Angelika
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A subplot that wandered in, got distracted, and never really found its way back to relevance
After watching the Enchanté trailer, I made the classic mistake: I developed expectations. I was ready for a harem-esque story full of multiple love interests swirling around the central mystery of "Who is Enchanté?"—a thrilling adventure with a side of romantic tension, or so I thought.
But alas, by the end of the first episode, it became abundantly clear that this was not what I had signed up for. The "Who is Enchanté?" mystery, far from being the heart of the story, was more like an afterthought, a subplot that wandered in, got distracted, and never really found its way back to relevance.
Now, I imagine reviews for Enchanté will be split right down the middle. If you’re here for a juicy harem dynamic or a tightly woven mystery, you might leave feeling as bewildered as someone expecting a rollercoaster but getting a merry-go-round instead.
After watching the Enchanté trailer, I made the classic mistake: I developed expectations. I was ready for a harem-esque story full of multiple love interests swirling around the central mystery of "Who is Enchanté?"—a thrilling whodunit with a side of romantic tension, or so I thought.
But alas, by the end of the first episode, it became abundantly clear that this was not what I had signed up for. The "Who is Enchanté?" mystery, far from being the heart of the story, was more like an afterthought, a subplot that wandered in, got distracted, and never really found its way back to relevance.
Now, I imagine reviews for Enchanté will be split right down the middle. If you’re here for a juicy harem dynamic or a tightly woven mystery, you might leave feeling as bewildered as someone expecting a rollercoaster but getting a merry-go-round instead.
What I Liked:
Cinematography and Locations: The campus is so picturesque that it made me wonder if I’d accidentally clicked on a tourism ad. The scenery is practically the star of the show.
The Little Prince Analogy: They did manage to weave in The Little Prince by Antoine de Saint-Exupéry, which was a nice touch. A bit deep, a bit whimsical—basically, it added some literary class to the proceedings.
Plot Ideas: Now, I said ideas—not execution. The ideas themselves were quite promising. You could sense there was potential hiding in the background, nervously waving its hand.
Akk: A likable character with solid acting skills. He gave me someone to root for amidst the confusion.
Akk’s Little Sister: A scene-stealer in the making! Unfortunately, they gave her so little screen time that you’re left wondering if she wandered onto the wrong set and no one noticed.
The Fake Enchantés: I did enjoy watching the various imposters pop up, each with their own hidden motives. It added a bit of intrigue to an otherwise meandering story.
What I Disliked:
The Enchanté Plot: The main hook of the show—"Who is Enchanté?"—was so poorly handled that by episode 5, when Theo was still looking for Enchanté, my reaction was a baffled, "Wait, we’re still doing this? Why? Can we get back to Akk, please?" The exchange between Theo and the mysterious Enchanté felt so short and hollow, it was almost like a side quest in a video game that you accidentally complete and then promptly forget about.
Theo’s Character: I wouldn’t say he’s outright unlikable, but he’s certainly not someone you feel much for. He’s self-centered, aloof, and more of a plot device than a protagonist. He’s there, but it’s hard to root for him when he feels like he’s going through the motions rather than actively engaging in the story.
Attention to Detail: Or rather, the complete lack of it. There are so many little plot points that just don’t make sense—script issues, editing blunders—you name it. How did no one catch these before airing? It’s a mystery greater than the Enchanté one.
Pacing: Oh, the pacing. It drags. A lot. Whole stretches of time feel like filler—scenes that seem written by someone bored in middle school, unsure how to move the plot forward. It’s slow, and not the thoughtful, atmospheric kind of slow, but the “nothing interesting is happening and I’m questioning my life choices” kind of slow. Whether this was due to budget constraints or the screenwriting itself, I’m not sure, but it left parts of the show feeling like a slog.
Overall Thoughts:
Enchanté had potential. Really, it did. But it was let down by clunky screenwriting, direction that didn’t seem to know where it was going, and a post-production team that may or may not have been asleep at the wheel. The main duo are both relative newcomers to acting, and while they gave it a decent shot, the weak script didn’t do them any favors.
That said, there’s something oddly comforting about the show. It’s the kind of thing you can watch when you don’t want to think too hard—something simple, unproblematic, and easy to follow, if not particularly riveting. So, if you’re bored and in the mood for a no-brainer that won’t stress you out, Enchanté might just be the ticket. Just don’t expect a grand mystery or a complex love polygon.
