Like opening a lot of time capsules from 20 years of their lives
This is hard to rate because it really depends on what you want from it. I wanted nothing in particular as I knew nothing but who the leads were from the poster… I loved my couple of hours with them because it really fit my wandering/daydreamy mind that was fine just quietly observing while curled up with a ball of fluff.
This is a slice of life… we are getting a moving image selection of time capsules of these characters’ lives, and where they are and who they are with in that moment is all you are getting, not some huge plot of what ifs, just a beautiful depiction of how the choices of each person at every stage made them grow, change, and all the same keep looking back and letting their hearts linger at a time long past. The child actress was an astonishingly good match, something I didn’t realize until I kept seeing them back and forth. She was also just plain good at connecting to this story in that quiet, nuanced way I see depicted in a lot of Japanese art. Minimalist in some ways, sure, but more like precision, a lack of clutter in what is shown so you see precisely what you should.
What you see? Beautiful cinematography, truly. The parts that are a bit more raw like the early months working in a cheese factory for the ML feel entirely intentional. When things are more harmonious, it is very clearly meant to convey the state of mind/level of comfort and peace in that singular moment. Everywhere is thoughtfully decorated, and this one warm older woman kept giving me Kim Hye Ja feels and I wanted her to feed me, too. Even the food, while only a few moments of it were shown, was really tender…
It is, from my viewing, about finding your home (your soul’s home in particular) and healing from things that made you run from even your happiest moments. The connections are not some pretty, perfect picture. They are realistic. The leads are understated in their expressions much of the time, her more than him, but their faces show pretty clearly how they are processing their emotions… you could probably turn off subs for 80% of this and still get 90% of what is said… ah, the music is also truly good, well-fitting for this film (which is actually “adapted from a song” which sure isn’t a tag I will see much, is it?). There is a bit of a shortcoming in the story itself a few places, mostly approaching the end, and I don’t love time skip endings in general (well, I particularly don’t like these barely there time skip endings… like why not show more between the ferry fireworks end of era capsule and the final one? I feel slightly, well, slighted there. Sure, it definitely works this way, but some things, even done well, make you ask “coulllldn’t you? We would be soooo happy to see this process after so many others were shown in such detail!” Alas, they jumped ahead in a way that felt a little disjointed and peculiar after the rest was so detailed in making sure the moments would linger…
I really found myself appreciating the hair and makeup stylists here!! They found the right ways to make time pass and make them seem definitely older, and that really helped in times when things were not going as desired. It was convincing, and they carried themselves in a way that matched the visuals the team crafted through makeup and hairstyles. The supporting cast were all just excellent, too.
So that is the spoiler free (slice of life doesn’t really have a ton of spoilers) reaction for this thread of fate being entwined, tangled, snapping, tied back together, etc. for every person in this whole film… the emotions are not loudly expressed very often, but they are palpable. Just know it feels a bit like an art film that is more about impressions left than any particular plot being carried out (almost 20 years of time are covered, so lots of small plot moments make the impressions, but they don’t directly connect in a linear fashion; rather, they culminate). It is reflective and has some flashbacks that some may not love. I would not want to watch this if my mind was busy/distracted. It is something to just immerse your eyes in and soak up, to feel as you observe… I didn’t find myself thinking about any what ifs at all. I just rode its wave which was gentle enough to sweep me here and there without making me drown in any place or lose my balance. The simple words “Are you okay?” becoming a grounding force for someone in a bit of a bad place is one of its most lovely details… those tiny words can make someone feel able to breathe again, able to smile. Okay, doesn’t hurt if the other is adorable and adoring.
This is a slice of life… we are getting a moving image selection of time capsules of these characters’ lives, and where they are and who they are with in that moment is all you are getting, not some huge plot of what ifs, just a beautiful depiction of how the choices of each person at every stage made them grow, change, and all the same keep looking back and letting their hearts linger at a time long past. The child actress was an astonishingly good match, something I didn’t realize until I kept seeing them back and forth. She was also just plain good at connecting to this story in that quiet, nuanced way I see depicted in a lot of Japanese art. Minimalist in some ways, sure, but more like precision, a lack of clutter in what is shown so you see precisely what you should.
What you see? Beautiful cinematography, truly. The parts that are a bit more raw like the early months working in a cheese factory for the ML feel entirely intentional. When things are more harmonious, it is very clearly meant to convey the state of mind/level of comfort and peace in that singular moment. Everywhere is thoughtfully decorated, and this one warm older woman kept giving me Kim Hye Ja feels and I wanted her to feed me, too. Even the food, while only a few moments of it were shown, was really tender…
It is, from my viewing, about finding your home (your soul’s home in particular) and healing from things that made you run from even your happiest moments. The connections are not some pretty, perfect picture. They are realistic. The leads are understated in their expressions much of the time, her more than him, but their faces show pretty clearly how they are processing their emotions… you could probably turn off subs for 80% of this and still get 90% of what is said… ah, the music is also truly good, well-fitting for this film (which is actually “adapted from a song” which sure isn’t a tag I will see much, is it?). There is a bit of a shortcoming in the story itself a few places, mostly approaching the end, and I don’t love time skip endings in general (well, I particularly don’t like these barely there time skip endings… like why not show more between the ferry fireworks end of era capsule and the final one? I feel slightly, well, slighted there. Sure, it definitely works this way, but some things, even done well, make you ask “coulllldn’t you? We would be soooo happy to see this process after so many others were shown in such detail!” Alas, they jumped ahead in a way that felt a little disjointed and peculiar after the rest was so detailed in making sure the moments would linger…
I really found myself appreciating the hair and makeup stylists here!! They found the right ways to make time pass and make them seem definitely older, and that really helped in times when things were not going as desired. It was convincing, and they carried themselves in a way that matched the visuals the team crafted through makeup and hairstyles. The supporting cast were all just excellent, too.
So that is the spoiler free (slice of life doesn’t really have a ton of spoilers) reaction for this thread of fate being entwined, tangled, snapping, tied back together, etc. for every person in this whole film… the emotions are not loudly expressed very often, but they are palpable. Just know it feels a bit like an art film that is more about impressions left than any particular plot being carried out (almost 20 years of time are covered, so lots of small plot moments make the impressions, but they don’t directly connect in a linear fashion; rather, they culminate). It is reflective and has some flashbacks that some may not love. I would not want to watch this if my mind was busy/distracted. It is something to just immerse your eyes in and soak up, to feel as you observe… I didn’t find myself thinking about any what ifs at all. I just rode its wave which was gentle enough to sweep me here and there without making me drown in any place or lose my balance. The simple words “Are you okay?” becoming a grounding force for someone in a bit of a bad place is one of its most lovely details… those tiny words can make someone feel able to breathe again, able to smile. Okay, doesn’t hurt if the other is adorable and adoring.
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