Set in the 1950s, “Jeongnyeon: The Star Is Born” delivers a classic retelling of two Korean art forms- Gukgeuk and Pansori.

I spend a lot of time learning the intricacies of these two folk arts, which are quite liberal and intriguing as compared to those in my motherland. For those unaware, Pansori is Korean genre of musical storytelling performed by a singer and a drummer, where the singer tells the story by singing and the drummer accompanies her on the drum. Incorporating this aspect into Gukgeuk was the main highlight of this show, which refers to a theatrical performance that combines singing and dancing. In post war era, Gukgeuk was extremely popular and women portrayed men’s roles. In short, it was an all female- production which had a cult following from the 1950s to 1960s, after which it rapidly declined due to the rise of films. “Jeongnyeon: The Star Is Born” delivers a subtle romance with homoerotic tones. Adapted from the webtoon “Jeong Nyeon” (정년이) written by Seo Irae (서이레) and illustrated by Namon (나몬), the original storyline was a sapphic love story. Even though the show is a censored adaptation, the all-women ensemble renders itself useful in maintaining the sapphic flavors.

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