Vincenzo might not be the first noire drama out there, but it sure went full throttle with the genre, what with Mafia, deep state corruption, torture, revenge, murder and everything in between. But other than the usual noire that mixes in a pinch of drama, and a dash of romance, it mixed quite a large dollop of comedy. Whether the recipe works or not, depends on each viewer, so while some might have found the dose of comedy a tad too much, others found it was just the right amount and loved the drama all the more for it. I for one, could have appreciated a more balanced recipe, but I still enjoyed it all in all.

From the drama's kickoff, you become attracted to the original premise, the fast paced plot and the sleek execution. An Italian mafia family's consigliere of Korean origin heads back to Korea to retrieve a vault full of gold.
The first few episodes while a little slow paced served well to introduce the characters and pave the ground for the story, and during that phase the comedy was just to the right level and served its purpose, to show the sudden shift in the hero's life and the jarring difference between his background in Italy and what he finds himself thrown into in Korea. I was laughing with tears at vincenzo's demise upon arriving at Korea, and enjoyed the comedic relief in the simple interactions with the side characters and even simple moments like our mighty hero begging a pigeon to shut up so that he can go to sleep, only to have the pigeon raid his bedroom.
The start of the drama was craftly done to show the gap between our hero's true identity and past, and how his move to a different environment surrounded with simple common people affected his demeanour, state of mind and even somehow his priorities. The more he dived deeper into the lives and struggles of the simple plaza tenants, the more he drifted a little further from his dark mafia background, though eventually he relied on his mafia expertise but this time for nobler causes.

As I said, earlier on in the show the comedy served a purpose and was to a degree well-balanced, giving the right amount at the right time. For example, I was LOLing at the scenes where the undercover NIS agent with a Mafia-mania spying on Vincenzo always seemed to see things from an angle that made him mistake vicenzo for an angel in disguise, a mafia with a huge soul and a good conscience.
But the more the drama progressed, the more I guess the writers wanted to stay true to their forte or something, and slapstick comedy started to hit in huge doses. I have no problem with mixing comedy with other genres however serious and heavy they might be, but the right formula depends on the type, amount and timing of the said comedy. In Vincenzo's case, the comedy scenes were sometimes so sudden and ridiculous they kind of felt like a hit in the face especially if they came right after a tragic and intense scene, it left me sometimes with an urge to rub my eyes in disbelief. Comedic relief is one thing, but it should never be so sudden and so slapstick that it totally takes you out of the mood of the drama and pulls you away from the story. (Side mention, the excessive PPL as usual was extra distractive. ugh!!!!)

Putting the comedy aside, like any thriller the main plot relies on a series of confrontations, of attacks and counterattacks. The antagonists plot a scheme, and the protagonist hits back. This format is expected, but unfortunately in vincenzo's case it eventually caused a certain sense of repititiveness. The more the plot progressed, and the more complicated and elaborate the attacks became, the more it relied on unexpected twists and fake cliffhangers, where it essentially became a loope of "the bad guys plot against vincenzo > a cliffhanger shows vincenzo in a pinch > flashbacks in the first few minutes of the following episode show that vincenzo was informed or expected the bad guy's plot and was well prepared and that the whole thing was a ruse and he comes out without bearing even one scratch". While the first few times it felt cool and smart, the more such gotcha moments increased the more it started to feel annoying, repetitive and strangely and ironically predictive. Having our all-mighty anti-hero always conquering and ending up having the upper hand does feel good, but having it happen in that manner most of the time could end up dampening the suspence and killing the thrill, as if the writers start a huge fire only to dump water on it after mere seconds before it even reached a point of being thrilling. You're left watching not worried whether or not he will come out fine, but rather wondering what he has up his sleeves this time.

The acting overall takes a 7, a special shoutout goes to Taecyon for his marvelous performance, hands down the strongest out of all the cast. SJK as usual gave a very solid performance, though at times a little monotone, which I think was mostly due to the writing than anything. The FL's performance was my least favourite among the the main cast (more on that later), first drama for her and I am no fan.

In terms of characters;
First, Vincenzo was a very well written anti-hero and SJK was perfect in the role. He was charismatic, cunning, smart, mysterious and strong-willed, The perfect villain to fight off villains, though to be honest I would have preferred it if the writers had toned down his invincibility level a bit, he doesn't have to lose the fight, but at least show him with a more serious injury than a little scratch every once and a while you know. the background story of his birth and upbringing while very brief, still helped flesh out his character and give it more depth. In terms of character development, under layers and layers of endless charisma and coollness, SJK was able to portray the slighest hints of change of heart nothing major to call development though, and eventually the drama stuck to the point and chose no major redemption, which personally I found more convincing and believable.

The FL on the other hand I had mixed emotions concerning her. I started off hating her and not because of how intially she was ambivalent to justice and rude to her father, but simply because her whole personna felt obnoxious and her nonchalant attitude was sometimes over the top and annoying. The actress' comedy portrayal felt somewhat theatrical and ridiculous, she was supposed to be a smart, strong and competent lawyer, but she sometimes came out as naïve, noisy and spoilt brat. There were moments early in the drama where I genuinely doubted if the actress was doing an impersonation of Jun Ji Hyun in Legend of the Blue Sea, that'show much comical her acting was, she felt like a mermaid out of sea 😅. I did eventually manage to come around and accept her only to start questioning her principles in aiding vincenzo's agenda wholeheartedly the way she did, no matter how brutal and lawless it became.
But unfortunately one impression that never changed when it came to the main leads.... was the lack of chemistry between them. I never truely felt a spark between the two of them, but it might just be me, cause he acted so cool and composed all the time, and she was so over the top with her reactions and expressions, that I felt he surely must be annoyed by her as much as I am (LOL), also I never bought the fact he developed romantic feelings for her, it felt kind of forced. And although It is always a downer not to feel enough chemistry to be rooting for an OTP, but thank God this is not a rom-com and romance was never the center plot here. The first kiss scene was pretty good though I gotta admit :)

The side characters (Geumga Plaza tenants) were mostly endearing and I was especially grateful that the writer chose not to delve too much deep and give each of them an episode with a detailed story like other dramas choose to do. Above all they served as a catalyst to Vincenzo's purpose in staying in Korea, helped give him a certain sense of beloging and taught him the meaning of trust, and later became sorta his secret sidekicks, which might have been fun at first but later I found was a bit of a stretch and overdone on the writers side, like others pointed out here in the reviews, having all these people with hidden fighting abilities somehow gathered under one roof by chance was too farfetched!!

Last but not least, the villains (since the show had its fair share of those, 80% of the characters were evil for God's sake) some of them were portrayed too evil and too much lacking a conscience to a degree that was hard to swallow, but they still somehow came out believable, and thankfully they never felt as incompetent like in other shows, which was a great feat considering vincenzo was literraly undefeated all the time lol.
Though personally I would have preferred a bit of an origin story for lawyer Choi, other than being a weird ajumma who dances zumba in public, since imo she was the most worthy adversary to vincenzo. And considering the fact that the drama already had its share of bornt-psychopath main villain, not being provided with any background knowledge of what turned lawyer choi to the path of evil (to a murderous degree at that) made it feel like we had two murderous psychopaths that just happened to cross paths and join hands.

The OST (mostly instrumental) had a bunch of cool tracks, and some were very well utilized to enhance the comedy scenes.

Vincenzo was a drama loaded with originality in terms of premise, interesting characters, and an overall thrilling vibe. although it suffered from minor issues with the plot, the pace and the balance of the comedy, I still have to admit I appreciated its originality and high end production, and overall enjoyed watching it, flaws and all.
I apologise for the lengthy review.