Ce Re
Discipline, Punishment, Morality and Art
What do I even say cause I am left speechless by the brilliance behind season 2. While season 1's entire premise is moral chastatization of the individual and their place within a systemic cycle of abuse and revenge, season 2 does the brilliant thing of not brow beating it's audience into submission and cutting all that sanctimonious nonsense. It **BRILLIANTLY** highlights that the issue ***IS SYSTEMIC*** and not individual. Such an sentiment I'd like to say in retrospect was undergirding the brilliance of season 1 with season 2 bringing it forth and flourishing it into existence.DP's artistic direction is another thing worth noting. Too often I feel like K-dramas are retreading old ground and it's easy to feel like you've seen every plot line and every trope and every character archetype but goddamn do I have an immense respect for the directors and writers direction with this. An actual critique of the pejorative system facilitating the our society and the military industrial complex. From the Anton Chekhov story line to the gothic horror of EP 4 every single thing is a breath of fresh air. Artistically wonderful with a narrative that is spiritually animating.
This isn't a shallow over exaggerated look at things. From the opening soundtrack and film that shows the gradual fall into disillusionment and nihilism of the world as Jun Ho looks at you dead inside to Nina's determination, hopes, and dreams being crushed by the system just like how a seagull is shot down in Anton Chekhov's play, it's all wonderful. An interplay of art, politics, love, morality, and responsibility.
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Delight between how to love yourself and how to love another
One measure of love which might perhaps be the greatest measure of love, maybe the understanding of another’s need despite how strange, how orthogonal and unusual they might appear to be. Here in this drama is demonstration of the laws undergirding the reciprocal nature of love in sheer delight. Learned through life’s best teaching tool; suffering, the show etches deep into our hearts that in every relationship of trust and tenderness, each is the guardian of the others particularity. That if we are to grow into the full bigness of heart we desire as human beings, we must love a person not because of the compliance they can give, but for their particularity and how special they are. At the center of this recognition is the incredible work by the cast members and writers. The cinematography is nothing to praise in particular but the cold fall backdrop and dimly lit cage like brutalist house being complimented by the warmth intimacy of our leads allows for this story to be delivered in a way that is delicious to the eyes as well.Vond je deze recentie nuttig?
WHO TF LET THE JAPANESE IN HERE
No seriously who let the japanese in here. The story has a structure reminiscent of your avg slice of life anime and manga down to a T. The drawn out silence during intimacy, letting the love the two characters have for each other be what’s loud and in your face is so reminiscent of japanese cinema it’s insane. This was good and certainly above average compared to your typical drama. I love how alluring Doona was and the air of mystery and mystique around her character. You’re drawn in from the get go and her relationship with Won-Jun is the backbone of everything. Won jun is the first real connection Doona has ever had and Doona brings him a sense intrigue and wonder. And while that might be the initial reason they grow close you see a subtle shift as they slowly start to depend on each other, influence each other and without noticing it, they reach a point where they aspire to be what the other needs. Together there’s a sense of completion which makes the ending all the more heart breaking.overall great watch. Don’t let the weebs or japanese write for dramas cause my heart can’t take it.
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