This is one of those magnificent, high budget productions that starts so strongly that I kept shushing that  inner voice that whispered "masterpiece" for fear of jinxing it too early. Sixty-eight episodes later, I am sad to say that despite some excellent arcs and moments, this drama falls far short of its breathtaking early promise.

*** Be warned that there are mild spoilers in my review - I will avoid major spoilers. ***

Wang Xuan or A'wu, the titular character is a fictional only daughter of Prime Minister Wang Lin, head of the Langya Wang clan whose formidable political influence straddled several early dynasties since Eastern Jin. Their hold onto power is secured via an incestuous (and icky) pact with the imperial Ma family whereby for twelve successive generations, the Wang clan heiress is chosen as empress. Wang Xuan's legacy 王氏之女 母仪天下 literally means the Wang clan daughter is the "mother of the world" or the empress. Thus he who attains Wang Xuan, attains the world. This is not just a prophecy; she comes with the power and influence of the Wang clan who are kingmakers. The drama dumbs this down to be just about lovesick men after her ravishing and incomparable beauty. That is just icing on the cake and not the only aspect of her appeal to ambitious men who cannot otherwise legitimately claim the throne. This is with the exception of the the weak and foolish Zidan, a character who exist only to love A'wu. In this context, A'wu's expectation of a love match is unrealistic and not possible for any of the noble elite; marriages are political alliances where the best one can hope for is some affection that may or may not quite be love.

A'wu's first and most significant act of rebellion is against her destiny as empress and in doing so, she goes against her father and by extension her clan. This upsets the balance of power between the imperial Ma family and the Wang and Xie clans and sets an intense power struggle in motion. While her motives are naive, this is the first of many decisions she makes that undermines her clan's extraordinary grip on power. In fact, she protects the imperial family's birthright without questioning their worthiness. In this matter, she is indeed a rebel but one that lacks a just cause because excessive in-breeding has made each of the Ma heirs some combination of stupid, unfit and unworthy. That said, I saw character growth and could understand and largely empathize with her decisions until the arc that sees her return to the capital with Xiao Qi just past mid-way through the drama. Until then, the plot was well paced, suspenseful and the motives of the main antagonists layered and interesting enough to make this worthy of a 9.5/10.0. Unfortunately the drama peaks there and after that, the plot falls flat and becomes overwhelmed by tropey two dimensional villains with repetitive and boring motives.  Wang Xuan's character regresses and she makes very questionable decisions, the worst of which culminates in a very shady mating dance that I cannot un-see no matter how many times I rinse out my eyeballs.

Xiao Qi and Wang Xuan's relationship is the best thing about this drama. Even though he didn't get enough screen time to do his character justice, Zhou Yi Wei 's Xiao Qi stole the show. It is so nice to see an actor looks and fits the part of a battle scarred, undefeated general in the role rather than some scrawny idol actor with baby smooth skin. Much more so than Wang Xuan, Xiao Qi is thecharacter that I really root for in this drama. He has riveting chemistry with Zhang Ziyi that compels me to keep re-watching the way their romance unfolds and progresses. It is freshly written and their natural and intimate interactions manage to avoid common drama relationship cliches. Both actors communicate deep and complex emotions with few words and tiny, nuanced changes in expression. Their relationship is not perfect - they have their share of challenges and conflicts. It is disappointing we don't get to see how they navigate their greatest relationship challenge as Wang Xuan is caught between protecting her first love and Xiao Qi's quest for justice.

What is super annoying is that Zidan could have been written to be a much more interesting character rather than one that is frankly a complete waste of screen time. He got such an absurd amount of time he was constantly popping up like a bad tart when all I wanted to see was Xiao Qi. It is understandable for Wang Xuan to have some lingering regret and affection for him but that is not well flushed out. The fact is she married Xiao Qi to save Zidan and at the end, she still rescues him while turning a blind eye to his crimes. It makes me wonder if he was indeed her one true love after all.

The crux of the problem is that Zhang Ziyi's portrayal of Wang Xuan lacks complexity. Her A'wu stopped becoming interesting the moment she grew up to be the more politically astute Wang Xuan. She becomes a suffocating paragon of virtue and forgiveness 母仪天下; the mother of her country and and inexplicably staunch defender of the (worthless) imperial family's absolute right to rule. She wears a perpetually aloof and haughty expression and does not let anyone forget that she belongs to nobility; that she has familial obligations and ties that a commoner and an orphan such as Xiao Qi could not possibly understand or relate to. While she is entitled to forgive her enemies for wrongs they committed against her personally, it is absolutely not her place to broadly dispense justice as she sees fit. She casually makes decisions of great weight and consequence as without any appearance of inner conflict or overarching ideology or sense of justice. If this makes her a rebel, she is one without a cause. I like Zhang Ziyi but this is not a role that she shines in. Despite not looking the part, I had no issue with her portrayal of the young A'wu. It is her Wang Xuan that ultimately fails me. I abandoned the novel because I disliked how narcissistic the character was written to be there. But in the novel ,at least she is very conscious of her beauty and charisma and wields it ruthlessly to accomplish her goals. I never imagined disliking her hypocrisy and sense of entitlement even more in the drama. It does not help that Zhang Ziyi's portrayal is so humorless she even takes the joy out of getting drunk off her ass. At least Wang Su is a fun and uninhibited lush, the kind of drunkard anyone can relate to.

My favorite character and the one that shores up the drama is Yu He Wei's Wang Lin. He is the only truly complex character that is smart without being infallible, unabashedly ambitious, cynical and unrepentant. I love how he gleefully, insightfully analyses situations and peels away the layers of righteousness and hypocrisy around him. There were many times I could empathize with and even support his cause.His plotting against emperor Ma is the drama's best arc. Wang Xuan is actually remarkably like him in terms of her innate arrogance and sense of entitlement as well as her ability to make bold decisions on important affairs of state. As he exits, she steps into his role as the silent force behind the throne with Xiao Qi as the military power that anchors her influence. She is truly her father's daughter in more ways than would make her comfortable if she could see herself. This does not come across clearly because Zhang Ziyi whitewashes Wang Xuan's character and does not dare to embrace her dark side. Everything comes to a full circle when father and daughter discuss love and marriage and she more or less admits that her relationship with Xiao Qi is not too dissimilar to that of Wang Lin's with her mother. It is convenient that she loves him but their marriage serves a purpose that is far grander and more encompassing than love.

While the ending is acceptable, it is in too many important aspects disappointing. Given that regime change is not a viable way to end this kind of drama, it should not have been written to make such a compelling case for it. ZIdan did not have to have been written to be such a jidan (鸡蛋) or a zero. It is obvious many important parts of the ending episodes were edited out which is such a sloppy thing to do when they could have substantially edited down the most insipid Wang Qian/Helan Zhen arc instead. As a result, there is no justice for the Neem Yu Shan massacre and we don't even get to see how this atrocious outcome was negotiated between Xiao Qi and Wang Xuan. Both characters but especially Xiao Qi, disappoint me greatly in this. Thus at the end of the day it does not look like anything substantive has changed or that the kingdom is in a better place or in the hands of more competent rulers. I really want to give this a 9.0 but with that ending, it is at best an 8.0. That said, it is still a very entertaining drama with a distinctly memorable OTP that you should watch. Just don't get fooled by the strong start into expecting a masterpiece.