions. Her actions could be rash with Kurosawa unwilling to give us a reason for them. Though the politics of the time impacted the characters' lives, aside from the evils of militarism and the gestapo-like Tokko/Thought Police who cracked down on freedom of thought, the politics seemed rather vague most of the time. We don't know specifically what the professor said that caused him to be fired or what Noge did that landed him in jail. For the most part we only see how the events caused Yukie to react and their impact on her.

Near the end of the movie a title declares, "War Ends. Freedom Restored." Just as Noge had predicted, his work would be seen in light of fighting for Japan's peace and prosperity. At this point Yukie's family expects her to return to her comfortable life now that her husband's actions are framed in a positive manner. For Yukie, she has found her freedom and where her responsibility lies and it is in a simple life working with the dirt of the earth. The vacuous girl has grown into a woman who has sacrificed much to earn her place in the world and she's not willing to go backward. No Regrets for Our Youth started out slow but finished strong largely on the performance of Hara Setsuko.

6/10/23

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