Ji Chang-wook returns to crime action in this historical thriller about the South Korean underworld in the late 1990s. He dons the blue uniform as Park Jun-mo, a low-ranking detective co-opted by his superiors to infiltrate an enterprising Gangnam gang operating nightclubs openly and dealing in methamphetamines in secret. He is married to Yu Eui-jeong (Im Se-mi) a fellow police officer who at the start of the show is already an inspector transferring to the security division. As a result Jun-mo is routinely made to feel his place by his snobbish in-laws who are all elite officers themselves. When first approached by the prosecutor-in-charge and his senior, Jun-mo hesitates. But with the prospect of promotion (and respectability) waved under his nose, he eventually succumbs and agrees.

Jun-mo’s primary foil is Jung Gi-cheul (Wi Ha-joon) the founder and head of the Gangnam Union. Formerly a popular nightclub disc jockey who grew up in the area, the savvy and ambitious Gi-cheul takes up the offer by a local mob boss to head up his own nightclub. His inner circle consists of a group of friends from high school and their loyalty to him seems unwavering. Not content to be earning chump change, he wants to expand his operations to drug distribution but is flatly rejected by his backer, a notorious figure known as Sgt Jang. Like Jun-mo, Gi-cheul craves respect which he thinks money will bring. He is tired of being trampled underfoot by rich junkies and his direct supervisor so he devises a coup then buys over the biggest mob boss in the country based in Busan.

Despite all the violent blood-letting that’s on display, this is essentially a character study of two men. They’ve been dealt a similar hand at the start but made different choices along the way. Due to unforeseen circumstances, interventions and choices they end up in different places. The proposition that Gi-cheul could have ended up with Eui-jeong is not too far-fetched or that Jun-mo could have ended up as a member of a gang is highly probable. The moral argument (and the show's contribution to the nature vs. nurture debate) seems to be that human beings are the sum of their choices regardless of external intervention.

It's been a while since I've read F. Scott Fitzgerald's literary classic but Jung Gi-cheul bears more than a passing resemblance to Jay Gatsby. Instead of bootleg, Gi-cheul is the purveyor of an item known as Gangnam Crystal. He is the South Korean link in a deadly drug distribution triangle that includes Japan and mainland China. His goal from the first to the last is the girl -- Yu Eui-jeong, a woman he's been in love with since high school. Like his American counterpart, he is the symbol of the South Korean dream. Accumulate wealth as quickly as possible. Gain respectability. Get the girl one way or another. He's a tragic figure in the Gatsby mould and while I never felt the urge to root for him to win, I did want redemption for him.

I didn’t have huge expectations coming into this but this was just one of those unmissable collaborations that don't come very often. A veritable casting coup as it turns out. Our male leads -- Ji Chang-wook and Wi Ha-joon -- certainly lived up to expectations with thoughtful performances as cop and criminal. It's hard to say who was really the protagonist or antagonist. As a whole it was an entertaining emotional rollercoaster experience. The script is serviceable (unabashedly inspired by 90s Hong Kong gangland films) and nothing particularly groundbreaking. Still there are fascinating turns in the plot and implicit repudiations of standard K drama tropes. In the final analysis what elevates this show for me are its presentation of messaging and themes.

In ways explicit within the narrative The Worst of Evil is a Christian allegory about greed, desire and the road to destruction. While the world-building revolves around cops and gangsters playing cat and mouse, at its core is a cautionary tale of two men and their problematic relationship with success — and a particularly narrow view of what that looks like. Both men crave success not for its own sake but in order to attain that Holy Grail of respectability. The desire for respectability propels them forward right to the bitter end. Success, whatever form that takes, opens the door to acceptance by their betters and their peers. Jung Gi-cheul, in particular, is the poster child for this. Raised in the church and at some point a choir member, he would have been schooled in that often misquoted admonishment found in the New Testament. “The love of money is the root of all kinds of evil which while some coveted after, they have erred from the faith, and pierced themselves through with many sorrows.” (1 Timothy 6:10, KJV) His pursuit of wealth in order to gain respectability in a world that values status as well as to win over the woman he loved, kicked him off the straight and narrow. In the case of Park Jun-mo, it is for the love of a woman that he accepts the undercover gig. To shine and abrogate her family's disdain of him. To prove himself worthy of her and to prove them wrong.

The insinuation of Im Se-mi's Yu Eui-jeong into the investigation is a double-edged sword for both men. Even with all the drug talk, she is at the core of this story -- the point of intersection for their trajectories. She is inextricably tied to the desire line of both men. She symbolizes an elusive respectability for both. Nonetheless the de facto love triangle is not a romance but a journey of discovery that the great South Korean dream is not for everyone but a select few. Those who are born in Gangnam don't necessarily succeed in Gangnam. Effort alone don't cut it. Hence the outlook here is bleak and pessimistic.

The drama boasts a stellar ensemble of veteran character actors and promising youngsters . No one puts a foot wrong including newcomer Bibi who turns in a memorable performance as Lee Hae-ryeon the scion of the Chinese distributor. Also of note is Lee Shin-gi as the dagger-wielding Chief Seo, the menacing enforcer of the Gangnam Union. The action sequences are certainly designed and calculated to shock with its relentless brutality. All that contributes to the world-building that harkens back to a different time -- a more chaotic time.


This review is adapted from several posts made on my blog https://40somethingahjumma.substack.com/