MustSayGoodBye
Earthling
I never Knew Dreams Can Be this Real??
The mystic and ecstatic elements are held in abeyance ingeniously devised by Screenwriter Ha Yoon Ah and Director Jun Chang Geun. I cannot comment fully on the similarities to the 2017 webtoon of the same name, but it appears the Screenwriter tempered wonderfully warm melodic moments with a keen sense of humor.
It was Jun Chang Geun's first project since The Package (2017) that I flat-out enjoyed the beautiful scenery and famous landmarks in that show. Mystic Pop-Up Bar does not disappoint, but there will always be a select few people that will bash this show and nothing we can do about it. By this point, have we not seen all that we will see in the fantasy aspect, maybe not. Yes, we pine for originality in the script, but do the actors catalyze more visionary thinking in each other that this drama expertly displays.
The location of the outdoor drinking establishment lures individuals from all backgrounds that were the main focal point. The viewer invested by the average individuals' problems the Mystic Pop-Up Bar soothes the pain and suffering. The soft and upbeat music, along with the light clinking of glass, was soothing to my ears when drinking occurred, and the main leads entered the dream world. The Directing Style aided to the storytelling because we see a different side to what the director contributes to this Depleted Genre that I have trust will be in good hands for the future.
Acting:
Every character imparts much liveliness to the scenes. Hwang Jung Eum's tone and expression did not awake an old, unwelcome feeling that her other works sometimes did. I think Park Shi Eun's depiction of the younger Weol Joo was a significant reason why I overlooked the deficiency of her acting style. She has retained a certain mystique, which makes her such a compelling character.
Choi Won Young's heartening rendition of his character was something special as his dilated pupil and eyebrow expressions in a bunch of scenes caught my undivided attention. Also, he imparts strength and provides an air of talisman of protection. Yook Sung Jae timid, yet bubbly persona was too wily, unfailingly tactful, an adept with the touch of his hands. I especially cherished Jung Da Eun's role as a Security Guard, her metamorphosis of a resigned face to an alight face from the first episode to the last episode. YSJ and JDE are too adorable together.
I would have liked a little more character development from the villain. Still, writing this review, I reflected on the villain's role, and what they did was not bad considering tropes run rampant in every drama—a bittersweet story of the villain trapped by the flaws in his character.
Conclusion:
It had the right amount of episodes to enjoy every episode. If you have any doubts, I say watch the first two episodes and make your decision. I conclude I have a fondness for close contact with someone after viewing this show. The show elicits an aliveness we crave in this Coronoviris Pandemic once everything settles back to normalcy; Human Interaction and affection.
Final Rating: 8.75/10
Story: 8.57/10
Acting: 9.68/10
Rewatch: I will watch this again for sure. Four Thumbs Up.
It was Jun Chang Geun's first project since The Package (2017) that I flat-out enjoyed the beautiful scenery and famous landmarks in that show. Mystic Pop-Up Bar does not disappoint, but there will always be a select few people that will bash this show and nothing we can do about it. By this point, have we not seen all that we will see in the fantasy aspect, maybe not. Yes, we pine for originality in the script, but do the actors catalyze more visionary thinking in each other that this drama expertly displays.
The location of the outdoor drinking establishment lures individuals from all backgrounds that were the main focal point. The viewer invested by the average individuals' problems the Mystic Pop-Up Bar soothes the pain and suffering. The soft and upbeat music, along with the light clinking of glass, was soothing to my ears when drinking occurred, and the main leads entered the dream world. The Directing Style aided to the storytelling because we see a different side to what the director contributes to this Depleted Genre that I have trust will be in good hands for the future.
Acting:
Every character imparts much liveliness to the scenes. Hwang Jung Eum's tone and expression did not awake an old, unwelcome feeling that her other works sometimes did. I think Park Shi Eun's depiction of the younger Weol Joo was a significant reason why I overlooked the deficiency of her acting style. She has retained a certain mystique, which makes her such a compelling character.
Choi Won Young's heartening rendition of his character was something special as his dilated pupil and eyebrow expressions in a bunch of scenes caught my undivided attention. Also, he imparts strength and provides an air of talisman of protection. Yook Sung Jae timid, yet bubbly persona was too wily, unfailingly tactful, an adept with the touch of his hands. I especially cherished Jung Da Eun's role as a Security Guard, her metamorphosis of a resigned face to an alight face from the first episode to the last episode. YSJ and JDE are too adorable together.
I would have liked a little more character development from the villain. Still, writing this review, I reflected on the villain's role, and what they did was not bad considering tropes run rampant in every drama—a bittersweet story of the villain trapped by the flaws in his character.
Conclusion:
It had the right amount of episodes to enjoy every episode. If you have any doubts, I say watch the first two episodes and make your decision. I conclude I have a fondness for close contact with someone after viewing this show. The show elicits an aliveness we crave in this Coronoviris Pandemic once everything settles back to normalcy; Human Interaction and affection.
Final Rating: 8.75/10
Story: 8.57/10
Acting: 9.68/10
Rewatch: I will watch this again for sure. Four Thumbs Up.
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