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Manner of Death thai drama review
Voltooid
Manner of Death
2 mensen vonden deze beoordeling nuttig
by Angelika
feb 5, 2022
14 van 14
Voltooid
Geheel 9.0
Verhaal 8.0
Acting/Cast 10.0
Muziek 9.5
Rewatch Waarde 9.0

Good but beware

Let’s start with the acting, shall we? Our famous BL duo really stepped up, sparing us the usual buffet of cringe-worthy moments that have become a staple in the genre. However, I couldn’t help but notice Dr. Bun occasionally standing there like a man unsure of what to do with his hands. You know, the kind of awkwardness where you’re not sure if you should shove them in your pockets or start conducting an imaginary orchestra.

Now, the storyline—it's a diamond in the rough, emphasis on rough. According to the tags, this drama was adapted from a novel, which made me wonder if the plot holes were inherited from the original author or if the screenwriter decided to add a few of their own for fun. There are quite a few, and at some points, I half-expected a character to fall into one and disappear entirely.

That said, I’m not going to count the police or medical examination scenes as plot holes, even though they were questionable at best. Procedures vary from country to country, and it wouldn’t be fair to judge them by my own country’s standards. I’m fairly certain our local detectives would faint if they saw how things were handled here, but who am I to nitpick across international lines?

Overall, the drama starts off like a slow-moving train with a questionable destination but really picks up steam around episode 6 or 7. The storyline has a good skeleton, but it’s in dire need of a little fleshing out. Like I said, plenty of potential, but the writing is a bit... porous. A script revision could have really helped patch things up. Still, it’s far better plot-wise than a good chunk of other BL dramas I’ve suffered through.

And then there’s the directing. One of the directors clearly fell head over heels for close-ups and camera pans. Honestly, I half-expected the camera to crash into one of the actors' faces at some point. Please, dear director, I beg you—find another trick to make scenes dynamic because by episode 5, I was getting motion sickness from the constant camera swoops.

Now, let’s talk about the characters. Take Inspector M, for example. A classic case of "loved to hate," except his redemption arc felt about as natural as a cactus in a snowstorm. He had all this wasted potential—if they’d leaned more into his rivalry with the leads, we could’ve had another gripping storyline. Meanwhile, Sorawit—oh dear, Sorawit—had entirely too much screen time for a character who seemed to be there solely for decoration. He had no real role in half the scenes he appeared in, and at one point, I started suspecting he was secretly an extra who kept wandering onto set by accident.

In conclusion, it’s a good watch, but be prepared for a few bumps along the way.
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