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The Butterfly
Tornado Alley
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"Unless you can fly, there's no way to escape!"
Ti Lung, David Chiang and director Chang Cheh made a number of films together, including one of their earliest, Have Sword Will Travel. Chang Cheh diverged from his usual Buckets 'O Blood format in this film, slowed down, and gave the story and characters time to grow. That doesn't mean there wasn't plenty of red dye #40 used, but he did wait until the last third of the film for the fighting to truly commence.
Siang, the dart master, played by Ti Lung and his lady love Piao Piao (the lovely Li Ching) are lounging in a flower covered meadow. It's a typical marriage proposal with Siang throwing a dart at the yellow flower in Piao Piao's hair and nailing it to the tree behind her all while fighting off a dozen bandits. They are on their way to the Invincible Village to help out Lord Yin who is responsible for escorting an imperial treasure of 200,000 silver pieces. Meanwhile, Lo Yi, a poor wandering swordsman is just seeking shelter for the night and stumbles upon a tower where a huge group of bandits called the Flying Tigers are holed up. They are led by none other than Ku Feng as Jiao Hung. Lo manages to avoid a fight and ends up in the Invincible Village. Siang is convinced he's a spy and wants to dispatch him, but his anger might have had more to do with Lo and Piao Piao making googly eyes at each other. Along with setting up the key players for the eventual all-out fight over the silver, the fight for the heart of Piao Piao has begun as well. Who will live, who will die, who will ride off into the sunset, and who will win fair maiden's heart?
The title is a play on the name of an American tv show, Have Gun Will Travel, starring Richard Boone from 1957-1963. Aside from David Chiang's wandering character and his friendship with his horse, the western references were few. This was largely a sword-fighting drama with quality fights for the era. The bad guys also employed chains with knives, bow and arrows, and what looked like metal boomerangs. Yuen Cheung Yan and Tang Chia choreographed the fights which were few early on, but made up for it in the finale. The body count was high by the ending credits. In true wuxia form there was an abundance of trampoline and wire work which for the time looked pretty good. The blood spurting was understated for a Chang Cheh movie, but if it's something you enjoy, there were several slow motion geyser scenes that should quench the most blood thirsty viewer.
A familiar tower which was used in other films and prescient of Bruce Lee's Game of Death idea, had the heroes fighting their way up the different levels manned with weapon wielding bad guys. As much fun as it was to watch the battles, it made little sense for the good guys to detour off the road with their precious cargo of silver to end up at the tower. The movie looked like Shaw Brothers sank more money into this one than many other of their films. The sets were a step up from their disposable sets built for rough and tumble bar fights. While the outdoor filming provided a scenic backdrop for the actors it could be unsettling when it bounced back and forth between nature and the sound stage in the same scene.
The three main actors had a nice chemistry and played off each other well. Ti Lung was confined to playing the man jealous of his rival's sword skills and how his girl gazed at Lo's narrow sword. David Chiang is not a favorite of mine, but he managed to let a few emotions crack through his closed off face. At one point when Lo had to sell his horse in order to eat, you could feel the sense of loss. Both Siang and Lo were unrelentingly proud which became tiresome after a while. Ku Feng really sank his teeth into the charismatic leader of the Flying Tigers. In one scene Ku slithered up to Lo like a snake in the garden and tempted the expert swordsman to join his gang.
The visual quality of Have Sword Will Travel was impressive compared to other martial arts films of the time. The vicious sword fights were well done and the story had real stakes for the fights. The love triangle added emotional depth so often missing in these movies. I was disappointed that we missed out on a friendship or mutual respect developing between the two rivals because that would have set this movie even further apart in quality from other cut and paste kung fu flicks. Instead, there were two prideful men, unwilling to accept help from each other even when it no longer made sense to push each other away. I kept hearing Mony Python's knight saying, "Tis but a flesh wound!" Regardless of this quibble, Have Sword Will Travel with the renowned trio of Chang Cheh, Ti Lung, and David Chiang is one for martial arts movie fans to seek out.
4/11/23
Siang, the dart master, played by Ti Lung and his lady love Piao Piao (the lovely Li Ching) are lounging in a flower covered meadow. It's a typical marriage proposal with Siang throwing a dart at the yellow flower in Piao Piao's hair and nailing it to the tree behind her all while fighting off a dozen bandits. They are on their way to the Invincible Village to help out Lord Yin who is responsible for escorting an imperial treasure of 200,000 silver pieces. Meanwhile, Lo Yi, a poor wandering swordsman is just seeking shelter for the night and stumbles upon a tower where a huge group of bandits called the Flying Tigers are holed up. They are led by none other than Ku Feng as Jiao Hung. Lo manages to avoid a fight and ends up in the Invincible Village. Siang is convinced he's a spy and wants to dispatch him, but his anger might have had more to do with Lo and Piao Piao making googly eyes at each other. Along with setting up the key players for the eventual all-out fight over the silver, the fight for the heart of Piao Piao has begun as well. Who will live, who will die, who will ride off into the sunset, and who will win fair maiden's heart?
The title is a play on the name of an American tv show, Have Gun Will Travel, starring Richard Boone from 1957-1963. Aside from David Chiang's wandering character and his friendship with his horse, the western references were few. This was largely a sword-fighting drama with quality fights for the era. The bad guys also employed chains with knives, bow and arrows, and what looked like metal boomerangs. Yuen Cheung Yan and Tang Chia choreographed the fights which were few early on, but made up for it in the finale. The body count was high by the ending credits. In true wuxia form there was an abundance of trampoline and wire work which for the time looked pretty good. The blood spurting was understated for a Chang Cheh movie, but if it's something you enjoy, there were several slow motion geyser scenes that should quench the most blood thirsty viewer.
A familiar tower which was used in other films and prescient of Bruce Lee's Game of Death idea, had the heroes fighting their way up the different levels manned with weapon wielding bad guys. As much fun as it was to watch the battles, it made little sense for the good guys to detour off the road with their precious cargo of silver to end up at the tower. The movie looked like Shaw Brothers sank more money into this one than many other of their films. The sets were a step up from their disposable sets built for rough and tumble bar fights. While the outdoor filming provided a scenic backdrop for the actors it could be unsettling when it bounced back and forth between nature and the sound stage in the same scene.
The three main actors had a nice chemistry and played off each other well. Ti Lung was confined to playing the man jealous of his rival's sword skills and how his girl gazed at Lo's narrow sword. David Chiang is not a favorite of mine, but he managed to let a few emotions crack through his closed off face. At one point when Lo had to sell his horse in order to eat, you could feel the sense of loss. Both Siang and Lo were unrelentingly proud which became tiresome after a while. Ku Feng really sank his teeth into the charismatic leader of the Flying Tigers. In one scene Ku slithered up to Lo like a snake in the garden and tempted the expert swordsman to join his gang.
The visual quality of Have Sword Will Travel was impressive compared to other martial arts films of the time. The vicious sword fights were well done and the story had real stakes for the fights. The love triangle added emotional depth so often missing in these movies. I was disappointed that we missed out on a friendship or mutual respect developing between the two rivals because that would have set this movie even further apart in quality from other cut and paste kung fu flicks. Instead, there were two prideful men, unwilling to accept help from each other even when it no longer made sense to push each other away. I kept hearing Mony Python's knight saying, "Tis but a flesh wound!" Regardless of this quibble, Have Sword Will Travel with the renowned trio of Chang Cheh, Ti Lung, and David Chiang is one for martial arts movie fans to seek out.
4/11/23
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