Tale #1 of Cheese Sisters reminds quite a bit of how Cupid's Last Wish starts out. Two childhood friends striking up a romance on the family dairy farm of one of them, providing much needed comfort after lead 1's father passed away. In fact, I think that if people hadn't gotten involved and interfered, the same-sex romance in Cupid's Last Wish would've came into fruition in a rather similar manner.

Story #4 of Cheese Sisters bears a lot of similarity to You Are The Cream In My Coffee. One female lead goes to the bakery/cafe that the other female lead runs daily, which initially annoys the her. However, after a well placed beg/bargain, the owner female lead starts teaching the other how to make the shop's goods. However, despite several lessons and succeeding in winning over her crush, she's still quite bad at making it and requires more lessons (not that they're complaining, though).

Both of these GL dramas, from Idol Factory and the same original creator, are sapphic renditions of classic romance tropes/cliches.

Both of these dramas revolve around a main protagonist being raised as the opposite gender in order to bypass a curse/prediction regarding their safety and well-being.

Both of these comedy productions center around a main protagonist and their shower/bathroom thoughts.

Both of these short films feature a very young male lead who ventures on to gay dating apps to confirm/act on his sexuality away from the people in his life that he thinks will judge him for it.

Both of these Thai BLs are more on the crass side of discussions about intimacy as the two male leads start looking at relationships and sexuality.

Both of these 2016 Thai BL titles involve middle/high school students coming into their sexuality. Directed by the same team, some scenes feel like replicas of each other: for instance Than and Palm (Right Man) and Book and Frame (Make It Right)’s first time being intimate together.

Both of these BL productions feature a ML with similar childhood trauma (trigger warning!!), that results in an aversion to certain/all touches. Both MLs also have repeated instances of people trying to assault them, but are comforted by their love interest who respects their boundaries and apologizes if he crosses them without thinking.

In both of these Japanese dramas, both leads just really want to live their lives quietly by themselves, but get swept up in the drama of a bunch of boys who suddenly converge in his/her daily life. But they find themselves enjoying it regardless.

Both of these Japanese productions feature dramatic BL moments that occur spontaneously, and wrap up in an equally dramatic and spontaneous matter, while the ML more or less just watches it happen.

Both of these Japanese minidramas center around a lead character longing for love, imagining various romantic interests tied to that episode's cooked dish.