Amateur with a capital A
I used to watch the original Power Rangers with my younger brother. All the heroes were good and all the baddies were bad. The characters were stilted and simple, but somehow the show wasn't cringey enough for me to grab the remote and fight to change the channel. This is what The Uncanny Counter reminds me of.
Like the Power Rangers of yore, the protagonists are always together. Every fight is basically the same, and done to the same degree. Because our heroes are almost always together, they have little opportunity to show who they really are through their actions. In addition, the writers break a cardinal rule of "telling" us instead of "showing" us the story.
My favorite actor here is Yeom Hye Ran as the motherly noodle chef. Her experience shows, and she delivers in every role she plays. Yoo Joon Sang plays the ex-detective with heaps of care and concern. Kim Se Jeong plays the closed and tormented Ha Na well. She is the only character who is written with a tiny a pinch of mystery. Ahn Suk Hwan is fun as the cool rich dude. And finally, Cho Byeong Kyu plays So Moon as a sensitive and tearful teen. I liked that he expressed a lot of emotion throughout the show. It's great that a guy can cry. On top of this, a huge shout-out goes to So Moon's best friends played by Kim Eun Soo and Lee Ji Won. They radiate care for him and are rightfully described as his pseudo-parents. Choi Yoon Young also plays her role as the police officer standing up to corruption in a delicate balancing act. She deserved more screen time. I appreciate that our main actors worked so hard to deliver their lines with as much depth as they could muster through the generic and terribly written script. Even the baddies did well in this respect. On the other hand, the afterlife characters in Yong really struggled.
The entire production is clearly an amateur undertaking. The unrefined camera angles and awkward blocking affects every scene. The script and writing is bland. The direction is lacking and inexperienced, but then again, they didn't have much to work with besides great actors. When I think about the Power Rangers, at least I knew they had their own way of speaking and individual interests. Here, they have these heartfelt scenes without layered context. We only care (a bit) because the actors are so good. The flow and rhythm of the story is simply devoid of characterization. The plot just keeps hurtling at the protagonists. One minute they're eating noodles and the next minute they're fighting. It's as if the story is being done to them and they are just there to react constantly. There is no build-up in between scenes. There is no foreshadowing to help us anticipate what comes next. There is no exploration of our heroes' pasts in order to push the story forward. There were only fragmented flashbacks without purpose. The whole show is campy and unsatisfying.
And let's talk about the violence for a second. How many scenes can you film of people stomping on other people's heads and beating them up? And murdering people with lots of blood? After a while it has no meaning, even for a teenage audience. Stop already.
In the end, I am surprised that I actually finished season 1. I can't quite pinpoint why. It has a youthful spirit. And I like a middle aged lady who can take down evil spirits. I didn't expect the depth of Stranger Things, but I at least expected better production values. Maybe I like Power Rangers more than I care to admit.
Like the Power Rangers of yore, the protagonists are always together. Every fight is basically the same, and done to the same degree. Because our heroes are almost always together, they have little opportunity to show who they really are through their actions. In addition, the writers break a cardinal rule of "telling" us instead of "showing" us the story.
My favorite actor here is Yeom Hye Ran as the motherly noodle chef. Her experience shows, and she delivers in every role she plays. Yoo Joon Sang plays the ex-detective with heaps of care and concern. Kim Se Jeong plays the closed and tormented Ha Na well. She is the only character who is written with a tiny a pinch of mystery. Ahn Suk Hwan is fun as the cool rich dude. And finally, Cho Byeong Kyu plays So Moon as a sensitive and tearful teen. I liked that he expressed a lot of emotion throughout the show. It's great that a guy can cry. On top of this, a huge shout-out goes to So Moon's best friends played by Kim Eun Soo and Lee Ji Won. They radiate care for him and are rightfully described as his pseudo-parents. Choi Yoon Young also plays her role as the police officer standing up to corruption in a delicate balancing act. She deserved more screen time. I appreciate that our main actors worked so hard to deliver their lines with as much depth as they could muster through the generic and terribly written script. Even the baddies did well in this respect. On the other hand, the afterlife characters in Yong really struggled.
The entire production is clearly an amateur undertaking. The unrefined camera angles and awkward blocking affects every scene. The script and writing is bland. The direction is lacking and inexperienced, but then again, they didn't have much to work with besides great actors. When I think about the Power Rangers, at least I knew they had their own way of speaking and individual interests. Here, they have these heartfelt scenes without layered context. We only care (a bit) because the actors are so good. The flow and rhythm of the story is simply devoid of characterization. The plot just keeps hurtling at the protagonists. One minute they're eating noodles and the next minute they're fighting. It's as if the story is being done to them and they are just there to react constantly. There is no build-up in between scenes. There is no foreshadowing to help us anticipate what comes next. There is no exploration of our heroes' pasts in order to push the story forward. There were only fragmented flashbacks without purpose. The whole show is campy and unsatisfying.
And let's talk about the violence for a second. How many scenes can you film of people stomping on other people's heads and beating them up? And murdering people with lots of blood? After a while it has no meaning, even for a teenage audience. Stop already.
In the end, I am surprised that I actually finished season 1. I can't quite pinpoint why. It has a youthful spirit. And I like a middle aged lady who can take down evil spirits. I didn't expect the depth of Stranger Things, but I at least expected better production values. Maybe I like Power Rangers more than I care to admit.
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