Taking Away The Romanticism Of The South-Korean Militia…
Military enlistment is a topic which is often swept under the carpet in South-Korean culture, or romanticised in stories near the finale as part of the “ long wait” between lovers at the end of a drama storyline . ( The drama itself presenting a parody of this scene when a young woman causes a scene to promote her “ love” for her boyfriend enrolling only to present a stark contrast in the circumstances afterwards .)
PD and screenwriter Han Jun Hee as well as screenwriter Kim Bo Tong takes an anti-romantic ‘Fullmetal Jacket’ - style approach to the short series ‘ D.P’ The enlisted men alongside Jun Ho are viewed as nothing more that batch coded weapons and those who leave their side are viewed as merely loose-cannons without names or dignity . Yet the drama is unsurprisingly without director Han Jun Hee’s wry sense of comedy either- sardonic and satirical rather than sweet and slapstick, but woven well into the introduction of characters and the narrative.
The cast undeniably helped to make the storyline come to life. Actor Jung Jae In did a brilliant job ( like the rest of the cast) as main lead Jun Ho ( Jung Hae In). A troubled youth who shares his own conflicts and troubles before enlisting in the army and being forced into the military defect arrest team , Jun Ho becomes morally conflicted over the reasons why men leave the army for various personal reasons and the dire corruption of the authorities. From romantic heroism turned tragic to bittersweet realism, the duller and stark cinematography presents a harsher and prominent message to viewers about these stories shown per episode .
On a more critical note the drama isn’t without its flaws either. Whilst the messages are prominent as a criticism against the authorities and corruption ‘ D.P.’ began falling short especially after the 3/4 mark. The acting notably did degrade slightly as well as delivered line deliverances, and the pacing began to struggle Adding to the dilemma was defining more about Jun Ho’s calling of identity from given inferences in more vivid detail to explain his ideologies, as well as during the last few episodes. On the other hand the ending was certainly unexpected-profound and helping to define the key messages of the drama, but will likely leave viewers with their jaws dropping.
Overall a fairly good watch though admittedly not for the faint hearted . The pacing and more definitive character writing were sadly slight letdowns for this drama but ‘ D.P’ does make up for it with a profound and critique about the South-Korean military enlistment scheme, as well as using a catchy OST and moody cinematography to present these messages clearly .
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