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Lackluster and Ultimately Disappointing Series With Cowardly Characters!
By the time you reach the last few episodes, the series becomes like a plate of mushy carrots. You choke them down just to get through them, so you can move on to something better.
I’m going to start this review by saying that Shin Hye Sun is one of my favorite actresses, and I started watching this series because I saw that she was in it. However, I will say that this is the worst series that I’ve seen with her. It’s not her fault, however. As always, she gives an illustrious performance, given the lackluster and convoluted story and a very unappealing character in Cho Sam Dal.
The series is pretty solid through about the first eight episodes or so, but then it’s all downhill from there. No, it’s actually more like dropping off a cliff because the lack of story, quality, and direction, are suddenly nowhere to be found.
Cho Samdal is a prominent photographer, rising to near the top of stardom as one of the most sought-after photographers in the business. She photographs model and celebrities. Her protégé torpedoes Samdal’s career, forcing her to retreat to Jeju Island, where she is from. She hates the island, viewing it as a primitive locale where no one can possibly succeed in anything. What we end up having is a character who whines, drinks, and cries—often in that order too! At heart, she’s a true coward and unable to deal with her thoughts, feelings, or desires as well as her inability to stand up for herself. There is very little that is actually appealing about Cho Samdal.
Cho Young-Pil is a weather man based on Jeju Island and Samdal’s former boyfriend. Young-Pil is a man dealing with the tragic death of his mother—a haenyeo diver (women who dive for mollusks and other sea life) eight years prior. At the start, all we know is that Young-Pil and Samdal broke up, leaving the viewer to question why the breakup occurred as well as who instigated it. We find that one of the most cowardly characters of the entire series is Sang Tae, Young-Pil’s father.
A drowning man will always try to pull someone down, and Sang Tae is the spitting image of a man so lost within his own grief, that he sabotages Young-Pil and Samdal’s relationship. He holds Samdal’s mother responsible for the death of his wife, despite the two women being the best of friends. What is sad is that Young-Pil never really confronts his father about his irrational and self-destructive behavior. Even when Sang-Tae is verbally abusing Samdal, Young-Pil simply stands there without offering any defense or attempt to pacify. Sang Tae is a man who can’t see anything beyond his own pain, which literally mars and threatens to destroy the true memory and love of his wife. However, nobody bothers to even bring up this point with him. He spends his time drinking and sulking. The ultimate coward is the one who won’t let go.
In the midst of this, Go Mi-ja (Samdal’s mother) is suffering from a heart condition, which we might well connect with her own grief and guilt. I found her character the most appealing, and I wished the story had focused more on her and the friendship she shared with Young-Pil’s mother.
One side-story that was also far more appealing than the main one, involved Hae Dal Cho, the youngest sister and widow of Samdal. Her interactions with Ji Chan—a dolphin expert—were sweet and far sweeter than anything between Samdal and Young-Pil. I would have preferred a story surrounding her than Samdal.
By the end of the series, we have a cast of characters who are largely cowards at heart. Samdal is unable to deal with her past or even truly fight for her future. Doormats are only appealing because you can wipe your feet on them, and yet Samdal allows her protégé to use her as one three times throughout the course of the story. Samdal only wags her finger at her protégé, which does absolutely nothing. And I’m not entirely sure why Samdal would allow her ex-boyfriend to work with her after he betrayed her. So many things in this series made absolutely no sense at all.
It's sad how everyone believes that a “better life” must be in Seoul rather than in Jeju. I would have preferred seeing everyone make a success in Jeju, rather than treating it as the hindquarters of Korea where success goes to die. Who said you have to go to a big city in order to be successful? Not only is this deluded thinking, it’s also untrue. Samdal only succeeds in revealing her level of immaturity by how much disdain she has for her hometown.
Also, are you seriously going to tell me that someone with her wealth and notoriety doesn't have an attorney on retainer?! That was about the most ridiculous thing of this series as if the writer had no clue!
The writer and director clearly had no idea where to take the story, and we have everything magically being resolved within the last few episodes without any viable explanation. Samdal doesn’t bail herself out. Everyone else does it for her, leaving the viewer to realize that she’s still never grown up or known how to take care of herself. True strength isn’t as much about helping someone out of trouble as it is about helping them figure out how to get themselves out of trouble! The story would have been far better served had they chosen that road.
Despite having some truly hilarious moments—especially the seaweed fight—Samdal is just a very annoying and largely unlikable character. She acts like a 14-year-old child most of the time. She gets angry with Young-Pil over the smallest things. She peeks at him through her bedroom window, and then gets angry when he confesses his feelings for her. She then runs off like a scared child and barricades herself in a shed because she can’t deal with any challenges or forms of confrontation. She’s about as big of a coward as you will ever find! I also lost count of how many times she hits Young-Pil. It was supposed to be humorous, but by the tenth or eleventh blow, it just becomes silly and tiresome.
Given the great cast and acting performances that this series had, it’s a real shame that it was all wasted on this unappealing story, which lacked both charm and sophistication.
I went back and watched “Our Beloved Summer” again just to get the bad taste of this series out of my mouth. I wanted to revisit a series that was well written with smart, likeable characters, because this series just doesn’t have either one. “Welcome to Samdal Ri”? More like, stay away!
