I'm rating this drama as a romance (6.5) because that's what it was written to be, however if it was written to be biopic of the King's life story where the love story was a side plot, I'd probably give it a higher rating.
Things I loved in this drama:
- Lee Junho as Yi San/The King: The first time I took note of Lee Junho was in Good Manager where I loved how intense his character could be, yet hidden behind that mask was a kooky weirdo that just needed to find his people. In Red Sleeve, he did a solid job of portraying an emotionally layered Crown Prince who was raised by an emotionally abusive grandfather (who was responsible for his fathers death if you know the real life story). The amount of trauma that alone would instill in any kid gives you a deeper appreciation for the King he grew to became and an understanding of *why* he was so adamant in following the law and made certain choices. He is by no means a flawless character but I think he did such a great job playing out the various aspects of San's emotions and struggles.
I also think he carried the love story mostly on his back and it was through him that we really saw the depth of emotions in the OTP. We saw his pain, doubt that the FL returned his feelings, his joy when he thought she did and his sadness when she was repeatedly aloof with him. I like that he was a flawed character -- there were times when he was really possessive and that lead me to understand why, in the beginning the FL might have been wary of showing her hand when it came to her feelings for him. I also loved that while he was so very in love, he never lost sight of his larger goal as a King and what he wished for his people. All in all, a character that I walked away liking.
THINGS THAT COULD HAVE BEEN BETTER:
*Writing/Plot and Pacing: I initially thought this was a love story, but after watching the show I felt it was more about following Yi San through his journey from Crown Prince to King, which also included his love for the FL. The writers spent a great deal of time during the middle/late end of the show drawing out the time period where the FL avoided committing to the King which I guess could have worked if they had written her to be a more nuanced character and had given us insight into her inner turmoil, but they pretty much had her repeating the same conversations to her friends or herself with no further insight. It's almost as if when creating her character avatar the writers highlighted "girl King loves who got away and he pines for" as one of her characteristic and forgot to flesh out what about Deok Im justified this almost decade long avoidance of committing to the King. We are given the whole "I want to make a choice in my life" front, but her personality and motivations are never as fully fleshed out the way it is for San and how he became the man he grew to be. So it ultimately felt like she was a female character written in with the express purpose of being the woman that hooked san for the amount of time she did.
I also think the pacing of the show from the midway point to the last episode was confusing and pointless. They again, maximized the period of time they were not together for a longer period than they needed to and then squashed in everything that could have happened into literally 1.5 episodes. Like, they literally timed jumped the shit out of everything that happened when she finally became his concubine and fast forwarded through everything we, as an audience who literally waited to see happen, only to end again with more solo time with San and how he processed everything emotionally. Which is why I would rate this higher if it was written specifically as a biopic that focused on San -- because then it did a pretty good job.
THINGS I'M CONFLICTED ABOUT:
*Sung Deok Im (the character and also maybe the actress? perhaps there could have an actress that could have saved Deok Im's character, I don't know) - Conflicted because in the beginning there was a fair bit of things that I loved about Deok Im's character. It's very rare that we get a FL that thinks quickly, talks back and actually does some saving of her own so I was very much here for it. However as the show progresses, you begin to realize that she herself is a very flawed character (fair, no one is looking for perfection), with a fair bit of ego and self centeredness. Some people like characters like this, so if you do, perhaps she could be your cup of tea.
She's more than comfortable subtly leveraging San's feelings for her to get what she wants, or doing something that would literally get anyone else killed but because of San's feelings for her (that she knew about) she knew she'd be safe. However, you point this out to her -- as Hong Deok Ro did when they were both outside the palace -- and she did the thing that made me start to seriously dislike her. Turned her nose up in the air and proceeded to stick her head in the clouds of self denial. And that's when you get confirmation that yes, this is a flawed character, but it's one that refuses to see her own flaws. In cases like these, I never know if the character was written this way intentionally or if the writer themselves believe what they have the characters saying. I guess we'll never know.
*the OTP: conflicted because I really loved San's half of the OTP but Deok Im was just like. Not it for me. the first half or so maybe, I could have worked with that, but as the show progressed and you got to see it's like. Man. I just feel bad for the guy. I don't think San was every fully sure if she loved him and to be honest, watching the show, you can't blame him. Given everything he went through in his life, it was kind of sad that the one person who could have offered him some sort of safety and security when it came to human connection ... kind of didn't. I mean he kept her around anyways, but it got to a point where he would cut himself off from asking her how she really felt because I think he really didn't want to hear the answer.
