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ariel alba
Kidnapped kidnapper
An unusual love story captivates the audience in each of the episodes of 'Kidnap', a Thai series directed by actor, musician, singer and filmmaker Noom Attaporn Teemarkorn ('Midnight Museum'), known for his distinctive style and captivating narratives, in which it presents us with an intense plot where there will be no shortage of violence, kidnapping, intrigue, hand-to-hand combat... and romance.
Pawat Chittsawangdee (Ohm) and Thanaphon Usinsap, who after appearing as a guest actor in 'The Folly of Human Ambition' (2021) plays his first leading role in this series, are in charge of giving life to characters that have even become a trend on social networks, because every time they appear on screen their romantic approaches monopolize the throne of Instagram and Twitter.
Ohm Pawat Chittsawangdee is a young actor who got his start in the entertainment industry with the lead role of Frame in the 2016 series 'Make It Right', which was followed by 'Make It Right 2' and 'Make It Right: On the Beach'. BL lovers remember him for his performance in the film 'Dew', a performance that won him the Best Supporting Actor award at the prestigious 28th edition of the Bangkok Critics Assembly Awards in 2020.
His character of "Pat" Napat Jindapat in the series 'Our Skyy 2' (2023) and 'Bad Buddy' (2022), and that of Khemachat Dhamrong-rattanaroj in 'The Shipper' are also treasured by his fans.
The link between Ohm and the director of the series is not recent, as both had already worked on the drama 'An Eye for an Eye', from 2021. On this occasion, Ohm played the secondary character called
Nawa.
Ohm plays Min, a young actor and stuntman who agrees to work as a kidnapper to use the money from the kidnapping for the expensive medical treatment of his sick brother, as well as to pay a debt owed to gangsters.
However, when her employer asks him to kill Q, him young, spoiled, rich co-star whom he has kidnapped, Min can't bring herself to pull the trigger. Instead, he tells them the job is complete and takes the boy home to hide him.
What we will see next takes the viewer through a wealth of emotions, from despair to hope, from insecurity to love, with Min and Q trying to outwit their pursuers to save their lives and those of their loved ones.
In this way, the two boys create a loving bond and discover that they have a strong and undeniable connection with each other.
Although the relationship does not begin as "Cupid's rules dictate", with the lover arriving with a flower in his hands to give as a gift, this love seems very logical to me because Min never exercises violence on the kidnapped person, while Q He finds in the kidnapper a strong and kind being who can protect him. His protector is always there for him.
Stockholm syndrome is one of the reasons that moves Q, a feeling that grows in his chest when there is an emotional bond towards the person who has kidnapped him. After experiencing something like this, people are not the same. Q is an innocent boy. His only "crime" is that of being the son of Khacha Yuenyongwisut (Lift Supoj Janjareonborn), the incorruptible police officer who is carrying out a criminal investigation in which those who hire Min to carry out the kidnapping are involved.
Let's face it, developing a strange bond with his kidnapper is not original, as it has been explored before. Films such as the British 'A Life Less Ordinary' (1997), by director Danny Boyle; the American 'Kill Me Later' (2001), by Dana Lustig, the Indian 'Highway' (2014), by Imtiaz Ali; and the American gay film 'The 24th Day' (2004), by Tony Piccirillo, have addressed the issue from various perspectives.
The Thai film 'Bangkok Love Story', by director Poj Arnon ('Tell the World I Love You'), from 2007, tells us a tumultuous relationship between two strangers who become close, but deep down there are no points of coincidence with this series, because in the film there is not a kidnapping but a rescue, while the mission entrusted to a cold hitman is not to kidnap, but to physically eliminate a police informant.
The difference that I appreciate between the previous films and the series directed by Noom Attaporn Teemarkorn is that Min is not the typical predator or the obsessive character with psychiatric problems represented by Ricky (Antonio Banderas) in the Spanish film 'Tie Me Up!' (1990), by Pedro Almodóvar, or Massimo Torricelli in the Polish '365 DNI' (2018), by Barbara Białowąs and Tomasz Mandes, to name just two examples.
'Kidnap' does not take lightly a criminal action such as kidnapping, with the legal implication to which the kidnapper is exposed and the trauma it causes to its victims.
What drives Min not to commit a crime is his kindness and love. This is what causes Min to not execute the order given by the employers and instead save the person he must kill. Together, the two young people will experience a traumatic situation in the best way they find possible.
