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kobeno1

Albuquerque, New Mexico, USA

kobeno1

Albuquerque, New Mexico, USA
Love Next Door korean drama review
Voltooid
Love Next Door
4 mensen vonden deze beoordeling nuttig
by kobeno1
okt 9, 2024
16 van 16
Voltooid 5
Geheel 6.5
Verhaal 6.0
Acting/Cast 9.5
Muziek 4.0
Rewatch Waarde 4.0
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Some of the Most Horrible Women Ever Put on Screen!

“Love Next Door” endeavors to be a light, sweet romantic comedy with some drama thrown in for good measure. What we end up with is a bunch of women who are barely tolerable, and sometimes, not even that. We get some domineering, controlling, meddling women who snap at the smallest of things. They are also selfish and cowardly in how they act toward each other as well as others around them. Frankly, I’m not sure how or why any reasonable person would want to spend five minutes alone with any of them. They are about as appealing as a pit of vipers.

Choi Seung Hyo and Bae Seok Ryu are childhood friends who grew up together because they lived next door. Their mothers have also been friends for a long time as well, although there are plenty of times throughout the series when we wonder how and even why. Their mothers and two other women get together in their “Lavender Club” to hang out. What ends up happening is they spar, argue, and compete over everything. Believe it or not, this is how many women in Korea interact with each other. Everything is a competition and a fight for status. What’s especially sad is that they often use their own children to acquire that status. They’ll brag to others about what schools they go to, what educational academies they’re enrolled in, what grades they get, and even what areas they excel in. These are women who live vicariously through their children. They use them as pawns, which is why many of these so-called “mothers” aren’t even fit to be parents at all.

Seok Ryu has returned to Korea from being in the US with a prestigious company. Of course, her domineering, twisted mother, Mi Suk, can only think about how this impacts her, especially after bragging to her friends about Seok Ryu. Things become further complicated when Seok Ryu announces that she’s also broken off her engagement. Mi Suk nearly disowns her daughter right there on the spot. Mi Suk uses the pathetic excuse that, “I don’t want my daughter to live a hard life like me!” This is a lie. Mi Suk is only concerned about how Seok Ryu’s decisions reflect on her. Her anger is out of pure spite and selfishness.

Seok Ryu isn’t exactly an angel herself. We find out that she was diagnosed with stomach cancer and refused to tell anyone about it. She claims that she was sparing everyone the pain. Whenever someone pushes others away, it’s never to spare others the pain, but to spare themselves of their own. Seok Ryu is a true coward, and when Seung Hyo finds out, he justifiably berates her for her thoughtless and selfish act, even going so far as to call her a hypocrite and a coward which is 100% on the nose!

Seung Hyo is a young man who’s making his way in the architectural world, opening up his own firm and doing quite well. However, it’s obvious that he’s in love with Seok Ryu, even though he puts up defensive walls and refuses to let her know about it. When he finally does, Seok Ryu can only think about her own failings and problems, and she promptly refuses his advances. Seung Hyo laughingly buys a small carton of milk to be used to give Seok Ryu time to think it over. The stupidity of such an act is this: love isn’t about thought. If you actually have to think about it, then you’re very obviously not in love. What we have are two 34-year-olds acting like 16-year-olds. It might be endearing, but it’s actually quite pathetic. Even when they finally do end up together, Seok Ryu is too scared to tell anyone about the relationship, and so she begs Seung Hyo not to tell anyone. If you’re too ashamed to tell anyone about the relationship, then you have no business being in one. They scurry around like two kids worried about getting caught with their hands in the cookie jar!

We also have the third member of the childhood trio, Jung Mo Eum, who is my favorite character of the series. She’s a paramedic who doesn’t apologize to anyone for who and what she is. She unapologetically wears her heart on her sleeve, especially after meeting journalist Kang Dan Ho. It’s funny watching Jung Mo Eum berate Seok Ryu for being silly about her feelings for Seung Hyo, but after kissing Kang Dan Ho, she’s suddenly a 14-year-old girl hiding and running away from him. That was the only annoying thing about her. Kang Dan Ho has a cute little girl (his niece, in fact) that he’s raising all by himself. Korea still has problems accepting single parent families, and after finding out, Jung Mo Eum’s pathetic mother refuses to allow Jung Mo Eum to see him. Luckily, Jung Mo Eum lovingly tells her prejudiced mother that she has no say in the matter and that she fully intends to continue seeing Kang Dan Ho. Jung Mo Eum is the only strong female character of the entire cast! I would have preferred the series revolve around her rather than Seok Ryu.

Seok Ryu is very immature, but suddenly, like a light switch, everything is suddenly “okay” with her in the last four episodes or so. The writers must have had something against women to write them all to be such horrid people. It made me miss “Business Proposal” and “Our Beloved Summer” where we got good, strong female characters who knew their own minds, acted their age, and figured out for themselves how to navigate the pitfalls that came up before them.

Seok Ryu’s mother, Mi Suk, is about as cold and vindictive of a woman as I’ve ever seen in over 47 years of watching shows. I’m not sure how anyone was dumb enough to marry this woman. When Seung Hyo’s mother, Hye Suk, offers to pay for a trip to Europe, Mi Suk erupts angrily at her because she feels inferior to Hye Suk. The truth is, Mi Suk has very low self-esteem, and she feels inferior to everyone! It’s no wonder she feels the need to brag and show off her children. She’s a very pathetic character. One of the worst I’ve ever seen. And even when Seok Ryu desires to leave programming for a cooking job, Mi Suk explodes all over her! Her daughter, Seok Ryu is barely any better. Her own self-esteem is so low that she prefers to hide away rather than face her problems. I laughed out of pity each time Seung Hyo wanted to talk things out and Seok Ryu would scurry away like a rabbit saying, “I don’t want to talk about this!”

What’s truly sad is that the performances in this series are very good. I’ve seen Jung So Min in several series, and she’s always very good. Her only problem in this series is that she’s terrible at kissing scenes. Her mouth is always tight-lipped and it’s painfully obvious that she doesn’t like doing them. If that’s the case, she needs to stop doing romantic dramas. It hurts an actor’s performance if they’re unwilling to be genuine and get into a scene, no matter what it is. Also, it’s stated that Seok Ryu lost 70% of her stomach to cancer. I’ve known people who’ve had their stomachs stapled in order to lose weight. There is no way Seok Ryu would be able to eat as much food as she does based on that fact. This was something that the writers clearly overlooked.

The series definitely didn’t live up to the hype with mostly unlikeable characters, especially the women. While there may be many truths, it would have been nice to see these characters grow and evolve naturally rather than simply having the “light bulb” go off to suddenly fix the situation. It just wasn’t believable or realistic. It’s also sad to watch grown ups acting like children around their parents rather than having the guts to stand on their own feet. That’s not appealing either, especially in today’s world where women are finally becoming more empowered than ever before. Overall, this series was disappointing.
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