All in all, the OTP was lopsided and poorly written on one side. It was given the rating it has mostly because I think Lee Junho delivered on his role and carried the OTP. I'd really like to see him act in another sageuk with a better script and FL. ::crosses fingers::
Things I loved in this drama:
- Lee Junho as Yi San/The King: The first time I took note of Lee Junho was in Good Manager where I loved how intense his character could be, yet hidden behind that mask was a kooky weirdo that just needed to find his people. In Red Sleeve, he did a solid job of portraying an emotionally layered Crown Prince who was raised by an emotionally abusive grandfather (who was responsible for his fathers death if you know the real life story). The amount of trauma that alone would instill in any kid gives you a deeper appreciation for the King he grew to became and an understanding of *why* he was so adamant in following the law and made certain choices. He is by no means a flawless character but I think he did such a great job playing out the various aspects of San's emotions and struggles.
I also think he carried the love story mostly on his back and it was through him that we really saw the depth of emotions in the OTP. We saw his pain, doubt that the FL returned his feelings, his joy when he thought she did and his sadness when she was repeatedly aloof with him. I like that he was a flawed character -- there were times when he was really possessive and that lead me to understand why, in the beginning the FL might have been wary of showing her hand when it came to her feelings for him. I also loved that while he was so very in love, he never lost sight of his larger goal as a King and what he wished for his people. All in all, a character that I walked away liking.
THINGS THAT COULD HAVE BEEN BETTER:
*Writing/Plot and Pacing: I initially thought this was a love story, but after watching the show I felt it was more about following Yi San through his journey from Crown Prince to King, which also included his love for the FL. The writers spent a great deal of time during the middle/late end of the show drawing out the time period where the FL avoided committing to the King which I guess could have worked if they had written her to be a more nuanced character and had given us insight into her inner turmoil, but they pretty much had her repeating the same conversations to her friends or herself with no further insight. It's almost as if when creating her character avatar the writers highlighted "girl King loves who got away and he pines for" as one of her characteristic and forgot to flesh out what about Deok Im justified this almost decade long avoidance of committing to the King. We are given the whole "I want to make a choice in my life" front, but her personality and motivations are never as fully fleshed out the way it is for San and how he became the man he grew to be. So it ultimately felt like she was a female character written in with the express purpose of being the woman that hooked san for the amount of time she did.
I also think the pacing of the show from the midway point to the last episode was confusing and pointless. They again, maximized the period of time they were not together for a longer period than they needed to and then squashed in everything that could have happened into literally 1.5 episodes. Like, they literally timed jumped the shit out of everything that happened when she finally became his concubine and fast forwarded through everything we, as an audience who literally waited to see happen, only to end again with more solo time with San and how he processed everything emotionally. Which is why I would rate this higher if it was written specifically as a biopic that focused on San -- because then it did a pretty good job.
THINGS I'M CONFLICTED ABOUT:
*Sung Deok Im (the character and also maybe the actress? perhaps there could have an actress that could have saved Deok Im's character, I don't know) - Conflicted because in the beginning there was a fair bit of things that I loved about Deok Im's character. It's very rare that we get a FL that thinks quickly, talks back and actually does some saving of her own so I was very much here for it. However as the show progresses, you begin to realize that she herself is a very flawed character (fair, no one is looking for perfection), with a fair bit of ego and self centeredness. Some people like characters like this, so if you do, perhaps she could be your cup of tea.
She's more than comfortable subtly leveraging San's feelings for her to get what she wants, or doing something that would literally get anyone else killed but because of San's feelings for her (that she knew about) she knew she'd be safe. However, you point this out to her -- as Hong Deok Ro did when they were both outside the palace -- and she did the thing that made me start to seriously dislike her. Turned her nose up in the air and proceeded to stick her head in the clouds of self denial. And that's when you get confirmation that yes, this is a flawed character, but it's one that refuses to see her own flaws. In cases like these, I never know if the character was written this way intentionally or if the writer themselves believe what they have the characters saying. I guess we'll never know.
*the OTP: conflicted because I really loved San's half of the OTP but Deok Im was just like. Not it for me. the first half or so maybe, I could have worked with that, but as the show progressed and you got to see it's like. Man. I just feel bad for the guy. I don't think San was every fully sure if she loved him and to be honest, watching the show, you can't blame him. Given everything he went through in his life, it was kind of sad that the one person who could have offered him some sort of safety and security when it came to human connection ... kind of didn't. I mean he kept her around anyways, but it got to a point where he would cut himself off from asking her how she really felt because I think he really didn't want to hear the answer.
All in all, the OTP was lopsided and poorly written on one side. It was given the rating it has mostly because I think Lee Junho delivered on his role and carried the OTP. I'd really like to see him act in another sageuk with a better script and FL. ::crosses fingers::
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