53
194
8
PeachBlossomGoddess
Hong Kong
The truth will make them free.
This is a review of The Blue Whisper in its entirety - I will not review Part 1 and Part 2 separately.
The Blue Whisper is an enthralling fairytale about how love can be both imprisoning and liberating. Set in a fantasy world where sky immortals or fairies instill order and earth immortals or demons are prone to chaos, romantic entanglements between these two clans are forbidden. This kind of inter-species ban pretty much ensures that sky immortals and earth immortals fall for each other with reckless impunity.
Ji Yunhe is the most consummate spirit master among Wanhua Valley's elite cadre of demon tamers. She longs desperately to escape from the Valley; to see the world and be free. Chang Yi, a magnificent and powerful merman is captured by the wicked, conceited Shunde fairy, who tasks the Valley to tame and enslave him. Seeing it as her ticket to freedom, Yunhe vies with her sect brother, the Valley Master's son Lin Haoqing, to complete the task. Where Haoqing attempts to torture Chang Yi into submission, Yunhe beguiles him with kindness, friendship and love. Yunhe successfully manipulates and entices the naïve Chang Yi's heart for her own selfish ends. Along the way, the player gets played as Yunhe falls for his sincerity and sees that it is wrong to enslave such a pure hearted and innocent being. But even though she sacrifices to free him, her well intended lies set in motion a cycle of half truths, sacrifices. betrayals and captivity that ensnares them both. After a long and difficult quest for freedom with many trials, they understand that it is the truth that makes them free.
The story is set in a stunning, enchanted fantasy world with a vivid magical color palette, mystical sets and the best costumes and styling I have seen in a long time. The CGI is well done but errs on the side of being heavy handed at times. The storytelling however, leaves quite a bit to be desired. There are way too many artifacts, especially pearls with endless magical properties to conveniently save the day. And when dead characters keep being revived, both the element of surprise and the emotional impact is diminished. In addition to unnecessary side characters, there are altogether five well developed CPs that explore repetitive tortured themes of taboo relationships, deception, betrayal and how love can both be both confining and liberating. A few of these side stories are not interesting and too long winded and the frequent alternating between too many CPs and plot threads breaks the momentum of Yunhe and Chang Yi's story and makes the main plot stagnate as well. Thus I did not feel Yunhe and Chang Yi's chemistry or get invested in their storyline until Part 2 where many threads converge and the storytelling improves markedly.
I am really happy to see Dilraba take on the role of such a complex and conflicted character as Yunhe; one that undergoes so much anguish and such profound change. Though she made me feel her love and pain many times, I still like her portrayal of the cunning, manipulative and self serving Yunhe in the beginning best. As for Ren Jialun, he is a master of the unspoken and of intense suffering in silence. I can't fault his performance and am simply tickled that he is willing to do so many kiss scenes with the exquisite Dilraba. They look so incredible together in this production that they must be the most gorgeous costume drama couple by a wide margin. That said, while Chang Yi is intensely single minded when it comes to love, loyalty and righteousness, this is not innately a complex character and thus the role doesn't quite do Ren Jialun justice in terms of broadening his acting repertoire.
The character that compells me to the point of stealing the show is Lin Haoqing; brilliantly and sublimely articulated by Xiao Shunyao. From the get go, I was more drawn to Haoqing's chemistry with Yunhe - they are on the same wavelength, bound by history and layered and complex emotions. Like Chang Yi, Haoqing is torn between duty and Yunhe but unlike Chang Yi who is more reactive, he proactively schemes ahead, takes bold risks and tries for win win outcomes. Lin Haoqing and Yunhe get to do all kinds of interesting and important things that advance the plot while poor Chang Yi is relegated to safeguarding Beiyuan and dealing with the petty, boring issues of the fox clan. Chang Yi only comes in useful in mighty showdowns and even then, his power ups are marred by unflattering camerawork that catch him scowling angrily as if he is trying to take a dump. I can't help but feel that the plot short changes my beloved sour faced Ren Jialun, an actor I am super fond of. That said, I only have praise Xiao Shunyao's ability to make me feel Lin Haoqing's suffering no less than Chang Yi and Yun He's. I hope good things happen to this handsome and compelling actor.
Though I don't consider Xian Shi or Shunde's motives as villains that convincing, both roles are very well acted. In fact, Guo Xiaoting's Shunde can give one of my all time favorite villains, Angelina Jolie's Maleficent a run for the money. Guo thrusts herself into the role with mesmerising relish and wicked abandon. A dash of dark humor would have rendered the portrayal incomparable. As for the rest of the (too) extensive cast, even though a few characters got screen time that was disproportionate to the substance of their storylines, the roles are well performed enough to win a place in my heart. The friendship, support and sacrifice from Fan Zhen and Lishu as well as the hilarious Kong Ming and Luo Luo is clearly what gets Yunhe and Chang Yi through the loneliness of their many trials and tribulations. And I just simply love the idea of such a youthfully adorable Tian Jun.
This drama finishes strongly with an exciting and well chareographed final confrontation. But I won't lie, the ending is a bit of a blue whimper. There are simply too many reversals that make me roll my eyes. As for the final 5 minutes, it succumbs to c-drama's nasty habit of wanting to be all things to all people. Nonetheless, it is still an acceptable finale that from a certain point of view can be seen as quite fitting. The storytelling in Part 1 tried my patience and is at best an 8.0 but I really enjoyed Part 2, which I can happily rate a 9.0. Since I don't think it makes sense to rate both parts separately, this is an 8.5 overall. As of end April, this is my personal top ranked drama for 2022.
