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Worth your time, but not very memorable
This show will leave you with mixed feelings. It's both brilliant and disappointing, poignant and underwhelming. There are moments charged with emotional intensity sandwiched between scenes of unreal cheesiness. Sometimes the show trips up over its own habitual need to make the characters look cool. Other times, it sells a human story of how grief and vengeance can share an unhealthy relationship with each other.
I should start, perhaps, with the things that I enjoyed. The highlight was always going to be Park Seo Joon because how could it be anyone else? I watched him in Fight for My Way and he is even better here. His character is a sympathetic one, struggling to hold onto his principles because that is the only way he can honour his late father. Their relationship seemed interested but would have been better had it been fleshed out over an episode or two. Understandably, a lot needed to happen so this could not be done.
Kim Da-Mi as Jo Si-Yeo grew incredibly on me. Her character was the heart of the show in that as the story did, so did she as a person, learning to see the way as Park Saeroyi did. The show wrote her character - for the most part - really well and the scenes with her never disappointed.
I also appreciated how the show tackled tropes both in the social sense and how a kdrama show is meant to be. It delved into what it was to be transgender, as to whether ethnicity constituted nationality, rather too simply sometimes but quite well. The humanity of the protagonists shone through here. I also liked that the first love isn't the one he ends up with - although I'll get onto the problems of this later.
The music also complemented the show's tone quite well and bears similarities to Start-Up. But now, let's get onto the problems of which three existed:
1) the show moves too fast. A single episode can sometimes cover years. It leaves characters seeming static. Or sometimes a problem is encountered and then resolved too efficiently. Other things are not actually shown but swept alongside too quickly. How did they first fare as a new pub with customers was sped along. The business plan to go global wasn't shown but just told through an accelerated process. His time in prison. Throughout the show, there was this nagging sense of things rushing at a ludicrous pace while the characters themselves didn't change much.
The next problem is the love triangle. I liked Soo-ah's character at first. As an orphan, her need for survival as an independent woman was understandable. But we never saw her backstory so it was a case of telling rather than showing, which this show suffered from. The whole thing about her joining Jagga Co never added up to me and it culminated in her becoming increasingly hard to sympathise with. Had she joined to protect Park Saeroyi, it would have sufficed as an explanation, considering her own affection for both him and his father. But it was done by her need to survive. Which seemed strange because she could have done that anywhere else.
The show's rapid progress through time actually worked worse for her too. While others around her changed to some extent, she never did. She remained the quiet, silently suffering secretary of a boss she hated, a deeply immoral man who she wouldn't break away from. And so you come to realise that the love triangle wasn't really a triangle because there was no way she could have ever deserved Park Saeroyi. She never did anything for him, but instead for years waited, made him suffer, continued to wait, continued to serve a man who covered up the murder of someone who looked after her, and became increasingly difficult to sympathise with. Her conversation with Yi-Seo towards the end of the show highlighted this: whereas Yi-Seo was doing everything for Saeroyi, she did nothing. She might have been there with him from the beginning but she wasn't there for him. This was the underlying difference between both the women and why the love triangle, though done with nuance, became clear as to who would deserve him.
The final problem, which I'll keep brief is the conflict of the last couple of episodes. It was an unnecessary way to tie up everything because it didn't fit in with what the show had been doing. It was ridiculous and damaged my view of the show.
I should start, perhaps, with the things that I enjoyed. The highlight was always going to be Park Seo Joon because how could it be anyone else? I watched him in Fight for My Way and he is even better here. His character is a sympathetic one, struggling to hold onto his principles because that is the only way he can honour his late father. Their relationship seemed interested but would have been better had it been fleshed out over an episode or two. Understandably, a lot needed to happen so this could not be done.
Kim Da-Mi as Jo Si-Yeo grew incredibly on me. Her character was the heart of the show in that as the story did, so did she as a person, learning to see the way as Park Saeroyi did. The show wrote her character - for the most part - really well and the scenes with her never disappointed.
I also appreciated how the show tackled tropes both in the social sense and how a kdrama show is meant to be. It delved into what it was to be transgender, as to whether ethnicity constituted nationality, rather too simply sometimes but quite well. The humanity of the protagonists shone through here. I also liked that the first love isn't the one he ends up with - although I'll get onto the problems of this later.
The music also complemented the show's tone quite well and bears similarities to Start-Up. But now, let's get onto the problems of which three existed:
1) the show moves too fast. A single episode can sometimes cover years. It leaves characters seeming static. Or sometimes a problem is encountered and then resolved too efficiently. Other things are not actually shown but swept alongside too quickly. How did they first fare as a new pub with customers was sped along. The business plan to go global wasn't shown but just told through an accelerated process. His time in prison. Throughout the show, there was this nagging sense of things rushing at a ludicrous pace while the characters themselves didn't change much.
The next problem is the love triangle. I liked Soo-ah's character at first. As an orphan, her need for survival as an independent woman was understandable. But we never saw her backstory so it was a case of telling rather than showing, which this show suffered from. The whole thing about her joining Jagga Co never added up to me and it culminated in her becoming increasingly hard to sympathise with. Had she joined to protect Park Saeroyi, it would have sufficed as an explanation, considering her own affection for both him and his father. But it was done by her need to survive. Which seemed strange because she could have done that anywhere else.
The show's rapid progress through time actually worked worse for her too. While others around her changed to some extent, she never did. She remained the quiet, silently suffering secretary of a boss she hated, a deeply immoral man who she wouldn't break away from. And so you come to realise that the love triangle wasn't really a triangle because there was no way she could have ever deserved Park Saeroyi. She never did anything for him, but instead for years waited, made him suffer, continued to wait, continued to serve a man who covered up the murder of someone who looked after her, and became increasingly difficult to sympathise with. Her conversation with Yi-Seo towards the end of the show highlighted this: whereas Yi-Seo was doing everything for Saeroyi, she did nothing. She might have been there with him from the beginning but she wasn't there for him. This was the underlying difference between both the women and why the love triangle, though done with nuance, became clear as to who would deserve him.
The final problem, which I'll keep brief is the conflict of the last couple of episodes. It was an unnecessary way to tie up everything because it didn't fit in with what the show had been doing. It was ridiculous and damaged my view of the show.
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