Multilicus
Poland
True BL with some really good songs by the cast
I remember watching the announcement trailer for MSP – back in autumn 2021 – and thinking to myself that those kids don’t look like much and that another highschool BL combined with singing can’t be good. Boy, was I wrong.
My reception of MSP rests on three pillars: script, chemistry and music.
The plot is simple and old as the BL genre, but works like a charm. The script was crafted in a smart way, creating a new kind of obstacle the main couple needed to overcome: instead of unsympathetic parents or a homophobic environment we get club rules the characters need to respect to focus on their main goal. Basically: they voluntarily restrained themselves from dating and found cute and creative ways to be together despite of the rules. Some very good choices were made while writing the script, like avoiding toxicity, angst and silly, overblown drama – which meant the characters had to act like real people, properly communicate with each other and get serious about serious stuff. I was very positively surprised but how much we learn about Gun and Tinn – making them three-dimensional characters. The script is in no way perfect, but as BLs come – it’s a top tier one.
Chemistry is a constant challenge for this genre, as it can save or even elevate plain or dumb scripts. MSP focuses on the relationship of Tinn and Gun, so Gemini and Fourth were the ones who needed to sell us the show – and they did it starting from episode 1; what they delivered was on the level of OhmNanon and EarthMix, two best ships GMMTV offered in recent years. Impressive when one considers that Gemini and Fourth were the youngest and, I believe, the least experienced members of the principal cast. The confidence with which they performed was remarkable. Their efforts were supported by strong performances of Mark, Winny and Satang. Lookwa, who played Gun’s mother, was a delight to watch and listen to.
MSP is loaded with songs, both covers and original pieces composed for the show, ranging from soft ballads to pop/rock. This must be the best BL soundtrack of all time – and all of it is performed by the cast. This shows how strong it really is, with Ford, Satang, Gemini and – most of all – Fourth literarily shining. If they get bored or tired of acting, they already have a second career – as singers. My favorite part of the soundtrack is “พูดได้ไหม” (“Let Me Tell You”), Fourth’s powerful rock statement, which gave me goosebumps and reminded me of Polish rock bands I used to listen to as a teen.
There’s something of “Bad Buddy” in this show – not just the cast (Mark, Prom, Satang, Ford, Gemini and Fourth all appeared in minor roles in OhmNanon’s hit series), but more the vibe, feels and atmosphere, which are very familiar. At some point I even called MSP “Bad Buddy Light”. It doesn’t mean that MSP needs the support of another great BL – it stands firmly on its own: well crafted and shot, smartly scripted, with good acting and unrivaled music.
The world needs more wholesome stuff like that.
My reception of MSP rests on three pillars: script, chemistry and music.
The plot is simple and old as the BL genre, but works like a charm. The script was crafted in a smart way, creating a new kind of obstacle the main couple needed to overcome: instead of unsympathetic parents or a homophobic environment we get club rules the characters need to respect to focus on their main goal. Basically: they voluntarily restrained themselves from dating and found cute and creative ways to be together despite of the rules. Some very good choices were made while writing the script, like avoiding toxicity, angst and silly, overblown drama – which meant the characters had to act like real people, properly communicate with each other and get serious about serious stuff. I was very positively surprised but how much we learn about Gun and Tinn – making them three-dimensional characters. The script is in no way perfect, but as BLs come – it’s a top tier one.
Chemistry is a constant challenge for this genre, as it can save or even elevate plain or dumb scripts. MSP focuses on the relationship of Tinn and Gun, so Gemini and Fourth were the ones who needed to sell us the show – and they did it starting from episode 1; what they delivered was on the level of OhmNanon and EarthMix, two best ships GMMTV offered in recent years. Impressive when one considers that Gemini and Fourth were the youngest and, I believe, the least experienced members of the principal cast. The confidence with which they performed was remarkable. Their efforts were supported by strong performances of Mark, Winny and Satang. Lookwa, who played Gun’s mother, was a delight to watch and listen to.
MSP is loaded with songs, both covers and original pieces composed for the show, ranging from soft ballads to pop/rock. This must be the best BL soundtrack of all time – and all of it is performed by the cast. This shows how strong it really is, with Ford, Satang, Gemini and – most of all – Fourth literarily shining. If they get bored or tired of acting, they already have a second career – as singers. My favorite part of the soundtrack is “พูดได้ไหม” (“Let Me Tell You”), Fourth’s powerful rock statement, which gave me goosebumps and reminded me of Polish rock bands I used to listen to as a teen.
There’s something of “Bad Buddy” in this show – not just the cast (Mark, Prom, Satang, Ford, Gemini and Fourth all appeared in minor roles in OhmNanon’s hit series), but more the vibe, feels and atmosphere, which are very familiar. At some point I even called MSP “Bad Buddy Light”. It doesn’t mean that MSP needs the support of another great BL – it stands firmly on its own: well crafted and shot, smartly scripted, with good acting and unrivaled music.
The world needs more wholesome stuff like that.
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