But alas, by the end of the first episode, it became abundantly clear that this was not what I had signed up for. The "Who is Enchanté?" mystery, far from being the heart of the story, was more like an afterthought, a subplot that wandered in, got distracted, and never really found its way back to relevance.
Now, I imagine reviews for Enchanté will be split right down the middle. If you’re here for a juicy harem dynamic or a tightly woven mystery, you might leave feeling as bewildered as someone expecting a rollercoaster but getting a merry-go-round instead.
After watching the Enchanté trailer, I made the classic mistake: I developed expectations. I was ready for a harem-esque story full of multiple love interests swirling around the central mystery of "Who is Enchanté?"—a thrilling whodunit with a side of romantic tension, or so I thought.
But alas, by the end of the first episode, it became abundantly clear that this was not what I had signed up for. The "Who is Enchanté?" mystery, far from being the heart of the story, was more like an afterthought, a subplot that wandered in, got distracted, and never really found its way back to relevance.
Now, I imagine reviews for Enchanté will be split right down the middle. If you’re here for a juicy harem dynamic or a tightly woven mystery, you might leave feeling as bewildered as someone expecting a rollercoaster but getting a merry-go-round instead.
What I Liked:
Cinematography and Locations: The campus is so picturesque that it made me wonder if I’d accidentally clicked on a tourism ad. The scenery is practically the star of the show.
The Little Prince Analogy: They did manage to weave in The Little Prince by Antoine de Saint-Exupéry, which was a nice touch. A bit deep, a bit whimsical—basically, it added some literary class to the proceedings.
Plot Ideas: Now, I said ideas—not execution. The ideas themselves were quite promising. You could sense there was potential hiding in the background, nervously waving its hand.
Akk: A likable character with solid acting skills. He gave me someone to root for amidst the confusion.
Akk’s Little Sister: A scene-stealer in the making! Unfortunately, they gave her so little screen time that you’re left wondering if she wandered onto the wrong set and no one noticed.
The Fake Enchantés: I did enjoy watching the various imposters pop up, each with their own hidden motives. It added a bit of intrigue to an otherwise meandering story.
What I Disliked:
The Enchanté Plot: The main hook of the show—"Who is Enchanté?"—was so poorly handled that by episode 5, when Theo was still looking for Enchanté, my reaction was a baffled, "Wait, we’re still doing this? Why? Can we get back to Akk, please?" The exchange between Theo and the mysterious Enchanté felt so short and hollow, it was almost like a side quest in a video game that you accidentally complete and then promptly forget about.
Theo’s Character: I wouldn’t say he’s outright unlikable, but he’s certainly not someone you feel much for. He’s self-centered, aloof, and more of a plot device than a protagonist. He’s there, but it’s hard to root for him when he feels like he’s going through the motions rather than actively engaging in the story.
Attention to Detail: Or rather, the complete lack of it. There are so many little plot points that just don’t make sense—script issues, editing blunders—you name it. How did no one catch these before airing? It’s a mystery greater than the Enchanté one.
Pacing: Oh, the pacing. It drags. A lot. Whole stretches of time feel like filler—scenes that seem written by someone bored in middle school, unsure how to move the plot forward. It’s slow, and not the thoughtful, atmospheric kind of slow, but the “nothing interesting is happening and I’m questioning my life choices” kind of slow. Whether this was due to budget constraints or the screenwriting itself, I’m not sure, but it left parts of the show feeling like a slog.
Overall Thoughts:
Enchanté had potential. Really, it did. But it was let down by clunky screenwriting, direction that didn’t seem to know where it was going, and a post-production team that may or may not have been asleep at the wheel. The main duo are both relative newcomers to acting, and while they gave it a decent shot, the weak script didn’t do them any favors.
That said, there’s something oddly comforting about the show. It’s the kind of thing you can watch when you don’t want to think too hard—something simple, unproblematic, and easy to follow, if not particularly riveting. So, if you’re bored and in the mood for a no-brainer that won’t stress you out, Enchanté might just be the ticket. Just don’t expect a grand mystery or a complex love polygon.
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