The Blue Whisper is an enthralling fairytale about how love can be both imprisoning and liberating. Set in a fantasy world where sky immortals or fairies instill order and earth immortals or demons are prone to chaos, romantic entanglements between these two clans are forbidden. This kind of inter-species ban pretty much ensures that sky immortals and earth immortals fall for each other with reckless impunity.
Ji Yunhe is the most consummate spirit master among Wanhua Valley's elite cadre of demon tamers. She longs desperately to escape from the Valley; to see the world and be free. Chang Yi, a magnificent and powerful merman is captured by the wicked, conceited Shunde fairy, who tasks the Valley to tame and enslave him. Seeing it as her ticket to freedom, Yunhe vies with her sect brother, the Valley Master's son Lin Haoqing, to complete the task. Where Haoqing attempts to torture Chang Yi into submission, Yunhe beguiles him with kindness, friendship and love. Yunhe successfully manipulates and entices the naïve Chang Yi's heart for her own selfish ends. Along the way, the player gets played as Yunhe falls for his sincerity and sees that it is wrong to enslave such a pure hearted and innocent being. But even though she sacrifices to free him, her well intended lies set in motion a cycle of half truths, sacrifices. betrayals and captivity that ensnares them both. After a long and difficult quest for freedom with many trials, they understand that it is the truth that makes them free.
The story is set in a stunning, enchanted fantasy world with a vivid magical color palette, mystical sets and the best costumes and styling I have seen in a long time. The CGI is well done but errs on the side of being heavy handed at times. The storytelling however, leaves quite a bit to be desired. There are way too many artifacts, especially pearls with endless magical properties to conveniently save the day. And when dead characters keep being revived, both the element of surprise and the emotional impact is diminished. In addition to unnecessary side characters, there are altogether five well developed CPs that explore repetitive tortured themes of taboo relationships, deception, betrayal and how love can both be both confining and liberating. A few of these side stories are not interesting and too long winded and the frequent alternating between too many CPs and plot threads breaks the momentum of Yunhe and Chang Yi's story and makes the main plot stagnate as well. Thus I did not feel Yunhe and Chang Yi's chemistry or get invested in their storyline until Part 2 where many threads converge and the storytelling improves markedly.
I am really happy to see Dilraba take on the role of such a complex and conflicted character as Yunhe; one that undergoes so much anguish and such profound change. Though she made me feel her love and pain many times, I still like her portrayal of the cunning, manipulative and self serving Yunhe in the beginning best. As for Ren Jialun, he is a master of the unspoken and of intense suffering in silence. I can't fault his performance and am simply tickled that he is willing to do so many kiss scenes with the exquisite Dilraba. They look so incredible together in this production that they must be the most gorgeous costume drama couple by a wide margin. That said, while Chang Yi is intensely single minded when it comes to love, loyalty and righteousness, this is not innately a complex character and thus the role doesn't quite do Ren Jialun justice in terms of broadening his acting repertoire.
The character that compells me to the point of stealing the show is Lin Haoqing; brilliantly and sublimely articulated by Xiao Shunyao. From the get go, I was more drawn to Haoqing's chemistry with Yunhe - they are on the same wavelength, bound by history and layered and complex emotions. Like Chang Yi, Haoqing is torn between duty and Yunhe but unlike Chang Yi who is more reactive, he proactively schemes ahead, takes bold risks and tries for win win outcomes. Lin Haoqing and Yunhe get to do all kinds of interesting and important things that advance the plot while poor Chang Yi is relegated to safeguarding Beiyuan and dealing with the petty, boring issues of the fox clan. Chang Yi only comes in useful in mighty showdowns and even then, his power ups are marred by unflattering camerawork that catch him scowling angrily as if he is trying to take a dump. I can't help but feel that the plot short changes my beloved sour faced Ren Jialun, an actor I am super fond of. That said, I only have praise Xiao Shunyao's ability to make me feel Lin Haoqing's suffering no less than Chang Yi and Yun He's. I hope good things happen to this handsome and compelling actor.
Though I don't consider Xian Shi or Shunde's motives as villains that convincing, both roles are very well acted. In fact, Guo Xiaoting's Shunde can give one of my all time favorite villains, Angelina Jolie's Maleficent a run for the money. Guo thrusts herself into the role with mesmerising relish and wicked abandon. A dash of dark humor would have rendered the portrayal incomparable. As for the rest of the (too) extensive cast, even though a few characters got screen time that was disproportionate to the substance of their storylines, the roles are well performed enough to win a place in my heart. The friendship, support and sacrifice from Fan Zhen and Lishu as well as the hilarious Kong Ming and Luo Luo is clearly what gets Yunhe and Chang Yi through the loneliness of their many trials and tribulations. And I just simply love the idea of such a youthfully adorable Tian Jun.
This drama finishes strongly with an exciting and well chareographed final confrontation. But I won't lie, the ending is a bit of a blue whimper. There are simply too many reversals that make me roll my eyes. As for the final 5 minutes, it succumbs to c-drama's nasty habit of wanting to be all things to all people. Nonetheless, it is still an acceptable finale that from a certain point of view can be seen as quite fitting. The storytelling in Part 1 tried my patience and is at best an 8.0 but I really enjoyed Part 2, which I can happily rate a 9.0. Since I don't think it makes sense to rate both parts separately, this is an 8.5 overall. As of end April, this is my personal top ranked drama for 2022.
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