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Just as fun as the previous adventure
After viewing the pleasantly surprising Ironfinger I had to check out its sequel sooner rather than later. Golden Eyes, again a translator's joke of a title, plays itself slightly straighter than the previous adventure. I say slightly because there are still out-and-out ridiculous moments sprinkled through its runtime that rival that of its predecessor.
A killer-for-hire gets mixed up in an intense battle for control over a gold smuggling route from Beirut to Tokyo, all the while trying to support a little girl in her quest for vengeance over the men who killed her dad.
Golden Eyes continues the mysterious international intrigue set up by the Bond series with the globe-trotting antics of its cast. I'd mentioned that this film does contain some ridiculous moments worthy of its predecessor and that is true. Be it the amazing use of ricocheting bullets to shoot guns at guns to fight assailants dressed as nuns pushing baby carriages with machine guns mounted on them or the poison gas chicken room service or the champagne bottle firing squad, Golden Eyes hardly lacks inventive ideas. But there's an equal mean streak going on here and the moment the two leading ladies get tortured with a cigarette lighter is admittedly a hard watch.
Jun Fukuda's direction is perfectly solid, I don't think it's nearly as diverse as the previous film but serves it's duty well. He directs the action sequences with such kinetic energy you can't help but be suckered in, helped by the short 80-minute runtime. The man knows how to direct engaging gunfights. The writing is a strange combination of returning talent Michio Tsuzuki, Ei Ogawa of the Bloodthirsty trilogy and Space Amoeba fame and even Jun Fukuda gets some semblance of duties when handling the writing.
Akira Takarada continues to be an effortlessly badass, with all his charm and sophistication carrying over. Ichirô Arishima's character Detective Tezuka is back only this time played by the equally reliable Makoto Satō who makes the character his own while still managing to carry over elements of Arishima's portrayal. Bibari Maeda and Tomomi Sawa both play great equivalent Bond girls with Maeda's Ruby acting as a constant foil for Takarada's Andy to overcome. Of course, it's equally wonderful to see Yoshio Tsuchiya as one of the bad guys and is very much the film's primary antagonist to overcome even if he does get overshadowed by Andrew Hughes' blind eccentric billionaire Mr Stonefeller and his dog Sinbad.
The music by Masaru Satō continues his efforts from Ironfinger. Bringing back a few of his cues from the previous film but also enhancing a lot of them by adding more elements to them. The title song is also in English this time around and if anything is a bigger earworm than the last one, I definitely prefer it.
Overall, Golden Eyes may be seen as having diminishing returns when directly compared to Ironfinger, but what it lacks in contrast it makes up for in sheer fun, great acting and engaging action set pieces. The 100 Shot, 100 Killed series, unfortunately, ended here in what you can easily picture as turning into a multi-episode adventure.
A killer-for-hire gets mixed up in an intense battle for control over a gold smuggling route from Beirut to Tokyo, all the while trying to support a little girl in her quest for vengeance over the men who killed her dad.
Golden Eyes continues the mysterious international intrigue set up by the Bond series with the globe-trotting antics of its cast. I'd mentioned that this film does contain some ridiculous moments worthy of its predecessor and that is true. Be it the amazing use of ricocheting bullets to shoot guns at guns to fight assailants dressed as nuns pushing baby carriages with machine guns mounted on them or the poison gas chicken room service or the champagne bottle firing squad, Golden Eyes hardly lacks inventive ideas. But there's an equal mean streak going on here and the moment the two leading ladies get tortured with a cigarette lighter is admittedly a hard watch.
Jun Fukuda's direction is perfectly solid, I don't think it's nearly as diverse as the previous film but serves it's duty well. He directs the action sequences with such kinetic energy you can't help but be suckered in, helped by the short 80-minute runtime. The man knows how to direct engaging gunfights. The writing is a strange combination of returning talent Michio Tsuzuki, Ei Ogawa of the Bloodthirsty trilogy and Space Amoeba fame and even Jun Fukuda gets some semblance of duties when handling the writing.
Akira Takarada continues to be an effortlessly badass, with all his charm and sophistication carrying over. Ichirô Arishima's character Detective Tezuka is back only this time played by the equally reliable Makoto Satō who makes the character his own while still managing to carry over elements of Arishima's portrayal. Bibari Maeda and Tomomi Sawa both play great equivalent Bond girls with Maeda's Ruby acting as a constant foil for Takarada's Andy to overcome. Of course, it's equally wonderful to see Yoshio Tsuchiya as one of the bad guys and is very much the film's primary antagonist to overcome even if he does get overshadowed by Andrew Hughes' blind eccentric billionaire Mr Stonefeller and his dog Sinbad.
The music by Masaru Satō continues his efforts from Ironfinger. Bringing back a few of his cues from the previous film but also enhancing a lot of them by adding more elements to them. The title song is also in English this time around and if anything is a bigger earworm than the last one, I definitely prefer it.
Overall, Golden Eyes may be seen as having diminishing returns when directly compared to Ironfinger, but what it lacks in contrast it makes up for in sheer fun, great acting and engaging action set pieces. The 100 Shot, 100 Killed series, unfortunately, ended here in what you can easily picture as turning into a multi-episode adventure.
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