After a long hiatus, Young Blood 2 picks up right where Season 1 left off with the team heading to Western Xia to rescue Zhao Jian's father. There they get embroiled in a plot to assassinate Yuan Hao, aka Emperor Jingzong of Western Xia. Yuan Hao was a formidable general and founder of the Tangut dynasty, which lasted almost two centuries. This narrative largely respects history so if you do not want to be majorly spoiled as to how this ends, resist the urge to Google him.

Initially, Season 2's somber, pensive tone took me aback. But it is fitting for the desolate, rugged, mystical Helan Mountain terrain. It also ties well with the personal losses, betrayals, and disillusionment the team experiences at the end of Season 1. While screenwriter Wang Juan's humor and clever dialogues are evident in the writing, the difference in the directing team is noticeable. Character shots and comedic moments are not as well captured by the camera. Many of the people shots are not filmed at interesting camera angles and the main cast's humor does not flow naturally. The actors may be trying too hard to convey that some of their joie de vivre have faded after all that they've been through. Their energy often seems lethargic and their banter is lackluster despite the witty dialogue. What still shines is their unspoken affection and trust in each other which seems more mature, time-tested, and unbreakable. The "new" Yanei integrates well even though he unavoidably looks younger and is missing the swagger. Su Xiaotong's acting has most visibly improved and I enjoyed Pei Jing's growth this season.

In terms of comic relief, the antagonists steal the show in Season 2. The humor in their dialogues, the bald-faced lies traded with deadpan expressions among the Western Xia royal family had me in stitches. But it is the oddly gullible, absurdly superstitious, and unexpectedly sincere Yuchi Yuan that made me laugh hardest only to cry hardest when he admits he is someone that just needs to believe in divine intervention. Many supporting roles like Yuchi Yuan, the heroic Section 8, and the antagonists are so well written and dimensioned that they are the show stealers. Not only does Section 7's banter seem to lose its mojo, they also don't get to do the important tasks in the mission, other than show up for the finale. Indeed the main architect or spymaster is not from Section 7.

This season, most of the main characters grapple with the kind of person their father is, what he expects of them, and whether that is compatible with who they want to be. To different degrees, each parent and child take a measure of one another and don't quite like what they see. Yuan Zhongxin's dad may be a particularly nasty, cold-hearted, and misguided sociopath with questionable methods; but ultimately he wants his son to survive. This is not the case with Yuan Hao, who is the biggest, baddest, daddy of them all. Thanks to Hai Yitian's intimidating screen presence, Yuan Hao is a terrifying freak of nature, a giant rock formation that must have been hewn out of the sacred mountain itself. Just his menacing, diabolical appearance made me break out in cold sweat. Yuan Hao knows exactly what his son is up to and he gives him every opportunity, practically dares him to succeed. The dialogue within the dialogue and the dark humor behind barely veiled threats that petrifies poor Ningling Ge out of his wits is signature Wang Juan. I never felt more sorry for such a vile and duplicitous character; an apple that falls far, far from the tree. He seems diminished and less smart in Season 2, over-shadowed by the larger-than-life Yuan Hao. Father and son are both oddly pitiful to me as their story as recorded in history is already wildly dramatic and treacherous.

The plot is tighter and more focused than Season 1 because there is only one mission that spans several years with a time jump that interrupts the momentum slightly. The sub-plots are cleverly structured around the interplay of recurring themes around the father, the son and the holy sheep. At the time, the Tanguts practiced folk or natural relgion steeped in mysticism with shamans, and many spirits or gods. Like many ancient cultures, they believed that the ruler is divinely blessed but in times of chaos or natural disaster, can lose the mandate of heaven. In planning the mission, the yummy Wen Wuqi of Section 8 infiltrates Western Xia by assuming the identity of a sheep deity's envoy come to anoint Yuan Hao's regime. There are many allusions to fēngshén/封神 or the creation of gods, which is the underlying strategy the Song spies use initially to elevate and then subsequently to undermine Yuan Hao. Wang Juan's well researched and superbly written script clearly draws inspiration from Fēngshén Yǎnyì 封神演义 or The Investiture of Gods one of the great vernacular novels about Chinese history, mythology, folklore, fantasy and legends.

The ending will not come as a surprise to anyone who knows the history (or used Google). Even then, the finale delivers an epic showdown that the entire season builds up to. The fast paced and thrilling action choreography is one of the highlights of Season 2. The desperate, bloodthirsty and stunning final fight had me squealing, jumping up and down and bouncing off walls with adrenaline fuelled fear and excitement. I personally would have ended the story at the mid-way point of the final episode, where the ending credits roll. It is fitting and exactly the kind of irony, cynicism and dark humor I expect of Wang Juan. But that would have resulted in an outcry of gargantuan proportions and I equally enjoyed the final message that a father does not have to explain himself to his son. Despite the fantastic writing, I still wish the original team's chemistry worked a bit better. So for me, this was mostly tracking just a bit better than an 8.0/10.0 but I think ending a drama well is super important and I like the ending so much so I am happy to bump this up to an 8.5/10.0.