1
AudienceofOne
This show is pure, distilled joy.
It’s like sunshine on my soul and rainbow skies with fluffy bunny clouds.
If a television show could be a child on a rainy day playing with a dollhouse and making up a story in their imaginative, marshmallow head while drinking hot chocolate and getting hugs from their puppy then this would be that show.
I could devote part of this review to its pacing problems, its thin plot, its treatment of its minor characters, and some of the questionable decisions the writers made in the name of a humour that was at times a little broad. But when you smile for 16 episodes straight and a chicken regularly wanders through, who cares?
The music is wonderful, the cinematography is at times spectacular and the writers have fun - loads of fun - recreating visual odes to films, especially horror films. Show is fun and show has heart and that's really all you need from a rom-com in the end.
Shin Hye-sun is delightful as Woo Seo-ri, the 17-year-old girl who comes out of a 13-year coma to find she's suddenly 30. Yang Se-jong is delightful as Gong Woo-jin, the man who hides his guilt over the accident with a misanthropic grumpiness. And Ahn Hyo-seop is delightful as Yoo Chan, Woo-jin's nephew who is 19 and just on the verge of adulthood. In fact, I'd love to think of another synonym for 'delightful' right now but that describes almost every character in this show - major or minor.
The main trio is rounded out by the robotic, classics-quoting housekeeper, Jennifer (Ye Ji-won) whose rote delivery and deadpan randomness is... delightful.
Every one of these characters is delightful but what I really love is the show’s underlying message about control and our ultimate lack thereof. It's not actually about trauma so much as the fact that growing up means reconciling your dreams with the reality of life and your own limitations. You can't control your physical limits any more than you can control whether a bus crashes.
As you grow older, doors in your life close. But if you have the patience to wait through the intermission, a window will open and the amazing second act can begin.
It’s like sunshine on my soul and rainbow skies with fluffy bunny clouds.
If a television show could be a child on a rainy day playing with a dollhouse and making up a story in their imaginative, marshmallow head while drinking hot chocolate and getting hugs from their puppy then this would be that show.
I could devote part of this review to its pacing problems, its thin plot, its treatment of its minor characters, and some of the questionable decisions the writers made in the name of a humour that was at times a little broad. But when you smile for 16 episodes straight and a chicken regularly wanders through, who cares?
The music is wonderful, the cinematography is at times spectacular and the writers have fun - loads of fun - recreating visual odes to films, especially horror films. Show is fun and show has heart and that's really all you need from a rom-com in the end.
Shin Hye-sun is delightful as Woo Seo-ri, the 17-year-old girl who comes out of a 13-year coma to find she's suddenly 30. Yang Se-jong is delightful as Gong Woo-jin, the man who hides his guilt over the accident with a misanthropic grumpiness. And Ahn Hyo-seop is delightful as Yoo Chan, Woo-jin's nephew who is 19 and just on the verge of adulthood. In fact, I'd love to think of another synonym for 'delightful' right now but that describes almost every character in this show - major or minor.
The main trio is rounded out by the robotic, classics-quoting housekeeper, Jennifer (Ye Ji-won) whose rote delivery and deadpan randomness is... delightful.
Every one of these characters is delightful but what I really love is the show’s underlying message about control and our ultimate lack thereof. It's not actually about trauma so much as the fact that growing up means reconciling your dreams with the reality of life and your own limitations. You can't control your physical limits any more than you can control whether a bus crashes.
As you grow older, doors in your life close. But if you have the patience to wait through the intermission, a window will open and the amazing second act can begin.
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