I’m going to start this review by saying that Shin Hye Sun is one of my favorite actresses, and I started watching this series because I saw that she was in it. However, I will say that this is the worst series that I’ve seen with her. It’s not her fault, however. As always, she gives an illustrious performance, given the lackluster and convoluted story and a very unappealing character in Cho Sam Dal.
The series is pretty solid through about the first eight episodes or so, but then it’s all downhill from there. No, it’s actually more like dropping off a cliff because the lack of story, quality, and direction, are suddenly nowhere to be found.
Cho Samdal is a prominent photographer, rising to near the top of stardom as one of the most sought-after photographers in the business. She photographs model and celebrities. Her protégé torpedoes Samdal’s career, forcing her to retreat to Jeju Island, where she is from. She hates the island, viewing it as a primitive locale where no one can possibly succeed in anything. What we end up having is a character who whines, drinks, and cries—often in that order too! At heart, she’s a true coward and unable to deal with her thoughts, feelings, or desires as well as her inability to stand up for herself. There is very little that is actually appealing about Cho Samdal.
Cho Young-Pil is a weather man based on Jeju Island and Samdal’s former boyfriend. Young-Pil is a man dealing with the tragic death of his mother—a haenyeo diver (women who dive for mollusks and other sea life) eight years prior. At the start, all we know is that Young-Pil and Samdal broke up, leaving the viewer to question why the breakup occurred as well as who instigated it. We find that one of the most cowardly characters of the entire series is Sang Tae, Young-Pil’s father.
A drowning man will always try to pull someone down, and Sang Tae is the spitting image of a man so lost within his own grief, that he sabotages Young-Pil and Samdal’s relationship. He holds Samdal’s mother responsible for the death of his wife, despite the two women being the best of friends. What is sad is that Young-Pil never really confronts his father about his irrational and self-destructive behavior. Even when Sang-Tae is verbally abusing Samdal, Young-Pil simply stands there without offering any defense or attempt to pacify. Sang Tae is a man who can’t see anything beyond his own pain, which literally mars and threatens to destroy the true memory and love of his wife. However, nobody bothers to even bring up this point with him. He spends his time drinking and sulking. The ultimate coward is the one who won’t let go.
In the midst of this, Go Mi-ja (Samdal’s mother) is suffering from a heart condition, which we might well connect with her own grief and guilt. I found her character the most appealing, and I wished the story had focused more on her and the friendship she shared with Young-Pil’s mother.
One side-story that was also far more appealing than the main one, involved Hae Dal Cho, the youngest sister and widow of Samdal. Her interactions with Ji Chan—a dolphin expert—were sweet and far sweeter than anything between Samdal and Young-Pil. I would have preferred a story surrounding her than Samdal.
By the end of the series, we have a cast of characters who are largely cowards at heart. Samdal is unable to deal with her past or even truly fight for her future. Doormats are only appealing because you can wipe your feet on them, and yet Samdal allows her protégé to use her as one three times throughout the course of the story. Samdal only wags her finger at her protégé, which does absolutely nothing. And I’m not entirely sure why Samdal would allow her ex-boyfriend to work with her after he betrayed her. So many things in this series made absolutely no sense at all.
It's sad how everyone believes that a “better life” must be in Seoul rather than in Jeju. I would have preferred seeing everyone make a success in Jeju, rather than treating it as the hindquarters of Korea where success goes to die. Who said you have to go to a big city in order to be successful? Not only is this deluded thinking, it’s also untrue. Samdal only succeeds in revealing her level of immaturity by how much disdain she has for her hometown.
Also, are you seriously going to tell me that someone with her wealth and notoriety doesn't have an attorney on retainer?! That was about the most ridiculous thing of this series as if the writer had no clue!
The writer and director clearly had no idea where to take the story, and we have everything magically being resolved within the last few episodes without any viable explanation. Samdal doesn’t bail herself out. Everyone else does it for her, leaving the viewer to realize that she’s still never grown up or known how to take care of herself. True strength isn’t as much about helping someone out of trouble as it is about helping them figure out how to get themselves out of trouble! The story would have been far better served had they chosen that road.
Despite having some truly hilarious moments—especially the seaweed fight—Samdal is just a very annoying and largely unlikable character. She acts like a 14-year-old child most of the time. She gets angry with Young-Pil over the smallest things. She peeks at him through her bedroom window, and then gets angry when he confesses his feelings for her. She then runs off like a scared child and barricades herself in a shed because she can’t deal with any challenges or forms of confrontation. She’s about as big of a coward as you will ever find! I also lost count of how many times she hits Young-Pil. It was supposed to be humorous, but by the tenth or eleventh blow, it just becomes silly and tiresome.
Given the great cast and acting performances that this series had, it’s a real shame that it was all wasted on this unappealing story, which lacked both charm and sophistication.
I went back and watched “Our Beloved Summer” again just to get the bad taste of this series out of my mouth. I wanted to revisit a series that was well written with smart, likeable characters, because this series just doesn’t have either one. “Welcome to Samdal Ri”? More like, stay away!
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