I am completely empty
This series was a blow to my emotions that I will never recover from. It's not just a depiction of a complicated story but a painful moment realization.
Wang, who has been searching for the remnants of his father's memory his entire life is suddenly drawn to a house in the middle of nowhere. An oasis... a cave? a cage where the man holding the key to the mystery lies impatient.
An unstoppable force meets the immovable object. As a young man full of resolve and fire, crashes into a man that only knows fear and regret masked as prudence.
With a Strindberg-esque theater in it's core, this show brings blade-sharp monologues and dialogues with amazing rythm and ruthlessness. It plays into the inevitability of family and the unfortunate blooming of a love that grows like weeds in concrete.
The cinematography is beautiful, the use of lines and colors to depict meaning is raw and subtle at the same time. Its impossible to pinpoint the "good moments" because it's all so meticulously planned that everyone I tried to get a quote written down I ended up with a transcription of the entire scene.
It's not necessarily sad. I don't cry at "sad". It was just too much. The situation, the emotions, the dialogues are multidimensional and overwhelming.
Pond offered a gut wrenching performance that was always topped with a smile that passes through you.
F*ck, how this shit tore me apart.
If you do not find theater entertaining, if you like explicit, easy, quiet shows definitely skip this one. This is not your typical BL, for the ones coming towards it only because of that label. It is BL, but it became so much more.
This is not a "fun" ride. It's a story of a bird trying to convince another to leave the cage. The door is not locked, the air is much nicer up there... but how could you convince a bird with no wings to fly?
Id rather stay in the labyrinth than join Icarus in the sea.
Wang, who has been searching for the remnants of his father's memory his entire life is suddenly drawn to a house in the middle of nowhere. An oasis... a cave? a cage where the man holding the key to the mystery lies impatient.
An unstoppable force meets the immovable object. As a young man full of resolve and fire, crashes into a man that only knows fear and regret masked as prudence.
With a Strindberg-esque theater in it's core, this show brings blade-sharp monologues and dialogues with amazing rythm and ruthlessness. It plays into the inevitability of family and the unfortunate blooming of a love that grows like weeds in concrete.
The cinematography is beautiful, the use of lines and colors to depict meaning is raw and subtle at the same time. Its impossible to pinpoint the "good moments" because it's all so meticulously planned that everyone I tried to get a quote written down I ended up with a transcription of the entire scene.
It's not necessarily sad. I don't cry at "sad". It was just too much. The situation, the emotions, the dialogues are multidimensional and overwhelming.
Pond offered a gut wrenching performance that was always topped with a smile that passes through you.
F*ck, how this shit tore me apart.
If you do not find theater entertaining, if you like explicit, easy, quiet shows definitely skip this one. This is not your typical BL, for the ones coming towards it only because of that label. It is BL, but it became so much more.
This is not a "fun" ride. It's a story of a bird trying to convince another to leave the cage. The door is not locked, the air is much nicer up there... but how could you convince a bird with no wings to fly?
Id rather stay in the labyrinth than join Icarus in the sea.
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