Ohm and Thanaphon Usinsap represent a couple in the story with ups and downs, and Lima syndrome is also present in the plot, since the kidnapper responds to the victim. Since these syndromes exist, which in this case for me is true love, not a condition, there is this way of addressing it in the series. To tell a story this extreme, you also need a lot of delicacy and a lot of respect for the subject.
On the other hand, the strong chemistry between both roles is also partly due to the prior teamwork that the actors do before each scene, bringing to fruition sequences that are out of the ordinary, between kidnapper and victim.
In this character of Q, the actor who plays him comes out on top, combining strength and defenselessness, with a happy and noble character, which does not lack sensuality.
For his part, Ohm continues to stand out in his career in the complex role of Min with a difficult balance between the boy in need of money to save his brother's life and even his own in the face of the bullies who demand payment of a debt. and the nobility and innocence that hides in his heart.
It is not credible to me that a criminal network would entrust the mission of kidnapping and murdering a person with no prior experience. However, this is understandable, since it favors the development of the plot.
Ohm Thipakorn Thitathan, Min's younger brother; Phromphiriya Thongputtaruk (Papang) as Suea; Chelsea Napapat Sattha-atikom, in him acting debut, as Khanomjeen, Min's friend; Pym Pympan Chalayanacupt as Yada, Suea's boss; Title Kirati Puangmalee as Min's senior James, among other actors and actresses, bring a range of intense and complex performances.
Obviously this conflict arouses the interest of the public who loves to see the two main characters together, and also those who follow the other Ohm in his role as Min's brother, who left me wanting to see more of his artistic work after discovering it like August, in 'Last Twilight', and Zo in 'Our Skyy 2' and 'A Boss and a Babe', all from 2023.
By reading the comments on MDL one can see that the majority of the audience really enjoys every scene, every situation that these characters present. There is annoyance, but also a support that makes the audience who finds the series fascinating complicit.
Except for the rookie Nontachai Vinyousupornchai, the other three screenwriters, PingPong Suwanun Pohgudsai, Chalermpong Udomsilp and Sornpanath Patpho, have extensive experience in writing scripts, especially those in the BL genre, having written the scripts for 'Never Let Me Go ' (2023), 'Cherry Magic' (2024), 'Remark' (2016), 'The Gifted' (2018), 'ThirTEEN Terrors' (2015), 'Vice Versa', 'The Eclipse', among others, which demonstrates his commitment and vision in the development of the series.
In summary: 'Kidnap' offers a moving vision of the protagonists' journey as they deal with their growing attraction and the development of a beautiful romance, while searching for a sense of belonging in a world that is hostile to them.
I'll come back to the review to update it.
Pawat Chittsawangdee (Ohm) and Thanaphon Usinsap, who after appearing as a guest actor in 'The Folly of Human Ambition' (2021) plays his first leading role in this series, are in charge of giving life to characters that have even become a trend on social networks, because every time they appear on screen their romantic approaches monopolize the throne of Instagram and Twitter.
Ohm Pawat Chittsawangdee is a young actor who got his start in the entertainment industry with the lead role of Frame in the 2016 series 'Make It Right', which was followed by 'Make It Right 2' and 'Make It Right: On the Beach'. BL lovers remember him for his performance in the film 'Dew', a performance that won him the Best Supporting Actor award at the prestigious 28th edition of the Bangkok Critics Assembly Awards in 2020.
His character of "Pat" Napat Jindapat in the series 'Our Skyy 2' (2023) and 'Bad Buddy' (2022), and that of Khemachat Dhamrong-rattanaroj in 'The Shipper' are also treasured by his fans.
The link between Ohm and the director of the series is not recent, as both had already worked on the drama 'An Eye for an Eye', from 2021. On this occasion, Ohm played the secondary character called
Nawa.
Ohm plays Min, a young actor and stuntman who agrees to work as a kidnapper to use the money from the kidnapping for the expensive medical treatment of his sick brother, as well as to pay a debt owed to gangsters.
However, when her employer asks him to kill Q, him young, spoiled, rich co-star whom he has kidnapped, Min can't bring herself to pull the trigger. Instead, he tells them the job is complete and takes the boy home to hide him.
What we will see next takes the viewer through a wealth of emotions, from despair to hope, from insecurity to love, with Min and Q trying to outwit their pursuers to save their lives and those of their loved ones.
In this way, the two boys create a loving bond and discover that they have a strong and undeniable connection with each other.
Although the relationship does not begin as "Cupid's rules dictate", with the lover arriving with a flower in his hands to give as a gift, this love seems very logical to me because Min never exercises violence on the kidnapped person, while Q He finds in the kidnapper a strong and kind being who can protect him. His protector is always there for him.
