D.P. has managed to capture a great balance in portraying the battle of wrongdoing and righteousness of a dysfunctioning system. We peek at the cruelty of humanity and find the goodness of the human heart on the other side of it. D.P. has been one of the top 10 dramas of the year in South Korea, and for a reason. Even though the scenes are dramatized (a bit too much for my taste during the climax), the issues raised are very real and partly also based on the real-life events. The story also sheds light to the human's natural tendencies to build hierarchies, we vs. them mentality and to ostracize those who we deem different. Going against the current not only calls for strength and courage, but the right resources as well. Sometimes we find ourselves helpless against the greater forces. When we witness unkindness and unfairness, even cruelty, we can feel small and frightened in the front of it all. Quilt follows us for not noticing, not speaking, not acting.

How much can one person do to change the system? How many victims are needed for someone to care enough to act?

From a society to the system, all the way to a one individual, D.P. looks at all the layers of our world. "What makes a monster and what makes a man?" is pondered throughout the 6 episodes. Is violent rage justified if you have been drove to it? Is abuse okay as long as no one intervenes?

D.P. tackles big issues skillfully, both those of more concrete and visible, to the deeper philosophical questions. The raw and beautiful cinematography greatly complements the themes and offers the cast a perfect stage for splendid performances. Humour is dark and witty, action is there when called for, and a pause on a perfect moment lets the message sink into the viewer's heart. Very graphic, dark and even brutal at times, it wants to shake the viewers from their utopias: sorrow, abuse, and cruelty exists in those nooks and corners we choose not to notice.