Both titles feature prominent messages about marriage equality in a lesbian relationship - and how the lack of such rights has disastrous effects in instances of emergencies and loss.
Both of these titles are Thailand firsts in the GL world: Yes or No being credited as the first feature-length Thai GL film, and GAP being the first full-length Thai GL drama.
Story wise, both GLs center around a first relationship between two female leads. The story conflicts also center around a disapproving family matriarch figure and both FL's being pursued by other romantic competitors (and the jealousy that that inspires).
Personality-wise, there are also several resemblances: with one FL being friendly and honest, and the other starting off quite harsh and frequently not saying what she means.
Story wise, both GLs center around a first relationship between two female leads. The story conflicts also center around a disapproving family matriarch figure and both FL's being pursued by other romantic competitors (and the jealousy that that inspires).
Personality-wise, there are also several resemblances: with one FL being friendly and honest, and the other starting off quite harsh and frequently not saying what she means.
Both of these gory Thai horrors are centered around an innocent teenage girl succumbing to a Krasue curse. Both have a romance plotline (though it is only mild in SisterS) and possess several of the same plot points.
Both series feature a healthy and adorable relationship between a scientist ML and a creative-oriented FL. Both series also feature a stint of a long distance relationship. Both couples also have run-ins with a few two-faced jealous characters, but these characters ultimately don't stay long nor do they have their intended way with the mains' feelings for each other.
Both series feature a similarly sweet and bubbly FL who is steadfast with who she loves, even as other root-for-able male leads show an interest in her. They both also feature a prominent subplot around finding your voice and celebrity life. They also both have similar scenes between the female lead and the non-romantic leads.
The ML of Goodbye Again has stated that he referenced "Two Cops" in preparation for the spirit possession his role called for.
The ML of Goodbye Again has stated that he referenced "Oh My Ghost" in preparation for the spirit possession his role called for.
Both of these dramas center around leads with long-term secret crushes, and the secret flirtation they have unbeknownst to their friend group. Said friend groups are also eccentric and goofy.
Another wacky “what did i just watch” “cant take my eyes off of this” comedy from Thailand revolving around the people staying in the same building together.
Both of these music reality shows involve a celebrity and unknown guest singing the same song. They both involve a guess component as well, as the identities of these singers are hidden from each other.
Both of these works are censored queer wuxia tales. The dynamic between the two female leads in Demon Cult Leader and the Decent Miss reminds of the master-disciple dynamic between Zi Shou and his student: that of a closet softie and an enthusiastic youngster who follows them relentlessly. And both stories feature leads willing to against the general consensus of the cultivation world for what they believe to be right.
While one is light and the other dark, both of these censored GL wuxias center around the relationship between a master and disciple - one of which is hiding their identity from the other. A revelation that puts them on seemingly opposite sides of cultivation.