Backwards, outdated and downright misogynistic. AVOID.

(PSA: This is a rant rolled up as review bc i could not keep my cool writing about this cesspool of a show. Thus it contains some swear words. Just as a head's up.)

For a family drama written in 2022/2023, TRHC is oddly stuck somewhere in Joseon era, or 1970 if we are feeling generous. Worst of all is that all of these backwards views of the writer is covered under a mantle of pseudo LOOK HOW MODERN WE ARE progressiveness at first. But you always get glimpses of his true views here and there, those bits of misogyny, how a woman is not allowed to exist without a man and husband, can't do anything without a man. Or his obsession with bloodline superiority portrayed by the grandmother at first who feels like a writer mouthpiece of his own views in hindsight.

Because for a show supposedly about how family is chosen and that chosen family is just as valid as bloodlines, he does his damnest to portray adoption in the worst light. As something lesser and THE fatal flaw a person can have. Later on ML is also CONSTANTLY ridiculed for wanting to take over the father's role for FL's baby because he is not the true blooded father, not valid nor good enough and every character lets him know so. While the literal shithead of dna giver of the child is elevated to the writer's favorite pet the narrative tries to manipulate you into feeling sorry for a literal stalking, harassing, cheating, blackmailing, threatening and gaslighting abusive bastard who made the leads life hell for 30 eps plus. But he is the "father" of FL's child so he has a "i can do what i want" permit of the writer who seems to sympathize with abusive men treating women like shit and objects to possess waaaaay too much, if you ask me. Yikes. But of course none of the stalking and domestic violence is ever addressed or SML held accountable in any way or form, nope. Of course not. It was just there for shock value and to show you that this poor poor man just did all this because he was lonely, had a bad childhood (???), and was upset of not seeing his child or something. Awwww. F-- OFF. The trivialization of abuse (that starts not just at physical, mind) is staggering and super disgusting, but totally in line with this writer's overall misogynistic views.

Which perfectly shows in the complete obliteration of FL Yeondoo's personality in the second half as well, Because except for her apologizing and cowering to everyone no matter what and why, if she is allowed to speak at all, she does nothing, is allowed nothing. In latter eps you even have ML, her then legal husband, speaking FOR her even if she is directly addressed by others and yikes. Not to mention how her career fell sideways and was forgotten about in favor of her letting it housewiving out till the writer remembered she once was a star instructor five minutes before the very end. Which okay if a stay at home mom is what she wants there is no problem, but there was NEVER any discussion about her future, nor what she wants to do going forward. The complete lack of agency while two men have the worst written, and factually and law-wise incorrect, custody battle over HER child, for whom she is the sole custodian parent, is more than appalling. It is downright sexist. (In fact, no female character is allowed to exist or act without a man in here, again yikes.)

While the show was airing, we have talked at lengths in the comment section why the romance is not romancing, especially of the leads who are like roommates raising a baby together, post timejump. A lot of it comes down to this writer and simply baaaaaad directing, but there is more to that. It is the pure dislike of the writer for romance in general. Watching this, you get the clear impression that he always found romance and calm scenes boring, and not just in regards of the leads. Every romance subplot we had in the first half was dropped after the worlds worst and most unneeded timejump, and forgotten about. The singular one we had aside the leads (romance, what romance?) with the youngest couple was a trashfire of circular on/off nonsense going nowhere. But oh well that fitted into the rest of the repetitive narrative dragging on to the point of complete suffering. Which, coincidentally was THE motto and theme for the last quarter of TRHC. Joy was killed as was the lead's romance before it could ever fully bloom and develop by this hack. And it got replaced by a onslaught of perpetual misery piled on misery, especially for the leads. Whose actors looked progressively more exhausted the longer this overwrought, pointless drama dragged on, reflecting the audience perfectly. It feels from eps 1 to 50 AJH and BJH have aged several years, and with this abysmal script and dialogue they were forced to follow i am not surprised. Because for the viewer aka myself, it was also just pure suffering and exhaustion to watch the backyard bin Iteration of Groundhog Day with everything repeating over and over, down to what i would call the worst written drama in recent years after Woori The Virgin.

So, in case you are insane enough to still want to watch this trainwreck on top of a flaming pile of garbage... my advice is still to run away and find something better to do with your time. Like take a walk, work out, pet a dog. So much that you can accomplish in 50 hours that is not watching this dungfilled, backwards ass mess. Failing that however, you best watch eps 1-33, mentally slap a one year timejump under it and go to eps 39, watch that. Then jump to 41 to see the leads register their marriage and then go DIRECTLY to eps 50 for closure. Do not stop at start and look at the mUh bLoODliNEs Kim Junha writers pet show this drama becomes in the last ten eps. I repeat: DO NOT STOP AND GO DIRECTLY TO THE ENDING EPISODE and thank me later for having spared you ten hours of your life as nothing of value happens in there. Except a lot of pointless bs and abusive man apologia but that is right in line with this wreck of a writer. AVOID.

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