The now removed from youtube conceptual trailer made to drum up attention and funding is one of the best trailers/short film in and of itself of all time for me. The creativity, cinematography, pacing, and comedic timing of the visual jokes are perfection. If the actual episodes was like it, then the show would be perfect too, but when the official trailer came out I could see that it wasn't as snappy and tight, but still excited to give it a chance. I really like how the show makes use of the ending credits to actually show case the status of the group with scenes that change along with the storyline. The design of the spirits as seen by all the living people is excellent, unrelentingly uncomfortable even it's revealed that the ghost was a good person or a good person all along. Kan's great, she's the only one with sensible character development. She bravely went against the privileged rich people that hurt her, her father, and her community. She's right to whistle blow about Home getting away with the hit and run. The only one to treat it with the severity of an issue that it is. She's also the person that saved Home's life. Suradech is pretty fun, they gave the poor guy one line when he answered Kan's question before passing out. It's a real missed opportunity to have him also gain abilities having almost died from poison.

I enjoyed Peach and Home's friendship and it's the only roles of the main actors working together that I have enjoyed out of their filmography, but it was a huge unresolved issue that Home really hit Peach with a car and left him to die. Somkid covered it up, but Home really did that. It doesn't matter that Peach already forgave him after finding out once they are already friends. Home dragged out his apology and then there is nothing that comes of it. He has main character immunity and is the only one of his family to not have to pay for his crime. He's a privileged guy from the beginning to end. It's also feels like a huge chunk is missing that we never find out Chai-Un's beef with his family. He seems to be supposed to be a mirror to Home, but it goes nowhere. It's also really horrifying that Peach decided to serve Chai-Un, the man that he almost killed with his neglectful cooking last time, imitation peas that may or may not have been swapped with real ones based on the guess of Home. It's weird the show framed it as "trust" that Peach has for Home. The guy is just guessing! Peach is nice but does not take deadly allergies seriously and that's really bad for someone who wants to sell food to people. Pangpang has a problem, where she has no self control regarding money at all. She's the one that forced her and Peach to homelessness. She's also rewarded and she learns nothing. She treats Home having run over Peach and Peach demanding the minimum apology from Home like it's petty bickering. The man left her brother for dead and that's her attitude. There would be times the characters would make conveniently very stupid decisions to move the plot along. The poor writing moments seems at odds with a lot of well written moving moments of various guest or secondary characters like Thansai and Ride's tragically cut short love, Kan and her father's familial love, and the tragic lifelong misunderstanding between Somkid and his father. I wonder if perhaps there is an issue of not having enough time to flesh out the script of the series as it does have a very promising skeleton.