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The Butterfly
The Book of Mythical Beasts tells the story of Hua Man Teng, a flowering vine demon, whose plot to overthrow the emperor was foiled. On the night of the Great Demon Hunt, she plans to destroy the premiere demon hunters in an effort to take over the world.
Numerous demon hunters descend on the small town of Baihe, the 100 Demon Town. Friends Tian Jiao and Shui Ling work with inventor Mo Lian Huan. Tian Jiao’s father, herbologist Zi Zhong Bai, joins them as does Shui Ling’s mom, San Niang the expert of Ghost Needles. Buddhist monks Liao Yin and Liao Guo come to help save humanity. And officers Tian Can and Di Que bring the might of the Ministry of Demon Suppression. They amass at Bai Ling Long’s Inn, the owner who possesses foxlike abilities. Two bumbling samurai and 3 vengeful demon sellers also appear at the inn for other reasons. Differences of opinions arise over the dispatching of all demons as some are helpful to humanity. The problem is muddled because Hua Man Teng has turned good Buddhist animals evil against their will.
The first half of the film was slow as the above characters were introduced. Each of their abilities varied from the others. Finally, on the night of the Great Demon Hunt, Man Teng made her dramatic entrance with a cauldron of demonic bats. At that point the fight was on and the body count went up. The CGI creatures and weapons ranged from good to poor as did the different actors’ responses to the CGI creatures and vines. For an epic fight, the low production values diminished my enjoyment. As did the focus on Tian Jiao in the latter part as she wasn’t a very likeable character. I was pleased that there were several competent women warriors instead of the usual one token female. Mika Wang’s evil Man Teng did the best she could as most of the time she was rooted in one place with vines extending from her. In truth, I started this film because Yuen Wah played the herbologist father. He and Yuen Qiu made a fun sparring not-couple couple.
The Book of Mythical Beasts had entertaining moments and several compelling characters. This two-hour movie tried to give sixteen characters screen time with mixed results. So many people on screen at any given moment meant that some were going to be sidelined and the main thrust of the story would be bogged down. And the main thrust of the story was confusing at times. There were good demons, good demons who were forced to be evil, and then evil demons. Some demon hunters differentiated and others did not, calling into question humanity’s propensity for evil as well. The film ended with a new threat to humanity crawling over the mountains so the filmmakers might have other questions they want to raise.
16 October 2024
Numerous demon hunters descend on the small town of Baihe, the 100 Demon Town. Friends Tian Jiao and Shui Ling work with inventor Mo Lian Huan. Tian Jiao’s father, herbologist Zi Zhong Bai, joins them as does Shui Ling’s mom, San Niang the expert of Ghost Needles. Buddhist monks Liao Yin and Liao Guo come to help save humanity. And officers Tian Can and Di Que bring the might of the Ministry of Demon Suppression. They amass at Bai Ling Long’s Inn, the owner who possesses foxlike abilities. Two bumbling samurai and 3 vengeful demon sellers also appear at the inn for other reasons. Differences of opinions arise over the dispatching of all demons as some are helpful to humanity. The problem is muddled because Hua Man Teng has turned good Buddhist animals evil against their will.
The first half of the film was slow as the above characters were introduced. Each of their abilities varied from the others. Finally, on the night of the Great Demon Hunt, Man Teng made her dramatic entrance with a cauldron of demonic bats. At that point the fight was on and the body count went up. The CGI creatures and weapons ranged from good to poor as did the different actors’ responses to the CGI creatures and vines. For an epic fight, the low production values diminished my enjoyment. As did the focus on Tian Jiao in the latter part as she wasn’t a very likeable character. I was pleased that there were several competent women warriors instead of the usual one token female. Mika Wang’s evil Man Teng did the best she could as most of the time she was rooted in one place with vines extending from her. In truth, I started this film because Yuen Wah played the herbologist father. He and Yuen Qiu made a fun sparring not-couple couple.
The Book of Mythical Beasts had entertaining moments and several compelling characters. This two-hour movie tried to give sixteen characters screen time with mixed results. So many people on screen at any given moment meant that some were going to be sidelined and the main thrust of the story would be bogged down. And the main thrust of the story was confusing at times. There were good demons, good demons who were forced to be evil, and then evil demons. Some demon hunters differentiated and others did not, calling into question humanity’s propensity for evil as well. The film ended with a new threat to humanity crawling over the mountains so the filmmakers might have other questions they want to raise.
16 October 2024
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