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See You in My 19th Life korean drama review
Voltooid
See You in My 19th Life
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by AbaTelAja
okt 5, 2024
12 van 12
Voltooid
Geheel 10
Verhaal 10.0
Acting/Cast 10.0
Muziek 10.0
Rewatch Waarde 10.0

"Have you fallen in love?"



Why do children love fairy tales? Because they are stories where there’s no logic, yet they are still stories. The best stories are written by life, and they are the best because the events shouldn’t have unfolded the way they did. Yet they did, and they unfolded in a magical, fairy tale-like way.
The drama "See You in My 19th Life" is also a fairy tale—one for adults. It’s a Rom-Com, a romantic comedy. The execution is brilliant. It’s not forceful, yet it’s full of deep emotions—happy, sad, and touching ones. Perhaps that’s why it touches the soul like a balm.
I won’t go into details about the plot, so that those who haven’t seen it can fully enjoy it. The beginning is lighthearted, and the rest remains a secret for those who haven't watched it yet.
This series starts off dynamically from the very first episode, immediately captivating the viewer. I’ll tell you this: you’ll likely want to watch it twice. On the first viewing, the solutions might seem surprising, even exaggerated. However, the actors charmingly portray the dilemmas of ordinary life. What initially feels overdone turns out to be the drama’s redeeming philosophy. This is what truly drives the story, and understanding this will prompt you to watch it again. Upon a second viewing, something strange happens. It’s as if the series was shot from two different camera angles. From the second perspective, the solutions no longer seem exaggerated—they’re the best they could be. The actors convey this brilliantly on screen.

Shin Hye-Sun delivers a stellar performance. Her choice of hair color (a fox-like hue) beautifully complements the cunning character she plays—both as an actress and as a person interacting with Mun Seo-Ha (Ahn Bo-Hyun, who excellently portrays a young man tormented by memories of the past). The playfulness is not one of malice, but rather a loving attempt to get closer to him.
In almost every episode, we’re treated to beautiful, emotionally stirring visual solutions. Ban Ji-Eum (Hye-Sun) plays with her voice sensually when she believes that Seo-Ha, her young friend from a past life, can’t hear her. Ji-Eum, who remembers her past lives, affects those around her like someone blessed with an extraordinary level of empathy. And this is where the others in the story come in. The cast complements each other wonderfully. Ha Yoon-Kyung’s performance as Cho-Woon must be mentioned. She’s incredibly likable, and in several scenes, she conveys emotions from the screen with a powerful intensity. A great choice to pair with Shin Hye-Sun.

The director and the entire crew deserve praise. There are many beautiful solutions in the series, but as promised, I won’t spoil them—let them surprise you. Both in terms of content and visuals.

The child actors also shine in the series. They gave excellent performances, which was also highlighted by professional critics.

The film’s OST is romantic and wonderful.

The only negative I’d point out is the rushed ending. I was horrified when I realized I was suddenly watching the last episode. From that moment on, I was counting the minutes (only ten left, only five left...). This team could have elegantly resolved everything in an extra 30 minutes, rather than cramming it into just 15. It was too fast, with no time for the gentle unraveling that had characterized the entire series.

But who would I dock points for this? To be fair, no one.

Aja
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