Stockholm syndrome is one of the reasons that moves Q, a feeling that grows in his chest when there is an emotional bond towards the person who has kidnapped him. After experiencing something like this, people are not the same. Q is an innocent boy. His only "crime" is that of being the son of Khacha Yuenyongwisut (Lift Supoj Janjareonborn), the incorruptible police officer who is carrying out a criminal investigation in which those who hire Min to carry out the kidnapping are involved.
Let's face it, developing a strange bond with his kidnapper is not original, as it has been explored before. Films such as the British 'A Life Less Ordinary' (1997), by director Danny Boyle; the American 'Kill Me Later' (2001), by Dana Lustig, the Indian 'Highway' (2014), by Imtiaz Ali; and the American gay film 'The 24th Day' (2004), by Tony Piccirillo, have addressed the issue from various perspectives.
The Thai film 'Bangkok Love Story', by director Poj Arnon ('Tell the World I Love You'), from 2007, tells us a tumultuous relationship between two strangers who become close, but deep down there are no points of coincidence with this series, because in the film there is not a kidnapping but a rescue, while the mission entrusted to a cold hitman is not to kidnap, but to physically eliminate a police informant.
The difference that I appreciate between the previous films and the series directed by Noom Attaporn Teemarkorn is that Min is not the typical predator or the obsessive character with psychiatric problems represented by Ricky (Antonio Banderas) in the Spanish film 'Tie Me Up!' (1990), by Pedro Almodóvar, or Massimo Torricelli in the Polish '365 DNI' (2018), by Barbara Białowąs and Tomasz Mandes, to name just two examples.
'Kidnap' does not take lightly a criminal action such as kidnapping, with the legal implication to which the kidnapper is exposed and the trauma it causes to its victims.
What drives Min not to commit a crime is his kindness and love. This is what causes Min to not execute the order given by the employers and instead save the person he must kill. Together, the two young people will experience a traumatic situation in the best way they find possible.
Ohm and Thanaphon Usinsap represent a couple in the story with ups and downs, and Lima syndrome is also present in the plot, since the kidnapper responds to the victim. Since these syndromes exist, which in this case for me is true love, not a condition, there is this way of addressing it in the series. To tell a story this extreme, you also need a lot of delicacy and a lot of respect for the subject.
On the other hand, the strong chemistry between both roles is also partly due to the prior teamwork that the actors do before each scene, bringing to fruition sequences that are out of the ordinary, between kidnapper and victim.
In this character of Q, the actor who plays him comes out on top, combining strength and defenselessness, with a happy and noble character, which does not lack sensuality.
For his part, Ohm continues to stand out in his career in the complex role of Min with a difficult balance between the boy in need of money to save his brother's life and even his own in the face of the bullies who demand payment of a debt. and the nobility and innocence that hides in his heart.
It is not credible to me that a criminal network would entrust the mission of kidnapping and murdering a person with no prior experience. However, this is understandable, since it favors the development of the plot.
Ohm Thipakorn Thitathan, Min's younger brother; Phromphiriya Thongputtaruk (Papang) as Suea; Chelsea Napapat Sattha-atikom, in him acting debut, as Khanomjeen, Min's friend; Pym Pympan Chalayanacupt as Yada, Suea's boss; Title Kirati Puangmalee as Min's senior James, among other actors and actresses, bring a range of intense and complex performances.
Obviously this conflict arouses the interest of the public who loves to see the two main characters together, and also those who follow the other Ohm in his role as Min's brother, who left me wanting to see more of his artistic work after discovering it like August, in 'Last Twilight', and Zo in 'Our Skyy 2' and 'A Boss and a Babe', all from 2023.
By reading the comments on MDL one can see that the majority of the audience really enjoys every scene, every situation that these characters present. There is annoyance, but also a support that makes the audience who finds the series fascinating complicit.
Except for the rookie Nontachai Vinyousupornchai, the other three screenwriters, PingPong Suwanun Pohgudsai, Chalermpong Udomsilp and Sornpanath Patpho, have extensive experience in writing scripts, especially those in the BL genre, having written the scripts for 'Never Let Me Go ' (2023), 'Cherry Magic' (2024), 'Remark' (2016), 'The Gifted' (2018), 'ThirTEEN Terrors' (2015), 'Vice Versa', 'The Eclipse', among others, which demonstrates his commitment and vision in the development of the series.
In summary: 'Kidnap' offers a moving vision of the protagonists' journey as they deal with their growing attraction and the development of a beautiful romance, while searching for a sense of belonging in a world that is hostile to them.
I'll come back to the review to update it.
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